
This movie page looks at 1941 Top Grossing Movies. Finding box office information for movies made in the 1930s and 1940s is extremely difficult. For somebody looking for box office information on 1941 it is very very frustrating. Over the years, we have researched and collected information on over 33,000 movies. So we figured we would show all the 1941 movies in our database.
To make this list a movie had to be made in 1941. Obviously many movies made in 1940 earned box office dollars in 1941. On the other side many movies made in 1941 made money in 1942 and later. This page will looks at 139 1941 Top Grossing Movies. The movies are listed in a massive table that lets you rank the movies from Best to Worst in six different sortable columns of information.
The following massive table only includes the movies made in 1941 that are in our database. Since we are constantly adding new movies to our database….this page will quickly become obsolete. We will try and update this page on a regular basis.

Our UMR Top 50 of 1941
Year
Movie (Year)
Rating
S
Year Movie (Year) Rating S
1941
How Green Was My Valley (1941)
AA Best Picture Win

1941
The Little Foxes (1941)
AA Best Picture Nom

1941
Sergeant York (1941)
AA Best Picture Nom

1941
Suspicion (1941)
AA Best Picture Nom

1941
Citizen Kane (1941)
AA Best Picture Nom

1941
Ball of Fire (1941)

1941
Here Comes Mr. Jordan (1941)
AA Best Picture Nom

1941
Dumbo (1941)

1941
The Lady Eve (1941)

1941
The Maltese Falcon (1941)
AA Best Picture Nom

1941
Hold That Ghost (1941)

1941
Meet John Doe (1941)

1941
The Strawberry Blonde (1941)

1941
Love Crazy (1941)

1941
Sun Valley Serenade (1941)

1941
Blood and Sand (1941)

1941
49th Parallel (1941)
AA Best Picture Nom

1941
Shadow of the Thin Man (1941)

1941
They Died with Their Boots On (1941)

1941
Man Hunt (1941)

1941
Babes on Broadway (1941)

1941
The Devil and Miss Jones (1941)

1941
Road to Zanzibar (1941)

1941
Honky Tonk (1941)

1941
They Met in Bombay (1941)

1941
That Hamilton Woman (1941)

1941
Sullivan's Travels (1941)

1941
Johnny Eager (1941)

1941
Hellzapoppin' (1941)

1941
The Sea Wolf (1941)

1941
Birth of the Blues (1941)

1941
Hold Back the Dawn (1941)
AA Best Picture Nom

1941
Men of Boys Town (1941)

1941
Ziegfeld Girl (1941)

1941
One Foot in Heaven (1941)
AA Best Picture Nom

1941
High Sierra (1941)

1941
Blossoms in the Dust (1941)
AA Best Picture Nom

1941
H.M. Pulham, Esq. (1941)

1941
A Woman's Face (1941)

1941
Louisiana Purchase (1941)

1941
I Wake Up Screaming (1941)

1941
The Bride Came C.O.D. (1941)

1941
Buck Privates (1941)

1941
Charley's Aunt (1941)

1941
Tarzan's Secret Treasure (1941)

1941
Dr. Jekyll and Mr. Hyde (1941)

1941
The Corsican Brothers (1941)

1941
Caught in The Draft (1941)

1941
Week-End in Havana (1941)

1941
That Night in Rio (1941)

| Year | Movie (Year) | Rating | S |
|---|---|---|---|
| Year | Movie (Year) | Rating | S |
| 1941 | How Green Was My Valley (1941) AA Best Picture Win |
||
| 1941 | The Little Foxes (1941) AA Best Picture Nom |
||
| 1941 | Sergeant York (1941) AA Best Picture Nom |
||
| 1941 | Suspicion (1941) AA Best Picture Nom |
||
| 1941 | Citizen Kane (1941) AA Best Picture Nom |
||
| 1941 | Ball of Fire (1941) | ||
| 1941 | Here Comes Mr. Jordan (1941) AA Best Picture Nom |
||
| 1941 | Dumbo (1941) | ||
| 1941 | The Lady Eve (1941) | ||
| 1941 | The Maltese Falcon (1941) AA Best Picture Nom |
||
| 1941 | Hold That Ghost (1941) | ||
| 1941 | Meet John Doe (1941) | ||
| 1941 | The Strawberry Blonde (1941) | ||
| 1941 | Love Crazy (1941) | ||
| 1941 | Sun Valley Serenade (1941) | ||
| 1941 | Blood and Sand (1941) | ||
| 1941 | 49th Parallel (1941) AA Best Picture Nom |
||
| 1941 | Shadow of the Thin Man (1941) | ||
| 1941 | They Died with Their Boots On (1941) | ||
| 1941 | Man Hunt (1941) | ||
| 1941 | Babes on Broadway (1941) | ||
| 1941 | The Devil and Miss Jones (1941) | ||
| 1941 | Road to Zanzibar (1941) | ||
| 1941 | Honky Tonk (1941) | ||
| 1941 | They Met in Bombay (1941) | ||
| 1941 | That Hamilton Woman (1941) | ||
| 1941 | Sullivan's Travels (1941) | ||
| 1941 | Johnny Eager (1941) | ||
| 1941 | Hellzapoppin' (1941) | ||
| 1941 | The Sea Wolf (1941) | ||
| 1941 | Birth of the Blues (1941) | ||
| 1941 | Hold Back the Dawn (1941) AA Best Picture Nom |
||
| 1941 | Men of Boys Town (1941) | ||
| 1941 | Ziegfeld Girl (1941) | ||
| 1941 | One Foot in Heaven (1941) AA Best Picture Nom |
||
| 1941 | High Sierra (1941) | ||
| 1941 | Blossoms in the Dust (1941) AA Best Picture Nom |
||
| 1941 | H.M. Pulham, Esq. (1941) | ||
| 1941 | A Woman's Face (1941) | ||
| 1941 | Louisiana Purchase (1941) | ||
