This movie page looks at 1948 Top Grossing Movies. Finding box office information for movies made in the 1930s and 1940s is extremely difficult. For somebody looking for box office information on 1948 it is very very frustrating. Over the years, we have researched and collected information on over 33,000 movies. So we figured we would show all the 1948 movies in our database.
To make this list a movie had to be made in 1948. Obviously many movies made in 1947 earned box office dollars in 1948. On the other side many movies made in 1948 made money in 1949 and later. This page will looks at 139 1948 Top Box Office Movies. The movies are listed in a massive table that lets you rank the movies from Best to Worst in six different sortable columns of information.
The following massive table only includes the movies made in 1948 that are in our database. Since we are constantly adding new movies to our database….this page will quickly become obsolete. We will try and update this page on a regular basis.

Our UMR Top 50 of 1948
Year
Movie (Year)
Rating
S
Year Movie (Year) Rating S
1948
Hamlet (1948)
AA Best Picture Win

1948
The Treasure of the Sierra Madre (1948)
AA Best Picture Nom

1948
The Snake Pit (1948)
AA Best Picture Nom

1948
The Red Shoes (1948)
AA Best Picture Nom

1948
I Remember Mama (1948)

1948
Key Largo (1948)

1948
Johnny Belinda (1948)

1948
Red River (1948)

1948
The Naked City (1948)
Uncredited Role

1948
Rope (1948)

1948
A Foreign Affair (1948)

1948
Easter Parade (1948)

1948
Sorry, Wrong Number (1948)

1948
Fort Apache (1948)

1948
Sitting Pretty (1948)

1948
Abbott and Costello Meet Frankenstein (1948)

1948
The Paleface (1948)

1948
Command Decision (1948)

1948
Julia Misbehaves (1948)

1948
Mr. Blandings Builds His Dream House (1948)

1948
State of the Union (1948)

1948
Yellow Sky (1948)

1948
Road House (1948)

1948
Call Northside 777 (1948)

1948
Joan of Arc (1948)

1948
The Three Musketeers (1948)

1948
The Fuller Brush Man (1948)

1948
Tap Roots (1948)

1948
The Big Clock (1948)

1948
Rachel and the Stranger (1948)

1948
Miss Tatlock's Millions (1948)

1948
Homecoming (1948)

1948
3 Godfathers (1948)

