This movie page looks at 1930 Top Box Office Movies. Finding box office information for movies made in the 1930s and 1940s is extremely difficult. For somebody looking for box office information on 1930 it is very very frustrating. Over the years, we have researched and collected information on over 36,000 movies. So we figured we would show all the 1930 movies in our database.
To make this list a movie had to be made in 1930. Obviously many movies made in 1929 earned box office dollars in 1930. On the other side many movies made in 1930 made money in 1931 and later. This page looks at 130 1930 Top Box Office Movies. The movies are listed in a massive table that lets you rank the movies from Best to Worst in six different sortable columns of information.
The following massive table only includes the movies made in 1930 that are in our database. Since we are constantly adding new movies to our database….this page will quickly become obsolete. We will try and update this page on a regular basis.

Our UMR Top 50 of 1930
Year
Movie (Year)
Rating
S
Year Movie (Year) Rating S
1930
All Quiet on the Western Front (1930)
AA Best Picture Win

1930
The Big House (1930)
AA Best Picture Nom

1930
The Blue Angel (1930)

1930
Animal Crackers (1930)

1930
Morocco (1930)

1930
Whoopee! (1930)

1930
The Dawn Patrol (1930)

1930
Hell's Angels (1930)

1930
The Big Trail (1930)

1930
Common Clay (1930)

1930
The Divorcee (1930)
AA Best Picture Nom

1930
Anybody's Woman (1930)

1930
Min and Bill (1930)

1930
Ladies of Leisure (1930)

1930
So This Is London (1930)

1930
The Girl Said No (1930)

1930
Anna Christie (1930)

1930
Hold Everything (1930)

1930
Son of the Gods (1930)

1930
Tom Sawyer (1930)

1930
Street of Chance (1930)

1930
Raffles (1930)

1930
Feet First (1930)

1930
The Rogue Song (1930)

1930
Laughter (1930)

1930
The Criminal Code (1930)

1930
Chasing Rainbows (1930)

1930
King of Jazz (1930)

1930
Madame Satan (1930)

1930
Check and Double Check (1930)

1930
The Royal Family of Broadway (1930)

1930
Caught Short (1930)

1930
Lightnin' (1930)

1930
The Right To Love (1930)

1930
The Unholy Three (1930)

1930
Let Us Be Gay (1930)

1930
Monte Carlo (1930)

1930
Rain Or Shine (1930)

1930
True To The Navy (1930)

1930
Paid (1930)

1930
Romance (1930)

1930
Mammy (1930)

1930
Fast And Loose (1930)

1930
The Arizona Kid (1930)

1930
Song o' My Heart (1930)

1930
The Cuckoos (1930)

1930
Our Blushing Brides (1930)

1930
Under a Texas Moon (1930)

1930
Half Shot at Sunrise (1930)

1930
High Society Blues (1930)

| Year | Movie (Year) | Rating | S |
|---|---|---|---|
| Year | Movie (Year) | Rating | S |
| 1930 | All Quiet on the Western Front (1930) AA Best Picture Win |
||
| 1930 | The Big House (1930) AA Best Picture Nom |
||
| 1930 | The Blue Angel (1930) | ||
| 1930 | Animal Crackers (1930) | ||
| 1930 | Morocco (1930) | ||
| 1930 | Whoopee! (1930) | ||
| 1930 | The Dawn Patrol (1930) | ||
| 1930 | Hell's Angels (1930) | ||
| 1930 | The Big Trail (1930) | ||
| 1930 | Common Clay (1930) | ||
| 1930 | The Divorcee (1930) AA Best Picture Nom |
||
| 1930 | Anybody's Woman (1930) | ||
| 1930 | Min and Bill (1930) | ||
| 1930 | Ladies of Leisure (1930) | ||
| 1930 | So This Is London (1930) | ||
| 1930 | The Girl Said No (1930) | ||
| 1930 | Anna Christie (1930) | ||
| 1930 | Hold Everything (1930) | ||
| 1930 | Son of the Gods (1930) | ||
| 1930 | Tom Sawyer (1930) | ||
| 1930 | Street of Chance (1930) | ||
| 1930 | Raffles (1930) | ||
| 1930 | Feet First (1930) | ||
| 1930 | The Rogue Song (1930) | ||
| 1930 | Laughter (1930) | ||
| 1930 | The Criminal Code (1930) | ||
| 1930 | Chasing Rainbows (1930) | ||
| 1930 | King of Jazz (1930) | ||
| 1930 | Madame Satan (1930) | ||
| 1930 | Check and Double Check (1930) | ||
| 1930 | The Royal Family of Broadway (1930) | ||
| 1930 | Caught Short (1930) | ||
| 1930 | Lightnin' (1930) | ||
| 1930 | The Right To Love (1930) | ||
| 1930 | The Unholy Three (1930) | ||
| 1930 | Let Us Be Gay (1930) | ||
| 1930 | Monte Carlo (1930) | ||
| 1930 | Rain Or Shine (1930) | ||
| 1930 | True To The Navy (1930) | ||
| 1930 | Paid (1930) | ||
| 1930 | Romance (1930) | ||
| 1930 | Mammy (1930) | ||
| 1930 | Fast And Loose (1930) | ||
| 1930 | The Arizona Kid (1930) | ||
| 1930 | Song o' My Heart (1930) | ||
| 1930 | The Cuckoos (1930) | ||
| 1930 | Our Blushing Brides (1930) | ||