| 1941 | I Wake Up Screaming (1941) | ||
| 1941 | The Bride Came C.O.D. (1941) | ||
| 1941 | Buck Privates (1941) | ||
| 1941 | Charley's Aunt (1941) | ||
| 1941 | Tarzan's Secret Treasure (1941) | ||
| 1941 | Dr. Jekyll and Mr. Hyde (1941) | ||
| 1941 | The Corsican Brothers (1941) | ||
| 1941 | Caught in The Draft (1941) | ||
| 1941 | Week-End in Havana (1941) | ||
| 1941 | That Night in Rio (1941) |
1941 Top Grossing Movies Can Be Ranked 6 Ways In This Table
The really cool thing about this table is that it is “user-sortable”. Rank the movies anyway you want.
- Sort 1941 Top Grossing Movies by the stars or in some cases the director of the movie.
- Sort 1941 Top Grossing Movies by domestic actual box office grosses (in millions)
- Sort 1941 Top Grossing Movies by domestic adjusted box office grosses using current movie ticket cost (in millions)
- Sort 1941 Top Grossing Movies how they were received by critics and audiences. 60% rating or higher should indicate a good movie.
- Sort by how many Oscar® nominations and how many Oscar® wins each 1941 Top Grossing Movies received.
- Sort 1941 Top Grossing Movies by Ultimate Movie Ranking Score (UMR). Our UMR score puts box office, reviews and awards into a mathematical equation and gives each movie a score.
| R | Movie (Year) | UMR Co-Star Links | Adj. B.O. Worldwide (mil) | UMR Score | ||||||
|---|---|---|---|---|---|---|---|---|---|---|
| R | Movie (Year) | UMR Co-Star Links | Actual B.O. Domestic (mil) | Adj. B.O. Domestic (mil) | Adj. B.O. Worldwide (mil) | B.O. Rank by Year | Review | Oscar Nom / Win | UMR Score | S |
| 1 | How Green Was My Valley (1941) AA Best Picture Win |
Maureen O'Hara & Walter Pidgeon |
9.7 | 432.0 | 432.00 | 3 | 81 | 10 / 05 | 99.9 | |
| 5 | The Little Foxes (1941) AA Best Picture Nom |
Bette Davis & Teresa Wright |
4.4 | 195.3 | 317.70 | 39 | 87 | 09 / 00 | 99.4 | |
| 2 | Sergeant York (1941) AA Best Picture Nom |
Gary Cooper & Walter Brennan |
13.5 | 604.2 | 604.20 | 1 | 81 | 11 / 02 | 99.4 | |
| 4 | Suspicion (1941) AA Best Picture Nom |
Joan Fontaine & Cary Grant |
5.2 | 230.4 | 362.80 | 26 | 86 | 03 / 01 | 99.2 | |
| 9 | Citizen Kane (1941) AA Best Picture Nom |
Orson Welles & Joseph Cotten |
3.2 | 142.6 | 185.80 | 76 | 93 | 09 / 01 | 98.8 | |
| 4 | Ball of Fire (1941) | Barbara Stanwyck & Gary Cooper |
6.0 | 267.3 | 380.30 | 16 | 86 | 04 / 00 | 98.8 | |
| 8 | Here Comes Mr. Jordan (1941) AA Best Picture Nom |
Robert Montgomery & Claude Rains |
3.9 | 172.8 | 172.80 | 55 | 84 | 07 / 02 | 98.7 | |
| 5 | Dumbo (1941) | Disney Animated Movies | 9.7 | 432.0 | 596.90 | 2 | 85 | 02 / 01 | 98.6 | |
| 9 | The Lady Eve (1941) | Barbara Stanwyck & Henry Fonda |
4.5 | 201.6 | 201.60 | 36 | 87 | 01 / 00 | 98.6 | |
| 14 | The Maltese Falcon (1941) AA Best Picture Nom |
Humphrey Bogart & Peter Lorre |
3.4 | 153.7 | 269.60 | 68 | 91 | 03 / 00 | 98.2 | |
| 8 | Hold That Ghost (1941) | Bud Abbott & Richard Carlson |
5.2 | 230.4 | 230.40 | 25 | 85 | 00 / 00 | 98.1 | |
| 9 | Meet John Doe (1941) | Gary Cooper & Barbara Stanwyck |
5.3 | 234.9 | 345.00 | 23 | 82 | 01 / 00 | 97.8 | |
| 15 | The Strawberry Blonde (1941) | James Cagney & Olivia de Havilland |
4.5 | 200.2 | 268.90 | 38 | 80 | 01 / 00 | 97.3 | |
| 18 | Love Crazy (1941) | Myrna Loy & William Powell |
4.3 | 192.3 | 296.70 | 40 | 82 | 00 / 00 | 97.1 | |
| 11 | Sun Valley Serenade (1941) | Sonja Henie | 7.3 | 324.0 | 324.00 | 9 | 77 | 03 / 00 | 97.1 | |
| 12 | Blood and Sand (1941) | Tyrone Power & Rita Hayworth |
5.6 | 252.0 | 252.00 | 18 | 77 | 02 / 01 | 97.0 | |
| 17 | 49th Parallel (1941) AA Best Picture Nom |
Laurence Olivier & Leslie Howard |
3.9 | 172.8 | 172.80 | 57 | 78 | 03 / 01 | 97.0 | |
| 20 | Shadow of the Thin Man (1941) | Myrna Loy & William Powell |
4.7 | 209.2 | 331.40 | 34 | 77 | 00 / 00 | 96.4 | |
| 15 | They Died with Their Boots On (1941) | Errol Flynn & Olivia de Havilland |
6.0 | 269.4 | 578.10 | 15 | 77 | 00 / 00 | 96.4 | |
| 25 | Man Hunt (1941) | Walter Pidgeon & Joan Bennett |
4.5 | 201.6 | 201.60 | 37 | 76 | 00 / 00 | 96.3 | |
| 19 | Babes on Broadway (1941) | Judy Garland & Mickey Rooney |
7.6 | 340.3 | 555.70 | 8 | 75 | 01 / 00 | 96.2 | |
| 28 | The Devil and Miss Jones (1941) | Charles Coburn & Jean Arthur |
3.9 | 172.2 | 172.20 | 58 | 83 | 02 / 00 | 96.1 | |
| 28 | Road to Zanzibar (1941) | Bing Crosby & Bob Hope & Dorothy La |
4.2 | 189.7 | 189.70 | 41 | 78 | 00 / 00 | 96.0 | |
| 21 | Honky Tonk (1941) | Clark Gable & Lana Turner |
8.5 | 381.6 | 538.20 | 6 | 75 | 00 / 00 | 95.9 | |
| 20 | They Met in Bombay (1941) | Clark Gable & Peter Lorre |
5.0 | 223.8 | 362.20 | 27 | 75 | 00 / 00 | 95.9 | |
