Want to know the best Abbott and Costello movies? How about the worst Abbott and Costello movies? Curious about Abbott and Costello box office grosses or which Abbott and Costello movie picked up the most Oscar® nominations? Need to know which Abbott and Costello movie got the best reviews from critics and audiences and which got the worst reviews? Well you have come to the right place….because we have all of that information.
Our most recent Ultimate Movie Ranking page asked the question….”Which Screen Duo was the most successful of all-time when looking at box office grosses?” The answer turned out to be the Screen Duo team of Bud Abbott and Lou Costello. Abbott and Costello made 36 movies together from 1940 to 1956. Those 36 movies grossed $2.58 BILLION in adjusted domestic box office dollars.
Abbott and Costello were listed as Top Ten Box Office Stars 8 times from 1941 to 1951. They ranked number one in 1942, when their four movies grossed over $540 million in adjusted box office dollars. This page looks at all the Abbott and Costello movies. The movies are ranked from Best to Worst in six different sortable columns of information. You can decide which is the best way to rank their movies……just pick the category and sort the results.
Abbott and Costello Movies Ranked In Chronological Order With Ultimate Movie Rankings Score (1 to 5 UMR Tickets) *Best combo of box office, reviews and awards.
Abbott and Costello Movies Can Be Ranked 6 Ways In This Table
The really cool thing about this table is that it is “user-sortable”. Rank the movies anyway you want.
- Sort Abbott and Costello movies by the year they were made
- Sort Abbott and Costello movies by co-stars of their movies.
- Sort Abbott and Costello movies by adjusted domestic box office grosses using current movie ticket cost
- Sort Abbott and Costello movies by domestic box office rank by year
- Sort Abbott and Costello movies how they were received by critics and audiences. 60% rating or higher should indicate a good movie.
- Sort Abbott and Costello movies by Ultimate Movie Rankings (UMR) Score. UMR Score puts box office, reviews and awards into a mathematical equation and gives each movie a score.
- Use the search and sort button to make this page very interactive.
| R | Movie (Year) | UMR Co-Star Links | Adj. B.O. Worldwide (mil) | Review | Oscar Nom / Win | UMR Score | ||||
|---|---|---|---|---|---|---|---|---|---|---|
| R | Movie (Year) | UMR Co-Star Links | Actual B.O. Domestic (mil) | Adj. B.O. Domestic (mil) | Adj. B.O. Worldwide (mil) | B.O. Rank by Year | Review | Oscar Nom / Win | UMR Score | S |
| 1 | Hold That Ghost (1941) | Richard Carlson | 5.20 | 230.4 | 230.40 | 25 | 85 | 00 / 00 | 98.1 | |
| 3 | Who Done It? (1942) | William Bendix | 5.00 | 215.5 | 215.50 | 43 | 81 | 00 / 00 | 97.3 | |
| 5 | Abbott and Costello Meet Frankenstein (1948) | Lon Chaney Jr. | 5.90 | 185.0 | 185.00 | 49 | 82 | 00 / 00 | 96.5 | |
| 2 | Pardon My Sarong (1942) | Virginia Bruce | 7.10 | 307.9 | 307.90 | 20 | 69 | 00 / 00 | 94.2 | |
| 6 | Hit The Ice (1943) | Sheldon Leonard | 5.10 | 214.3 | 214.30 | 56 | 68 | 00 / 00 | 93.9 | |
| 9 | Buck Privates Come Home (1947) | Tom Brown | 5.40 | 182.6 | 182.60 | 62 | 73 | 00 / 00 | 93.8 | |
| 10 | Buck Privates (1941) | Andrews Sisters | 4.00 | 178.6 | 178.60 | 51 | 73 | 00 / 00 | 93.4 | |
| 7 | The Wistful Widow of Wagon Gap (1947) | Marjorie Main | 6.50 | 219.1 | 219.10 | 42 | 66 | 00 / 00 | 93.3 | |
| 11 | It Ain't Hay (1943) | Shemp Howard | 4.60 | 190.5 | 190.50 | 67 | 67 | 00 / 00 | 92.5 | |
| 8 | Ride 'em Cowboy (1942) | Ella Fitzgerald | 7.40 | 320.2 | 320.20 | 17 | 63 | 00 / 00 | 92.2 | |
| 12 | Keep 'Em Flying (1941) | Martha Raye | 4.00 | 179.0 | 179.00 | 47 | 68 | 00 / 00 | 91.6 | |
| 13 | In The Navy (1941) | Dick Powell | 4.00 | 178.8 | 178.80 | 50 | 68 | 00 / 00 | 91.6 | |
| 11 | Rio Rita (1942) | Kathryn Grayson | 5.50 | 237.3 | 396.60 | 33 | 60 | 00 / 00 | 91.1 | |
| 15 | In Society (1944) | Thomas Gomez | 3.50 | 138.6 | 138.60 | 93 | 69 | 00 / 00 | 87.3 | |
| 14 | The Time of Their Lives (1946) | Gale Sondergaard | 2.70 | 96.0 | 96.00 | 110 | 80 | 00 / 00 | 86.4 | |
| 16 | Abbott & Costello Meet the Invisible Man (1951) | William Frawley | 4.60 | 114.3 | 114.30 | 73 | 74 | 00 / 00 | 86.3 | |
