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British Actors Smörgåsbord

British Actor Movies Can Be Ranked 6 Ways In This Table

The really cool thing about this table is that it is “user-sortable”. Rank the movies anyway you want.

  • Sort British Actor movies by his co-stars
  • Sort British Actor movies by adjusted domestic box office grosses using current movie ticket cost (in millions)
  • Sort British Actor movies by adjusted worldwide box office grosses using current movie ticket cost (in millions)
  • Sort British Actor movies by how they were received by critics and audiences.  60% rating or higher should indicate a good movie.
  • Sort by how many Oscar® nominations and how many Oscar® wins each British Actor movie received.
  • Sort British Actor movies by Ultimate Movie Rankings (UMR) Score.  UMR puts box office, reviews and awards into a mathematical equation and gives each movie a score.
R Movie (Year) UMR Co-Star Links Adj. B.O. Worldwide (mil) Review Oscar Nom / Win UMR Score
R Movie (Year) UMR Co-Star Links Actual B.O. Domestic (mil) Adj. B.O. Domestic (mil) Adj. B.O. Worldwide (mil) B.O. Rank by Year Review Oscar Nom / Win UMR Score S
1 Lawrence of Arabia (1962)
AA Best Picture Win
Jack Hawkins 41.50 691.0 691.00 1 94 10 / 07 100.0
2 Ben-Hur (1959)
AA Best Picture Win
Jack Hawkins 58.80 1,225.3 3,159.80 1 91 12 / 11 100.0
3 The Bridge on the River Kwai (1957)
AA Best Picture Win
Jack Hawkins 30.40 679.7 679.70 1 88 08 / 07 99.9
4 Gandhi (1982)
AA Best Picture Win
John Gielgud 52.80 224.4 543.20 11 85 11 / 08 99.9
4 Gladiator (2000)
AA Best Picture Win
Oliver Reed 187.70 435.3 1,061.30 4 80 12 / 05 99.8
5 My Fair Lady (1964)
AA Best Picture Win
Rex Harrison 56.60 752.8 752.80 3 79 12 / 08 99.8
7 Hamlet (1948)
AA Best Picture Win
Peter Cushing 8.90 279.6 279.60 15 81 07 / 04 99.8
9 Chariots of Fire (1981)
AA Best Picture Win
John Gielgud 59.00 265.2 265.20 7 82 07 / 04 99.8
11 Oliver! (1968)
AA Best Picture Win
Oliver Reed 48.00 458.0 458.00 5 71 11 / 05 99.8
10 The Lord of the Rings: The Fellowship of the Ring (2001)
AA Best Picture Nom
Christopher Lee 308.40 682.2 1,912.30 2 92 13 / 04 99.7
12 Around the World in 80 Days (1956)
AA Best Picture Win
Trevor Howard 35.50 806.5 806.50 2 70 08 / 05 99.7
12 The Lord of the Rings: The Two Towers (2002)
AA Best Picture Nom
Christopher Lee 334.00 719.8 1,977.30 2 92 06 / 02 99.7
12 Spartacus (1960) Peter Ustinov 31.70 574.5 574.50 2 91 06 / 04 99.5
14 The Guns of Navarone (1961)
AA Best Picture Nom
Stanley Baker 37.10 627.4 1,206.60 3 84 07 / 01 99.3
20 Great Expectations (1946)
AA Best Picture Nom
John Mills 5.40 193.1 193.10 62 84 05 / 02 99.1
15 The Third Man (1949) Trevor Howard 7.20 209.9 209.90 25 90 03 / 01 99.0
15 Goodbye, Mr. Chips (1939)
AA Best Picture Nom
Robert Donat 6.90 306.6 580.70 12 79 07 / 01 99.0
16 The African Queen (1951) Robert Morley 11.80 294.9 294.90 8 87 04 / 01 98.9
18 Quo Vadis (1951)
AA Best Picture Nom
Peter Ustinov 26.10 653.1 1,359.80 1 75 08 / 00 98.5
20 In Which We Serve (1942)
AA Best Picture Nom
John Mills 5.10 221.7 221.70 39 78 02 / 00 98.3
20 Superman (1978) Trevor Howard 134.30 717.4 1,604.20 3 83 03 / 00 98.3
26 The Sundowners (1960)
AA Best Picture Nom
Peter Ustinov 10.90 196.7 196.70 18 75 05 / 00 98.0
22 Arthur (1981) John Gielgud 107.70 484.2 484.20 3 78 04 / 02 98.0
23 Murder on the Orient Express (1974) John Gielgud 58.00 387.4 387.40 6 78 06 / 01 97.9
24 Mutiny on the Bounty (1962)
AA Best Picture Nom
Trevor Howard 28.00 466.7 466.70 4 70 07 / 00 97.6