| 31 | That Hamilton Woman (1941) | Vivien Leigh & Laurence Olivier |
3.5 | 158.4 | 158.40 | 64 | 83 | 04 / 01 | 95.8 | |
| 31 | Sullivan's Travels (1941) | Joel McCrea & Veronica Lake |
3.7 | 165.6 | 165.60 | 62 | 85 | 00 / 00 | 95.8 | |
| 23 | Johnny Eager (1941) | Van Heflin & Lana Turner |
6.4 | 287.4 | 430.00 | 12 | 72 | 01 / 01 | 95.7 | |
| 24 | Hellzapoppin' (1941) | Martha Raye | 5.5 | 244.8 | 244.80 | 20 | 73 | 01 / 00 | 95.6 | |
| 35 | The Sea Wolf (1941) | John Garfield & Edward G. Robinson |
4.0 | 178.1 | 270.90 | 52 | 79 | 01 / 00 | 95.6 | |
| 27 | Birth of the Blues (1941) | Bing Crosby & Mary Martin |
5.0 | 223.2 | 223.20 | 28 | 72 | 01 / 00 | 95.4 | |
| 33 | Hold Back the Dawn (1941) AA Best Picture Nom |
Olivia de Havilland & Paulette Goddard |
2.9 | 129.6 | 129.60 | 86 | 84 | 06 / 00 | 95.3 | |
| 31 | Men of Boys Town (1941) | Spencer Tracy & Mickey Rooney |
6.9 | 309.6 | 309.60 | 11 | 71 | 00 / 00 | 95.0 | |
| 32 | Ziegfeld Girl (1941) | James Stewart & Lana Turner |
6.1 | 272.3 | 446.60 | 14 | 70 | 00 / 00 | 94.6 | |
| 38 | One Foot in Heaven (1941) AA Best Picture Nom |
Fredric March | 4.0 | 178.9 | 218.00 | 49 | 70 | 01 / 00 | 94.6 | |
| 36 | High Sierra (1941) | Humphrey Bogart | 3.4 | 153.1 | 214.40 | 69 | 85 | 00 / 00 | 94.6 | |
| 39 | Blossoms in the Dust (1941) AA Best Picture Nom |
Greer Garson & Walter Pidgeon |
4.1 | 183.2 | 382.80 | 44 | 64 | 04 / 01 | 94.3 | |
| 35 | H.M. Pulham, Esq. (1941) | Van Heflin & Hedy Lamarr |
4.7 | 211.0 | 211.00 | 32 | 69 | 00 / 00 | 94.3 | |
| 43 | A Woman's Face (1941) | Joan Crawford & Melvyn Douglas |
3.5 | 155.1 | 274.60 | 67 | 82 | 00 / 00 | 93.9 | |
| 37 | Louisiana Purchase (1941) | Bob Hope | 8.9 | 396.0 | 396.00 | 4 | 65 | 02 / 00 | 93.6 | |
| 46 | I Wake Up Screaming (1941) | Betty Grable & Victor Mature |
4.0 | 180.0 | 180.00 | 46 | 73 | 00 / 00 | 93.5 | |
| 40 | The Bride Came C.O.D. (1941) | James Cagney & Bette Davis |
4.7 | 209.7 | 307.70 | 33 | 66 | 00 / 00 | 93.4 | |
| 49 | Buck Privates (1941) | Bud Abbott & Andrews Sisters |
4.0 | 178.6 | 178.60 | 51 | 73 | 00 / 00 | 93.4 | |
| 41 | Charley's Aunt (1941) | Kay Francis | 7.7 | 345.6 | 345.60 | 7 | 65 | 00 / 00 | 93.1 | |
| 47 | Tarzan's Secret Treasure (1941) | Johnny Weissmuller & Maureen O'Sullivan |
4.6 | 205.2 | 468.20 | 35 | 65 | 00 / 00 | 93.1 | |
| 49 | Dr. Jekyll and Mr. Hyde (1941) | Spencer Tracy & Ingrid Bergman |
4.1 | 184.2 | 338.60 | 43 | 68 | 03 / 00 | 93.0 | |
| 50 | The Corsican Brothers (1941) | 4.2 | 187.2 | 187.20 | 42 | 68 | 01 / 00 | 93.0 | ||
| 43 | Caught in The Draft (1941) | Bob Hope & Dorothy Lamour |
7.1 | 316.8 | 316.80 | 10 | 65 | 00 / 00 | 92.9 | |
| 44 | Week-End in Havana (1941) | Alice Faye & Musicals |
5.6 | 252.0 | 252.00 | 19 | 65 | 00 / 00 | 92.8 | |
| 45 | That Night in Rio (1941) | Don Ameche | 5.2 | 230.4 | 230.40 | 24 | 64 | 00 / 00 | 92.7 | |
| 52 | Manpower (1941) | Edward G. Robinson & Marlene Dietrich |
3.8 | 169.9 | 265.30 | 60 | 72 | 00 / 00 | 92.2 | |
| 53 | The Great Lie (1941) | Mary Astor & Bette Davis |
3.9 | 174.4 | 288.30 | 54 | 69 | 01 / 01 | 92.2 | |
| 51 | Penny Serenade (1941) | Cary Grant & Irene Dunne |
3.2 | 144.0 | 193.90 | 72 | 79 | 01 / 00 | 92.0 | |
| 61 | Keep 'Em Flying (1941) | Bud Abbott & Martha Raye |
4.0 | 179.0 | 179.00 | 47 | 68 | 00 / 00 | 91.6 | |
| 62 | In The Navy (1941) | Bud Abbott & Dick Powell |
4.0 | 178.8 | 178.80 | 50 | 68 | 00 / 00 | 91.6 | |
| 61 | Ladies in Retirement (1941) | 3.5 | 158.4 | 158.40 | 66 | 72 | 02 / 00 | 91.5 | ||
| 57 | It Started with Eve (1941) | Deanna Durbin & Charles Laughton |
2.9 | 129.6 | 129.60 | 85 | 82 | 01 / 00 | 91.4 | |
| 54 | Life Begins for Andy Hardy (1941) | Judy Garland & Mickey Rooney |
5.4 | 242.5 | 359.20 | 21 | 58 | 00 / 00 | 90.5 | |
| 55 | Tobacco Road (1941) | Dana Andrews & Gene Tierney |
5.3 | 237.6 | 237.60 | 22 | 58 | 00 / 00 | 90.5 | |
| 56 | Dive Bomber (1941) | Errol Flynn & Fred MacMurray |
5.7 | 252.7 | 376.30 | 17 | 57 | 01 / 00 | 90.5 | |
| 57 | Aloma of the South Seas (1941) | Dorothy Lamour | 4.8 | 216.0 | 216.00 | 31 | 56 | 02 / 00 | 90.4 | |
| 64 | The Shanghai Gesture (1941) | Gene Tierney & Victor Mature |
3.5 | 158.4 | 158.40 | 65 | 68 | 02 / 00 | 90.0 | |
| 62 | A Yank in the RAF (1941) | Tyrone Power & Betty Grable |
8.9 | 396.0 | 396.00 | 5 | 55 | 01 / 00 | 89.8 | |
| 63 | Billy The Kid (1941) | Robert Taylor | 6.3 | 279.8 | 411.40 | 13 | 55 | 01 / 00 | 89.8 | |
| 66 | Remember The Day (1941) | Claudette Colbert & John Payne |
3.5 | 158.4 | 158.40 | 63 | 68 | 00 / 00 | 89.2 | |
| 68 | Topper Returns (1941) | Joan Blondell | 2.6 | 117.0 | 117.00 | 93 | 77 | 02 / 00 | 88.6 | |