| 1930 | Under a Texas Moon (1930) | ||
| 1930 | Half Shot at Sunrise (1930) | ||
| 1930 | High Society Blues (1930) |
1930 Top Box Office Movies Can Be Ranked 6 Ways In This Table
The really cool thing about this table is that it is “user-sortable”. Rank the movies anyway you want.
- Sort 1930 Top Box Office Movies by the stars or in some cases the director of the movie.
- Sort 1930 Top Box Office Movies by domestic actual box office grosses
- Sort 1930 Top Box Office Movies by domestic adjusted box office grosses using current movie ticket cost.
- Sort 1930 Top Box Office Movies how they were received by critics and audiences. 60% rating or higher should indicate a good movie.
- Sort by how many Oscar® nominations and how many Oscar® wins each 1930 Top Box Office Movies received.
- Sort 1930 Top Box Office Movies by Ultimate Movie Ranking Score (UMR). Our UMR score puts box office, reviews and awards into a mathematical equation and gives each movie a score.
| R | Movie (Year) | UMR Co-Star Links | Adj. B.O. Worldwide (mil) | UMR Score | ||||||
|---|---|---|---|---|---|---|---|---|---|---|
| R | Movie (Year) | UMR Co-Star Links | Actual B.O. Domestic (mil) | Adj. B.O. Domestic (mil) | Adj. B.O. Worldwide (mil) | B.O. Rank by Year | Review | Oscar Nom / Win | UMR Score | S |
| 1 | All Quiet on the Western Front (1930) AA Best Picture Win |
Lew Ayres & Lewis Milestone |
4.6 | 288.5 | 288.50 | 7 | 84 | 04 / 02 | 99.8 | |
| 3 | The Big House (1930) AA Best Picture Nom |
Wallace Beery & Robert Montgomery |
3.9 | 246.0 | 329.80 | 9 | 75 | 04 / 02 | 98.4 | |
| 7 | The Blue Angel (1930) | Marlene Dietrich & Directed by Josef Von Sternberg |
3.0 | 188.0 | 188.00 | 21 | 89 | 00 / 00 | 98.3 | |
| 3 | Animal Crackers (1930) | Marx Brothers | 3.4 | 211.5 | 211.50 | 13 | 85 | 00 / 00 | 98.1 | |
| 2 | Morocco (1930) | Marlene Dietrich & Gary Cooper |
6.2 | 384.6 | 384.60 | 4 | 80 | 04 / 00 | 97.8 | |
| 4 | Whoopee! (1930) | Eddie Cantor | 8.3 | 519.2 | 519.20 | 2 | 80 | 00 / 00 | 97.2 | |
| 8 | The Dawn Patrol (1930) | Douglas Fairbanks Jr. & Howard Hawks |
3.3 | 204.0 | 312.30 | 15 | 74 | 01 / 01 | 96.2 | |
| 5 | Hell's Angels (1930) | Jean Harlow | 8.9 | 557.7 | 769.20 | 1 | 73 | 01 / 00 | 95.6 | |
| 13 | The Big Trail (1930) | John Wayne | 2.9 | 181.7 | 228.30 | 24 | 75 | 00 / 00 | 94.4 | |
| 8 | Common Clay (1930) | Constance Bennett | 5.2 | 326.9 | 326.90 | 6 | 69 | 00 / 00 | 94.2 | |
| 15 | The Divorcee (1930) AA Best Picture Nom |
Norma Shearer & Robert Montgomery |
2.6 | 161.9 | 161.90 | 35 | 69 | 04 / 01 | 94.0 | |
| 10 | Anybody's Woman (1930) | Paul Lukas | 3.9 | 226.2 | 226.20 | 10 | 66 | 00 / 00 | 93.8 | |
| 12 | Min and Bill (1930) | Marie Dressler & Wallace Beery |
3.8 | 235.2 | 338.50 | 11 | 64 | 01 / 01 | 93.3 | |
| 15 | Ladies of Leisure (1930) | Barbara Stanwyck & Frank Capra |
3.1 | 194.3 | 194.30 | 19 | 67 | 00 / 00 | 93.2 | |
| 18 | So This Is London (1930) | Maureen O'Sullivan & Will Rogers |
2.9 | 183.5 | 183.50 | 22 | 70 | 00 / 00 | 93.0 | |
| 17 | The Girl Said No (1930) | Marie Dressler | 2.7 | 168.3 | 168.30 | 30 | 75 | 00 / 00 | 92.9 | |
| 18 | Anna Christie (1930) | Greta Garbo & Marie Dressler |
3.1 | 194.8 | 288.30 | 18 | 64 | 03 / 00 | 92.8 | |
| 22 | Hold Everything (1930) | Joe E. Brown & Winnie Lightner |
3.1 | 195.8 | 256.30 | 17 | 66 | 00 / 00 | 92.8 | |
| 20 | Son of the Gods (1930) | Constance Bennett | 3.3 | 205.6 | 275.40 | 14 | 63 | 00 / 00 | 92.2 | |
| 12 | Tom Sawyer (1930) | Jackie Coogan | 8.0 | 500.0 | 500.00 | 3 | 62 | 00 / 00 | 92.0 | |
| 23 | Street of Chance (1930) | William Powell & Jean Arthur |
2.5 | 153.6 | 153.60 | 41 | 76 | 01 / 00 | 91.9 | |
| 23 | Raffles (1930) | Ronald Colman & Kay Francis |
2.8 | 178.1 | 178.10 | 25 | 68 | 01 / 00 | 91.8 | |
| 19 | Feet First (1930) | Harold Lloyd | 4.0 | 250.0 | 250.00 | 8 | 61 | 00 / 00 | 91.5 | |
| 24 | The Rogue Song (1930) | Laurel and Hardy | 2.5 | 158.5 | 309.60 | 39 | 73 | 01 / 00 | 91.4 | |
| 27 | Laughter (1930) | Fredric March | 2.7 | 170.2 | 170.20 | 29 | 69 | 01 / 00 | 91.2 | |
| 25 | The Criminal Code (1930) | Walter Huston & Directed by Howard Hawks |
2.3 | 144.2 | 144.20 | 46 | 76 | 01 / 00 | 90.7 | |
| 30 | Chasing Rainbows (1930) | Marie Dressler | 2.8 | 175.4 | 175.40 | 27 | 64 | 00 / 00 | 89.8 | |
| 28 | King of Jazz (1930) | Bing Crosby & Paul Whiteman |
