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British Actors Smörgåsbord

British Actor Movies Can Be Ranked 6 Ways In This Table

The really cool thing about this table is that it is “user-sortable”. Rank the movies anyway you want.

  • Sort British Actor movies by his co-stars
  • Sort British Actor movies by adjusted domestic box office grosses using current movie ticket cost (in millions)
  • Sort British Actor movies by adjusted worldwide box office grosses using current movie ticket cost (in millions)
  • Sort British Actor movies by how they were received by critics and audiences.  60% rating or higher should indicate a good movie.
  • Sort by how many Oscar® nominations and how many Oscar® wins each British Actor movie received.
  • Sort British Actor movies by Ultimate Movie Rankings (UMR) Score.  UMR puts box office, reviews and awards into a mathematical equation and gives each movie a score.
R Movie (Year) UMR Co-Star Links Adj. B.O. Worldwide (mil) Review Oscar Nom / Win UMR Score
R Movie (Year) UMR Co-Star Links Actual B.O. Domestic (mil) Adj. B.O. Domestic (mil) Adj. B.O. Worldwide (mil) B.O. Rank by Year Review Oscar Nom / Win UMR Score S
1 Lawrence of Arabia (1962)
AA Best Picture Win
Jack Hawkins 41.50 691.0 691.00 1 94 10 / 07 100.0
2 Ben-Hur (1959)
AA Best Picture Win
Jack Hawkins 58.80 1,225.3 3,159.80 1 91 12 / 11 100.0
3 The Bridge on the River Kwai (1957)
AA Best Picture Win
Jack Hawkins 30.40 679.7 679.70 1 88 08 / 07 99.9
4 Gandhi (1982)
AA Best Picture Win
John Gielgud 52.80 224.4 543.20 11 85 11 / 08 99.9
4 Gladiator (2000)
AA Best Picture Win
Oliver Reed 187.70 435.3 1,061.30 4 80 12 / 05 99.8
5 My Fair Lady (1964)
AA Best Picture Win
Rex Harrison 56.60 752.8 752.80 3 79 12 / 08 99.8
7 Hamlet (1948)
AA Best Picture Win
Peter Cushing 8.90 279.6 279.60 15 81 07 / 04 99.8
9 Chariots of Fire (1981)
AA Best Picture Win
John Gielgud 59.00 265.2 265.20 7 82 07 / 04 99.8
11 Oliver! (1968)
AA Best Picture Win
Oliver Reed 48.00 458.0 458.00 5 71 11 / 05 99.8
10 The Lord of the Rings: The Fellowship of the Ring (2001)
AA Best Picture Nom
Christopher Lee 308.40 682.2 1,912.30 2 92 13 / 04 99.7
12 Around the World in 80 Days (1956)
AA Best Picture Win
Trevor Howard 35.50 806.5 806.50 2 70 08 / 05 99.7
12 The Lord of the Rings: The Two Towers (2002)
AA Best Picture Nom
Christopher Lee 334.00 719.8 1,977.30 2 92 06 / 02 99.7
12 Spartacus (1960) Peter Ustinov 31.70 574.5 574.50 2 91 06 / 04 99.5
14 The Guns of Navarone (1961)
AA Best Picture Nom
Stanley Baker 37.10 627.4 1,206.60 3 84 07 / 01 99.3
20 Great Expectations (1946)
AA Best Picture Nom
John Mills 5.40 193.1 193.10 62 84 05 / 02 99.1
15 The Third Man (1949) Trevor Howard 7.20 209.9 209.90 25 90 03 / 01 99.0
15 Goodbye, Mr. Chips (1939)
AA Best Picture Nom
Robert Donat 6.90 306.6 580.70 12 79 07 / 01 99.0
16 The African Queen (1951) Robert Morley 11.80 294.9 294.90 8 87 04 / 01 98.9
18 Quo Vadis (1951)
AA Best Picture Nom
Peter Ustinov 26.10 653.1 1,359.80 1 75 08 / 00 98.5
20 In Which We Serve (1942)
AA Best Picture Nom
John Mills 5.10 221.7 221.70 39 78 02 / 00 98.3
20 Superman (1978) Trevor Howard 134.30 717.4 1,604.20 3 83 03 / 00 98.3
26 The Sundowners (1960)
AA Best Picture Nom
Peter Ustinov 10.90 196.7 196.70 18 75 05 / 00 98.0
22 Arthur (1981) John Gielgud 107.70 484.2 484.20 3 78 04 / 02 98.0
23 Murder on the Orient Express (1974) John Gielgud 58.00 387.4 387.40 6 78 06 / 01 97.9
24 Mutiny on the Bounty (1962)
AA Best Picture Nom
Trevor Howard 28.00 466.7 466.70 4 70 07 / 00 97.6