28 Hugo (2011)
AA Best Picture Nom
Christopher Lee 73.90 116.4 292.80 49 89 11 / 05 97.6
25 Von Ryan's Express (1965) Trevor Howard 20.80 255.0 255.00 9 81 01 / 00 97.5
27 Father Goose (1964) Trevor Howard 17.10 228.0 228.00 8 77 03 / 01 97.3
27 Swiss Family Robinson (1960) John Mills 37.10 672.9 672.90 1 78 00 / 00 96.7
28 The Three Musketeers (1973) Oliver Reed 34.60 244.7 244.70 10 78 00 / 00 96.6
31 The Inn of the Sixth Happiness (1958) Robert Donat 12.60 261.9 261.90 10 77 01 / 00 96.6
30 Anna and the King of Siam (1946) Rex Harrison 9.50 337.8 337.80 22 71 05 / 02 96.6
33 We're No Angels (1955) Peter Ustinov 8.60 206.0 206.00 35 76 00 / 00 96.3
33 The Longest Day (1962)
AA Best Picture Nom
Richard Todd 31.30 521.4 521.40 3 60 05 / 02 95.4
34 A Man Called Peter (1955) Richard Todd 12.90 309.1 309.10 18 72 01 / 00 95.4
35 Exodus (1960) Ralph Richardson 23.80 431.2 431.20 4 67 03 / 01 94.9
37 Cleopatra (1963)
AA Best Picture Nom
Rex Harrison 57.80 839.8 1,462.70 1 52 09 / 04 94.8
36 A Bridge Too Far (1977) Dirk Bogarde 56.80 318.1 318.10 9 70 00 / 00 94.5
37 The World of Suzie Wong (1960) Michael Wilding 21.40 388.2 388.20 7 68 00 / 00 94.1
44 The Four Musketeers: Milady's Revenge (1974) Oliver Reed 26.60 177.6 177.60 24 74 01 / 00 93.9
40 Ryan's Daughter (1970) John Mills &
Trevor Howard
44.40 357.8 357.80 7 62 04 / 02 93.9
40 Tommy (1975) Oliver Reed 47.80 291.7 291.70 9 65 02 / 00 93.6
43 Star Wars: Episode II - Attack of the Clones (2002) Christopher Lee 308.20 664.2 1,394.80 3 65 01 / 00 93.4
46 The Private Life of Henry VIII. (1933)
AA Best Picture Nom
Robert Donat 2.40 132.0 132.00 23 79 02 / 01 93.4
50 Midnight Lace (1960) Rex Harrison 10.00 181.2 181.20 24 71 01 / 00 93.4
44 The Egyptian (1954) Michael Wilding 12.90 349.4 349.40 17 65 01 / 00 93.2
45 Shine (1996)
AA Best Picture Nom
John Gielgud 35.90 101.5 101.50 41 83 07 / 01 93.0
45 The Foxes of Harrow (1947) Rex Harrison 8.60 292.2 292.20 22 63 01 / 00 92.7
49 Land of the Pharaohs (1955) Jack Hawkins 7.70 185.4 185.40 37 68 00 / 00 92.5
51 The Agony and the Ecstasy (1965) Rex Harrison 10.80 132.5 132.50 19 79 05 / 00 92.0
48 Caesar and Cleopatra (1945) Ronald Shiner 6.20 229.8 229.80 50 59 01 / 00 91.3
51 Darling (1965)
AA Best Picture Nom
Dirk Bogarde 9.90 121.2 121.20 25 71 05 / 03 91.0
54 Logan's Run (1976) Peter Ustinov 28.80 168.9 168.90 22 68 02 / 00 90.9
54 The Man with the Golden Gun (1974) Christopher Lee 28.50 190.4 577.30 18 60 00 / 00 90.2
55 Sink the Bismarck! (1960) Kenneth More 8.50 154.0 154.00 37 70 00 / 00 89.6
54 Brief Encounter (1945) Trevor Howard 2.70 100.8 100.80 109 83 03 / 00 89.1
59 The Black Rose (1950) Jack Hawkins 7.60 197.2 197.20 16 54 01 / 00 88.9
57 Unfaithfully Yours (1948) Rex Harrison 3.40 107.1 107.10 99 82 00 / 00 88.5
59 The Ghost and Mrs. Muir (1947) Rex Harrison 2.80 95.9 95.90 118 84 01 / 00 88.2
63 The Yellow Rolls-Royce (1964) Rex Harrison 13.30 177.4 190.00 14 56 00 / 00 87.2
62 The Roots of Heaven (1958) Trevor Howard 8.60 178.6 178.60 25 55 00 / 00 86.8
60 Topkapi (1964) Peter Ustinov 7.00 93.1 93.10 43 80 01 / 01 86.8
65 The Ghost Goes West (1935) Robert Donat 2.40 122.8 122.80 54 71 00 / 00 86.2
63 Women in Love (1969) Oliver Reed 8.40 73.6 73.60 34 81 04 / 01 85.9
64 The Hasty Heart (1949) Richard Todd 3.70 107.0 107.00 96 74 01 / 00 85.8
66 The Chalk Garden (1964) John Mills 9.10 121.6 121.60 28 69 01 / 00 85.7
68 Blackbeard's Ghost (1968) Peter Ustinov 12.90 122.7 122.70 29 68 00 / 00 85.0
65 Horror of Dracula (1958) Peter Cushing &
Christopher Lee