1948
Beyond Glory (1948)

1948
Good Sam (1948)

1948
When My Baby Smiles at Me (1948)

1948
Whispering Smith (1948)

1948
The Loves of Carmen (1948)

1948
A Connecticut Yankee in King Arthur's Court (1948)

1948
The Bride Goes Wild (1948)

1948
Melody Time (1948)

1948
Every Girl Should Be Married (1948)

1948
Apartment For Peggy (1948)

1948
The Street with No Name (1948)

1948
Adventures of Don Juan (1948)

1948
Luxury Liner (1948)

1948
On an Island with You (1948)

1948
Romance on the High Seas (1948)

1948
So Dear To My Heart (1948)

1948
Two Guys From Texas (1948)

| Year | Movie (Year) | Rating | S |
|---|---|---|---|
| Year | Movie (Year) | Rating | S |
| 1948 | Hamlet (1948) AA Best Picture Win |
||
| 1948 | The Treasure of the Sierra Madre (1948) AA Best Picture Nom |
||
| 1948 | The Snake Pit (1948) AA Best Picture Nom |
||
| 1948 | The Red Shoes (1948) AA Best Picture Nom |
||
| 1948 | I Remember Mama (1948) | ||
| 1948 | Key Largo (1948) | ||
| 1948 | Johnny Belinda (1948) | ||
| 1948 | Red River (1948) | ||
| 1948 | The Naked City (1948) Uncredited Role |
||
| 1948 | Rope (1948) | ||
| 1948 | A Foreign Affair (1948) | ||
| 1948 | Easter Parade (1948) | ||
| 1948 | Sorry, Wrong Number (1948) | ||
| 1948 | Fort Apache (1948) | ||
| 1948 | Sitting Pretty (1948) | ||
| 1948 | Abbott and Costello Meet Frankenstein (1948) | ||
| 1948 | The Paleface (1948) | ||
| 1948 | Command Decision (1948) | ||
| 1948 | Julia Misbehaves (1948) | ||
| 1948 | Mr. Blandings Builds His Dream House (1948) | ||
| 1948 | State of the Union (1948) | ||
| 1948 | Yellow Sky (1948) | ||
| 1948 | Road House (1948) | ||
| 1948 | Call Northside 777 (1948) | ||
| 1948 | Joan of Arc (1948) | ||
| 1948 | The Three Musketeers (1948) | ||
| 1948 | The Fuller Brush Man (1948) | ||
| 1948 | Tap Roots (1948) | ||
| 1948 | The Big Clock (1948) | ||
| 1948 | Rachel and the Stranger (1948) | ||
| 1948 | Miss Tatlock's Millions (1948) | ||
| 1948 | Homecoming (1948) | ||
| 1948 | 3 Godfathers (1948) | ||
| 1948 | Beyond Glory (1948) | ||
| 1948 | Good Sam (1948) | ||
| 1948 | When My Baby Smiles at Me (1948) | ||
| 1948 | Whispering Smith (1948) | ||
| 1948 | The Loves of Carmen (1948) | ||
| 1948 | A Connecticut Yankee in King Arthur's Court (1948) | ||
| 1948 | The Bride Goes Wild (1948) | ||
| 1948 | Melody Time (1948) | ||
| 1948 | Every Girl Should Be Married (1948) | ||
| 1948 | Apartment For Peggy (1948) | ||
| 1948 | The Street with No Name (1948) | ||
| 1948 | Adventures of Don Juan (1948) | ||
| 1948 | Luxury Liner (1948) | ||
| 1948 | On an Island with You (1948) | ||
| 1948 | Romance on the High Seas (1948) | ||
| 1948 | So Dear To My Heart (1948) | ||
| 1948 | Two Guys From Texas (1948) |
1948 Top Box Office Movies Can Be Ranked 6 Ways In This Table
The really cool thing about this table is that it is “user-sortable”. Rank the movies anyway you want.
- Sort 1948 Top Box Office Movies by the stars or in some cases the director of the movie.
- Sort 1948 Top Box Office Movies by domestic actual box office grosses (in millions)
- Sort 1948 Top Box Office Movies by domestic adjusted box office grosses using current movie ticket cost (in millions)
- Sort 1948 Top Box Office Movies how they were received by critics and audiences. 60% rating or higher should indicate a good movie.
- Sort by how many Oscar® nominations and how many Oscar® wins each 1948 Top Box Office Movies received.
- Sort 1948 Top Box Office Movies by Ultimate Movie Ranking Score (UMR). Our UMR score puts box office, reviews and awards into a mathematical equation and gives each movie a score.