28 Hugo (2011)
AA Best Picture Nom
Christopher Lee 73.90 116.4 292.80 49 89 11 / 05 97.6
25 Von Ryan's Express (1965) Trevor Howard 20.80 255.0 255.00 9 81 01 / 00 97.5
27 Father Goose (1964) Trevor Howard 17.10 228.0 228.00 8 77 03 / 01 97.3
27 Swiss Family Robinson (1960) John Mills 37.10 672.9 672.90 1 78 00 / 00 96.7
28 The Three Musketeers (1973) Oliver Reed 34.60 244.7 244.70 10 78 00 / 00 96.6
31 The Inn of the Sixth Happiness (1958) Robert Donat 12.60 261.9 261.90 10 77 01 / 00 96.6
30 Anna and the King of Siam (1946) Rex Harrison 9.50 337.8 337.80 22 71 05 / 02 96.6
33 We're No Angels (1955) Peter Ustinov 8.60 206.0 206.00 35 76 00 / 00 96.3
33 The Longest Day (1962)
AA Best Picture Nom
Richard Todd 31.30 521.4 521.40 3 60 05 / 02 95.4
34 A Man Called Peter (1955) Richard Todd 12.90 309.1 309.10 18 72 01 / 00 95.4
35 Exodus (1960) Ralph Richardson 23.80 431.2 431.20 4 67 03 / 01 94.9
37 Cleopatra (1963)
AA Best Picture Nom
Rex Harrison 57.80 839.8 1,462.70 1 52 09 / 04 94.8
36 A Bridge Too Far (1977) Dirk Bogarde 56.80 318.1 318.10 9 70 00 / 00 94.5
37 The World of Suzie Wong (1960) Michael Wilding 21.40 388.2 388.20 7 68 00 / 00 94.1
44 The Four Musketeers: Milady's Revenge (1974) Oliver Reed 26.60 177.6 177.60 24 74 01 / 00 93.9
40 Ryan's Daughter (1970) John Mills &
Trevor Howard
44.40 357.8 357.80 7 62 04 / 02 93.9
40 Tommy (1975) Oliver Reed 47.80 291.7 291.70 9 65 02 / 00 93.6
43 Star Wars: Episode II - Attack of the Clones (2002) Christopher Lee 308.20 664.2 1,394.80 3 65 01 / 00 93.4
46 The Private Life of Henry VIII. (1933)
AA Best Picture Nom
Robert Donat 2.40 132.0 132.00 23 79 02 / 01 93.4
50 Midnight Lace (1960) Rex Harrison 10.00 181.2 181.20 24 71 01 / 00 93.4
44 The Egyptian (1954) Michael Wilding 12.90 349.4 349.40 17 65 01 / 00 93.2
45 Shine (1996)
AA Best Picture Nom
John Gielgud 35.90 101.5 101.50 41 83 07 / 01 93.0
45 The Foxes of Harrow (1947) Rex Harrison 8.60 292.2 292.20 22 63 01 / 00 92.7
49 Land of the Pharaohs (1955) Jack Hawkins 7.70 185.4 185.40 37 68 00 / 00 92.5
51 The Agony and the Ecstasy (1965) Rex Harrison 10.80 132.5 132.50 19 79 05 / 00 92.0
48 Caesar and Cleopatra (1945) Ronald Shiner 6.20 229.8 229.80 50 59 01 / 00 91.3
51 Darling (1965)
AA Best Picture Nom
Dirk Bogarde 9.90 121.2 121.20 25 71 05 / 03 91.0
54 Logan's Run (1976) Peter Ustinov 28.80 168.9 168.90 22 68 02 / 00 90.9
54 The Man with the Golden Gun (1974) Christopher Lee 28.50 190.4 577.30 18 60 00 / 00 90.2
55 Sink the Bismarck! (1960) Kenneth More 8.50 154.0 154.00 37 70 00 / 00 89.6
54 Brief Encounter (1945) Trevor Howard 2.70 100.8 100.80 109 83 03 / 00 89.1
59 The Black Rose (1950) Jack Hawkins 7.60 197.2 197.20 16 54 01 / 00 88.9
57 Unfaithfully Yours (1948) Rex Harrison 3.40 107.1 107.10 99 82 00 / 00 88.5
59 The Ghost and Mrs. Muir (1947) Rex Harrison 2.80 95.9 95.90 118 84 01 / 00 88.2
63 The Yellow Rolls-Royce (1964) Rex Harrison 13.30 177.4 190.00 14 56 00 / 00 87.2
62 The Roots of Heaven (1958) Trevor Howard 8.60 178.6 178.60 25 55 00 / 00 86.8
60 Topkapi (1964) Peter Ustinov 7.00 93.1 93.10 43 80 01 / 01 86.8
65 The Ghost Goes West (1935) Robert Donat 2.40 122.8 122.80 54 71 00 / 00 86.2
63 Women in Love (1969) Oliver Reed 8.40 73.6 73.60 34 81 04 / 01 85.9
64 The Hasty Heart (1949) Richard Todd 3.70 107.0 107.00 96 74 01 / 00 85.8
66 The Chalk Garden (1964) John Mills 9.10 121.6 121.60 28 69 01 / 00 85.7
68 Blackbeard's Ghost (1968) Peter Ustinov 12.90 122.7 122.70 29 68 00 / 00 85.0
65 Horror of Dracula (1958) Peter Cushing &
Christopher Lee