2.0 | 125.0 | 125.00 | 61 | 78 | 01 / 01 | 89.7 | |
| 31 | Madame Satan (1930) | Kay Johnson | 2.6 | 164.1 | 164.10 | 32 | 66 | 00 / 00 | 89.4 | |
| 27 | Check and Double Check (1930) | Amos & Andy |
5.4 | 336.7 | 348.10 | 5 | 55 | 00 / 00 | 89.3 | |
| 32 | The Royal Family of Broadway (1930) | Fredric March & Directed by George Cukor |
2.6 | 163.5 | 163.50 | 33 | 65 | 01 / 00 | 89.2 | |
| 33 | Caught Short (1930) | Marie Dressler | 2.8 | 172.4 | 172.40 | 28 | 62 | 00 / 00 | 88.9 | |
| 29 | Lightnin' (1930) | Will Rogers | 2.5 | 147.3 | 147.30 | 40 | 68 | 00 / 00 | 88.7 | |
| 33 | The Right To Love (1930) | Ruth Chatterton | 3.1 | 184.6 | 184.60 | 16 | 55 | 01 / 00 | 88.6 | |
| 34 | The Unholy Three (1930) | Lon Chaney | 2.2 | 137.7 | 137.70 | 51 | 70 | 00 / 00 | 87.7 | |
| 37 | Let Us Be Gay (1930) | Norma Shearer & Marie Dressler |
2.6 | 159.4 | 230.60 | 38 | 63 | 00 / 00 | 87.7 | |
| 35 | Monte Carlo (1930) | Jeanette MacDonald | 2.2 | 137.4 | 137.40 | 53 | 70 | 00 / 00 | 87.7 | |
| 40 | Rain Or Shine (1930) | Frank Capra | 3.0 | 189.4 | 189.40 | 20 | 53 | 00 / 00 | 87.5 | |
| 38 | True To The Navy (1930) | Fredric March | 2.6 | 160.8 | 160.80 | 37 | 62 | 00 / 00 | 87.5 | |
| 42 | Paid (1930) | Joan Crawford & Robert Armstrong |
2.8 | 176.9 | 236.70 | 26 | 56 | 00 / 00 | 87.2 | |
| 40 | Romance (1930) | Greta Garbo & Lewis Stone |
2.3 | 141.0 | 243.30 | 47 | 64 | 02 / 00 | 86.5 | |
| 44 | Mammy (1930) | Al Jolson | 2.4 | 151.7 | 182.10 | 42 | 62 | 00 / 00 | 86.2 | |
| 44 | Fast And Loose (1930) | Carole Lombard & Miriam Hopkins |
2.2 | 137.4 | 137.40 | 52 | 66 | 00 / 00 | 86.0 | |
| 46 | The Arizona Kid (1930) | Carole Lombard & Warner Baxter |
2.6 | 162.5 | 162.50 | 34 | 58 | 00 / 00 | 86.0 | |
| 40 | Song o' My Heart (1930) | Maureen O'Sullivan | 3.7 | 230.8 | 230.80 | 12 | 46 | 00 / 00 | 85.9 | |
| 45 | The Cuckoos (1930) | Bert Wheeler & Robert Woolsey |
2.0 | 127.3 | 166.00 | 59 | 67 | 00 / 00 | 85.3 | |
| 47 | Our Blushing Brides (1930) | Joan Crawford & Robert Montgomery |
2.7 | 168.1 | 232.90 | 31 | 53 | 00 / 00 | 84.8 | |
| 49 | Under a Texas Moon (1930) | Myrna Loy | 2.1 | 128.3 | 159.20 | 58 | 64 | 00 / 00 | 84.2 | |
| 48 | Half Shot at Sunrise (1930) | Bert Wheeler & Robert Woolsey |
2.0 | 125.6 | 177.70 | 60 | 65 | 00 / 00 | 84.1 | |
| 47 | High Society Blues (1930) | Janet Gaynor | 1.8 | 115.4 | 115.40 | 67 | 68 | 00 / 00 | 84.1 | |
| 51 | Billy the Kid (1930) | Wallace Beery | 2.2 | 136.3 | 161.50 | 54 | 61 | 00 / 00 | 83.9 | |
| 54 | The Devil To Pay! (1930) | Ronald Colman & Myrna Loy |
2.9 | 181.8 | 181.80 | 23 | 46 | 00 / 00 | 83.6 | |
| 53 | No, No, Nanette (1930) | Zasu Pitts | 2.6 | 161.3 | 279.00 | 36 | 52 | 00 / 00 | 83.4 | |
| 52 | Follow Thru (1930) | Nancy Carroll | 2.2 | 134.7 | 134.70 | 55 | 60 | 00 / 00 | 83.4 | |
| 58 | The Vagabound King (1930) | Jeanette MacDonald | 2.2 | 140.4 | 250.00 | 48 | 57 | 01 / 00 | 82.9 | |
| 55 | Hook Line and Sinker (1930) | Bert Wheeler & Robert Woolsey |
1.8 | 114.4 | 150.00 | 68 | 66 | 00 / 00 | 82.9 | |
| 58 | The Big Pond (1930) | Maurice Chevalier & Claudette Colbert |
2.4 | 147.3 | 147.30 | 43 | 54 | 01 / 00 | 82.7 | |
| 56 | The Devil's Holiday (1930) | Nancy Carroll | 2.2 | 131.5 | 131.50 | 49 | 57 | 01 / 00 | 82.7 | |
| 60 | Call Of The Flesh (1930) | Ramon Novarro | 1.9 | 119.0 | 311.90 | 64 | 63 | 00 / 00 | 82.2 | |
| 59 | The Life of the Party (1930) | Winnie Lightner | 2.1 | 131.7 | 172.50 | 57 | 59 | 00 / 00 | 82.2 | |
| 63 | Paramount on Parade (1930) | Gary Cooper & William Powell |
2.2 | 139.8 | 139.80 | 50 | 56 | 00 / 00 | 82.0 | |
| 59 | Redemption (1930) | John Gilbert | 1.2 | 76.5 | 76.50 | 101 | 76 | 00 / 00 | 81.9 | |
| 62 | Way For A Sailor (1930) | Wallace Beery | 1.4 | 86.0 | 121.90 | 89 | 71 | 00 / 00 | 81.0 | |
| 67 | Safety in Numbers (1930) | Carole Lombard & Charles 'Buddy' Rogers |
2.3 | 146.1 | 146.10 | 44 | 51 | 00 / 00 | 80.5 | |
| 64 | Honey (1930) | Nancy Carroll | 2.1 | 132.7 | 132.70 | 56 | 55 | 00 / 00 | 80.4 | |
| 66 | For The Defense (1930) | Kay Francis & William Powell |
1.9 | 118.4 | 118.40 | 65 | 58 | 00 / 00 | 79.8 | |
| 70 | Montana Moon (1930) | Joan Crawford & Johnny Mack Brown |
2.3 | 144.4 | 184.60 | 45 | 49 | 00 / 00 | 79.0 | |
| 67 | The Border Legion (1930) | Fay Wray | 1.1 | 70.7 | 70.70 | 108 | 72 | 00 / 00 | 78.8 | |
| 69 | Moby Dick (1930) | John Barrymore & Joan Bennett |
