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Ramon Novarro Movies

Want to know the best Ramon Novarro movies?  How about the worst Ramon Novarro movies?  Curious about Ramon Novarro box office grosses or which Ramon Novarro movie picked up the most Oscar® nominations? Need to know which Ramon Novarro movie got the best reviews from critics and audiences and which got the worst reviews? Well, you have come to the right place….because we have all of that information.

Ramon Novarro (1899-1968) was Mexican-American actor.  Novarro began his career in silent films in 1917 and eventually became a leading man and one of the top box office attractions of the 1920s and early 1930s.  His IMDb page shows 63 acting credits from 1916 to 1968.   This page will rank Ramon Novarro movies from Best to Worst in six different sortable columns of information. Television shows, shorts, cameos, uncredited roles, and movies that were not released in North American were not included in the rankings.

1925’s Ben-Hur

Ramon Novarro Movies Ranked In Chronological Order With Ultimate Movie Rankings Score (1 to 5 UMR Tickets) *Best combo of box office, reviews, and awards.

Year Movie (Year) Rating S
Year Movie (Year) Rating S
1925 Ben-Hur: A Tale of the Christ (1925)
1931 Mata Hari (1931)
1927 The Student Prince in Old Heidelberg (1927)
1933 The Barbarian (1933)
1949 The Big Steal (1949)
1930 Call Of The Flesh (1930)
1950 The Outriders (1950)
1931 Daybreak (1931)
1929 Devil-May-Care (1929)
1931 Son Of India (1931)
1923 Scaramouche (1923)
1950 Crisis (1950)
1929 The Flying Fleet (1929)
1929 The Pagan (1929)
1927 The Road to Romance (1927)
1928 Across to Singapore (1928)
1922 The Prisoner of Zenda (1922)
1932 Huddle (1932)
1949 We Were Strangers (1949)
1930 In Gay Madrid (1930)
1922 Trifling Women (1922)
1934 The Cat and the Fiddle (1934)
1924 The Red Lilly (1924)
1924 The Arab (1924)
1928 Forbidden Hours (1928)
1932 The Son-Daughter (1932)
1940 Comedy of Happiness (1940)
1960 Heller in Pink Tights (1960)
1928 The Heartbreaker/A Certain Young Man (1928)
1925 The Midshipman (1925)
1923 Where The Payment Ends (1923)
1927 Lovers (1927)
1925 The Monster (1925)
1935 The Night Is Young (1935)
1924 Thy Name Is Woman (1924)
1922 Mr. Barnes of New York (1922)
1934 Laughing Boy (1934)

Mata Hari (1931)

Ramon Novarro Movies Can Be Ranked 6 Ways In This Table

The really cool thing about this table is that it is “user-sortable”. Rank the movies any way you want.

  • Sort Ramon Novarro movies by his co-stars
  • Sort Ramon Novarro movies by adjusted domestic box office grosses using current movie ticket cost (in millions)
  • Sort Ramon Novarro movies by yearly domestic box office rank
  • Sort Ramon Novarro movies how they were received by critics and audiences. 60% rating or higher should indicate a good movie.
  • Sort by how many Oscar® nominations and how many Oscar® wins each Ramon Novarro movie received.
  • Sort Ramon Novarro movies by Ultimate Movie Rankings (UMR) Score.  UMR puts box office, reviews, and awards into a mathematical equation and gives each movie a score.
CreditRank Movie (Year) UMR Co-Star Links Review % Oscar Nom / Win S UMR Score
CreditRank Movie (Year) UMR Co-Star Links Actual B.O. Domestic (mil) Adj. B.O. Domestic (mil) Adj. B.O. Worldwide (mil) B.O. Rank by Year Review % Oscar Nom / Win S UMR Score
1 Ben-Hur: A Tale of the Christ (1925) Francis X. Bushman &
May McAvoy
17.40 806.0 806.0 2 81 00 / 00 97.3
3 Mata Hari (1931) Greta Garbo &
Lionel Barrymore
3.00 178.2 406.5 22 62 00 / 00 89.5
2 The Student Prince in Old Heidelberg (1927) Norma Shearer 3.10 121.5 211.3 13 79 00 / 00 89.2
4 The Barbarian (1933) Myrna Loy 2.40 130.9 130.9 24 63 00 / 00 84.1
5 The Big Steal (1949) Robert Mitchum 4.00 115.1 149.4 92 65 00 / 00 82.8
6 Call Of The Flesh (1930) Dorothy Jordan 1.90 119.0 311.9 64 63 00 / 00 82.2
8 The Outriders (1950) Joel McCrea &
Arlene Dahl
4.40 114.6 162.1 68 56 00 / 00 77.7
7 Daybreak (1931) Helen Chandler 1.50 81.5 81.5 90 64 00 / 00 76.6
10 Devil-May-Care (1929) Dorothy Jordan 2.30 81.4 161.6 55 63 00 / 00 74.7
12 Son Of India (1931) Conrad Nagel 1.40 76.3 76.3 102 62 00 / 00 73.7
9 Scaramouche (1923) Lloyd Ingraham &
Alice Terry
0.90 49.0 49.0 21 72 00 / 00 73.6
11 Crisis (1950) Cary Grant &
José Ferrer
2.50 66.3 104.4 120 66 00 / 00 73.5
13 The Flying Fleet (1929) Ralph Graves 2.10 75.1 146.7 64 63 00 / 00 73.3
16 The Pagan (1929) Donald Crisp 2.00 72.9 154.3 67 63 00 / 00 72.3
14 The Road to Romance (1927) Marceline Day 1.50 57.6 57.6 42 67 00 / 00 71.9
15 Across to Singapore (1928) Joan Crawford 1.80 67.2 108.0 52 64 00 / 00 71.9
17 The Prisoner of Zenda (1922) Lewis Stone 1.30 71.5 71.5 11 60 00 / 00 70.0
18 Huddle (1932) Madge Evans 1.50 81.4 81.4 57 56 00 / 00 68.4
19 We Were Strangers (1949) Jennifer Jones &
Directed by John Huston
2.10 60.6 60.6 140 61 00 / 00 66.2
22 In Gay Madrid (1930) Dorothy Jordan 1.60 95.1 95.1 79 47 00 / 00 62.4
20 Trifling Women (1922) Barbara La Marr 0.80 43.6 43.6 16 62 00 / 00 61.2
24 The Cat and the Fiddle (1934) Jeanette MacDonald 1.30 70.7 170.7 87 52 00 / 00 58.2
21 The Red Lilly (1924) Enid Bennett 0.60 28.3 28.3 40 65 00 / 00 57.5
23 The Arab (1924) Alice Terry 0.60 28.8 28.8 39 63 00 / 00 55.3
27 Forbidden Hours (1928) Dorothy Cummings 1.60 57.1 57.1 63 54 00 / 00 53.8
26 The Son-Daughter (1932) Helen Hayes 0.90 51.2 51.2 123 56 00 / 00 53.7
25 Comedy of Happiness (1940) Michel Simon 0.10 2.1 2.1 228 69 00 / 00 49.7
29 Heller in Pink Tights (1960) Sophia Loren &
Anthony Quinn
2.70 49.2 49.2 84 51 00 / 00 44.0
28 The Heartbreaker/A Certain Young Man (1928) Bert Roach 0.70 26.3 26.3 101 58 00 / 00 42.5
30 The Midshipman (1925) Wesley Barry 1.00 45.1 45.1 39 51 00 / 00 41.9
31 Where The Payment Ends (1923) Alice Terry 0.70 33.8 33.8 29 54 00 / 00 39.5
32 Lovers (1927) Alice Terry 0.70 26.5 26.5 78 55 00 / 00 36.6
33 The Monster (1925) Gertrude Olmstead 0.30 12.1 12.1 104 59 00 / 00 34.8
33 The Night Is Young (1935) Rosalind Russell 0.60 29.1 29.1 185 52 00 / 00 32.0
34 Thy Name Is Woman (1924) Barbara La Marr 0.50 24.0 24.0 50 50 00 / 00 25.4
35 Mr. Barnes of New York (1922) Tom Moore 0.20 9.1 9.1 46 53 00 / 00 21.5
36 Laughing Boy (1934) Lupe Velez 0.20 12.8 12.8 193 46 00 / 00 12.6
1949’s The Big Steal