| R | Movie (Year) | UMR Co-Star Links | Adj. B.O. Worldwide (mil) | UMR Score | ||||||
|---|---|---|---|---|---|---|---|---|---|---|
| R | Movie (Year) | UMR Co-Star Links | Actual B.O. Domestic (mil) | Adj. B.O. Domestic (mil) | Adj. B.O. Worldwide (mil) | B.O. Rank by Year | Review | Oscar Nom / Win | UMR Score | S |
| 1 | Hamlet (1948) AA Best Picture Win |
Laurence Olivier & Jean Simmons |
8.9 | 279.6 | 279.60 | 15 | 81 | 07 / 04 | 99.8 | |
| 4 | The Treasure of the Sierra Madre (1948) AA Best Picture Nom |
Walter Huston & Humphrey Bogart |
6.1 | 189.1 | 336.80 | 45 | 90 | 04 / 03 | 99.5 | |
| 2 | The Snake Pit (1948) AA Best Picture Nom |
Olivia de Havilland | 10.8 | 337.2 | 337.20 | 5 | 84 | 06 / 01 | 99.2 | |
| 5 | The Red Shoes (1948) AA Best Picture Nom |
Anton Walbrook | 5.8 | 180.9 | 180.90 | 52 | 87 | 05 / 02 | 99.0 | |
| 3 | I Remember Mama (1948) | Irene Dunne & Directed by George Stevens |
7.6 | 238.5 | 300.20 | 23 | 88 | 05 / 00 | 99.0 | |
| 5 | Key Largo (1948) | Humphrey Bogart & Edward G. Robinson |
8.7 | 271.4 | 359.30 | 16 | 88 | 01 / 01 | 98.8 | |
| 7 | Johnny Belinda (1948) | Jane Wyman & Agnes Moorehead |
11.2 | 350.8 | 350.80 | 2 | 80 | 12 / 01 | 98.7 | |
| 7 | Red River (1948) | John Wayne & Montgomery Clift |
11.8 | 368.0 | 368.00 | 1 | 83 | 02 / 00 | 98.1 | |
| 10 | The Naked City (1948) Uncredited Role |
Barry Fitzgerald | 6.3 | 197.4 | 197.40 | 40 | 81 | 03 / 02 | 98.1 | |
| 14 | Rope (1948) | James Stewart | 5.8 | 181.6 | 242.40 | 50 | 89 | 00 / 00 | 97.7 | |
| 13 | A Foreign Affair (1948) | Marlene Dietrich & Jean Arthur |
6.6 | 205.6 | 205.60 | 37 | 81 | 02 / 00 | 97.7 | |
| 9 | Easter Parade (1948) | Fred Astaire & Judy Garland |
10.9 | 340.8 | 477.20 | 3 | 81 | 01 / 00 | 97.6 | |
| 11 | Sorry, Wrong Number (1948) | Barbara Stanwyck & Burt Lancaster |
7.5 | 234.4 | 234.40 | 25 | 80 | 01 / 00 | 97.4 | |
| 10 | Fort Apache (1948) | John Wayne & Henry Fonda |
8.3 | 260.3 | 365.10 | 17 | 81 | 00 / 00 | 97.3 | |
| 15 | Sitting Pretty (1948) | Clifton Webb & Maureen O'Hara |
9.5 | 296.1 | 296.10 | 9 | 77 | 01 / 00 | 96.6 | |
| 22 | Abbott and Costello Meet Frankenstein (1948) | Abbott & Costello |
5.9 | 185.0 | 185.00 | 49 | 82 | 00 / 00 | 96.5 | |
| 16 | The Paleface (1948) | Bob Hope & Jane Russell |
9.2 | 287.8 | 287.80 | 11 | 74 | 01 / 01 | 96.2 | |
| 17 | Command Decision (1948) | Clark Gable & Walter Pidgeon |
7.6 | 238.6 | 303.00 | 22 | 76 | 00 / 00 | 96.2 | |
| 18 | Julia Misbehaves (1948) | Elizabeth Taylor & Greer Garson |
7.8 | 242.4 | 369.80 | 21 | 76 | 00 / 00 | 96.2 | |
| 19 | Mr. Blandings Builds His Dream House (1948) | Cary Grant & Myrna Loy |
7.2 | 226.2 | 291.90 | 29 | 75 | 00 / 00 | 96.1 | |
| 20 | State of the Union (1948) | Katharine Hepburn & Spencer Tracy |
9.2 | 287.8 | 386.50 | 10 | 75 | 00 / 00 | 96.0 | |
| 20 | Yellow Sky (1948) | Gregory Peck & Richard Widmark |
7.4 | 230.3 | 230.30 | 28 | 75 | 00 / 00 | 95.9 | |
| 28 | Road House (1948) | Richard Widmark | 6.3 | 197.8 | 197.80 | 38 | 73 | 00 / 00 | 95.3 | |
| 25 | Call Northside 777 (1948) | James Stewart & Thelma Ritter |
7.1 | 222.0 | 222.00 | 32 | 72 | 00 / 00 | 95.3 | |
| 24 | Joan of Arc (1948) | José Ferrer & Ingrid Bergman |
10.8 | 337.2 | 474.40 | 6 | 64 | 07 / 02 | 95.3 | |
| 23 | The Three Musketeers (1948) | Lana Turner & Gene Kelly |
10.9 | 339.1 | 691.80 | 4 | 71 | 01 / 00 | 95.2 | |
| 24 | The Fuller Brush Man (1948) | Red Skelton | 8.2 | 254.9 | 460.50 | 18 | 72 | 00 / 00 | 95.1 | |
| 28 | Tap Roots (1948) | Susan Hayward & Boris Karloff |
6.6 | 205.6 | 265.60 | 35 | 71 | 00 / 00 | 94.8 | |
| 30 | The Big Clock (1948) | Charles Laughton & Ray Milland |