1.8 | 111.3 | 153.30 | 70 | 59 | 00 / 00 | 78.6 | |
| 68 | Passion Flower (1930) | Kay Francis | 1.4 | 90.4 | 123.50 | 86 | 65 | 00 / 00 | 78.5 | |
| 74 | Sarah and Son (1930) | Ruth Chatterton & Fredric March |
2.0 | 123.4 | 123.40 | 62 | 54 | 01 / 00 | 78.5 | |
| 72 | The Spoilers (1930) | Gary Cooper | 1.6 | 100.0 | 100.00 | 80 | 62 | 00 / 00 | 78.3 | |
| 74 | The Lash (1930) | Richard Barthelmess & Mary Astor |
1.7 | 108.7 | 137.70 | 73 | 59 | 00 / 00 | 78.1 | |
| 71 | The Lady of Scandal (1930) | Basil Rathbone | 2.0 | 115.0 | 115.00 | 63 | 55 | 00 / 00 | 78.1 | |
| 77 | Such Men Are Dangerous (1930) | Bela Lugosi & Warner Baxter |
1.7 | 107.9 | 107.90 | 74 | 59 | 00 / 00 | 78.0 | |
| 73 | A Man from Wyoming (1930) | Gary Cooper | 1.6 | 97.9 | 97.90 | 81 | 62 | 00 / 00 | 77.9 | |
| 78 | The Office Wife (1930) | Joan Blondell | 1.8 | 110.8 | 130.60 | 72 | 57 | 00 / 00 | 77.6 | |
| 77 | Sin Takes A Holiday (1930) | Basil Rathbone | 1.4 | 89.0 | 119.80 | 87 | 64 | 00 / 00 | 77.4 | |
| 79 | Love Comes Along (1930) | Bebe Daniels | 1.1 | 70.4 | 91.90 | 111 | 69 | 00 / 00 | 76.7 | |
| 82 | Big Boy (1930) | Al Jolson | 1.3 | 84.0 | 95.80 | 91 | 64 | 00 / 00 | 76.2 | |
| 79 | Holiday (1930) | Ann Harding & Mary Astor |
1.0 | 60.5 | 60.50 | 117 | 68 | 02 / 00 | 76.2 | |
| 84 | The Doorway To Hell (1930) | Lew Ayres & James Cagney |
1.9 | 117.9 | 132.30 | 66 | 52 | 01 / 00 | 76.1 | |
| 83 | Show Girl in Hollywood (1930) | Jack Mulhall | 1.3 | 82.1 | 111.90 | 94 | 64 | 00 / 00 | 76.1 | |
| 81 | Lovin' the Ladies (1930) | Richard Dix | 1.1 | 71.2 | 82.30 | 106 | 67 | 00 / 00 | 75.8 | |
| 87 | New Moon (1930) | Adolphe Menjou & Grace Moore |
1.6 | 97.7 | 193.10 | 82 | 58 | 00 / 00 | 74.8 | |
| 90 | Sunny (1930) | Marilyn Miller | 1.7 | 103.3 | 132.70 | 77 | 56 | 00 / 00 | 74.5 | |
| 85 | The Silver Horde (1930) | Joel McCrea | 1.3 | 80.4 | 108.10 | 96 | 63 | 00 / 00 | 74.5 | |
| 85 | The Sap From Syracuse (1930) | Ginger Rogers | 1.8 | 104.2 | 104.20 | 71 | 54 | 00 / 00 | 74.1 | |
| 90 | Dixiana (1930) | Bert Wheeler & Robert Woolsey |
1.5 | 96.2 | 150.00 | 84 | 57 | 00 / 00 | 73.4 | |
| 87 | Kismet (1930) | Loretta Young | 1.0 | 60.6 | 88.80 | 124 | 68 | 00 / 00 | 73.2 | |
| 92 | Three Faces East (1930) | Constance Bennett | 1.3 | 84.0 | 119.20 | 92 | 60 | 00 / 00 | 72.7 | |
| 92 | Roadhouse Nights (1930) | Charles Ruggles & Jimmy Durante |
1.6 | 95.1 | 95.10 | 78 | 55 | 00 / 00 | 72.4 | |
| 93 | Only The Brave (1930) | Gary Cooper | 0.8 | 50.1 | 50.10 | 140 | 70 | 00 / 00 | 72.0 | |
| 95 | The Bad Man (1930) | Myrna Loy | 1.3 | 80.0 | 123.80 | 97 | 60 | 00 / 00 | 71.9 | |
| 93 | Scarlet Pages (1930) | Elsie Ferguson | 1.2 | 74.6 | 88.50 | 102 | 62 | 00 / 00 | 71.8 | |
| 96 | Reaching For The Moon (1930) | Douglas Fairbanks | 1.7 | 97.2 | 97.20 | 76 | 53 | 00 / 00 | 70.9 | |
| 98 | Journey's End (1930) | Colin Clive | 1.1 | 70.8 | 70.80 | 107 | 62 | 00 / 00 | 70.5 | |
| 100 | Let's Go Native (1930) | Jeanette MacDonald | 1.1 | 70.5 | 70.50 | 110 | 62 | 00 / 00 | 70.5 | |
| 97 | The Flirting Widow (1930) | Basil Rathbone | 0.7 | 45.0 | 66.90 | 145 | 70 | 00 / 00 | 70.4 | |
| 98 | A Lady Surrenders (1930) | Basil Rathbone | 0.8 | 49.7 | 49.70 | 132 | 67 | 00 / 00 | 70.3 | |
| 101 | Viennese Nights (1930) | Walter Pidgeon & Bela Lugosi |
1.1 | 66.0 | 182.70 | 115 | 63 | 00 / 00 | 70.1 | |
| 100 | Bright Lights (1930) | Directed by Michael Curtiz | 0.9 | 59.0 | 128.70 | 126 | 65 | 00 / 00 | 69.7 | |
| 104 | Shooting Straight (1930) | Richard Dix | 1.2 | 72.7 | 80.40 | 104 | 60 | 00 / 00 | 69.5 | |
| 104 | Doughboys (1930) | Buster Keaton & Sally Eilers |
1.3 | 82.3 | 82.30 | 93 | 57 | 00 / 00 | 69.0 | |
| 105 | Spring Is Here (1930) | Lawrence Gray & Alexander Gray |
0.7 | 45.2 | 68.30 | 144 | 68 | 00 / 00 | 68.1 | |
| 106 | Liliom (1930) | Charles Farrell | 0.8 | 49.6 | 49.60 | 133 | 65 | 00 / 00 | 67.8 | |
| 107 | Dangerous Paradise (1930) | Nancy Carroll | 1.5 | 90.7 | 90.70 | 83 | 52 | 00 / 00 | 67.8 | |
| 112 | Going Wild (1930) | Walter Pidgeon | 1.3 | 79.0 | 94.40 | 98 | 57 | 00 / 00 | 67.7 | |
| 113 | The Green Goddess (1930) | George Arliss | 1.7 | 103.8 | 155.00 | 75 | 49 | 00 / 00 | 67.5 | |
| 108 | The Widow From Chicago (1930) | Edward G. Robinson | 0.8 | 52.5 | 62.70 | 134 | 65 | 00 / 00 | 67.2 | |
| 108 | Ladies Love Brutes (1930) | Fredric March | 1.2 | 69.6 | 69.60 | 103 | 58 | 00 / 00 | 67.1 | |