| 70 | Look Who's Laughing (1941) | Lucille Ball | 3.8 | 171.8 | 183.50 | 59 | 61 | 00 / 00 | 88.4 | |
| 67 | Andy Hardy's Private Secretary (1941) | Mickey Rooney & Kathryn Grayson |
4.9 | 219.8 | 345.90 | 29 | 52 | 00 / 00 | 88.4 | |
| 68 | Belle Starr (1941) | Randolph Scott & Gene Tierney |
4.8 | 216.0 | 216.00 | 30 | 52 | 00 / 00 | 88.2 | |
| 72 | Nothing But The Truth (1941) | Bob Hope & Paulette Goddard |
4.1 | 181.2 | 181.20 | 45 | 58 | 00 / 00 | 88.2 | |
| 68 | Moon Over Miami (1941) | Betty Grable & Don Ameche |
3.1 | 136.8 | 136.80 | 81 | 71 | 00 / 00 | 88.0 | |
| 76 | Navy Blues (1941) | Ann Sheridan | 4.0 | 179.0 | 263.00 | 48 | 56 | 00 / 00 | 87.4 | |
| 74 | Bedtime Story (1941) | Fredric March | 3.2 | 143.0 | 143.00 | 75 | 67 | 00 / 00 | 87.3 | |
| 72 | Come Live with Me (1941) | James Stewart & Hedy Lamarr |
2.7 | 121.7 | 121.70 | 92 | 74 | 00 / 00 | 87.2 | |
| 73 | The Wolf Man (1941) | Claude Rains & Bela Lugosi |
2.4 | 106.0 | 106.00 | 100 | 78 | 00 / 00 | 87.1 | |
| 78 | Lady Be Good (1941) | Red Skelton & Eleanor Powell |
3.4 | 151.1 | 244.70 | 70 | 62 | 01 / 01 | 87.0 | |
| 74 | So Ends Our Night (1941) | Fredric March & Margaret Sullavan |
2.4 | 105.8 | 105.80 | 101 | 77 | 01 / 00 | 87.0 | |
| 76 | You'll Never Get Rich (1941) | Fred Astaire & Rita Hayworth |
3.2 | 144.2 | 144.20 | 71 | 64 | 02 / 00 | 86.9 | |
| 77 | Whistling in the Dark (1941) | Red Skelton | 3.2 | 144.0 | 144.00 | 73 | 66 | 00 / 00 | 86.8 | |
| 80 | Tom, Dick and Harry (1941) | Ginger Rogers | 3.9 | 176.1 | 234.40 | 53 | 54 | 01 / 00 | 86.5 | |
| 84 | When Ladies Meet (1941) | Joan Crawford & Greer Garson |
3.7 | 167.3 | 265.80 | 61 | 55 | 01 / 00 | 85.7 | |
| 80 | Unholy Partners (1941) | Edward G. Robinson | 3.1 | 140.3 | 140.30 | 78 | 64 | 00 / 00 | 85.6 | |
| 82 | Unfinished Business (1941) | Irene Dunne & Robert Montgomery |
3.1 | 136.8 | 136.80 | 80 | 64 | 00 / 00 | 85.3 | |
| 85 | You Belong To Me (1941) | Barbara Stanwyck & Henry Fonda |
3.9 | 172.8 | 172.80 | 56 | 53 | 00 / 00 | 85.3 | |
| 84 | Back Street (1941) | Margaret Sullavan | 2.9 | 131.3 | 131.30 | 84 | 66 | 00 / 00 | 85.2 | |
| 89 | Great Guns (1941) | Laurel and Hardy | 3.1 | 139.3 | 139.30 | 79 | 62 | 00 / 00 | 84.8 | |
| 84 | Nice Girl? (1941) | Deanna Durbin & Walter Brennan |
2.6 | 115.2 | 115.20 | 94 | 69 | 00 / 00 | 84.7 | |
| 90 | The Shepherd of the Hills (1941) | John Wayne | 3.2 | 143.4 | 143.40 | 74 | 60 | 00 / 00 | 84.5 | |
| 90 | I Wanted Wings (1941) | William Holden & Ray Milland |
3.1 | 136.8 | 136.80 | 82 | 62 | 00 / 00 | 84.5 | |
| 89 | Western Union (1941) | Randolph Scott & Robert Young |
2.6 | 114.6 | 114.60 | 95 | 68 | 00 / 00 | 84.2 | |
| 86 | Never Give a Sucker an Even Break (1941) | W.C. Fields | 2.2 | 100.1 | 100.10 | 107 | 73 | 00 / 00 | 84.2 | |
| 93 | The Great American Broadcast (1941) | Alice Faye | 3.0 | 131.8 | 131.80 | 83 | 62 | 00 / 00 | 83.7 | |
| 91 | Footsteps in the Dark (1941) | Errol Flynn & Brenda Marshall |
2.3 | 104.3 | 171.10 | 103 | 69 | 00 / 00 | 83.1 | |
| 96 | Mr. & Mrs. Smith (1941) | Carole Lombard & Robert Montgomery |
3.2 | 141.3 | 201.60 | 77 | 57 | 00 / 00 | 83.0 | |
| 96 | Two-Faced Woman (1941) | Greta Garbo & Melvyn Douglas |
2.8 | 126.0 | 259.20 | 89 | 62 | 00 / 00 | 83.0 | |
| 94 | Swamp Water (1941) | Dana Andrews & Walter Brennan |
2.5 | 109.6 | 109.60 | 97 | 67 | 00 / 00 | 82.9 | |
| 98 | Smilin' Through (1941) | Jeanette MacDonald | 2.8 | 125.0 | 346.20 | 91 | 62 | 00 / 00 | 82.6 | |
| 103 | Married Bachelor (1941) | Robert Young | 2.9 | 129.3 | 129.30 | 87 | 58 | 00 / 00 | 81.3 | |
| 104 | Four Mothers (1941) | Claude Rains & Priscilla Lane |
2.9 | 129.2 | 129.20 | 88 | 58 | 00 / 00 | 81.3 | |
| 98 | All That Money Can Buy/Devil & Daniel Webster (1941) | Walter Huston | 1.0 | 46.8 | 46.80 | 169 | 81 | 02 / 01 | 81.2 | |
| 100 | The Trial of Mary Dugan (1941) | Robert Young | 2.3 | 103.0 | 103.00 | 104 | 66 | 00 / 00 | 81.2 | |
| 97 | Reaching For The Sun (1941) | Joel McCrea | 1.6 | 72.8 | 72.80 | 142 | 75 | 00 / 00 | 80.9 | |
| 102 | The Big Store (1941) | Marx Brothers | 2.5 | 113.6 | 189.20 | 96 | 62 | 00 / 00 | 80.9 | |
| 104 | 'Pimpernel' Smith (1941) | Leslie Howard | 1.4 | 61.3 | 61.30 | 150 | 76 | 00 / 00 | 79.4 | |
| 105 | Wild Geese Calling (1941) | Henry Fonda & Joan Bennett |
2.4 | 108.0 | 108.00 | 98 | 61 | 00 / 00 | 79.3 | |
| 106 | Dangerously They Live (1941) | John Garfield | 2.1 | 92.3 | 129.90 | 113 | 65 | 00 / 00 | 78.6 | |
| 105 | Blues in the Night (1941) | Priscilla Lane | 1.8 | 80.4 | 119.70 | 132 | 67 | 01 / 00 | 78.4 | |