5.3 | 164.5 | 164.50 | 64 | 81 | 00 / 00 | 94.4 | |
| 32 | Rachel and the Stranger (1948) | William Holden & Robert Mitchum |
6.3 | 197.4 | 235.60 | 39 | 69 | 00 / 00 | 94.2 | |
| 31 | Miss Tatlock's Millions (1948) | John Lund & Barry Fitzgerald |
6.1 | 189.1 | 189.10 | 44 | 72 | 00 / 00 | 94.1 | |
| 27 | Homecoming (1948) | Clark Gable & Lana Turner |
9.7 | 304.2 | 460.00 | 8 | 67 | 00 / 00 | 93.6 | |
| 36 | 3 Godfathers (1948) | John Wayne & Ward Bond |
5.5 | 170.9 | 233.60 | 62 | 75 | 00 / 00 | 93.4 | |
| 40 | Beyond Glory (1948) | Alan Ladd & Donna Reed |
6.3 | 197.4 | 197.40 | 42 | 66 | 00 / 00 | 92.9 | |
| 33 | Good Sam (1948) | Gary Cooper & Ann Sheridan |
7.4 | 231.5 | 282.90 | 27 | 64 | 00 / 00 | 92.6 | |
| 34 | When My Baby Smiles at Me (1948) | Dan Dailey & Betty Grable |
8.9 | 279.6 | 279.60 | 14 | 62 | 02 / 00 | 92.6 | |
| 35 | Whispering Smith (1948) | Alan Ladd & Donald Crisp |
7.5 | 234.4 | 234.40 | 26 | 64 | 00 / 00 | 92.5 | |
| 41 | The Loves of Carmen (1948) | Rita Hayworth & Glenn Ford |
6.6 | 205.6 | 205.60 | 36 | 62 | 01 / 00 | 92.3 | |
| 37 | A Connecticut Yankee in King Arthur's Court (1948) | Bing Crosby & Rhonda Fleming |
7.9 | 246.7 | 246.70 | 20 | 63 | 00 / 00 | 92.2 | |
| 39 | The Bride Goes Wild (1948) | Van Johnson & Arlene Dahl |
7.1 | 222.6 | 309.70 | 31 | 62 | 00 / 00 | 92.0 | |
| 45 | Melody Time (1948) | Disney Animated Movies | 4.9 | 152.1 | 213.80 | 73 | 77 | 00 / 00 | 91.8 | |
| 39 | Every Girl Should Be Married (1948) | Cary Grant & Franchot Tone |
7.5 | 234.4 | 289.10 | 24 | 61 | 00 / 00 | 91.7 | |
| 40 | Apartment For Peggy (1948) | William Holden & Jeanne Crain |
7.2 | 226.2 | 226.20 | 30 | 61 | 00 / 00 | 91.5 | |
| 46 | The Street with No Name (1948) | Richard Widmark | 6.2 | 193.3 | 193.30 | 43 | 63 | 00 / 00 | 91.5 | |
| 48 | Adventures of Don Juan (1948) | Errol Flynn | 5.7 | 178.0 | 392.40 | 57 | 64 | 02 / 01 | 91.2 | |
| 51 | Luxury Liner (1948) | Jane Powell | 6.0 | 188.9 | 339.50 | 46 | 63 | 00 / 00 | 90.8 | |
| 41 | On an Island with You (1948) | Cyd Charisse & Esther Williams |
8.2 | 254.9 | 426.90 | 19 | 59 | 00 / 00 | 90.7 | |
| 53 | Romance on the High Seas (1948) | Doris Day | 5.8 | 180.9 | 265.20 | 54 | 63 | 02 / 00 | 90.6 | |
| 56 | So Dear To My Heart (1948) | Burl Ives | 5.8 | 180.9 | 228.20 | 53 | 63 | 01 / 00 | 90.4 | |
| 45 | Two Guys From Texas (1948) | Dorothy Malone & Dennis Morgan |
6.8 | 211.0 | 243.70 | 34 | 58 | 00 / 00 | 90.3 | |
| 55 | The Walls of Jericho (1948) | Kirk Douglas & Linda Darnell |
4.6 | 143.9 | 143.90 | 78 | 75 | 00 / 00 | 90.1 | |
| 58 | Family Honeymoon (1948) | Claudette Colbert & Fred MacMurray |
5.8 | 180.9 | 180.90 | 51 | 63 | 00 / 00 | 90.0 | |
| 48 | The Emperor Waltz (1948) | Bing Crosby & Joan Fontaine |
10.5 | 328.9 | 328.90 | 7 | 55 | 02 / 00 | 90.0 | |
| 60 | The Babe Ruth Story (1948) | William Bendix | 6.3 | 197.4 | 197.40 | 41 | 57 | 00 / 00 | 89.9 | |
| 56 | The Pirate (1948) | Judy Garland & Gene Kelly |
4.9 | 154.1 | 218.40 | 72 | 70 | 01 / 00 | 89.9 | |
| 59 | The Miracle of the Bells (1948) | Frank Sinatra & Fred MacMurray |
5.7 | 178.5 | 216.70 | 56 | 63 | 00 / 00 | 89.9 | |
| 49 | A Date with Judy (1948) | Elizabeth Taylor & Wallace Beery |
9.0 | 282.2 | 377.10 | 13 | 56 | 00 / 00 | 89.9 | |
| 48 | Three Daring Daughters (1948) | Jeanette MacDonald & Jane Powell |
7.0 | 218.7 | 329.80 | 33 | 56 | 00 / 00 | 89.8 | |
| 52 | Words and Music (1948) | Gene Kelly & Mickey Rooney |
9.1 | 284.0 | 374.30 | 12 | 56 | 00 / 00 | 89.6 | |
| 62 | Fighter Squadron (1948) | Edmond O’Brien & Directed by Raoul Walsh |
5.9 | 185.2 | 253.80 | 48 | 60 | 00 / 00 | 89.6 | |