2.90 59.5 59.50 79 87 00 / 00 84.6
69 Zulu (1964) Stanley Baker &
Jack Hawkins
4.00 53.6 53.60 71 86 00 / 00 83.7
72 The Curse of Frankenstein (1957) Peter Cushing &
Christopher Lee
4.00 90.1 151.50 60 75 00 / 00 83.7
72 The Count of Monte Cristo (1934) Robert Donat 1.60 87.3 87.30 71 76 00 / 00 83.6
74 The Key (1958) Trevor Howard 6.30 131.0 131.00 40 62 00 / 00 83.6
73 Windwalker (1980) Trevor Howard 18.60 89.6 89.60 39 74 00 / 00 83.2
72 The Deep Blue Sea (1955) Kenneth More 2.90 68.7 68.70 102 81 00 / 00 83.2
77 The Reluctant Debutante (1958) Rex Harrison 4.40 92.6 177.40 53 73 00 / 00 83.0
80 Lord Jim (1965) Jack Hawkins 10.50 129.2 129.20 21 61 00 / 00 82.8
77 Operation Crossbow (1965) Trevor Howard &
Richard Todd
10.00 122.5 122.50 24 63 00 / 00 82.7
75 Scrooge (1970) Kenneth More 9.10 73.3 73.30 37 75 04 / 00 82.6
80 Death on the Nile (1978) Peter Ustinov 14.60 77.8 77.80 49 72 01 / 01 81.2
79 Billy Budd (1962) Peter Ustinov 2.60 42.9 42.90 90 84 01 / 00 81.2
84 Alexander the Great (1956) Peter Cushing 7.10 162.3 162.30 33 47 00 / 00 81.0
80 Hobson's Choice (1954) John Mills 1.70 46.6 46.60 132 83 00 / 00 81.0
84 Top Secret! (1984) Peter Cushing 20.50 76.1 76.10 51 73 00 / 00 80.7
85 Stage Fright (1950) Alastair Sim 2.90 75.3 142.00 108 73 00 / 00 80.4
85 The Glass Slipper (1955) Michael Wilding 3.90 93.6 202.70 86 67 00 / 00 80.2
86 The Master of Ballantrae (1953) Anthony Steel 4.80 99.5 216.20 71 65 00 / 00 80.0
90 The Sheriff of Fractured Jaw (1958) Kenneth More &
Robert Morley
5.50 114.6 147.90 47 58 00 / 00 79.1
85 This Happy Breed (1944) John Mills 1.20 47.3 47.30 139 79 00 / 00 78.9
88 Theater of Blood (1973) Jack Hawkins 3.00 21.4 21.40 87 86 00 / 00 78.2
90 Bean (1997) John Mills 45.30 123.4 684.10 45 54 00 / 00 78.2
94 Sodom and Gomorrah (1962) Stanley Baker 7.10 119.0 119.00 38 55 00 / 00 78.0
91 Doctor Dolittle (1967) Rex Harrison 8.80 90.4 90.40 34 54 09 / 02 77.8
95 D-Day The Sixth of June (1956) Richard Todd 5.60 126.6 167.20 53 52 00 / 00 77.3
94 Vigil in The Night (1940) Peter Cushing 1.90 84.9 128.10 105 64 00 / 00 76.7
97 Morituri (1965) Trevor Howard 5.70 69.6 69.60 49 67 02 / 00 76.2
100 A Yank in London (1945) Rex Harrison 2.80 102.1 102.10 100 58 00 / 00 75.9
93 Lion of the Desert (1980) John Gielgud 3.50 16.8 16.80 120 85 00 / 00 75.9
96 Lorenzo's Oil (1992) Peter Ustinov 7.30 21.9 21.90 107 81 02 / 00 75.6
99 The Sword and the Rose (1953) Richard Todd 3.00 63.1 63.10 130 68 00 / 00 74.5
97 A Night to Remember (1958) Kenneth More 1.40 29.8 29.80 121 79 00 / 00 74.4
99 The Private Life of Sherlock Holmes (1970) Christopher Lee 4.50 36.7 36.70 59 76 00 / 00 73.5
103 The Mudlark (1950) Anthony Steel 2.90 74.4 74.40 109 62 01 / 00 72.9
107 Under Capricorn (1949) Michael Wilding 3.40 97.7 215.40 107 55 00 / 00 72.4
102 The Ruling Class (1972) Alastair Sim 2.70 20.1 20.10 101 79 01 / 00 72.3
112 Caligula (1979) John Gielgud 25.70 127.8 127.80 39 45 00 / 00 72.1
108 The Night They Raided Minsky's (1968) Norman Wisdom 8.60 81.8 81.80 46 60 00 / 00 72.0
103 Cromwell (1970) Robert Morley 4.80 39.1 39.10 53 70 02 / 01 71.8
107 Battle of Britain (1969) Trevor Howard 5.70 50.3 50.30 47 69 00 / 00 71.7
105 The Damned (1969) Dirk Bogarde 3.40 30.2 30.20 63 75 01 / 00 71.6
110 An Ideal Husband (1947) Michael Wilding 2.50 83.5 83.50 128 59 00 / 00 71.6
110 Beat the Devil (1953) Robert Morley 3.00 63.1 63.10 120 65 00 / 00 71.0
115 Beau Brummell (1954) Peter Ustinov &
Robert Morley
3.00 81.4 209.70 103 59 00 / 00 70.9
115 First Knight (1995) John Gielgud 37.60 108.0 366.70 46 50 00 / 00 70.7