| 107 | Maisie Was A Lady (1941) | Maureen O'Sullivan | 2.0 | 91.3 | 91.30 | 114 | 65 | 00 / 00 | 78.4 | |
| 111 | The Lady From Cheyenne (1941) | Loretta Young | 2.1 | 93.2 | 93.20 | 112 | 63 | 00 / 00 | 77.6 | |
| 111 | Million Dollar Baby (1941) | Ronald Reagan | 2.3 | 100.7 | 132.20 | 106 | 60 | 00 / 00 | 77.4 | |
| 110 | A Girl, a Guy, and a Gob (1941) | Lucille Ball | 1.9 | 83.2 | 122.10 | 123 | 66 | 00 / 00 | 77.4 | |
| 111 | Barnacle Bill (1941) | Wallace Beery | 1.8 | 78.7 | 78.70 | 135 | 67 | 00 / 00 | 77.1 | |
| 113 | That Uncertain Feeling (1941) | Merle Oberon & Melvyn Douglas |
1.8 | 82.5 | 82.50 | 125 | 65 | 01 / 00 | 77.1 | |
| 112 | Skylark (1941) | Claudette Colbert & Ray Milland |
1.7 | 75.5 | 75.50 | 139 | 67 | 01 / 00 | 77.0 | |
| 122 | Adam Had Four Sons (1941) | Ingrid Bergman & Susan Hayward |
2.2 | 99.1 | 99.10 | 108 | 59 | 00 / 00 | 76.5 | |
| 114 | The Reluctant Dragon (1941) | Alan Ladd & Robert Benchley |
1.5 | 66.2 | 66.20 | 145 | 70 | 00 / 00 | 76.4 | |
| 116 | Major Barbara (1941) | Rex Harrison | 1.7 | 73.8 | 73.80 | 141 | 67 | 00 / 00 | 76.4 | |
| 115 | Last of the Duanes (1941) | 1.5 | 65.7 | 65.70 | 147 | 70 | 00 / 00 | 76.3 | ||
| 120 | International Lady (1941) | George Brent | 2.0 | 89.5 | 89.50 | 119 | 62 | 00 / 00 | 76.3 | |
| 117 | Ridin’ on a Rainbow (1941) | 1.8 | 79.1 | 79.10 | 133 | 65 | 01 / 00 | 76.3 | ||
| 123 | The Bad Man (1941) | Ronald Reagan & Lionel Barrymore |
2.3 | 102.9 | 102.90 | 105 | 57 | 00 / 00 | 75.8 | |
| 120 | You're In The Army Now (1941) | Jane Wyman | 1.8 | 78.9 | 78.90 | 134 | 65 | 00 / 00 | 75.6 | |
| 120 | The Perfect Snob (1941) | 1.8 | 81.3 | 81.30 | 129 | 64 | 00 / 00 | 75.6 | ||
| 125 | Go West, Young Lady (1941) | Glenn Ford | 2.2 | 97.2 | 97.20 | 110 | 59 | 00 / 00 | 75.5 | |
| 127 | Appointment For Love (1941) | Margaret Sullavan | 2.0 | 89.8 | 89.80 | 117 | 59 | 01 / 00 | 74.7 | |
| 128 | Sundown (1941) | Gene Tierney & George Sanders |
2.8 | 125.8 | 185.20 | 90 | 46 | 03 / 00 | 74.7 | |
| 126 | The People vs. Dr. Kildare (1941) | Red Skelton & Lionel Barrymore |
2.2 | 98.6 | 98.60 | 109 | 57 | 00 / 00 | 74.7 | |
| 127 | One Night in Lisbon (1941) | Fred MacMurray | 1.4 | 61.4 | 61.40 | 149 | 68 | 00 / 00 | 73.9 | |
| 128 | The Wagons Roll at Night (1941) | Humphrey Bogart & Sylvia Sidney |
1.8 | 81.4 | 131.90 | 127 | 62 | 00 / 00 | 73.8 | |
| 130 | Three Girls About Town (1941) | Joan Blondell | 1.2 | 54.5 | 54.50 | 160 | 70 | 00 / 00 | 73.3 | |
| 132 | Design For Scandal (1941) | Walter Pidgeon & Rosalind Russell |
2.1 | 94.9 | 152.20 | 111 | 57 | 00 / 00 | 73.1 | |
| 129 | Adventure in Washington (1941) | Herbert Marshall | 1.8 | 78.6 | 78.60 | 137 | 62 | 00 / 00 | 73.0 | |
| 131 | She Knew All The Answers (1941) | Joan Bennett | 2.0 | 87.6 | 87.60 | 121 | 59 | 00 / 00 | 72.8 | |
| 135 | Playmates (1941) | John Barrymore | 2.3 | 104.8 | 118.40 | 102 | 53 | 00 / 00 | 72.4 | |
| 134 | Dr. Kildare's Wedding Day (1941) | Red Skelton & Lionel Barrymore |
2.0 | 88.6 | 88.60 | 120 | 57 | 00 / 00 | 71.8 | |
| 138 | Rise and Shine (1941) | Linda Darnell & Walter Brennan |
2.0 | 90.1 | 90.10 | 115 | 56 | 00 / 00 | 71.2 | |
| 138 | Kathleen (1941) | Shirley Temple & Herbert Marshall |
1.7 | 74.2 | 74.20 | 140 | 61 | 00 / 00 | 70.6 | |
| 138 | Flight From Destiny (1941) | Geraldine Fitzgerald | 1.6 | 70.4 | 70.40 | 144 | 62 | 00 / 00 | 70.4 | |
| 136 | They Dare Not Love (1941) | Paul Lukas | 1.5 | 65.7 | 65.70 | 146 | 63 | 00 / 00 | 70.4 | |
| 142 | My Life with Caroline (1941) | Ronald Colman & Anna Lee |
1.7 | 76.3 | 119.50 | 138 | 59 | 00 / 00 | 69.9 | |
| 141 | The Getaway (1941) | Donna Reed | 1.8 | 81.3 | 81.30 | 130 | 58 | 00 / 00 | 69.8 | |
| 144 | The Feminine Touch (1941) | Kay Francis & Van Heflin |
2.0 | 89.7 | 89.70 | 118 | 55 | 00 / 00 | 69.6 | |
| 146 | Rage in Heaven (1941) | Ingrid Bergman & Robert Montgomery |
2.0 | 90.0 | 90.00 | 116 | 54 | 00 / 00 | 68.9 | |
| 143 | Virginia (1941) | Fred MacMurray | 1.3 | 56.8 | 56.80 | 159 | 64 | 00 / 00 | 68.3 | |
| 148 | Paris Calling (1941) | Randolph Scott | 1.8 | 78.7 | 78.70 | 136 | 57 | 00 / 00 | 68.3 | |
| 145 | Bahama Passage (1941) | Dorothy Dandridge | 1.3 | 59.6 | 59.60 | 154 | 63 | 00 / 00 | 68.2 | |
| 148 | Shining Victory (1941) | Donald Crisp | 1.2 | 53.1 | 53.10 | 162 | 64 | 00 / 00 | 66.9 | |
| 148 | Cheers For Miss Bishop (1941) | Edmund Gwenn | 0.8 | 36.5 | 36.50 | 186 | 68 | 01 / 00 | 66.6 | |
| 150 | Scotland Yard (1941) | 1.5 | 64.8 | 64.80 | 148 | 60 | 00 / 00 | 66.5 | ||
| 153 | Model Wife (1941) | Dick Powell & Joan Blondell |
1.9 | 83.7 | 83.70 | 122 | 54 | 00 / 00 | 66.1 | |
| 149 | The Flame of New Orleans (1941) | Marlene Dietrich & Bruce Cabot |