| 63 | A Song Is Born (1948) | Danny Kaye & Virginia Mayo |
6.0 | 186.3 | 262.30 | 47 | 59 | 00 / 00 | 89.4 | |
| 63 | Silver River (1948) | Errol Flynn & Ann Sheridan |
5.7 | 178.8 | 286.50 | 55 | 60 | 00 / 00 | 88.8 | |
| 65 | Give My Regards to Broadway (1948) | Dan Dailey & Charles Winninger |
5.5 | 172.7 | 172.70 | 60 | 62 | 00 / 00 | 88.7 | |
| 62 | Unfaithfully Yours (1948) | Linda Darnell | 3.4 | 107.1 | 107.10 | 99 | 82 | 00 / 00 | 88.5 | |
| 67 | Wake of the Red Witch (1948) | John Wayne & Gail Russell |
5.5 | 172.7 | 172.70 | 59 | 61 | 00 / 00 | 88.4 | |
| 66 | The Iron Curtain (1948) | Gene Tierney & Dana Andrews |
5.3 | 164.5 | 164.50 | 66 | 63 | 00 / 00 | 88.1 | |
| 67 | Coroner Creek (1948) | Randolph Scott | 4.9 | 151.7 | 151.70 | 74 | 65 | 00 / 00 | 87.6 | |
| 68 | Green Grass of Wyoming (1948) | Charles Coburn | 5.5 | 172.7 | 172.70 | 61 | 57 | 01 / 00 | 87.4 | |
| 71 | Enchantment (1948) | David Niven & Teresa Wright |
4.0 | 124.2 | 185.90 | 89 | 72 | 00 / 00 | 86.8 | |
| 75 | You Were Meant For Me (1948) | Dan Dailey & Jeanne Crain |
5.3 | 164.5 | 164.50 | 63 | 58 | 00 / 00 | 86.5 | |
| 73 | Kiss The Blood Off My Hands (1948) | Burt Lancaster & Joan Fontaine |
4.2 | 131.6 | 131.60 | 85 | 69 | 00 / 00 | 86.5 | |
| 69 | The Search (1948) | Montgomery Clift & Ivan Jandl |
1.8 | 57.6 | 57.60 | 147 | 87 | 04 / 01 | 86.4 | |
| 71 | Raw Deal (1948) | Claire Trevor | 3.2 | 98.9 | 98.90 | 100 | 79 | 00 / 00 | 86.4 | |
| 72 | Portrait of Jennie (1948) | Lillian Gish & Jennifer Jones |
2.6 | 80.7 | 80.70 | 119 | 81 | 02 / 01 | 86.2 | |
| 75 | The Mating of Millie (1948) | Glenn Ford & Evelyn Keyes |
3.7 | 115.1 | 115.10 | 96 | 73 | 00 / 00 | 86.0 | |
| 76 | To the Ends of the Earth (1948) | Dick Powell | 4.5 | 139.8 | 139.80 | 79 | 64 | 00 / 00 | 85.5 | |
| 79 | Blood on the Moon (1948) | Robert Mitchum & Walter Brennan |
5.6 | 173.9 | 217.10 | 58 | 53 | 00 / 00 | 85.4 | |
| 79 | Hills of Home (1948) | Donald Crisp | 3.7 | 115.7 | 190.10 | 93 | 71 | 00 / 00 | 85.3 | |
| 80 | June Bride (1948) | Bette Davis & Robert Montgomery |
5.0 | 154.8 | 200.20 | 71 | 58 | 00 / 00 | 85.2 | |
| 81 | April Showers (1948) | Jack Carson | 4.6 | 143.9 | 143.90 | 77 | 61 | 00 / 00 | 85.0 | |
| 78 | All My Sons (1948) | Burt Lancaster & Edward G. Robinson |
2.9 | 90.5 | 90.50 | 106 | 78 | 00 / 00 | 84.9 | |
| 84 | One Sunday Afternoon (1948) | Dorothy Malone & Directed by Raoul Walsh |
5.1 | 159.5 | 184.40 | 70 | 56 | 00 / 00 | 84.9 | |
| 82 | Force of Evil (1948) | John Garfield | 2.5 | 78.0 | 88.10 | 124 | 81 | 00 / 00 | 84.6 | |
| 83 | They Live By Night (1948) | Farley Granger | 2.4 | 74.0 | 74.00 | 129 | 81 | 00 / 00 | 84.2 | |
| 85 | Cry of The City (1948) | Shelley Winters & Victor Mature |
2.6 | 82.2 | 82.20 | 115 | 78 | 00 / 00 | 84.1 | |
| 86 | Letter From An Unknown Woman (1948) | Joan Fontaine & Louis Jourdan |
2.0 | 61.7 | 61.70 | 141 | 84 | 00 / 00 | 83.9 | |
| 88 | You Gotta Stay Happy (1948) | James Stewart & Joan Fontaine |
5.1 | 160.4 | 160.40 | 69 | 53 | 00 / 00 | 83.8 | |
| 89 | Station West (1948) | Dick Powell | 3.6 | 113.1 | 141.00 | 97 | 67 | 00 / 00 | 83.2 | |
| 85 | The Velvet Touch (1948) | Sydney Greenstreet & Rosalind Russell |
2.8 | 88.0 | 116.80 | 109 | 71 | 04 / 00 | 83.1 | |
| 92 | The Man From Colorado (1948) | William Holden & Glenn Ford |
5.3 | 164.5 | 164.50 | 67 | 50 | 00 / 00 | 83.1 | |
| 91 | The Noose Hangs High (1948) | Bud Abbott & Joseph Calleia |
3.6 | 111.0 | 111.00 | 98 | 67 | 00 / 00 | 82.8 | |
| 93 | A Southern Yankee (1948) | Arlene Dahl & Red Skelton |
5.2 | 162.9 | 209.50 | 68 | 50 | 00 / 00 | 82.8 | |