| 114 | War Nurse (1930) | Robert Montgomery | 1.2 | 77.1 | 77.10 | 100 | 57 | 00 / 00 | 67.0 | |
| 109 | Her Man (1930) | Helen Twelvetrees | 0.6 | 38.8 | 38.80 | 155 | 69 | 00 / 00 | 66.9 | |
| 114 | Children of Pleasure (1930) | Judith Wood | 0.8 | 50.0 | 50.00 | 141 | 65 | 00 / 00 | 66.3 | |
| 114 | What A Widow! (1930) | Gloria Swanson | 0.9 | 58.9 | 58.90 | 127 | 62 | 00 / 00 | 66.3 | |
| 116 | The Texan (1930) | Gary Cooper & Fay Wray |
0.6 | 37.5 | 37.50 | 156 | 68 | 00 / 00 | 65.2 | |
| 115 | The Naughty Flirt (1930) | Myrna Loy | 0.9 | 58.2 | 58.20 | 129 | 61 | 00 / 00 | 64.7 | |
| 116 | Not So Dumb (1930) | Directed by King Vidor | 0.8 | 48.5 | 48.50 | 136 | 62 | 00 / 00 | 63.5 | |
| 118 | Love in The Rough (1930) | Robert Montgomery | 1.2 | 72.3 | 72.30 | 105 | 55 | 00 / 00 | 63.5 | |
| 125 | She Couldn't Say No (1930) | Winnie Lightner | 1.8 | 112.9 | 138.10 | 69 | 42 | 00 / 00 | 62.6 | |
| 122 | The Case of Sergeant Grischa (1930) | Jean Hersholt | 1.3 | 78.3 | 87.70 | 99 | 52 | 01 / 00 | 62.4 | |
| 120 | In Gay Madrid (1930) | Ramon Novarro | 1.6 | 95.1 | 95.10 | 79 | 47 | 00 / 00 | 62.4 | |
| 121 | The Florodora Girl (1930) | Marion Davies | 1.0 | 59.0 | 59.00 | 119 | 58 | 00 / 00 | 61.8 | |
| 123 | Loose Ankles (1930) | Douglas Fairbanks, Jr. & Loretta Young |
0.8 | 50.4 | 68.50 | 138 | 61 | 00 / 00 | 61.4 | |
| 124 | The Man from Blankley's (1930) | John Barrymore | 1.0 | 59.8 | 69.20 | 125 | 58 | 00 / 00 | 61.3 | |
| 125 | Sweethearts and Wives (1930) | Billie Dove | 1.0 | 62.3 | 89.00 | 121 | 57 | 00 / 00 | 61.0 | |
| 128 | Bride of the Regiment (1930) | Myrna Loy & Walter Pidgeon |
1.0 | 64.8 | 103.50 | 116 | 56 | 00 / 00 | 60.6 | |
| 127 | Sinners' Holiday (1930) | James Cagney & Joan Blondell |
0.7 | 41.2 | 48.70 | 151 | 63 | 00 / 00 | 60.2 | |
| 129 | The Indians Are Coming (1930) | Tim McCoy | 1.0 | 61.6 | 61.60 | 122 | 56 | 00 / 00 | 60.0 | |
| 128 | The Social Lion (1930) | Jack Oakie | 1.5 | 89.6 | 89.60 | 85 | 47 | 00 / 00 | 59.8 | |
| 130 | Isle of Escape (1930) | Myrna Loy | 0.7 | 43.1 | 54.20 | 149 | 62 | 00 / 00 | 59.5 | |
| 133 | The Girl of The Golden West (1930) | Ann Harding | 0.9 | 56.9 | 56.90 | 131 | 57 | 00 / 00 | 59.3 | |
| 132 | The Bat Whispers (1930) | Una Merkel | 0.5 | 29.2 | 29.20 | 166 | 65 | 00 / 00 | 58.9 | |
| 137 | Maybe It's Love (1930) | Joan Bennett | 1.4 | 88.8 | 98.30 | 88 | 47 | 00 / 00 | 58.5 | |
| 134 | The Way Of All Men (1930) | Douglas Fairbanks Jr. | 0.7 | 43.3 | 58.30 | 147 | 61 | 00 / 00 | 58.0 | |
| 135 | The Other Tomorrow (1930) | Billie Dove | 0.8 | 51.3 | 70.40 | 137 | 57 | 00 / 00 | 56.5 | |
| 135 | Outward Bound (1930) | Leslie Howard | 0.6 | 38.8 | 45.80 | 154 | 61 | 00 / 00 | 55.7 | |
| 141 | River's End (1930) | Directed by Michael Curtiz | 1.0 | 62.9 | 74.20 | 118 | 53 | 00 / 00 | 55.1 | |
| 137 | The Sea God (1930) | Fay Wray | 0.6 | 36.3 | 36.30 | 158 | 61 | 00 / 00 | 55.0 | |
| 141 | Second Choice (1930) | Dolores Costello | 1.1 | 68.7 | 82.10 | 113 | 51 | 00 / 00 | 54.8 | |
| 142 | Old English (1930) | George Arliss | 1.1 | 70.6 | 105.00 | 109 | 50 | 00 / 00 | 54.8 | |
| 139 | Divorce Among Friends (1930) | James Hall | 0.5 | 33.7 | 40.60 | 161 | 62 | 00 / 00 | 54.7 | |
| 143 | Queen High (1930) | Ginger Rogers | 0.8 | 49.9 | 49.90 | 142 | 56 | 00 / 00 | 54.1 | |
| 144 | East Is West (1930) | Lew Ayres & Edward G. Robinson |
0.5 | 29.6 | 29.60 | 170 | 62 | 00 / 00 | 52.3 | |
| 144 | The Last of the Duanes (1930) | Myrna Loy | 0.6 | 39.1 | 39.10 | 153 | 59 | 00 / 00 | 52.2 | |
| 147 | Heads Up (1930) | Victor Moore | 0.9 | 57.5 | 57.50 | 130 | 53 | 00 / 00 | 52.1 | |
| 150 | Free and Easy (1930) | Robert Montgomery & Buster Keaton |
1.3 | 84.2 | 84.20 | 90 | 44 | 00 / 00 | 51.9 | |
| 146 | Cock o' the Walk (1930) | Myrna Loy | 0.3 | 18.7 | 18.70 | 186 | 65 | 00 / 00 | 51.3 | |
| 147 | Murder Will Out (1930) | Jack Mulhall | 0.6 | 40.4 | 57.30 | 152 | 58 | 00 / 00 | 51.2 | |
| 151 | Oh, for a Man! (1930) | Jeanette MacDonald | 1.1 | 66.0 | 66.00 | 114 | 49 | 00 / 00 | 50.7 | |
| 149 | The Gorilla (1930) | Joe Frisco | 0.8 | 50.4 | 57.10 | 139 | 54 | 00 / 00 | 50.5 | |
| 154 | One Heavenly Night (1930) | Musicals | 1.3 | 81.3 | 81.30 | 95 | 44 | 00 / 00 | 50.2 | |
| 156 | Renegades (1930) | Myrna Loy & Bela Lugosi |
1.1 | 69.7 | 69.70 | 112 | 47 | 00 / 00 | 48.8 | |