2.90 59.5 59.50 79 87 00 / 00 84.6
69 Zulu (1964) Stanley Baker &
Jack Hawkins
4.00 53.6 53.60 71 86 00 / 00 83.7
72 The Curse of Frankenstein (1957) Peter Cushing &
Christopher Lee
4.00 90.1 151.50 60 75 00 / 00 83.7
72 The Count of Monte Cristo (1934) Robert Donat 1.60 87.3 87.30 71 76 00 / 00 83.6
74 The Key (1958) Trevor Howard 6.30 131.0 131.00 40 62 00 / 00 83.6
73 Windwalker (1980) Trevor Howard 18.60 89.6 89.60 39 74 00 / 00 83.2
72 The Deep Blue Sea (1955) Kenneth More 2.90 68.7 68.70 102 81 00 / 00 83.2
77 The Reluctant Debutante (1958) Rex Harrison 4.40 92.6 177.40 53 73 00 / 00 83.0
80 Lord Jim (1965) Jack Hawkins 10.50 129.2 129.20 21 61 00 / 00 82.8
77 Operation Crossbow (1965) Trevor Howard &
Richard Todd
10.00 122.5 122.50 24 63 00 / 00 82.7
75 Scrooge (1970) Kenneth More 9.10 73.3 73.30 37 75 04 / 00 82.6
80 Death on the Nile (1978) Peter Ustinov 14.60 77.8 77.80 49 72 01 / 01 81.2
79 Billy Budd (1962) Peter Ustinov 2.60 42.9 42.90 90 84 01 / 00 81.2
84 Alexander the Great (1956) Peter Cushing 7.10 162.3 162.30 33 47 00 / 00 81.0
80 Hobson's Choice (1954) John Mills 1.70 46.6 46.60 132 83 00 / 00 81.0
84 Top Secret! (1984) Peter Cushing 20.50 76.1 76.10 51 73 00 / 00 80.7
85 Stage Fright (1950) Alastair Sim 2.90 75.3 142.00 108 73 00 / 00 80.4
85 The Glass Slipper (1955) Michael Wilding 3.90 93.6 202.70 86 67 00 / 00 80.2
86 The Master of Ballantrae (1953) Anthony Steel 4.80 99.5 216.20 71 65 00 / 00 80.0
90 The Sheriff of Fractured Jaw (1958) Kenneth More &
Robert Morley
5.50 114.6 147.90 47 58 00 / 00 79.1
85 This Happy Breed (1944) John Mills 1.20 47.3 47.30 139 79 00 / 00 78.9
88 Theater of Blood (1973) Jack Hawkins 3.00 21.4 21.40 87 86 00 / 00 78.2
90 Bean (1997) John Mills 45.30 123.4 684.10 45 54 00 / 00 78.2
94 Sodom and Gomorrah (1962) Stanley Baker 7.10 119.0 119.00 38 55 00 / 00 78.0
91 Doctor Dolittle (1967) Rex Harrison 8.80 90.4 90.40 34 54 09 / 02 77.8
95 D-Day The Sixth of June (1956) Richard Todd 5.60 126.6 167.20 53 52 00 / 00 77.3
94 Vigil in The Night (1940) Peter Cushing 1.90 84.9 128.10 105 64 00 / 00 76.7
97 Morituri (1965) Trevor Howard 5.70 69.6 69.60 49 67 02 / 00 76.2
100 A Yank in London (1945) Rex Harrison 2.80 102.1 102.10 100 58 00 / 00 75.9
93 Lion of the Desert (1980) John Gielgud 3.50 16.8 16.80 120 85 00 / 00 75.9
96 Lorenzo's Oil (1992) Peter Ustinov 7.30 21.9 21.90 107 81 02 / 00 75.6
99 The Sword and the Rose (1953) Richard Todd 3.00 63.1 63.10 130 68 00 / 00 74.5
97 A Night to Remember (1958) Kenneth More 1.40 29.8 29.80 121 79 00 / 00 74.4
99 The Private Life of Sherlock Holmes (1970) Christopher Lee 4.50 36.7 36.70 59 76 00 / 00 73.5
103 The Mudlark (1950) Anthony Steel 2.90 74.4 74.40 109 62 01 / 00 72.9
107 Under Capricorn (1949) Michael Wilding 3.40 97.7 215.40 107 55 00 / 00 72.4
102 The Ruling Class (1972) Alastair Sim 2.70 20.1 20.10 101 79 01 / 00 72.3
112 Caligula (1979) John Gielgud 25.70 127.8 127.80 39 45 00 / 00 72.1
108 The Night They Raided Minsky's (1968) Norman Wisdom 8.60 81.8 81.80 46 60 00 / 00 72.0
103 Cromwell (1970) Robert Morley 4.80 39.1 39.10 53 70 02 / 01 71.8
107 Battle of Britain (1969) Trevor Howard 5.70 50.3 50.30 47 69 00 / 00 71.7
105 The Damned (1969) Dirk Bogarde 3.40 30.2 30.20 63 75 01 / 00 71.6
110 An Ideal Husband (1947) Michael Wilding 2.50 83.5 83.50 128 59 00 / 00 71.6
110 Beat the Devil (1953) Robert Morley 3.00 63.1 63.10 120 65 00 / 00 71.0
115 Beau Brummell (1954) Peter Ustinov &
Robert Morley
3.00 81.4 209.70 103 59 00 / 00 70.9
115 First Knight (1995) John Gielgud 37.60 108.0 366.70 46 50 00 / 00 70.7