| 91 | Oliver Twist (1948) | Alec Guinness & Robert Newton |
2.0 | 61.7 | 61.70 | 139 | 81 | 00 / 00 | 82.3 | |
| 98 | Scudda Hoo! Scudda Hay! (1948) | Natalie Wood & Marilyn Monroe |
5.3 | 164.5 | 164.50 | 65 | 48 | 00 / 00 | 82.2 | |
| 96 | B.F.'s Daughter (1948) | Barbara Stanwyck & Van Heflin |
3.8 | 119.2 | 157.10 | 91 | 62 | 01 / 00 | 82.1 | |
| 92 | The Boy with Green Hair (1948) | Robert Ryan | 2.9 | 92.1 | 112.70 | 102 | 71 | 00 / 00 | 82.1 | |
| 100 | Rogues' Regiment (1948) | Dick Powell & Vincent Price |
4.7 | 148.0 | 148.00 | 75 | 53 | 00 / 00 | 81.8 | |
| 96 | Pitfall (1948) | Dick Powell | 2.9 | 90.5 | 90.50 | 104 | 71 | 00 / 00 | 81.7 | |
| 97 | Four Faces West (1948) | Joel McCrea | 2.9 | 90.5 | 90.50 | 105 | 70 | 00 / 00 | 81.4 | |
| 97 | Moonrise (1948) | Gail Russell | 2.1 | 67.0 | 67.00 | 136 | 77 | 01 / 00 | 81.4 | |
| 104 | That Wonderful Urge (1948) | Tyrone Power & Gene Tierney |
4.3 | 135.7 | 135.70 | 83 | 56 | 00 / 00 | 81.3 | |
| 100 | Relentless (1948) | Robert Young | 4.0 | 126.0 | 126.00 | 88 | 59 | 00 / 00 | 81.3 | |
| 104 | The Swordsman (1948) | Larry Parks | 4.5 | 139.8 | 139.80 | 82 | 54 | 00 / 00 | 81.3 | |
| 103 | If You Knew Susie (1948) | Eddie Cantor & Joan Davis |
3.7 | 115.5 | 151.30 | 94 | 61 | 00 / 00 | 80.6 | |
| 107 | The Time of Your Life (1948) | James Cagney | 4.2 | 131.6 | 131.60 | 86 | 55 | 00 / 00 | 80.5 | |
| 106 | Albuquerque (1948) | Randolph Scott & Gabby Hayes |
4.6 | 144.7 | 144.70 | 76 | 51 | 00 / 00 | 80.3 | |
| 107 | Arch of Triumph (1948) | Ingrid Bergman & Charles Laughton |
4.5 | 139.8 | 139.80 | 81 | 52 | 00 / 00 | 80.0 | |
| 109 | Return of the Bad Men (1948) | Randolph Scott & Robert Ryan |
4.5 | 139.8 | 139.80 | 80 | 51 | 00 / 00 | 79.6 | |
| 106 | Sleep, My Love (1948) | Claudette Colbert & Don Ameche |
2.4 | 75.5 | 75.50 | 126 | 71 | 00 / 00 | 79.1 | |
| 110 | Fury at Furnace Creek (1948) | Victor Mature | 3.8 | 119.8 | 119.80 | 90 | 57 | 00 / 00 | 79.1 | |
| 108 | The Luck of the Irish (1948) | Cecil Kellaway & Tyrone Power |
3.7 | 115.1 | 115.10 | 95 | 57 | 01 / 00 | 79.0 | |
| 115 | Summer Holiday (1948) | Mickey Rooney & Walter Huston |
4.2 | 131.6 | 131.60 | 84 | 51 | 00 / 00 | 78.0 | |
| 112 | Casbah (1948) | Peter Lorre | 2.9 | 89.8 | 89.80 | 107 | 63 | 01 / 00 | 77.4 | |
| 112 | Bicycle Thieves (1948) | Vittorio De Sica | 0.3 | 9.4 | 9.40 | 196 | 88 | 01 / 00 | 77.0 | |
| 115 | Mexican Hayride (1948) | Bud Abbott & Virginia Grey |
2.6 | 82.2 | 82.20 | 116 | 65 | 00 / 00 | 76.4 | |
| 120 | On Our Merry Way (1948) | James Stewart & Henry Fonda |
4.1 | 127.5 | 190.10 | 87 | 49 | 00 / 00 | 75.7 | |
| 116 | Berlin Express (1948) | Robert Ryan & Merle Oberon |
2.5 | 78.1 | 78.10 | 123 | 65 | 00 / 00 | 75.4 | |
| 115 | Night Has a Thousand Eyes (1948) | Edward G. Robinson & Gail Russell |
2.0 | 61.7 | 61.70 | 140 | 69 | 00 / 00 | 75.0 | |
| 118 | Anna Karenina (1948) | Vivien Leigh & Ralph Richardson |
2.6 | 82.2 | 82.20 | 117 | 63 | 00 / 00 | 75.0 | |
| 122 | That Lady in Ermine (1948) | Betty Grable & Douglas Fairbanks, Jr. |
3.7 | 116.3 | 116.30 | 92 | 50 | 01 / 00 | 74.0 | |
| 121 | Dream Girl (1948) | Betty Hutton | 2.9 | 90.5 | 90.50 | 103 | 59 | 00 / 00 | 73.6 | |
| 121 | The Saxon Charm (1948) | Susan Hayward & Robert Montgomery |
2.4 | 74.0 | 74.00 | 128 | 64 | 00 / 00 | 73.5 | |
| 122 | Deep Waters (1948) | Dana Andrews | 2.6 | 82.2 | 82.20 | 118 | 60 | 01 / 00 | 73.3 | |
| 123 | Big City (1948) | Margaret O'Brien & Robert Preston |
2.4 | 74.8 | 115.00 | 127 | 63 | 00 / 00 | 72.9 | |
| 129 | Whiplash (1948) | Dane Clark & Alexis Smith |
2.8 | 88.8 | 122.40 | 108 | 58 | 00 / 00 | 72.2 | |