| 150 | The Matrimonial Bed (1930) | Directed by Michael Curtiz | 0.6 | 36.5 | 47.10 | 157 | 58 | 00 / 00 | 48.8 | |
| 154 | College Lovers (1930) | Marian Nixon | 0.7 | 43.3 | 49.20 | 148 | 55 | 00 / 00 | 47.4 | |
| 156 | The Truth About Youth (1930) | Myrna Loy | 0.7 | 44.4 | 54.00 | 146 | 54 | 00 / 00 | 46.8 | |
| 160 | The Lottery Bride (1930) | Jeanette MacDonald | 1.0 | 62.6 | 62.60 | 120 | 48 | 00 / 00 | 46.5 | |
| 158 | Free Love (1930) | Zasu Pitts | 0.8 | 49.2 | 49.20 | 135 | 52 | 00 / 00 | 45.7 | |
| 160 | Little Accident (1930) | Douglas Fairbanks Jr. | 0.8 | 46.6 | 46.60 | 143 | 52 | 00 / 00 | 45.0 | |
| 160 | The Sins of the Children (1930) | Robert Montgomery | 0.2 | 9.2 | 9.20 | 192 | 64 | 00 / 00 | 44.6 | |
| 161 | Part Time Wife (1930) | Directed by Leo McCarey | 0.5 | 31.9 | 31.90 | 164 | 57 | 00 / 00 | 44.0 | |
| 161 | Alias French Gertie (1930) | Bebe Daniels | 0.4 | 25.6 | 25.60 | 173 | 58 | 00 / 00 | 43.9 | |
| 161 | Back Pay (1930) | Corinne Griffith | 0.5 | 33.5 | 37.10 | 162 | 56 | 00 / 00 | 42.8 | |
| 162 | The Furies (1930) | H.B. Warner | 0.5 | 31.3 | 45.20 | 165 | 56 | 00 / 00 | 41.4 | |
| 166 | Dumbbells in Ermine (1930) | James Gleason | 0.6 | 36.0 | 46.90 | 159 | 53 | 00 / 00 | 38.2 | |
| 169 | A Lady's Morals (1930) | Wallace Beery | 1.0 | 61.5 | 146.30 | 123 | 45 | 00 / 00 | 38.0 | |
| 165 | Cameo Kirby (1930) | Myrna Loy | 0.5 | 28.2 | 28.20 | 171 | 55 | 00 / 00 | 37.0 | |
| 165 | Hello Sister (1930) | Directed by Walter Lang | 0.1 | 3.9 | 3.90 | 196 | 62 | 00 / 00 | 36.2 | |
| 174 | Up the River (1930) | Spencer Tracy & Humphrey Bogart |
0.9 | 58.4 | 58.40 | 128 | 44 | 00 / 00 | 33.9 | |
| 169 | Conspiracy (1930) | Bessie Love | 0.3 | 20.6 | 80.20 | 183 | 56 | 00 / 00 | 33.5 | |
| 170 | Abraham Lincoln (1930) | Walter Huston | 0.4 | 22.9 | 22.90 | 176 | 54 | 00 / 00 | 32.6 | |
| 169 | Song of the West (1930) | Joe E. Brown | 0.4 | 23.8 | 23.80 | 175 | 54 | 00 / 00 | 32.4 | |
| 171 | On The Border (1930) | Rin Tin Tin | 0.4 | 26.0 | 35.80 | 174 | 53 | 00 / 00 | 32.1 | |
| 173 | One Romantic Night (1930) | Lillian Gish & Marie Dressler |
0.7 | 41.3 | 41.30 | 150 | 48 | 00 / 00 | 32.0 | |
| 175 | Born Reckless (1930) | Ward Bond | 0.2 | 8.9 | 8.90 | 194 | 58 | 00 / 00 | 30.6 | |
| 176 | Top Speed (1930) | Joe E. Brown & Directed by Mervyn LeRoy |
0.4 | 20.6 | 20.60 | 179 | 54 | 00 / 00 | 30.3 | |
| 176 | Strictly Unconventional (1930) | Catherine Dale Owen | 0.5 | 31.0 | 45.80 | 168 | 51 | 00 / 00 | 30.2 | |
| 178 | Hell Harbor (1930) | Lupe Velez | 0.3 | 20.0 | 20.00 | 181 | 53 | 00 / 00 | 28.2 | |
| 178 | The Sea Bat (1930) | Boris Karloff | 0.2 | 9.4 | 9.40 | 195 | 56 | 00 / 00 | 26.8 | |
| 180 | Playing Around (1930) | Mervyn LeRoy | 0.3 | 18.6 | 18.60 | 184 | 52 | 00 / 00 | 26.2 | |
| 179 | Wild Company (1930) | Bela Lugosi | 0.4 | 27.2 | 27.20 | 172 | 49 | 00 / 00 | 25.6 | |
| 181 | Runaway Bride (1930) | Mary Astor | 0.5 | 30.8 | 39.20 | 169 | 48 | 00 / 00 | 24.6 | |
| 182 | Dancing Sweeties (1930) | Directed by Ray Enright | 0.3 | 20.2 | 20.20 | 180 | 51 | 00 / 00 | 24.4 | |
| 183 | Follow The Leader (1930) | Ginger Rogers & Ethel Merman |
0.4 | 24.3 | 24.30 | 177 | 49 | 00 / 00 | 22.7 | |
| 183 | The Jazz Cinderella (1930) | Myrna Loy | 0.2 | 9.2 | 9.20 | 191 | 53 | 00 / 00 | 22.0 | |
| 185 | He Knew Women (1930) | Lowell Sherman | 0.5 | 31.0 | 37.10 | 167 | 46 | 00 / 00 | 21.1 | |
| 184 | Men on Call (1930) | Mae Clarke | 0.2 | 9.5 | 9.50 | 190 | 52 | 00 / 00 | 20.8 | |
| 186 | The Fall Guy (1930) | Mae Clarke | 0.3 | 17.8 | 17.80 | 185 | 49 | 00 / 00 | 19.3 | |
| 187 | The W Plan (1930) | Brian Aherne | 0.2 | 9.2 | 9.20 | 193 | 51 | 00 / 00 | 18.2 | |
| 188 | The Princess and the Plumber (1930) | Maureen O'Sullivan | 0.4 | 21.3 | 21.30 | 178 | 47 | 00 / 00 | 18.0 | |
| 189 | Captain Thunder (1930) | Fay Wray | 0.5 | 32.1 | 36.50 | 163 | 42 | 00 / 00 | 15.5 | |
| 192 | Lawful Larceny (1930) | Bebe Daniels | 0.3 | 16.8 | 16.80 | 188 | 45 | 00 / 00 | 13.6 | |
| 193 | The Medicine Man (1930) | Jack Benny | 0.2 | 15.3 | 15.30 | 189 | 46 | 00 / 00 | 13.3 | |
| 195 | A Soldier's Plaything (1930) | Ben Lyon & Directed by Michael Curtiz |
0.6 | 35.6 | 39.80 | 160 | 38 | 00 / 00 | 12.4 | |
| 194 | The Man Hunter (1930) | Rin Tin Tin | 0.3 | 20.8 | 27.30 | 182 | 43 | 00 / 00 | 12.2 | |
| 196 | Rough Waters (1930) | Rin Tin Tin | 0.3 | 18.3 | 24.80 | 187 | 38 | 00 / 00 | 6.3 |