114 The Virgin Queen (1955) Richard Todd 2.70 65.2 65.20 119 63 01 / 00 70.6
109 A Christmas Carol (1951) Alastair Sim 0.90 23.2 23.20 211 77 00 / 00 70.4
118 Who Is Killing The Great Chefs of Europe? (1978) Robert Morley 11.10 59.4 59.40 54 64 00 / 00 68.9
119 The Truth About Spring (1965) John Mills 4.10 49.7 49.70 68 67 00 / 00 68.6
116 Bitter Victory (1957) Christopher Lee 1.80 39.9 39.90 126 70 00 / 00 68.6
116 School for Scoundrels (1960) Alastair Sim 1.30 23.7 23.70 117 75 00 / 00 68.6
123 Zarak (1956) Michael Wilding 4.00 90.9 90.90 80 53 00 / 00 68.0
120 The Wicker Man (1973) Christopher Lee 2.70 19.3 19.30 100 76 00 / 00 67.8
121 Evil Under the Sun (1982) Peter Ustinov 6.10 26.0 26.00 82 73 00 / 00 67.2
122 Oh! What a Lovely War (1969) Kenneth More 2.90 25.2 25.20 75 73 00 / 00 67.1
125 I Could Go On Singing (1963) Dirk Bogarde 2.10 30.1 30.10 89 71 00 / 00 66.6
133 The Black Knight (1954) Peter Cushing 3.70 100.9 100.90 87 49 00 / 00 66.5
122 Blithe Spirit (1945) Rex Harrison 0.50 17.9 17.90 163 73 01 / 01 66.4
128 The Great Manhunt (1950) Jack Hawkins 1.20 31.7 31.70 176 70 00 / 00 65.9
125 The Dam Busters (1955) Richard Todd 0.90 20.6 24.80 180 73 01 / 00 65.8
126 Julius Caesar (1950) John Gielgud 0.10 2.2 2.20 216 79 00 / 00 65.7
127 The Passionate Friends (1949) Trevor Howard 0.80 24.2 24.20 188 72 00 / 00 65.5
131 The Lion (1962) Trevor Howard 3.40 57.1 57.10 69 62 00 / 00 65.5
132 Rob Roy: The Highland Rogue (1953) Richard Todd 3.00 63.1 63.10 129 59 00 / 00 64.8
136 The Great Scout & Cathouse Thursday (1976) Oliver Reed 10.90 64.0 64.00 58 58 00 / 00 63.3
135 An Eye for an Eye (1981) Christopher Lee 17.30 77.8 77.80 51 53 00 / 00 63.1
138 Torch Song (1953) Michael Wilding 3.60 75.8 75.80 109 52 02 / 00 63.1
137 Return from Witch Mountain (1978) Christopher Lee 16.40 87.8 87.80 42 50 00 / 00 62.6
132 North West Frontier (1959) Kenneth More 1.10 23.8 23.80 138 70 00 / 00 62.2
142 King Richard and the Crusaders (1954) Rex Harrison 3.90 107.1 221.40 85 43 00 / 00 61.4
139 The Shoes of the Fisherman (1968) John Gielgud 4.60 43.6 43.60 68 61 02 / 00 60.6
138 Romanoff and Juliet (1961) Peter Ustinov 1.80 29.7 29.70 101 67 00 / 00 60.5
140 11 Harrowhouse (1974) Trevor Howard 3.00 20.3 20.30 86 69 00 / 00 60.1
139 Hot Millions (1968) Peter Ustinov &
Robert Morley
1.90 17.9 17.90 120 69 01 / 00 59.2
144 Knight Without Armor (1937) Robert Donat 0.80 37.5 37.50 183 63 00 / 00 59.0
143 Anzio (1968) Anthony Steel 4.00 38.2 38.20 75 63 00 / 00 58.7
147 The Naked Edge (1961) Peter Cushing 6.00 101.4 101.40 40 43 00 / 00 58.6
141 The Honey Pot (1967) Rex Harrison 2.50 25.8 25.80 85 67 00 / 00 58.6
147 Young Winston (1972) Jack Hawkins 6.50 47.9 47.90 55 57 03 / 00 57.7
149 Plenty (1985) John Gielgud 6.10 21.6 21.60 107 65 00 / 00 54.0
147 Daddy Nostalgia (1990) Dirk Bogarde 1.10 3.3 3.30 185 71 00 / 00 53.5
150 Libel (1959) Robert Morley 0.70 14.6 69.60 159 66 01 / 00 53.4
149 The Missionary (1982) Trevor Howard 7.20 30.8 30.80 71 62 00 / 00 53.0
154 The Happy Thieves (1961) Rex Harrison 2.00 33.8 33.80 94 58 00 / 00 47.1
152 The Serpent (1973) Dirk Bogarde 2.40 17.1 17.10 113 63 00 / 00 46.7
157 The Comedians (1967) Peter Ustinov 7.00 72.3 72.30 41 45 00 / 00 46.5
153 Caravans (1978) Christopher Lee 4.40 23.7 23.70 87 60 01 / 00 46.5
155 Corridors of Blood (1958) Christopher Lee 1.20 24.6 24.60 132 60 00 / 00 46.3
155 Dr. Phibes Rises Again (1972) Peter Cushing 3.00 22.3 22.30 91 61 00 / 00 46.1
158 Oklahoma Crude (1973) John Mills 7.60 53.5 53.50 45 51 00 / 00 45.6