114 The Virgin Queen (1955) Richard Todd 2.70 65.2 65.20 119 63 01 / 00 70.6
109 A Christmas Carol (1951) Alastair Sim 0.90 23.2 23.20 211 77 00 / 00 70.4
118 Who Is Killing The Great Chefs of Europe? (1978) Robert Morley 11.10 59.4 59.40 54 64 00 / 00 68.9
119 The Truth About Spring (1965) John Mills 4.10 49.7 49.70 68 67 00 / 00 68.6
116 Bitter Victory (1957) Christopher Lee 1.80 39.9 39.90 126 70 00 / 00 68.6
116 School for Scoundrels (1960) Alastair Sim 1.30 23.7 23.70 117 75 00 / 00 68.6
123 Zarak (1956) Michael Wilding 4.00 90.9 90.90 80 53 00 / 00 68.0
120 The Wicker Man (1973) Christopher Lee 2.70 19.3 19.30 100 76 00 / 00 67.8
121 Evil Under the Sun (1982) Peter Ustinov 6.10 26.0 26.00 82 73 00 / 00 67.2
122 Oh! What a Lovely War (1969) Kenneth More 2.90 25.2 25.20 75 73 00 / 00 67.1
125 I Could Go On Singing (1963) Dirk Bogarde 2.10 30.1 30.10 89 71 00 / 00 66.6
133 The Black Knight (1954) Peter Cushing 3.70 100.9 100.90 87 49 00 / 00 66.5
122 Blithe Spirit (1945) Rex Harrison 0.50 17.9 17.90 163 73 01 / 01 66.4
128 The Great Manhunt (1950) Jack Hawkins 1.20 31.7 31.70 176 70 00 / 00 65.9
125 The Dam Busters (1955) Richard Todd 0.90 20.6 24.80 180 73 01 / 00 65.8
126 Julius Caesar (1950) John Gielgud 0.10 2.2 2.20 216 79 00 / 00 65.7
127 The Passionate Friends (1949) Trevor Howard 0.80 24.2 24.20 188 72 00 / 00 65.5
131 The Lion (1962) Trevor Howard 3.40 57.1 57.10 69 62 00 / 00 65.5
132 Rob Roy: The Highland Rogue (1953) Richard Todd 3.00 63.1 63.10 129 59 00 / 00 64.8
136 The Great Scout & Cathouse Thursday (1976) Oliver Reed 10.90 64.0 64.00 58 58 00 / 00 63.3
135 An Eye for an Eye (1981) Christopher Lee 17.30 77.8 77.80 51 53 00 / 00 63.1
138 Torch Song (1953) Michael Wilding 3.60 75.8 75.80 109 52 02 / 00 63.1
137 Return from Witch Mountain (1978) Christopher Lee 16.40 87.8 87.80 42 50 00 / 00 62.6
132 North West Frontier (1959) Kenneth More 1.10 23.8 23.80 138 70 00 / 00 62.2
142 King Richard and the Crusaders (1954) Rex Harrison 3.90 107.1 221.40 85 43 00 / 00 61.4
139 The Shoes of the Fisherman (1968) John Gielgud 4.60 43.6 43.60 68 61 02 / 00 60.6
138 Romanoff and Juliet (1961) Peter Ustinov 1.80 29.7 29.70 101 67 00 / 00 60.5
140 11 Harrowhouse (1974) Trevor Howard 3.00 20.3 20.30 86 69 00 / 00 60.1
139 Hot Millions (1968) Peter Ustinov &
Robert Morley
1.90 17.9 17.90 120 69 01 / 00 59.2
144 Knight Without Armor (1937) Robert Donat 0.80 37.5 37.50 183 63 00 / 00 59.0
143 Anzio (1968) Anthony Steel 4.00 38.2 38.20 75 63 00 / 00 58.7
147 The Naked Edge (1961) Peter Cushing 6.00 101.4 101.40 40 43 00 / 00 58.6
141 The Honey Pot (1967) Rex Harrison 2.50 25.8 25.80 85 67 00 / 00 58.6
147 Young Winston (1972) Jack Hawkins 6.50 47.9 47.90 55 57 03 / 00 57.7
149 Plenty (1985) John Gielgud 6.10 21.6 21.60 107 65 00 / 00 54.0
147 Daddy Nostalgia (1990) Dirk Bogarde 1.10 3.3 3.30 185 71 00 / 00 53.5
150 Libel (1959) Robert Morley 0.70 14.6 69.60 159 66 01 / 00 53.4
149 The Missionary (1982) Trevor Howard 7.20 30.8 30.80 71 62 00 / 00 53.0
154 The Happy Thieves (1961) Rex Harrison 2.00 33.8 33.80 94 58 00 / 00 47.1
152 The Serpent (1973) Dirk Bogarde 2.40 17.1 17.10 113 63 00 / 00 46.7
157 The Comedians (1967) Peter Ustinov 7.00 72.3 72.30 41 45 00 / 00 46.5
153 Caravans (1978) Christopher Lee 4.40 23.7 23.70 87 60 01 / 00 46.5
155 Corridors of Blood (1958) Christopher Lee 1.20 24.6 24.60 132 60 00 / 00 46.3
155 Dr. Phibes Rises Again (1972) Peter Cushing 3.00 22.3 22.30 91 61 00 / 00 46.1
158 Oklahoma Crude (1973) John Mills 7.60 53.5 53.50 45 51 00 / 00 45.6