Top earners in 1930 for Adjusted USA Box Office:
| Name | Number of Movies | Total Adj World Wide (mil) | Total Adj USA (mil) |
|---|---|---|---|
| Marie Dressler | 7 | 1,414.8 | 1,146.8 |
| Zasu Pitts | 11 | 1,233.6 | 1,040.7 |
| Fredric March | 6 | 827.3 | 827.3 |
| Robert Montgomery | 7 | 967.4 | 818.8 |
| Gary Cooper | 6 | 809.9 | 809.9 |
| Nancy Carroll | 6 | 799.6 | 799.6 |
| Ruth Chatterton | 5 | 789.0 | 789.0 |
| Myrna Loy | 12 | 899.6 | 765.5 |
| Wallace Beery | 5 | 1,098.0 | 765.0 |
| Lew Ayres | 4 | 777.3 | 762.9 |
| Constance Bennett | 4 | 841.3 | 705.5 |
| Kay Francis | 5 | 713.4 | 680.3 |
| Lewis Stone | 5 | 873.0 | 619.2 |
| Marlene Dietrich | 2 | 572.6 | 572.6 |
| Josef Von Sternberg | 2 | 572.6 | 572.6 |
| Jean Harlow | 1 | 769.2 | 557.7 |
| Paul Lukas | 3 | 542.3 | 542.3 |
| Richard Barthelmess | 3 | 725.4 | 518.3 |
| Jane Darwell | 1 | 500.0 | 500.0 |
| Joan Crawford | 3 | 654.2 | 489.4 |
| Adolphe Menjou | 2 | 577.7 | 482.3 |
| Jeanette MacDonald | 5 | 586.5 | 476.9 |
| Michael Curtiz | 6 | 631.1 | 474.0 |
| Joe E. Brown | 6 | 556.0 | 470.6 |
| Bert Wheeler | 4 | 643.7 | 463.5 |
Adjusted Worldwide Box Office:
- Hell’s Angels (1930) $551,999,968.00
- Check and Double Check (1930) $249,779,965.00
- Min and Bill (1930) $242,880,008.00
- The Big House (1930) $236,669,987.00
- Dawn Patrol (1930) $224,111,997.00
- Call Of The Flesh (1930) $223,835,990.00
- The Rogue Song (1930) $222,180,038.00
- Anna Christie (1930) $206,862,014.00
- Disraeli (1930) $206,724,010.00
- No No Nanette (1930) $200,237,982.00
- Son of the Gods (1930) $197,616,007.00
- Hold Everything (1930) $183,954,024.00
- General Crack (1930) $182,159,979.00
- The Vagabound King (1930) $179,400,000.00
- Romance (1930) $174,570,014.00
- Paid (1930) $169,877,987.00
- Our Blushing Brides (1930) $167,118,007.00
- New Moon (1930) $138,552,010.00
- Montana Moon (1930) $132,479,993.00
- Viennese Nights (1930) $131,100,003.00
- Mammy (1930) $130,685,993.00
- Half Shot at Sunrise (1930) $127,512,003.00
- The Cuckoos (1930) $119,094,018.00
- Billy the Kid (1930) $115,919,982.00
- Under a Texas Moon (1930) $114,264,031.00
- The Green Goddess (1930) $111,228,000.00
- Moby Dick (1930) $109,985,969.00
- Dixiana (1930) $107,640,000.00
- Hook Line and Sinker (1930) $107,640,000.00
- A Lady’s Morals (1930) $105,017,980.00
- She Couldn’t Say No (1930) $99,084,010.00
- The Lash (1930) $98,808,004.00
- Sunny (1930) $95,220,004.00
- Doorway To Hell (1930) $94,943,997.00
- The Office Wife (1930) $93,702,011.00
- Bright Lights (1930) $92,321,976.00
- The Bad Man (1930) $88,871,979.00
- Passion Flower (1930) $88,596,017.00
- Way For A Sailor (1930) $87,492,034.00
- Sin Takes A Holiday (1930) $85,973,997.00
- Three Faces East (1930) $85,559,986.00
- Showgirl in Hollywood (1930) $80,315,990.00
- The Silver Horde (1930) $77,556,010.00
- Old English (1930) $75,348,000.00
- Bride of the Regiment (1930) $74,244,018.00
- Maybe It’s Love (1930) $70,517,969.00
- Big Boy (1930) $68,723,969.00
- Going Wild (1930) $67,757,990.00
- Love Comes Along (1930) $65,963,990.00
- Sweethearts and Wives (1930) $63,893,983.00
- Kismet (1930) $63,756,024.00
- Scarlet Pages (1930) $63,479,972.00
- The Case of Sergeant Grischa (1930) $62,928,004.00
- Lovin’ the Ladies (1930) $59,064,042.00
- Second Choice (1930) $58,926,038.00
- Shooting Straight (1930) $57,684,006.00
- Conspiracy (1930) $57,546,003.00
- River’s End (1930) $53,267,986.00
- The Other Tomorrow (1930) $50,507,962.00
- The Man from Blankley’s (1930) $49,679,987.00
- Loose Ankles (1930) $49,128,017.00
- Spring Is Here (1930) $48,990,013.00
- The Flirting Widow (1930) $48,023,990.00
- The Widow From Chicago (1930) $44,988,003.00
- The Way Of All Men (1930) $41,814,014.00
- Murder Will Out (1930) $41,123,997.00
- The Gorilla (1930) $40,985,993.00
- Isle of Escape (1930) $38,916,031.00
- The Truth About Youth (1930) $38,777,983.00
- College Lovers (1930) $35,328,031.00
- Sinner’s Holiday (1930) $34,914,021.00
- The Matrimonial Bed (1930) $33,809,993.00
- Dumbbells in Ermine (1930) $33,672,034.00
- Strictly Unconventional (1930) $32,844,014.00
- Outward Bound (1930) $32,843,969.00
- The Furies (1930) $32,429,958.00
- Divorce Among Friends (1930) $29,118,011.00
- A Soldier’s Plaything (1930) $28,565,996.00
- Runaway Bride (1930) $28,152,031.00
- He Knew Women (1930) $26,634,038.00
- Back Pay (1930) $26,634,038.00
- Captain Thunder (1930) $26,219,983.00
- On The Border (1930) $25,668,014.00
- The Man Hunter (1930) $19,595,997.00
- Rough Waters (1930) $17,801,997.00
My Main Sources
Source 1: Eddie Mannix MGM Ledgers
Source 2: C.J. Tevlin RKO Ledgers
Source 3: William Schaefer Warner Brothers Ledgers
Source 4: Year In Review Variety Editions
Source 5: Grand Design: Hollywood As A Modern Business Enterprise 1930-1942 by Tino Balio
Source 6: Twentieth Century-Fox A Corporate and Financial History by Aubrey Solomon
Source 7: Wikipedia
Source 8: IMDb.com
Source 9: “Revenue sharing and the coming of sound” by H. Mark Glancy
Source 10: Hollywood Power Stats by Christopher Reynolds