1.3 | 57.6 | 57.60 | 157 | 61 | 01 / 00 | 65.9 | |
| 154 | Honeymoon for Three (1941) | Ann Sheridan | 1.8 | 81.4 | 109.90 | 128 | 54 | 00 / 00 | 65.6 | |
| 149 | Lydia (1941) | Joseph Cotten & Merle Oberon |
1.0 | 45.0 | 45.00 | 176 | 65 | 01 / 00 | 65.3 | |
| 152 | Pacific Blackout (1941) | Robert Preston | 1.0 | 46.3 | 46.30 | 172 | 64 | 00 / 00 | 63.9 | |
| 158 | Parachute Battalion (1941) | Robert Preston | 1.6 | 70.5 | 70.50 | 143 | 56 | 00 / 00 | 63.3 | |
| 156 | Man At Large (1941) | 1.2 | 52.2 | 52.20 | 164 | 61 | 00 / 00 | 62.9 | ||
| 155 | Sunny (1941) | Edward Everett Horton | 1.8 | 75.8 | 148.40 | 131 | 52 | 01 / 00 | 62.7 | |
| 157 | The Black Cat (1941) | Basil Rathbone & Alan Ladd |
0.9 | 40.5 | 40.50 | 181 | 65 | 00 / 00 | 62.5 | |
| 164 | Out of the Fog (1941) | John Garfield | 1.9 | 82.8 | 82.80 | 124 | 51 | 00 / 00 | 62.4 | |
| 161 | Kiss The Boys Goodbye (1941) | Don Ameche | 1.3 | 59.8 | 59.80 | 152 | 58 | 00 / 00 | 62.2 | |
| 160 | Sing For Your Supper (1941) | 1.0 | 46.7 | 46.70 | 170 | 62 | 00 / 00 | 61.8 | ||
| 161 | The Singing Hill (1941) | 0.8 | 36.3 | 36.30 | 187 | 65 | 00 / 00 | 61.5 | ||
| 162 | Sunset in Wyoming (1941) | 0.4 | 19.4 | 19.40 | 218 | 70 | 00 / 00 | 60.7 | ||
| 163 | The Chocolate Soldier (1941) | 1.1 | 47.2 | 47.20 | 167 | 59 | 03 / 00 | 60.5 | ||
| 167 | Texas (1941) | William Holden & Glenn Ford |
2.4 | 107.3 | 107.30 | 99 | 42 | 00 / 00 | 60.0 | |
| 165 | Ellery Queen and the Murder Ring (1941) | 0.9 | 41.7 | 41.70 | 179 | 62 | 00 / 00 | 58.9 | ||
| 166 | Ellery Queen and the Perfect Crime (1941) | 1.0 | 44.0 | 44.00 | 177 | 61 | 00 / 00 | 58.3 | ||
| 170 | Bad Men of Missouri (1941) | Jane Wyman & Dennis Morgan |
1.3 | 56.9 | 56.90 | 158 | 57 | 00 / 00 | 58.3 | |
| 170 | Among The Living (1941) | Susan Hayward | 1.3 | 59.9 | 59.90 | 151 | 55 | 00 / 00 | 57.6 | |
| 169 | A Man Betrayed (1941) | John Wayne | 1.0 | 45.1 | 45.10 | 174 | 60 | 00 / 00 | 57.3 | |
| 174 | Father Takes a Wife (1941) | 1.3 | 57.8 | 57.80 | 155 | 56 | 00 / 00 | 57.2 | ||
| 177 | Our Wife (1941) | 1.3 | 59.8 | 59.80 | 153 | 55 | 00 / 00 | 56.8 | ||
| 172 | Confirm Or Deny (1941) | Don Ameche & Joan Bennett |
1.1 | 48.8 | 48.80 | 166 | 58 | 00 / 00 | 56.8 | |
| 176 | Lady from Louisana (1941) | John Wayne | 1.2 | 53.6 | 53.60 | 161 | 57 | 00 / 00 | 56.6 | |
| 172 | Strange Alibi (1941) | 0.7 | 32.7 | 44.10 | 192 | 63 | 00 / 00 | 56.5 | ||
| 171 | Down Mexico Way (1941) | 0.5 | 22.6 | 22.60 | 214 | 66 | 00 / 00 | 56.3 | ||
| 178 | The Night of January 16th (1941) | 0.9 | 41.0 | 41.00 | 180 | 60 | 00 / 00 | 55.8 | ||
| 177 | The Penalty (1941) | Edward Arnold | 0.6 | 26.6 | 26.60 | 209 | 65 | 00 / 00 | 55.7 | |
| 185 | International Squadron (1941) | Ronald Reagan | 1.8 | 81.8 | 81.80 | 126 | 47 | 00 / 00 | 54.9 | |
| 181 | Sis Hoskins (1941) | Susan Hayward | 1.0 | 45.5 | 45.50 | 173 | 57 | 01 / 00 | 54.8 | |
| 177 | Naval Academy (1941) | 0.7 | 28.7 | 28.70 | 198 | 63 | 00 / 00 | 54.5 | ||
| 186 | The Smiling Ghost (1941) | Alexis Smith | 1.0 | 46.4 | 62.60 | 171 | 57 | 00 / 00 | 53.9 | |
| 182 | The Men In Her Life (1941) | 0.8 | 34.5 | 34.50 | 188 | 60 | 01 / 00 | 53.8 | ||
| 181 | Back in the Saddle (1941) | 0.6 | 25.3 | 25.30 | 211 | 64 | 00 / 00 | 53.7 | ||
| 183 | Quiet Wedding (1941) | 0.6 | 25.2 | 25.20 | 208 | 63 | 00 / 00 | 53.3 | ||
| 185 | Highway West (1941) | 0.7 | 29.7 | 29.70 | 201 | 62 | 00 / 00 | 52.4 | ||
| 190 | They Meet in Argentina (1941) | Maureen O'Hara | 1.2 | 51.4 | 51.40 | 165 | 55 | 00 / 00 | 52.3 | |
| 189 | The Devil Commands (1941) | Boris Karloff | 0.7 | 31.1 | 31.10 | 195 | 61 | 00 / 00 | 51.3 | |
| 187 | Jeannie (1941) | 0.2 | 6.7 | 6.70 | 228 | 68 | 00 / 00 | 51.1 | ||
| 188 | Under Fiesta Stars (1941) | 0.6 | 28.9 | 28.90 | 203 | 61 | 00 / 00 | 50.9 | ||
| 191 | The Mad Doctor (1941) | 0.5 | 21.8 | 21.80 | 212 | 63 | 00 / 00 | 50.1 | ||
| 192 | Nine Lives Are Not Enough (1941) | Ronald Reagan | 0.7 | 30.4 | 43.10 | 199 | 60 | 00 / 00 | 49.6 | |
| 195 | Pot O' Gold (1941) | James Stewart & Paulette Goddard |
1.0 | 45.0 | 45.00 | 175 | 55 | 00 / 00 | 48.8 | |
| 192 | Free And Easy (1941) | Robert Cummings | 0.7 | 29.5 | 48.00 | 202 | 60 | 00 / 00 | 48.5 | |
| 194 | The Monster and the Girl (1941) | 0.9 | 38.9 | 38.90 | 182 | 57 | 00 / 00 | 48.4 | ||
| 192 | Ringside Maisie (1941) | 0.4 | 15.0 | 15.00 | 221 | 64 | 00 / 00 | 48.0 | ||
| 197 | Thieves Fall Out (1941) | Anthony Quinn | 0.9 | 38.2 | 38.20 | 184 | 57 | 00 / 00 | 47.8 | |
| 199 | World Premire (1941) | John Barrymore | 0.7 | 30.3 | 30.30 | 200 | 58 | 00 / 00 | 46.2 | |