159 Justine (1969) Dirk Bogarde 6.30 55.3 55.30 42 50 00 / 00 45.5
160 Unidentified Flying Oddball (1979) Kenneth More 11.80 58.6 58.60 62 49 00 / 00 44.8
161 Venom (1981) Oliver Reed 5.20 23.5 23.50 91 59 00 / 00 42.6
162 The Blue Bird (1976) Robert Morley 10.60 62.2 62.20 59 46 00 / 00 42.3
163 Shining Through (1992) John Gielgud 21.60 65.2 132.00 59 45 00 / 00 42.2
164 The Oblong Box (1969) Christopher Lee 2.90 25.7 25.70 70 57 00 / 00 40.1
167 At The Earth's Core (1976) Peter Cushing 9.10 53.4 53.40 61 47 00 / 00 38.2
165 The Angel Wore Red (1960) Dirk Bogarde 1.20 21.2 48.40 123 57 00 / 00 37.9
163 Triple Cross (1966) Trevor Howard 1.10 12.1 12.10 122 60 00 / 00 37.9
170 The Millionairess (1960) Alastair Sim 2.90 51.8 51.80 79 47 00 / 00 36.9
169 Scream and Scream Again (1970) Peter Cushing 3.70 29.7 29.70 72 54 00 / 00 36.8
173 Oh Heavenly Dog (1980) Robert Morley 8.70 41.9 41.90 80 50 00 / 00 36.0
167 Gideon of Scotland Yard (1958) Jack Hawkins 0.40 7.4 7.40 170 61 00 / 00 35.8
175 Crossed Swords (1977) Oliver Reed 7.30 40.9 40.90 72 50 00 / 00 34.4
171 The Whistle Blower (1986) John Gielgud 1.50 5.1 5.10 158 61 00 / 00 34.2
174 The Doctor's Dilemma (1958) Dirk Bogarde &
Alastair Sim
0.80 16.4 43.20 156 57 00 / 00 34.2
173 Circle of Iron (1978) Christopher Lee 2.20 11.9 11.90 109 59 00 / 00 34.1
177 Staircase (1969) Rex Harrison 5.30 46.5 46.50 51 47 00 / 00 33.3
176 Gold (1974) John Gielgud 3.00 20.3 20.30 82 54 01 / 00 32.1
175 Condorman (1981) Oliver Reed 2.60 11.5 11.50 107 58 00 / 00 31.9
177 Chuka (1967) John Mills 1.90 19.9 19.90 101 55 00 / 00 31.4
181 The Sting II (1983) Oliver Reed 6.30 25.2 25.20 78 52 01 / 00 31.2
182 The Hunting Party (1971) Oliver Reed 2.70 20.7 20.70 95 54 00 / 00 30.0
179 Appointment with Death (1988) Peter Ustinov &
John Gielgud
1.00 2.9 2.90 188 59 00 / 00 29.8
182 The Portrait of a Lady (1996) John Gielgud 3.70 10.4 10.40 164 55 02 / 00 29.5
184 Conduct Unbecoming (1975) Trevor Howard 2.50 15.2 15.20 101 55 00 / 00 28.5
185 A Flea In Her Ear (1968) Rex Harrison 1.90 17.8 17.80 123 54 00 / 00 28.3
185 Hotel Paradiso (1966) Robert Morley 0.60 6.3 6.30 136 57 00 / 00 26.8
186 Castaway (1986) Oliver Reed 0.40 1.5 1.50 192 58 00 / 00 25.9
190 Masquerade (1965) Jack Hawkins 1.20 14.9 14.90 121 53 00 / 00 25.6
189 The Hunan Factor (1979) John Gielgud 0.40 1.9 1.90 161 57 00 / 00 25.5
190 Burnt Offerings (1976) Oliver Reed 4.70 27.8 27.80 85 49 00 / 00 24.7
192 Saint Joan (1957) Richard Todd &
John Gielgud
1.10 25.5 25.50 148 48 00 / 00 21.8
193 Lady Caroline Lamb (1972) John Mills 1.10 8.0 8.00 137 52 00 / 00 19.0
192 Kidnapped (1971) Trevor Howard 1.10 8.0 8.00 154 52 00 / 00 19.0
195 The Long Duel (1967) Trevor Howard 1.30 13.6 13.60 127 49 00 / 00 17.9
194 The Big Sleep (1978) Oliver Reed 2.20 11.9 11.90 110 50 00 / 00 17.8
197 Tiara Tahiti (1962) John Mills 1.90 31.0 31.00 102 43 00 / 00 17.1
197 Hammersmith Is Out (1972) Peter Ustinov 2.40 17.8 17.80 108 47 00 / 00 17.0
201 The Formula (1980) John Gielgud 9.60 46.1 46.10 76 37 01 / 00 15.6
199 Shalako (1968) Jack Hawkins 2.90 27.5 92.90 94 43 00 / 00 15.4
199 Rosebud (1975) Richard Attenborough 1.90 11.3 11.30 119 46 00 / 00 12.7
201 To the Devil a Daughter (1976) Christopher Lee 3.00 17.8 17.80 106 44 00 / 00 12.3
203 Arthur 2: On the Rocks (1988) John Gielgud 14.70 44.7 44.70 65 35 00 / 00 12.3
204 Ashanti (1979) Rex Harrison &
Peter Ustinov
1.70 8.5 8.50 127 43 00 / 00 8.1
204 Bear Island (1979) Christopher Lee 2.50 12.5 12.50 103 32 00 / 00 2.2