| 125 | Winter Meeting (1948) | Bette Davis | 2.3 | 72.4 | 89.10 | 130 | 63 | 00 / 00 | 72.1 | |
| 130 | Smart Girls Don't Talk (1948) | Virginia Mayo | 2.8 | 86.3 | 86.30 | 110 | 58 | 00 / 00 | 72.0 | |
| 129 | The Sainted Sisters (1948) | Veronica Lake | 2.2 | 67.8 | 67.80 | 135 | 64 | 00 / 00 | 71.7 | |
| 126 | The Strawberry Roan (1948) | 1.2 | 38.3 | 38.30 | 165 | 73 | 00 / 00 | 71.3 | ||
| 130 | My Dear Secretary (1948) | Kirk Douglas | 3.2 | 98.7 | 98.70 | 101 | 53 | 00 / 00 | 70.8 | |
| 133 | An Act Of Murder (1948) | Fredric March | 2.3 | 72.3 | 72.30 | 131 | 61 | 00 / 00 | 70.0 | |
| 131 | Tenth Avenue Angel (1948) | Angela Lansbury | 1.9 | 59.6 | 65.80 | 144 | 65 | 00 / 00 | 69.9 | |
| 136 | Another Part of the Forest (1948) | Fredric March | 2.1 | 65.2 | 65.20 | 137 | 63 | 00 / 00 | 69.8 | |
| 140 | An Innocent Affair (1948) | Fred MacMurray | 2.6 | 82.3 | 82.30 | 114 | 57 | 00 / 00 | 69.7 | |
| 137 | Walk A Crooked Mile (1948) | Raymond Burr | 2.3 | 71.2 | 71.20 | 132 | 61 | 00 / 00 | 69.7 | |
| 139 | The Return of October (1948) | Glenn Ford | 2.5 | 78.7 | 78.70 | 121 | 58 | 00 / 00 | 69.6 | |
| 136 | So Evil My Love (1948) | Ray Milland | 1.6 | 51.4 | 51.40 | 151 | 67 | 00 / 00 | 69.3 | |
| 135 | The Winslow Boy (1948) | Robert Donat & Cedric Hardwicke |
1.1 | 35.0 | 35.00 | 168 | 72 | 00 / 00 | 69.1 | |
| 131 | Macbeth (1948) | Orson Welles & Roddy McDowall |
0.1 | 4.1 | 4.10 | 198 | 81 | 00 / 00 | 68.7 | |
| 143 | Sealed Verdict (1948) | Ray Milland | 2.3 | 71.1 | 71.10 | 133 | 59 | 00 / 00 | 67.9 | |
| 138 | Larceny (1948) | Shelley Winters | 1.3 | 41.0 | 41.00 | 161 | 69 | 00 / 00 | 67.7 | |
| 144 | Race Street (1948) | George Raft & William Bendix |
2.1 | 64.6 | 64.60 | 138 | 61 | 00 / 00 | 67.1 | |
| 142 | The Fallen Idol (1948) | Ralph Richardson | 0.3 | 10.7 | 10.70 | 193 | 75 | 02 / 00 | 66.1 | |
| 146 | The Woman In White (1948) | Sydney Greenstreet & Eleanor Parker |
1.8 | 55.4 | 102.40 | 149 | 62 | 00 / 00 | 64.8 | |
| 148 | Alias A Gentleman (1948) | Wallace Beery | 2.7 | 83.3 | 112.30 | 113 | 53 | 00 / 00 | 64.7 | |
| 142 | For The Love of Mary (1948) | Deanna Durbin | 1.0 | 32.8 | 32.80 | 173 | 69 | 00 / 00 | 64.7 | |
| 147 | Ruthless (1948) | Sydney Greenstreet | 1.6 | 50.4 | 50.40 | 154 | 63 | 00 / 00 | 64.2 | |
| 148 | Junge Jim (1948) | 1.9 | 59.7 | 59.70 | 143 | 60 | 00 / 00 | 64.1 | ||
| 145 | The Secret Land (1948) | Robert Montgomery & Robert Taylor |
1.0 | 32.5 | 47.40 | 176 | 66 | 01 / 01 | 64.0 | |
| 149 | Fighting Father Dunne (1948) | Pat O'Brien | 1.6 | 51.4 | 51.40 | 150 | 62 | 00 / 00 | 63.4 | |
| 148 | My Girl Tisa (1948) | Akim Tamiroff | 1.8 | 52.4 | 58.80 | 148 | 61 | 00 / 00 | 63.2 | |
| 152 | Hollow Triumph (1948) | Paul Henreid & Joan Bennett |
1.4 | 44.5 | 44.50 | 155 | 63 | 00 / 00 | 61.7 | |
| 153 | A Woman's Vengeance (1948) | Charles Boyer & Ann Blyth |
1.2 | 37.1 | 37.10 | 167 | 65 | 00 / 00 | 60.9 | |
| 159 | Hazard (1948) | Paulette Goddard | 2.5 | 77.7 | 77.70 | 125 | 52 | 00 / 00 | 60.9 | |
| 154 | River Lady (1948) | Yvonne De Carlo & Dan Duryea |
1.4 | 43.8 | 43.80 | 156 | 62 | 00 / 00 | 60.4 | |
| 154 | The Tender Years (1948) | Joe E. Brown | 1.0 | 32.6 | 32.60 | 174 | 66 | 00 / 00 | 60.3 | |
| 156 | I Love Trouble (1948) | Raymond Burr & Franchot Tone |
1.1 | 33.1 | 33.10 | 172 | 65 | 00 / 00 | 60.0 | |
| 160 | Lulu Belle (1948) | Dorothy Lamour | 2.0 | 61.3 | 61.30 | 142 | 56 | 00 / 00 | 59.9 | |
| 163 | The Girl from Manhattan (1948) | Dorothy Lamour & Charles Laughton |
2.5 | 78.5 | 78.50 | 122 | 51 | 00 / 00 | 59.8 | |
| 159 | One Touch Of Venus (1948) | Ava Gardner & Robert Walker |