How do you get information on movies like “So This is London” ? The box office figures come from Fox? How to you use the Harrison reports to arrive at box office figures? Can you please elaborate where your $954,000 came from? If from fox, this is great. I just don’t see it in the journals unless mine is incomplete.
Hey Chris…..So This Is London came from a Will Rogers book……my least favorite source to list a movie’s box office gross. There are a couple excellent Fox books out there….but according to my Fox notebook So This Is London had no “numbers” listed in those books. Sadly….in my “comment box” in the database….I have a one word reference…..”book”….so I can not tell you the book it came from. Sorry this is not more helpful.
I’m just curious where the figures for Check and Double Check came from? I’ve seen $1,810,000 before, but you have that as worldwide and $1,751,000 as domestic. I find only $59,000 as foreign as unusual as the Amos Brothers were popular in England also.
Hey Chris….the numbers are from the RKO ledgers. The movie cost $967,000 to make. Earned back in rentals….domestic – $1,751,000 international – $59,000. Earned $260,000 in profit or 27% in the profit margin column.
Thank you sir…
Correction: Disraeli was released in November of 1929.
HI BIG BOY!
1 As I understand it 1930 was the year in which silent movies largely disappeared from US screens. However in 1952 Ray Milland made the gimmicky The Thief in which there was no dialogue. The 1955 French classic Rififi is famous for the 32 minute heist sequence carried out in complete silence for dramatic effect [burglars try not to make a noise!] and of course many early silent films didn’t even last half an hour. Also we had the award winning 2011 The Artist about Hollywood shot in the style of a black and white silent movie to capture the atmosphere of the times.
2 Apparently when sound was on the way in some top studio mogul proclaimed that it was a gimmick that wouldn’t last! Certainly this page comprehensively reflects the statistical aspect of the beginnings of one of the most far-reaching permanent turning points in the history of entertainment of any kind and is a credit to you.
3 Interesting little miniature of the Duke. He’s almost like a teenager in it. Certain movie historians have claimed that The Big Trail was a flop but your figure of almost $105 million adjusted is respectable enough and it was great that you could get so many worldwide grosses from the dawn of the talkies. In fact it is amazing!
I agree. The Big Trail didn’t make “what the studios had expected”, therefore they call it a flop. By studio standards, Cleopatra 1963 was a flop and yet the biggest movie of the year.
CHRIS
1 I’m probably the only one who will respond to your post as I’m still waiting a reply to my own close-by one here of 12 April that raised the issue of The Big Trail.
2 The figure that Bruce quotes for it is respectable enough having crashed his legendary $100 million barrier but I suppose it all comes down to what the film cost and the size of the studio’s rental take.
3 Anyway it usually gets a mention in any serious history of westerns because of course it was one of the harbingers of what was to become one of the greatest careers in the western genre and indeed overall.
I agree. The widescreen format was way ahead of it’s time also.
Hello Bruce.
I\’ve Only seen nine of these films. ALL QUIET ON THE WESTERN FRONT being the best of the films I\’ve seen from 1930. I\’ve been watching quite a few Carole Lombard films lately and I never realized how good she was and now I\’m a fan. I\’m glad your our there Bruce. Until I discovered your webpage film box office figures from older films were hard to come by. Thanks again, Bruce. I love your webpage.
Hey Lyle
1. Glad you enjoyed this 1930 page….not thinking I am going much further back than this year….maybe 1929…but we do not have much for the rest of the 1920s.
2. Nine tops me….as I am at 7……and my total of movies that I am familiar with is not much higher than my 7.
3. Carole Lombard was amazing….and the 1930s were awesome for her.
4. Many of the box office numbers for Lombard come from the Harrison Reports and some Lombard books…not my favorite sources.
5. Thanks for the kind words about the website…they are greatly appreciated.