Possibly Interesting Facts About Ramon Novarro

1. José Ramón Gil Samaniego was born in Durango City, Durango (Mexico) in 1899.

2. Ramon Novarro entered films in 1917, in bit parts. He supplemented his income by working as a singing waiter.

3.  In the early 1920s, Ramon Novarro began to get promoted as a rival to Rudolph Valentino.  It was during this time frame that he started using his screen name Ramon Novarro.

4. Ramon Novarro achieved his greatest success in 1925’s Ben-Hur.  His performance in that blockbuster elevated him into the Hollywood elite.

5. At the peak of his success in the late 1920s and early 1930s, Ramon Novarro was earning more than $100,000 per film.

6. In 1968 Ramon Novarro was found beaten to death in his home in Hollywood Hills, Los Angeles. A book about his death, “Bloody Wednesday”, was rushed into print. For some reason, very few copies are available today, making the book a collector’s item.

Check out Ramon Novarro‘s career compared to current and classic actors.  Most 100 Million Dollar Movies of All-Time.

 

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12 thoughts on “Ramon Novarro Movies”

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  1. Frank says:
    December 29, 2021 at 10:42 am

    Thank you for doing a long-overdue section on Ramon Novarro.
    Ramon Novarro was the first Mexican American/Latino film superstar in Hollywood films. He was also the first Latino director (Contra la Corriente in 1936) and screenwriter in Hollywood films. He also had a fine singing voice and gave concerts, made records, and sang in films. He was a cousin of Dolores Del Rio, who was the first Mexican and/or Latrina film star in films.
    In the 1930s, studios made Spanish and French versions of their popular films. For example, Novarro’s Call of the Flesh (1930), was made as Sevilla de Mis Amores in Spanish; and in French in Le chanteur de Seville. Novarro starred in both films.
    In 1940, Novarro went to France and made La Comedie du bonheur; and an Italian version called Ecco la felicita. As the Nazi occupation neared the director left and Novarro finished directing both films. In 1942, Novarro travelled to Mexico and played the Native American Juan Diego who saw the revered Virgen de Guadalupe in La Virgen Que forjo Una Patria (which is now available on DVD). It was a huge success throughout the Spanish-speaking world.
    The Golden Age of Mexican Cinema was starting; and Novarro received many offers to direct and star in films. However, his alcoholism was already affecting his life and he returned to the United States. It is said that his drinking was due to his personal struggle to reconcile his fervent
    Catholicism and being gay.
    In the 1940s and 1950s, Novarro appeared in theatre and made several television appearances such in Dr. Kildare; Combat; Bonanza; Wild, Wild West; and The High Chaparral.
    Whatever his personal demons, Ramon Novarro opened the door for all the Latino performers that followed. He never took the comparison to Rudolph Valentino seriously and worked to become a good dramatic actor, in which he succeeded. He was a talented and bright star in the Hollywood heavens.

    Reply
  2. Mike says:
    July 6, 2021 at 4:32 pm

    Great UMR Page

    Reply
    1. Cogerson says:
      July 7, 2021 at 10:07 am

      Thank you Mike

      Reply

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