| 200 | Law of the Tropics (1941) | Constance Bennett | 1.2 | 49.8 | 75.10 | 163 | 52 | 00 / 00 | 46.0 | |
| 197 | Niagara Falls (1941) | Zasu Pitts | 0.5 | 21.3 | 29.60 | 213 | 61 | 00 / 00 | 45.9 | |
| 203 | Affectionately Yours (1941) | Rita Hayworth & Merle Oberon |
1.3 | 57.6 | 88.10 | 156 | 49 | 00 / 00 | 45.4 | |
| 200 | I'll Wait for You (1941) | Marsha Hunt | 0.5 | 22.5 | 22.50 | 215 | 59 | 00 / 00 | 43.3 | |
| 203 | Broadway Limited (1941) | Victor McLaglen | 0.8 | 37.1 | 37.10 | 185 | 54 | 00 / 00 | 41.5 | |
| 203 | Peer Gynt (1941) | Charlton Heston | 0.1 | 3.6 | 3.60 | 229 | 64 | 00 / 00 | 41.2 | |
| 206 | Week-End for Three (1941) | Dennis O'Keefe | 1.1 | 44.2 | 44.20 | 168 | 51 | 00 / 00 | 40.5 | |
| 206 | The Man Who Lost Himself (1941) | Kay Francis | 1.0 | 43.0 | 43.00 | 178 | 51 | 00 / 00 | 40.0 | |
| 207 | The Body Disappears (1941) | Jane Wyman | 0.3 | 12.6 | 16.40 | 224 | 60 | 00 / 00 | 38.1 | |
| 207 | The Remarkable Mr. Kipps (1941) | Michael Redgrave | 0.2 | 8.6 | 8.60 | 226 | 61 | 00 / 00 | 37.6 | |
| 208 | Spooks Run Wild (1941) | 0.9 | 35.9 | 35.90 | 183 | 52 | 00 / 00 | 37.2 | ||
| 208 | Three Sons o' Guns (1941) | Susan Peters | 0.7 | 30.6 | 33.80 | 193 | 54 | 00 / 00 | 37.2 | |
| 211 | Badlands of Dakota (1941) | Francis Farmer | 0.7 | 30.8 | 30.80 | 196 | 54 | 00 / 00 | 36.7 | |
| 210 | This Was Paris (1941) | 0.6 | 27.3 | 27.30 | 207 | 55 | 00 / 00 | 36.6 | ||
| 215 | Lady Scarface (1941) | 0.6 | 28.9 | 28.90 | 204 | 53 | 00 / 00 | 34.0 | ||
| 212 | The Deadly Game (1941) | 0.3 | 13.7 | 13.70 | 222 | 58 | 00 / 00 | 33.7 | ||
| 213 | Scattergood Pulls the Strings (1941) | 0.6 | 25.8 | 25.80 | 206 | 54 | 00 / 00 | 33.7 | ||
| 214 | This Woman Is Mine (1941) | Franchot Tone & Leo G. Carroll |
0.4 | 18.0 | 18.00 | 219 | 56 | 01 / 00 | 33.5 | |
| 218 | Paper Bullets (1941) | Alan Ladd & Joan Woodbury |
0.6 | 28.8 | 28.80 | 205 | 53 | 00 / 00 | 33.2 | |
| 218 | Unexpected Uncle (1941) | 0.7 | 32.8 | 32.80 | 191 | 51 | 00 / 00 | 32.2 | ||
| 221 | Moonlight in Hawaii (1941) | 0.7 | 33.4 | 33.40 | 189 | 50 | 00 / 00 | 30.3 | ||
| 220 | Atlantic Ferry (1941) | 0.4 | 17.2 | 17.20 | 220 | 55 | 00 / 00 | 30.3 | ||
| 222 | Knockout (1941) | Anthony Quinn | 0.7 | 33.1 | 33.10 | 190 | 50 | 00 / 00 | 30.2 | |
| 217 | Sierra Sue (1941) | 0.0 | 1.4 | 1.40 | 231 | 60 | 00 / 00 | 30.2 | ||
| 220 | Miss Polly (1941) | Zasu Pitts | 0.5 | 19.6 | 27.50 | 217 | 54 | 00 / 00 | 29.7 | |
| 223 | Melody For Three (1941) | 0.6 | 25.4 | 25.40 | 210 | 52 | 00 / 00 | 28.9 | ||
| 226 | New York Town (1941) | Fred MacMurray | 0.7 | 30.7 | 30.70 | 197 | 49 | 00 / 00 | 27.6 | |
| 224 | Steel Against the Sky (1941) | Alexis Smith | 0.2 | 9.9 | 13.60 | 225 | 55 | 00 / 00 | 26.1 | |
| 228 | Play Girl (1941) | Kay Francis | 0.7 | 31.5 | 45.20 | 194 | 48 | 00 / 00 | 24.9 | |
| 226 | The Prime Minister (1941) | 0.1 | 2.3 | 5.30 | 230 | 57 | 00 / 00 | 24.6 | ||
| 228 | Forced Landing (1941) | 0.3 | 13.7 | 13.70 | 223 | 52 | 00 / 00 | 22.8 | ||
| 229 | South of Tahiti (1941) | Broderick Crawford | 0.2 | 7.3 | 7.30 | 227 | 51 | 00 / 00 | 17.8 | |
| 230 | Raiders of the Desert (1941) | 0.5 | 21.6 | 21.60 | 216 | 45 | 00 / 00 | 15.6 |
My Main Sources
Source 1: Eddie Mannix MGM Ledgers
Source 2: C.J. Tevlin RKO Ledgers
Source 3: Variety Magazine – January 6th 1943
Source 4: Year In Review Variety Editions – 1941,1942,1947,1954,1961,1968,1971,1974
Source 5: Grand Design: Hollywood As A Modern Business Enterprise 1930-1942 by Tino Balio
Source 6: Twentieth Century-Fox A Corporate and Financial History by Aubrey Solomon
Source 7: Wikipedia
Source 8: IMDb.com
Source 9: “Revenue sharing and the coming of sound” by H. Mark Glancy
Source 10: Hollywood Power Stats by Christopher Reynolds
My Yearly Review Pages
- 1939 Movies Ranked Best to Worst Our movie of the year? Gone With The Wind
- 1942 Movies Ranked Best to Worst Our movie of the year? Mrs. Miniver
- 1946 Movies Ranked Best to Worst Our movie of the year? The Best Years of Our Lives
- 1952 Movies Ranked Best to Worst Our movie of the year? Greatest Show On Earth
- 1959 Movies Ranked Best to Worst Our movie of the year? Ben-Hur
- 1976 Movies Ranked Best to Worst Our movie of the year? Rocky
- 2011 Movies Ranked Best to Worst Our movie of the year? The Help
- 2012 Movies Ranked Best to Worst Our movie of the year? Argo
- 2013 Movies Ranked Best to Worst Our movie of the year? Gravity
- 2014 Movies Ranked Best to Worst Our movie of the year? American Sniper
- 2015 Movies Ranked Best to Worst Our movie of the year? The Martian
- 2016 Movies Ranked Best to Worst Our movie of the year? La La Land
If you do a comment….please ignore the email address and website section.