Steve Lensman’s John Gielgud You Tube Video

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203 thoughts on “British Actors Smörgåsbord”

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  1. BOB ROY to STEVE on Sir Peter says:
    November 26, 2018 at 12:38 pm

    As well as being a great actor Sir Peter Ustinov had many other professional accomplishments in spheres such as story writing, directing theatre and opera, screenwriting, dramatist work and newspaper column writing. In addition he had a considerable following as a humorist [which makes your opening quote from Peter highly appropriate]and an avid attendee of Peter’s one-man live stand-up shows was the former British Prime Minister Sir Edward Heath.

    The latter was a bit ironic because Sir Edward was a Conservative politician and Ustinov as a self-proclaimed secular humanitarian would not have subscribed to Heath’s more materialistic and combative brand of mainstream politics and vice versa. Indeed when Sir Edward’s successor, Baroness Margaret Thatcher, won the British general election in 1979 Sir Peter claimed that he was so depressed that he went into a London railway underground rest room and did not come up again for some three hours.

    POSTERS in your Ustinov video that pleased me most are (1) Ashanti (2) both for “Dinosaurs” (3) raunchy one for Hotel Sahara (4) both for Treasure of Matecumbe (5) both for Hammersmith is Out [one of a long run of Burton/Taylor flops as their careers declined] (6) a raunchy 1st one for The Comedians (7) Liz again in seductive pose in the 1st one for Beau Brummell (8) 1st one for The Egyptian (9) Odette (10) the two for We’re No Angels (11) 1st one for Topkapi (12) the entire set for each of Spartacus and Quo Vadis and (13) an extremely raunchy two for Lola Montes.

    STILLS that most entertained me are (1) Ustinov with Liz (2) Poirot on the beach (3) Logan’s Run – if that was Jenny Augutter she was quite stunning to look at (4) a very young Peter in his debut [he looked to me a bit like Boris Johnson in your still] (5) Peter in Death on the Nile (6) Peter in Topkapi [7] him with Mitch and Scotland’s rose (8) with Robert Ryan (9) in Spartacus (10) two terrific ones of Peter in Quo Vadis and (11) him with Edmund Purdom in The Egyptian. Brando was originally cast in the Purdom title role but walked out and was sued by Fox. Betcha Joel simply adored Purdom in the role! Brit Edmund also took over from Lanza in The Student prince and so became known as “The Replacement Actor.”

    EXCELLENT –easily worth 97.5%

    Reply
    1. Steve Lensman says:
      November 27, 2018 at 8:29 am

      Hi Bob, many thanks for reviewing and rating my Peter Ustinov video, appreciate the info and triva. Happy you liked picture gallery.

      I was surprised to see a photo of Peter with his wife and children, for some reason I had always assumed he was gay, like his pals Laughton and Gielgud.

      That was indeed lovely Jenny Agutter in the still from Logan’s Run, seemingly she was always taking her clothes off in her early film career, and her many fans were more than happy. In the 1990s another naughty Brit Kate Winslet made sure there was a clause in her contract that she can strip off in each film, and no one complained. 😉

      According to the IMDB Peter was “fluent in French, German, English, Italian, Russian and Spanish, and could pass in Turkish and Greek among others.”

      Four of Ustinov’s films scored 10 out of 10 from my sauces – Spartacus, Topkapi, The Sundowners and Lola Montes. Two scored 9 – One of Our Aircraft is Missing and Billy Budd. 6 more scored 8.

      Billy Budd and Spartacus tie for no.1 at IMDB, and Spartacus tops Rotten Tomatoes followed by Billy Budd.

      “The great thing about history is that it is adaptable.”

      “I believe that the Jews have made a contribution to the human condition out of all proportion to their numbers: I believe them to be an immense people. Not only have they supplied the world with two leaders of the stature of Jesus Christ and Karl Marx, but they have even indulged in the luxury of following neither one nor the other.”

      “Rita Hayworth wanted to be the next Mrs. David Niven. Rita was a great deal of fun and extremely beautiful – all that glorious red hair. David loved her, but not enough to want her for his wife. I don’t know if he loved Hjördis Genberg but when she became Mrs. David Niven it made him safe from all the others who wanted to be his wife.”

      Reply
      1. BOB ROY to STEVE on Sir Peter says:
        November 27, 2018 at 10:57 am

        HI STEVE Thanks for the feedback including explanations, brilliant quotes and confirmation about Jenny. Never knew that about Kate Winslet’s contract but noticed she liked to use 4-letter words in some movies. The Brit Carry On crowd loved risqué innuendos

        “When we had finished filming for the day they would get me to do publicity shoots and they would insist that I dress in clothes that a schoolgirl would wear outside the classroom. But I didn’t want to dress like that. I longed to wear low-cut dresses and strike alluring poses.” [Edna Mae Durbin 1983 to historian David Shipman].

        Among the “a man’s gotta do what a man’s gotta do” clique Brit actors often confuse the misinformed about their orientation because many especially English thespians can carry on before the cameras in an exaggerated genteel manner and speak so “awfully awfully” all of which is of course part of their great appeal.

        Sir Noel Coward who in early years was a romantic idol had to ensure that strong feminine romance was worked into his scripts on stage and screen to camouflage the fact that he was gay and Rock had to marry his agent’s sister for a while as a front.

        Louis B Mayer paid supporting actor Keenan Wynn to divorce his own wife so that big star Van Johnson could marry her and throw a suspicious press of the scent. Thank goodness today enormously gifted people like Laughton/Coward can be appreciated for talent with personal orientation consigned to justifiable irrelevance.

        Leslie Townes Hope loved name-dropping the great and famous into all his professional acts. You seem to take a delight in casually mentioning important people by names that few of us will have ever heard before even if we know of the person concerned. Hjordis Paulina Genberg Tersmeden is but one example. Niven is rumoured to have had an affair with Princess Margaret.

        Reply
        1. Steve Lensman says:
          November 27, 2018 at 12:28 pm

          Bob, your quote – “You seem to take a delight in casually mentioning important people by names that few of us will have ever heard before even if we know of the person concerned.” – made me laugh, the pot calling the kettle black. You’re the one who loves using obscure nicknames and aliases of famous actors in your posts, and I have to guess who you’re on about. I’ll bet some of your readers remain befuddled… Archie who? Mr Gimme Moore? Charley Bill eh? What? 😉

          Thanks for the interesting info. I never suspected Van Johnson had gay inclinations, seems like only John Wayne was immune from the ‘well is he or isn’t he?’ rumormill in old Hollywood.