| 19 | Lost in a Harem (1944) | Marilyn Maxwell | 4.20 | 163.8 | 163.80 | 81 | 57 | 00 / 00 | 85.7 | |
| 17 | The Naughty Nineties (1945) | Henry Travers | 2.60 | 97.0 | 97.00 | 110 | 77 | 00 / 00 | 85.3 | |
| 18 | Abbott & Costello in Hollywood (1945) | Mike Mazurki | 3.10 | 112.3 | 112.30 | 96 | 70 | 00 / 00 | 84.5 | |
| 20 | The Noose Hangs High (1948) | Joseph Calleia | 3.60 | 111.0 | 111.00 | 98 | 67 | 00 / 00 | 82.8 | |
| 23 | African Screams (1949) | Shemp Howard | 4.20 | 121.1 | 121.10 | 81 | 63 | 00 / 00 | 82.7 | |
| 21 | Here Come The Co-Eds (1945) | Peggy Ryan | 2.80 | 102.1 | 102.10 | 102 | 69 | 00 / 00 | 82.5 | |
| 22 | Little Giant (1946) | Margaret Dumont | 2.70 | 96.7 | 96.70 | 106 | 70 | 00 / 00 | 82.1 | |
| 24 | Lost in Alaska (1952) | Tom Ewell | 4.20 | 94.7 | 94.70 | 82 | 67 | 00 / 00 | 80.6 | |
| 25 | Abbott and Costello in the Foreign Legion (1950) | Walter Slezak | 3.60 | 94.9 | 94.90 | 91 | 66 | 00 / 00 | 79.8 | |
| 28 | Comin' Round The Mountain (1951) | Margaret Hamilton | 4.40 | 110.7 | 110.70 | 78 | 58 | 00 / 00 | 77.9 | |
| 26 | Abbott and Costello Meet Dr. Jekyll and Mr. Hyde (1953) | Boris Karloff | 3.60 | 75.8 | 75.80 | 104 | 68 | 00 / 00 | 77.1 | |
| 27 | Mexican Hayride (1948) | Virginia Grey | 2.60 | 82.2 | 82.20 | 116 | 65 | 00 / 00 | 76.4 | |
| 29 | Jack and the Beanstalk (1952) | Buddy Baer | 4.40 | 101.0 | 101.00 | 71 | 56 | 00 / 00 | 74.5 | |
| 30 | Abbott & Costello Meet the Killer Boris Karloff (1949) | Boris Karloff | 1.80 | 53.8 | 53.80 | 150 | 67 | 00 / 00 | 70.1 | |
| 31 | Abbott and Costello Go to Mars (1953) | Martha Hyer | 3.80 | 78.9 | 78.90 | 96 | 55 | 00 / 00 | 66.0 | |
| 33 | Abbott and Costello Meet Captain Kidd (1952) | Charles Laughton | 3.30 | 75.4 | 124.10 | 111 | 56 | 00 / 00 | 65.1 | |
| 32 | Abbott and Costello Meet the Keystone Kops (1955) | Mack Sennett | 2.10 | 51.2 | 51.20 | 134 | 62 | 00 / 00 | 63.3 | |
| 34 | One Night in the Tropics (1940) | Robert Cummings | 0.90 | 38.3 | 38.30 | 179 | 63 | 00 / 00 | 58.8 | |
| 35 | Abbott and Costello Meet the Mummy (1955) | Marie Windsor | 2.90 | 68.7 | 68.70 | 112 | 46 | 00 / 00 | 45.2 | |
| 36 | Dance with Me, Henry (1956) | Gigi Perreau | 1.20 | 27.6 | 27.60 | 169 | 55 | 00 / 00 | 36.7 |
Bud Abbott was born in Asbury Park, New Jersey in 1895. In 1909, Abbott dropped out school and started working with his father at Dreamland Park on Coney Island. At 15 he found himself shoveling coal on a Norwegian steamer. He returned home and starting working at carnivals and at the Barnum and Bailey Circus. In 1923 he produced a low budget vaudeville show. He began performing as a straight man in the show when he could no longer afford to pay one. Abbott would become known as one of the best straight men in the business. Abbott was married one time and had two children. He passed away on April 24th, 1974.
Lou Costello was born in Paterson, New Jersey in 1906. Costello first attempt at Hollywood stardom did not work. He arrived in Los Angeles in 1927…but could only find work as a laborer or extra. In 1930, discouraged by his lack of success, he tried to hitchhike back home, but ran out of money in Missouri. While stuck in Missouri, he started appearing in an act in a vaudeville show. In the 1930s he started running into Bud Abbott on the vaudeville circuit. One night when Costello’s regular partner was ill….Abbott stepped in and played opposite Costello….the rest is history. Their most famous bit was Who’s On First and the catchphrases “Heeeeyyy, Abbott!” and “I’m a baaaaad boy!” Costello was married once and had 4 children. He passed away on March 3rd, 1959.
Check out the Abbott and Costello career compared to current and classic actors. Most 100 Million Dollar Movies of All-Time.
AFI’s Top 25 Screen Legend Actors….with links to my movie pages on the Screen Legend
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Hey Dan. Thanks for the information on Joe Kirk and his 17 movies with A & C. Not to mention their connections with Penny, Barber and Kerr. Good stuff.
Joe Kirk was in 17 Abbott and Costello films. Bobby Barber was in 13 plus Lou’s solo flic, the 30 Foot Bride of Candy Rock. Frank Penny was in 11 of their films, none after 1945, and Donald Kerr was in 10.