Hello Bruce.
I’ve been noticing that some of the gross figures are actually worldwide gross. For instance you have THE MALTESE FALCON having grossed $5,700,000. Warner Bros. reports that the film had
$967,000 domestic rentals, $805,000 foreign rentals and $1,772,000 worldwide rentals. You have
Bright Eyes (1934) having a gross of $5,800,000, and I’m wondering if this is a worldwide gross as
well. Please let me know if I’m wrong.
Thanks, Bruce, this is still a favorite site for box office information.
Hey Lyle……it seems I remember a reason for having the box office a little higher than the domestic rentals would calculate to on Maltese Falcon…..but I do not remember why. I know it got re-released a few times but did not make enough to give it such a higher gross. You are correct if you look at the worldwide gross it would be what I had listed for the domestic. So I went back and fixed that….with a little added in for the re-releases I have info on. It will show up on the tables in the correct order the next time I can get the entire website to do an update…which right now is driving me crazy since the bridge from database to website is out of service…like I-95 in Philadelphia…lol.
As for Bright Eyes….that number comes from Variety and a Fox Studio Book….it says it is the domestic total…it was one of the first Temple features to take off….so I that would I am willing to stick with. Good stuff as always.
Thank you Bruce.
35 Weekend in Havana (1941)
the title might be Week-end in Havana
Happy holidays
Hey Sidney…fixed that one a while back. Thanks for the catch.
Hi Bruce, i just have a question about the domestic rentals of Tarzan’s Secret Treasure …
Variety didn’t list the movie in his list of films that made more than 1 million $ in theatrical rentals … I find it nowhere … So, because it’s an MGM movie what says the eddie mannix ledger ? Did the movie made more than 1 million rental domestically or not ?
Thanks !
Hey Max. My MGM ledger numbers show a domestic rental of $1,425,000 and a worldwide rental of $1,826,000 for a grand total of $3,251,000 in rentals. Movie cost $978,000 to make. Returned a profit of $1,271,000 or a 130% return on investment. That unloads all the information that I have on that movie. Hope that helps.
Ok thanks a lot for sharing this with me !….
I just have three another questions….
1) concerning the ledgers from MGM/RKO/WB….vs ….. Variety
What is the most reliable source between the rentals figures from the different editions of the “all time rental champs of variety + top grossers of the year” and the rentals coming from the 3 studios ledgers ?
I asked this question simply because when i compare the sources i have for the same movie ; sometimes the domestic rental figure coming from the eddie mannix ledger for exemple is not the same as the domestic rental figure published in Variety …..I take the 1961 movie “King of Kings” Variety gives a domestic rental of 6 520 000 million dollars and eddie mannix ledger 8 million domestically ….Why ? And this is just an exemple among others because i have found a lot of differences …. I know that concerning Variety all time rental champs and top grosser of the year, it’s better to look at the more recent version because they sometimes make adjustments but even in this case there are differences…. The exemple i gave above “Tarzan secret treasure” is also a good one … The ledgers says it make 1 425 000 domestic rentals but this movie never appears in any ranking from Variety in their list of movies that have made more than 1 million in rentals (i’m 100% sure of that) …..So who to believe between Variety box office surveys or the ledgers figures ?
2) Has Variety already published yearly box office domestic grosses like Box Office Mojo did in 1980 when rentals were discontinued or have they always published rentals until today?
3) Is Variety the main reference in box office figures from movies from 1930 to 1979 ? (during “the rental era” i mean….)
Thanks a lot for your time and keep going, your website rules !!
Hey Max.
1. I view the ‘ledgers” as the best source. Many times Variety used the estimations that the studio executive provided. I am thinking….based on how many times I have seen it happened….that Variety asked for the domestic totals….and the studio provided the worldwide totals.
2. Studio bean counters were always trying to hide the grosses….especially when bonuses were attached to box office levels. So that makes the Variety estimates even more suspect.
3. Growing up and for years…I thought Variety was the gospel…after spending almost a decade of research…I think they are a good number….but not as accurate whenever a “ledger” number is available.
4. As for the Tarzan movie…Variety did not really start showing massive yearly lists until 1942. Before that they would include some movies but would exclude lots of other movies. I have a set of notes from a Variety article that lists about 40 1941 movies….it does not provide any grosses…but ranks by success….Tarzan’s Secret Treasure made that list….and it was listed with the 1 million rental movies.
5. As for Kong….my RKO ledger provides information for it’s first release…which covers about 2 years….all the re-releases are not listed in the ledgers….Variety’s 4 million rental number includes all the re-releases (I think)…..it gets confusing….too bad Box Office Mojo was not around.
6. I do not think Variety still does the rental numbers…..think the total gross has become the be all way to look at movies. But…I have not looked at a new Variety in many many moons.
7. As for your last question….I would say between 1941 and 1980 Variety is indeed the main reference for many movies…especially those movies made by studios other than Fox, MGM, RKO and Warners.
Hope that helps….thanks for the kind words about the website….Merry Christmas.
Thanks a lot for all those explanations !
I was not speaking about king kong but king of kings 1961 lol variety lists the movie around 6 million domestic vs the ledger 8 million…and i think you use the variety number ….
For your variety article that lists 40 1941 movies , is it the article called 101 pixels in millions dating back from 1943 ? Or another one ? If you still have the reference i will be so happy to see it because it is very difficult to find those articles today … it could be interesting to see what films they listed at the time ..
Thanks a lot again and merry christmas to you and all you family !
Hey Max….sorry…I got the wrong King. I am currently away from my beloved database….so can not access my “research” on that movie…..but will when I get home. As for the article….that is in one of my first notebooks…..I will see if I can get the source as well. Hope your holiday went well.
Hi
I suppose 1941 will be remembered for the year of Citizen Kane. A film I can say I admire but not particularly like. Nevertheless it done quite well at the box office. It was a great year for Barbara Stanwyck, Ball of Fire, The Lady Eve, Meet John Doe, and yet surprisingly her name never appeared in the top 10 list throughout the 40’s which would have been her peak time. Of course it was Bogart’s big breakthrough year with The Maltese Falcon. Ingrid Bergman, Betty Grable and Greer Garson were all starting to make waves.
Crawford, although her star fading with MGM, still had 2 big hits. A Woman’s Face is really worth watching. I would say one of my favourites of the year is The Little Foxes. One of Davis best films, in fact the whole cast were superb.
Just a request, could you list the movies by gross like before, instead of alphabetically?
Thanks
Hey Chris
1. Thanks for your movie thoughts on our 1941 movie page.
2. I am right there with you about Citizen Kane. Roger Ebert loved that movie…the last couple of times I have watched Kane it was while listening to Ebert’s DVD commentary. I am glad he loved the movie so much and his enthusiasm is very apparent but it is not my favorite movie at all.
3. I agree a huge year for Stanwyck….and a breakthrough year for Bogie.
4. The Little Foxes is one of Davis’ best roles…..I will have to check out Joan in A Woman’s Face.
5. One of the glitches in our database is it will not let me sort by box office from Best to worst…but once it gets to this table the sort button works….so if you use the sort button it will put the movies from biggest hit to least hit. When I do it…I have to place the movies in the right order…WoC is trying to fix this problem in the near future.
Good comment as always.