          Reply
          1. BOB ROY to STEVE says:
            November 27, 2018 at 1:07 pm

            HI STEVE 1/For a while supporting “nobody” Keenan Wynn was paid higher than big MGM stars such as Gable and Johnson himself so important was it to Louis B to protect the romantic ladies man image of Johnson one of MGM’s biggest stars at the time.

            2/Keenan was working near Brando when the latter was filming at MGM and reportedly after watching ole Mumbles performing a scene Wynn rapped Marlon’s dressing room door and said to him “I’ve called to compliment you on being a very fine actor, Sir.” Keenan should have been a critic as he seems to have been more observant than some of the hack professional critics I could mention !!

            3/I doubt if anyone on this site is a bigger Duke fan than I but unfortunately Big J had some prejudices that I would never share and consider unreasonable. For example it is well known that The Duke chastised Kirk for playing Van Gogh in Lust for Life which explored the relationship between Vincent and Gaugin played by Quinn. The Duke accused Kirk of an taking an “unAmerican” role and it is reckoned that what Wayne meant by that was that there were innuendos among historians about the Gaugin/Van G relationship.

            4/Certainly in Classic era Hollywood it was to my mind cruel the lengths stars had to go to to avoid certain displays of being just human. For example my Deanna had to enter an arranged temporary marriage with producer-actor Felix Jackson to avoid having his child out of wedlock as that would have ruined her career.

  2. BOB ROY to STEVE says:
    November 26, 2018 at 11:02 am

    HI STEVE

    I like your “less is more” quip ! Though I’ll maybe discover as I work through The Master’s book that more of him is less!

    Reply
  3. BOB ROY to BRUCE on A Sim says:
    November 26, 2018 at 7:21 am

    HI BRUCE

    You would really had to have seen that Cole interview to have believed it. He couldn’t have been more distraught than if he had been reviewed by Joel! I could understand George being annoyed at being cut out of his “father’s” will but I was surprised he wore his heart on his sleeve in public about the matter.

    The pill of being dropped from the will must have been all the more a bitterone for Cole to swallow given that Sim and his wife actually became the UNOFFICIAL guardians of Cole when the latter was an orphaned teenager. George might have taken a hint from the fact that the Sims never took an initiative in formalising the arrangement.

    I can only presume that when he was cut out of Alastair’s will George in a fit of pique had the adoption annulled because he is no longer officially referred to anywhere that I have seen as Sim’s “son”.

    One must presume that it was Alastair’s early patronage that got George so many supporting roles in Sim movies [including the role of the young Ebenezer Scrooge in in the Sim classic so beloved of Flora and many, many others the 1951 A Christmas Carol]. However in his later career George became a Brit household name in his own right as the con man Arthur Daley in the massive long running hit TV series The Minder[1979-1994]. Sadly Sim who died in 1976 was not around to see the belated heyday of his “boy”.

    Reply
  4. Cogerson says:
    November 26, 2018 at 12:29 am

    Even though I made Steve’s Trevor Howard video a “Post of the Day”…added the video here as well…plus now my comments on Steve’s video and Trevor’s movies are ready.

    “Wow…Trevor gets a 10 minute video. All the way to #28 for my first match…Sea Wolves ….fun movie. #23 The Key….rumor has it Michael Caine is somewhere in that one…I did not spot him on my last viewing of that war romantic drama #14 Battle of Britain….all star cast…need to rewatch it. #13 Von Ryan’s Express….good war movie…but no The Great Escape. #12 Around the World in 80 Days….bloated Oscar winner #11 Father Goose…one of my favorite Cary Grant movies…Howard is funny in it #7 Mutiny on the Bounty…movie has some issues…but Howard’s performance is not one of them….he shines in this one. #6 Green for Danger….a nice who-done-it…fun movie #5 Ryan’s Daughter…beautiful looking movie. #4 Superman…small part…but good movie. #3 Gandhi….small part in Oscar winner #2 Brief Encounter…probably his best performance #1 The Third Man….only seen this classic once….and barely remember his role…I guess it is time to watch it again. So that is 13 seen. Voted up and shared”

    Reply
    1. Steve Lensman says:
      November 26, 2018 at 10:30 am

      Hi Bruce, yup Trev has been a busy actor and you’ve seen 13 of his films not bad, Flora and I are tied at 14.

      Recently ordered a blu-ray for Von Ryan’s Express from the HMV sale, along with Ice Station Zebra. His most famous film among the ‘older’ Brits is Brief Encounter but rating movies rather than performance means The Third Man easily tops this list. Thanks for the comment, vote and share, always appreciated.

      Reply
  5. BOB ROY to STEVE - Alastair Sim says:
    November 25, 2018 at 9:30 am

    HI STEVE I am somewhat surprised that you are not including Sim at least this time round. He was a big fave of mine and whilst that will not cut much ice with you he was almost a Brit national institution when he was in his heyday. He does seem to have been a bit of an odd character in real life though.

    You may know that he made a number of films with George Cole [The Green Man, Laughter in paradise, The Belles of St Trinians and Lady Godiva Rides Again]. They had a great professional relationship and Gorge Cole came onto television to talk about Alastair after the latter’s death.