159 Justine (1969) Dirk Bogarde 6.30 55.3 55.30 42 50 00 / 00 45.5
160 Unidentified Flying Oddball (1979) Kenneth More 11.80 58.6 58.60 62 49 00 / 00 44.8
161 Venom (1981) Oliver Reed 5.20 23.5 23.50 91 59 00 / 00 42.6
162 The Blue Bird (1976) Robert Morley 10.60 62.2 62.20 59 46 00 / 00 42.3
163 Shining Through (1992) John Gielgud 21.60 65.2 132.00 59 45 00 / 00 42.2
164 The Oblong Box (1969) Christopher Lee 2.90 25.7 25.70 70 57 00 / 00 40.1
167 At The Earth's Core (1976) Peter Cushing 9.10 53.4 53.40 61 47 00 / 00 38.2
165 The Angel Wore Red (1960) Dirk Bogarde 1.20 21.2 48.40 123 57 00 / 00 37.9
163 Triple Cross (1966) Trevor Howard 1.10 12.1 12.10 122 60 00 / 00 37.9
170 The Millionairess (1960) Alastair Sim 2.90 51.8 51.80 79 47 00 / 00 36.9
169 Scream and Scream Again (1970) Peter Cushing 3.70 29.7 29.70 72 54 00 / 00 36.8
173 Oh Heavenly Dog (1980) Robert Morley 8.70 41.9 41.90 80 50 00 / 00 36.0
167 Gideon of Scotland Yard (1958) Jack Hawkins 0.40 7.4 7.40 170 61 00 / 00 35.8
175 Crossed Swords (1977) Oliver Reed 7.30 40.9 40.90 72 50 00 / 00 34.4
171 The Whistle Blower (1986) John Gielgud 1.50 5.1 5.10 158 61 00 / 00 34.2
174 The Doctor's Dilemma (1958) Dirk Bogarde &
Alastair Sim
0.80 16.4 43.20 156 57 00 / 00 34.2
173 Circle of Iron (1978) Christopher Lee 2.20 11.9 11.90 109 59 00 / 00 34.1
177 Staircase (1969) Rex Harrison 5.30 46.5 46.50 51 47 00 / 00 33.3
176 Gold (1974) John Gielgud 3.00 20.3 20.30 82 54 01 / 00 32.1
175 Condorman (1981) Oliver Reed 2.60 11.5 11.50 107 58 00 / 00 31.9
177 Chuka (1967) John Mills 1.90 19.9 19.90 101 55 00 / 00 31.4
181 The Sting II (1983) Oliver Reed 6.30 25.2 25.20 78 52 01 / 00 31.2
182 The Hunting Party (1971) Oliver Reed 2.70 20.7 20.70 95 54 00 / 00 30.0
179 Appointment with Death (1988) Peter Ustinov &
John Gielgud
1.00 2.9 2.90 188 59 00 / 00 29.8
182 The Portrait of a Lady (1996) John Gielgud 3.70 10.4 10.40 164 55 02 / 00 29.5
184 Conduct Unbecoming (1975) Trevor Howard 2.50 15.2 15.20 101 55 00 / 00 28.5
185 A Flea In Her Ear (1968) Rex Harrison 1.90 17.8 17.80 123 54 00 / 00 28.3
185 Hotel Paradiso (1966) Robert Morley 0.60 6.3 6.30 136 57 00 / 00 26.8
186 Castaway (1986) Oliver Reed 0.40 1.5 1.50 192 58 00 / 00 25.9
190 Masquerade (1965) Jack Hawkins 1.20 14.9 14.90 121 53 00 / 00 25.6
189 The Hunan Factor (1979) John Gielgud 0.40 1.9 1.90 161 57 00 / 00 25.5
190 Burnt Offerings (1976) Oliver Reed 4.70 27.8 27.80 85 49 00 / 00 24.7
192 Saint Joan (1957) Richard Todd &
John Gielgud
1.10 25.5 25.50 148 48 00 / 00 21.8
193 Lady Caroline Lamb (1972) John Mills 1.10 8.0 8.00 137 52 00 / 00 19.0
192 Kidnapped (1971) Trevor Howard 1.10 8.0 8.00 154 52 00 / 00 19.0
195 The Long Duel (1967) Trevor Howard 1.30 13.6 13.60 127 49 00 / 00 17.9
194 The Big Sleep (1978) Oliver Reed 2.20 11.9 11.90 110 50 00 / 00 17.8
197 Tiara Tahiti (1962) John Mills 1.90 31.0 31.00 102 43 00 / 00 17.1
197 Hammersmith Is Out (1972) Peter Ustinov 2.40 17.8 17.80 108 47 00 / 00 17.0
201 The Formula (1980) John Gielgud 9.60 46.1 46.10 76 37 01 / 00 15.6
199 Shalako (1968) Jack Hawkins 2.90 27.5 92.90 94 43 00 / 00 15.4
199 Rosebud (1975) Richard Attenborough 1.90 11.3 11.30 119 46 00 / 00 12.7
201 To the Devil a Daughter (1976) Christopher Lee 3.00 17.8 17.80 106 44 00 / 00 12.3
203 Arthur 2: On the Rocks (1988) John Gielgud 14.70 44.7 44.70 65 35 00 / 00 12.3
204 Ashanti (1979) Rex Harrison &
Peter Ustinov
1.70 8.5 8.50 127 43 00 / 00 8.1
204 Bear Island (1979) Christopher Lee 2.50 12.5 12.50 103 32 00 / 00 2.2