    Cole told the interviewer that the pair got on so well together that some years ago George decided to legally adopt Alastair as his father [though the process usually worked the other way around]. He didn’t consult Sim in the matter opting instead to surprise him with the “gift” and Sim was so non-committal upon hearing the news that George had never fathomed whether or not Sim was pleased. [Alastair had only one blood child, a daughter, Naomi.]

    George then suddenly burst into anger [and almost tears] in front of the interviewer and told the latter that Sim had left a tidy sum of money and that Cole had just been to a reading of the will only to find that Alastair had left all his money to Naomi, other relatives and charity and had made no provision whatsoever for his “son”.

    In short Sim and Cole were clearly a “delightfully British” pair and that story which George told was like something out of one of their screen comedies [laughter in paradise?].

    Anyway I’m otherwise very pleased with your Brit selections to date. Take care.

    Reply
    1. Flora Breen Robison says:
      November 25, 2018 at 5:51 pm

      Alastair Sim’s version of A Christmas Carol is a Christmas staple in my family. We watch it every Christmas Eve.

      Reply
      1. BOB ROY to FLORA says:
        November 25, 2018 at 6:19 pm

        Great choice Flora. It was through Sim as Scrooge that I heard of Scrooge for the very first time, even before I heard of Dickens’ story. Critics generally regard the Sim movie as the definitive adaptation of Dickens’ story.

        At my local cinema The Strand [the only one of the old ones still operating as a cinema in Northern Ireland] which is a five minute walk from my present home, there is a plaque outside the front doors dedicated to Brian Desmond-Hurst who was the director of Sim’s A Christmas Carol.

        Hurst was born and raised in nearby Ribble Street East Belfast Northern Ireland about 10 minutes walk from the Strand. Ribble Street is where my wife too was born and grew up as a young girl and another coincidence is that my wife was born in 1951, the year in which Alastair’s A Christmas carol was released. And the coincidences continue and stretch out to even you in an indirect sense! – because Brian Desmond-Hurst left Northern Ireland for a time to train as an artist in Canada

        My own Christmas “staples” are 1949’s A Holiday Affair, Bing’s 1954 White Christmas and Judy’s 1944 Meet Me in St Louis with of course her singing that wonderful Have Yourself a Merry little Christmas.- the best version of that song EVER. A couple of years ago our local art house had a special Christmas showing of Meet Me in St Louis and my daughter and I went to see it. Take care and best wishes BOB

        Reply
        1. BOB ROY to BRUCE says:
          November 25, 2018 at 6:26 pm

          BRUCE

          Please see my post to Flora. Please note that I have given Canada yet another plug!

          Reply
          1. Cogerson says:
            November 26, 2018 at 12:37 am

            Hey Bob…I saw it….and I am sure that are glad to see the “plug”….lol.

        2. Cogerson says:
          November 26, 2018 at 12:36 am

          Hey Bob….that is pretty cool that Brian Desmond-Hurst has a plaque near you….sounds like he really made an impact in your “neck of the woods”. Of your Christams staples….I have only seen White Christmas….and I just joined that club last year….I know…I am a slacker. Good memory of you, your daughter and Judy. Good stuff.

          Reply
      2. Cogerson says:
        November 26, 2018 at 12:33 am

        Hey Flora…..shockingly….it is almost time to watch Sim’s A Christmas Carol again….we started our Christmas movie watching this weekend….already watched The Christmas Chronicles, A Nightmare Before Christmas and Home Alone (the girls love this movie). Thanks for the feedback.

        Reply
        1. BOB ROY to BRUCE & STEVE says:
          November 26, 2018 at 9:17 am

          HI BRUCE And the hits just keep coming and coming – a “Canuck” teams up with Steve’s Brits!

          I have just been given an early Christmas present of Laddie’s 1953 The Red Beret [aka Paratrooper] in which the Great Alan is a Yank who joins the British Parachute Regiment pretending to be a Canadian and in fact is given the nickname “Canada” [ though his real name is Steve MacKendrick].

          Your 49% rating for it is a bit stingy but Red Beret is probably one that will find its greatest admirers among Ladd fans and certainly it well pleased me.

          Anyway on this occasion I don’t really need your approval of my tastes because I am reassured by support from the highest possible source at least for Laddie in general. I have side copied to Steve this post and he often puts Laddie down to try to make that hambone Statham look good.

          “Alan Ladd was always underrated even though he had genuine star quality, a deep resonant voice, and coldly compelling good looks. Critics ridiculed his low-key acting style but today his performances look less mannered than many of his contemporaries.” [The Master]

          Reply
          1. Steve Lensman says:
            November 26, 2018 at 11:00 am

            Was that a Joel quote Bob? He can’t be all bad if he liked Alan Ladd, though it is strange , and a little laughable, that he rates Ladd higher than Brando, personal tastes. Or it could be ‘less is more’ is his mantra?

            Jason Statham is the Alan Ladd of Great Britain (Bob gasps in horror) he’s not very tall and barely registers emotion, though more importantly, he can kick higher than Ladd.

        2. Flora Breen Robison says:
          November 26, 2018 at 4:20 pm

          I started watching Christmas movies this weekend too. I usually wait until December, but TCM aired Holiday Inn last night. I will be watching Bob’s staples Holiday Affair and Meet Me in St. Louis next month.

          Reply
    2. Cogerson says:
      November 26, 2018 at 12:31 am

      Hey Bob…Alastair Sim’s The Green Danger makes an appearance on Steve’s Trevor Howard video……that is at least one of his movies…..so Steve is trying….lol. Funny story about Sim and Cole….gotta admit…not too aware of George Cole….but I like his sense of humor. Good feedback.

      Reply

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