Steve Lensman’s John Gielgud You Tube Video

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203 thoughts on “British Actors Smörgåsbord”

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  1. BOB ROY to STEVE on Peggy Cummins says:
    January 10, 2019 at 9:41 am

    I‘ve never seen Welsh Brit Peggy Cummins in her most famous role, that of the femme fatale in Gun Crazy and indeed I’ve caught only 5 of the films that she made in her entire relatively short 21 year career – The Captain’s Table with John Gregson, Hell Drivers with Brit knights Sir Stanley Baker and Sir Sean Connery, Meet Mr Lucifer with Stanley Holloway, the classic Night of the Demon with Dana Andrews and Always a Bride with long-forgotten debonaire English Londoner leading man of the 1950s Terence Morgan, with whom Peggy made several movies. However it seems that for once I could if I wished brag that I’ve seen more of a star’s movies than The Work Horse has!

    1953’s Always a Bride was for me the least appealing of those 5 but I remember it so well because it was on a double bill with Audie Murphy’s 1953 western Tumbleweed which was of course the movie that little Bob REALLY went to see.

    That double bill stays in my memory so well also because I saw it in the Imperial cinema in Belfast, which was known as the “Patriotic Cinema”.

    It was called that because whilst cinemas generally were not permitted to open over her on Sundays the Imperial had private showing every Sunday evening for British soldiers stationed here and their wives/girlfriends [morality in those times didn’t officially recognise unmarried “partners”!]

    Reply
    1. BOB ROY to STEVE Peggy Cummins Part 2 says:
      January 10, 2019 at 10:13 am

      The POSTERS I most enjoyed in your Peggy Cummins video are (1) Your Money or your Wife (2) Carry on Admiral (3) 1st one for Cash on Demand (4) In the Doghouse (5) Meet Mr Hirschhorn (6) the first 2 raunchy ones for The Captain’s Table [probably the final reasonably prestigious roles within the British cinema that were performed by Peggy and John Gregson] (7) foreign language one for Green Grass of Wyoming (8) Moss Rose (9) all 3 for Street Corner (10) Escape (11) Hell Drivers [first one](12) entire set for Gun Crazy and (13) cracker 1st and 3rd ones for Night of the Demon. Top marks for making that your No 1 NB: Never knew Gun Crazy’s aka was Deadly is the Female.

      My pick of the STILLS is (1) opening AND closing solo ones of sexy young Peggy (2) lovely coloured one of Peggy and fave co-star Terence Morgan in Always a Bride(3) English without Tears (4) lobby card for If This be Sin with Bruce’s Box Office Queen for once getting top billed. (5) lobby card with Eddie Robinson (6) with Sir Stanley (7) lobby card for Gun Crazy (8) Peggy with Dana Andrews and (9) Peg with Big Vic in Moss Rose – and English Rose getting billed above a Hollywood tough guy – wonders will never cease!

      Unfortunately Peggy’s movie career tapered off in the end into “Carry On” type Brit farces, and she remains without “love” from both The Master” and [so far] The Work Horse but I’ll always remember her as one of the loveliest actresses with whom I became reasonably familiar when I first started watching movies.

      Your video, presentation despite its relative brevity, is worth a 98% rating for yours truly as many of your posters and stills hold much nostalgia for me. Indeed the local arthouse here in Belfast decorates its foyer walls with old posters and one of them is for Peggy’s 1953 Street Corner which you have covered in your video. Anne Crawford the top billed star in that movie, as your posters faithfully show, sadly died of cancer 3 years later at the age of just 35.

      Reply
      1. Steve Lensman says:
        January 10, 2019 at 12:28 pm

        Hi Bob, thanks for the review, generous rating, info and trivia, much appreciated.

        Happy you liked the posters, stills and lobby cards.

        I haven’t seen Gun Crazy either and I really want to see it now. I may have a copy in the collection I’ll check my files later.

        Funny thing about making videos on British actors and British films is many of them had a change of title before opening in the US, and the American title is nearly always better. [Bob gasps] I know that’s not very patriotic but the English rarely gave much thought to a movie title and felt that any string of words would do while the yanks want the films title to have impact and attract moviegoers.

        Two of Peggy’s films scored 9 out of 10 from my sources – Gun Crazy and Night of the Demon. 4 more scored 8 out of 10.

        According to Wikipedia Peggy was a Welsh born actress of Irish descent. “Her Irish parents were visiting Wales when a storm kept them from returning to their home in Dublin.”

        Another Brit on video, this time the voluptuous Diana Dors, should be an eye opener some time next week. Just trying to keep you abreast of things Bob. 😉

        Reply
        1. BOB ROY to STEVE says:
          January 10, 2019 at 12:39 pm

          HI STEVE

          Thanks for the comprehensive feedback. Didn’t know about Peg’s irish connections . Thanks for sharing.

          Actually I have always thought that those responsible for choosing which title option to use in any one country had a fair idea of what they were doing. For example for me personally Jimmy Stewart’s western called Bend of the River in the US and England had the marginally preferable title of Where the River Bends in Ireland.

          But I suppose that in the end it comes down to personal taste and certainly I prefer titles to be recently compact and hate long winded ones like “Dr Strangelove or how I learned to Stop Worrying and Love the Bomb” or Dustin Hoffman’s “Who is Harry Kellerman and Why is He saying Those Terrible Things About Me?” Yuck!

          Anyway take care.

          Reply
  2. BOB ROY says:
    January 9, 2019 at 11:10 am

    COPIED FROM EMMA THOMPSON PAGE
    When I first heard of Emma Thompson many years ago she seemed to be best known as the 1989 – 1995 the wife of Sir Kenneth Branagh whom she supported in a number of movies, but nowadays it is possible that she would be the more familiar one to moviegoers.

    Certainly her recognition as a performer in quantity measurements by far outstrips those of Sir Kenneth and she has also accumulated more wealth [marginally] than he. The relevant stats are-

    BRANAGH: 31 acting awards and 63 noms. Net worth $60 million.
    THOMPSON: 62 awards and 107 nominations. Net worth $64 million.

    Also Emma has now received “Cogerson love” whereas Sir Kenneth has not to date been so lucky. Another measure of the prestige which Dame Emma has is that Box Office & Acting Giant Tom Hanks accepted 2nd billing to her in Saving Mr Banks. Anyway this Great Brit actress well deserves her Cogerson page so a “Vote Up” from me.

    I see STEVE that another Great Brit, Olivia Colman, has just won a Golden Globe for “The Favourite” and is 2nd favourite at least with Brit bookies for an Oscar for that movie after Glenn Close. I saw it on Monday night at the local Arthouse and although there was so much bad language in it that you’d have thought the entire cast had spent too much time in John McClane’s company I was fascinated by the movie & think Olivia deserves her Globe and her Oscar nomination.

    After all English actresses are nowadays not all the “blousing English roses” that they once were in movies. Going back to Dame Emma for example I saw a recent extract from one of her movies in which she jumped out on some startled guy and beseeched him “Fill me full of babies!” Anyway are a “Dame” Olivia and “Cogerson/Lensman love” also now on the cards

    Reply
    1. Cogerson says:
      January 10, 2019 at 7:42 am

      Hey Bob…thanks for putting this comment on our Brit page too.

      Reply
  3. Cogerson says:
    December 22, 2018 at 10:47 am

    Those Brits are everywhere these days. Just added Mary Poppins Returns to the database…..should be on the Emily page in a few minutes. Good stuff.

    Reply
  4. Steve Lensman says:
    December 22, 2018 at 9:04 am

    Hi Bob, thanks for reviewing and rating my Emily Blunt video, appreciate the info and stats. Glad you liked the picture gallery.

    Emily was much in the news recently thanks to the return of Mary Poppins, and she was born in London, so I thought it would make a nice finish to my Best of the Brits series of videos. Some time next year I’ll carry on with more Brits, old and new.

    A few days ago I started a special video on Xmas movies, if I finish it today I’ll post a link on Bruce’s Xmas page. I’ve included classic and modern movies.

    Incidentally the last still on Blunt’s video is from Edge of Tomorrow, in case you’re wondering what film that was.

    Only Looper scored 10 out of 10 from my sources, though it wasn’t enough to take the top spot from Edge of Tomorrow (the original Japanese novel was titled ‘All You Need is Kill’). Both films feature a form of time travel.

    One film scored 9 – Charlie Wilson’s War. And 10 more scored 8 out of 10.

    Edge of Tomorrow was no.1 at both IMDB and Rotten Tomatoes.

    No.1 on Bruce’s Emily Blunt chart is Looper, Edge of Tomorrow is 4th on there.

    Emily on Tom Cruise – “He’s got that magnetism and charisma of the old school Hollywood stars. He really knows acting. He knows what he’s doing. People go absolutely crazy for him. He genuinely loves people. He loves meeting them. He wants to connect with them even if it’s hundreds of thousands. He’d be on there for hours if he could.”

    Emily on Mary Poppins – “I remembered how incredible the original one was as a child. I have memories of it but I decided while prepping this not to watch it and try not to get embroiled in it too much, because I think my feeling was if I’m going to play Mary Poppins, I have to take a really big swing and do my own version of her. I didn’t want to try and emulate what Julie Andrews did.”

    Reply
    1. BOB ROY to STEVE on 'Myrna Poppins' says:
      December 22, 2018 at 9:54 am

      HI STEVE

      Thanks for the detailed response to my Emily Blunt post.

      My daughter and my 2 grandchildren of hers are going to see Return of Myrna Poppins tonight and I was invited to accompany them but unfortunately I had made other social arrangements. When I do get around to seeing it that could be a bitter-sweet experience because of course Dick Van Dyke [one of my favourite TV stars] was in the original – and indeed I think you told me he got panned for his Cockney accent! I am though keen to see WH’s box office prediction for Poppins if he makes one.

      Those are interesting comments about Tom Cruise from Emily. Certainly he must have thought highly of her in turn because he allowed her to share top billing with him above the title in Edge of Tomorrow. He usually has it in his contract that he is to be billed alone above the title and indeed would not allow Gene Hackman for one to be exempt from that rule when they made The Firm together back in the 1990s.

      I look forward to your Christmas video link. Meanwhile have a good weekend and an even better Christmas!.

      Reply
  5. BOB ROY to STEVE Emily Blunt says:
    December 22, 2018 at 5:16 am

    EMILY BLUNT STATS 1/Personal Net worth $25 million
    2/17 acting awards and 79 nominations since acting debut 2003.
    3/Output- 34 movies, 11 TV outings, 4 stage /1 radio appearances..
    4/Cogerson adjusted domestic gross $1.28 billion, average $45 million per movie
    5/ Emily has had not much “Work Horse Love” in respect of her stardom status, not considered for inclusion in his Top 25 Female Actress 1950-2010.

    Best POSTERS in your video from my viewpoint are (1) Wind Chill (2) 2nd one for Arthur Newman (3) Gnomeo (4) 1st one for Wolfman (5) 2nd one for 5 year Engagement (6) Huntsman (7) foreign language one for Into the Woods (8) Girl on the Train (9) Salmon Fish (10) Young Victoria (11) A Quiet Place (12) Sicario (13) 1st one for Looper (14) both ones for Edge of Tomorrow (15) Wild Thing and (16) 2nd one for Mary Poppins Returns – you’re certainly up to date there

    I most enjoyed these STILLS (1) Huntsman (2) Into the Woods (3) Sunshine Cleaning (4) The Master Wears Prada (5) VERY racy one for Charlie Wilson’s War (6) with Matt Damon (7) Young Vicky (8) Sicario (9) with Cruise and (10) Emily with rifle, looking more menacing than Statham ever could [her next movie Jungle Cruise is with The Rock].

    I find Emily to be one physically-appealing lady so your video is a great treat but I was surprised that my notes add up to a 98 % rating for such a relatively short video. However whilst I usually like the majority of your posters and stills I highlight only those pictorials that have appealed to me the most and as you will see from above that’s a high 64% of the posters in Emily’s case so well done there. You and WH agree on 5 of Emily’s Top 6 best reviewed flicks, though Work Horse’s stats table hasn’t yet caught up with Myrna Poppins Returns, your No 6. He’s probably awaiting 1st rash of grosses.

    Reply

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