1.8 | 57.6 | 57.60 | 146 | 57 | 00 / 00 | 59.7 | |
| 160 | Best Man Wins (1948) | John Sturges | 1.9 | 58.8 | 58.80 | 145 | 57 | 00 / 00 | 59.3 | |
| 160 | Are You with It? (1948) | Donald O'Connor | 1.1 | 34.1 | 34.10 | 170 | 64 | 00 / 00 | 59.0 | |
| 165 | Tarzan and the Mermaids (1948) | Johnny Weismuller | 2.8 | 86.3 | 166.50 | 111 | 48 | 00 / 00 | 58.9 | |
| 161 | Feudin', Fussin' and A-Fightin' (1948) | Donald O'Connor | 1.6 | 51.4 | 51.40 | 152 | 59 | 00 / 00 | 58.9 | |
| 166 | Kissing Bandit The (1948) | Frank Sinatra & Kathryn Grayson |
2.6 | 79.7 | 113.60 | 120 | 50 | 00 / 00 | 58.8 | |
| 164 | The Big Punch (1948) | Gordon MacRae & Wayne Morris |
1.3 | 40.5 | 55.10 | 162 | 61 | 00 / 00 | 56.5 | |
| 169 | The Sign Of The Ram (1948) | Directed by John Sturges | 2.7 | 85.6 | 85.60 | 112 | 46 | 00 / 00 | 56.2 | |
| 172 | Let's Live A Little (1948) | Hedy Lamarr | 2.3 | 70.4 | 70.40 | 134 | 51 | 00 / 00 | 55.7 | |
| 167 | So This Is New York (1948) | 1.1 | 34.6 | 34.60 | 169 | 62 | 00 / 00 | 55.1 | ||
| 167 | Mr. Peabody and the Mermaid (1948) | 1.2 | 35.3 | 35.30 | 166 | 61 | 00 / 00 | 54.6 | ||
| 171 | Old Los Angeles (1948) | 0.9 | 25.1 | 25.10 | 180 | 63 | 00 / 00 | 53.2 | ||
| 171 | Wallflower (1948) | Edward Arnold | 1.0 | 31.8 | 31.80 | 177 | 61 | 00 / 00 | 52.6 | |
| 170 | Mickey (1948) | Hattie McDaniel | 0.6 | 18.5 | 18.50 | 188 | 65 | 00 / 00 | 52.3 | |
| 173 | Loaded Pistols (1948) | 1.0 | 32.5 | 32.50 | 175 | 61 | 00 / 00 | 52.2 | ||
| 173 | Mystery In Mexico (1948) | William Lundigan & Directed by Robert Wise |
1.4 | 43.2 | 43.20 | 159 | 57 | 00 / 00 | 52.1 | |
| 176 | Escape (1948) | Rex Harrison & Peggy Cummins |
0.6 | 18.4 | 18.40 | 189 | 64 | 00 / 00 | 49.4 | |
| 178 | Black Bart (1948) | Yvonne De Carlo & Dan Duryea |
1.1 | 33.3 | 33.30 | 171 | 59 | 00 / 00 | 48.8 | |
| 179 | Bodyguard (1948) | Priscilla Lane | 1.4 | 43.5 | 43.50 | 158 | 55 | 00 / 00 | 48.4 | |
| 177 | The Hideout/The Small Voice (1948) | Howard Keel | 0.7 | 21.8 | 21.80 | 183 | 62 | 00 / 00 | 47.6 | |
| 180 | L'amore (1948) | 0.1 | 4.2 | 4.20 | 197 | 67 | 00 / 00 | 46.4 | ||
| 182 | The Countess of Monte Cristo (1948) | Sonja Henie | 1.6 | 51.2 | 51.20 | 153 | 52 | 00 / 00 | 46.3 | |
| 181 | Against the Wind (1948) | 0.6 | 17.4 | 17.40 | 187 | 61 | 00 / 00 | 43.4 | ||
| 183 | No Minor Vices (1948) | Dana Andrews | 1.3 | 39.4 | 52.90 | 163 | 54 | 00 / 00 | 42.9 | |
| 182 | The Inside Story (1948) | 0.5 | 16.3 | 16.30 | 191 | 60 | 00 / 00 | 41.1 | ||
| 184 | Guns Of Hate (1948) | Tim Holt | 0.6 | 17.5 | 19.60 | 190 | 60 | 00 / 00 | 40.9 | |
| 186 | Western Heritage (1948) | Tim Holt | 0.7 | 21.8 | 21.80 | 184 | 58 | 00 / 00 | 40.8 | |
| 187 | Angel on the Amazon (1948) | George Brent | 0.4 | 12.5 | 12.50 | 192 | 61 | 00 / 00 | 39.9 | |
| 187 | Ladies of the Chorus (1948) | Marilyn Monroe | 0.9 | 28.4 | 28.40 | 179 | 56 | 00 / 00 | 39.1 | |
| 191 | Up in Central Park (1948) | Deanna Durbin | 1.2 | 38.9 | 38.90 | 164 | 52 | 00 / 00 | 38.0 | |
| 191 | The Dark Past (1948) | William Holden & Lee J. Cobb |
1.4 | 43.2 | 43.20 | 160 | 50 | 00 / 00 | 36.5 | |
| 192 | To The Victor (1948) | Dennis Morgan | 0.8 | 25.9 | 25.90 | 181 | 55 | 00 / 00 | 35.7 | |
| 189 | The Gallant Legion (1948) | 0.3 | 9.8 | 9.80 | 194 | 60 | 00 / 00 | 35.3 | ||
| 193 | Dilemma of Two Angels (1948) | 0.1 | 2.4 | 2.40 | 199 | 62 | 00 / 00 | 34.8 | ||
| 193 | Smart Woman (1948) | Constance Bennett | 0.8 | 22.9 | 22.90 | 182 | 55 | 00 / 00 | 34.7 | |
| 193 | Variety Time (1948) | Hans Conried | 0.6 | 20.2 | 24.70 | 186 | 56 | 00 / 00 | 33.3 | |
| 195 | Isn't It Romantic (1948) | Veronica Lake | 1.4 | 43.8 | 43.80 | 157 | 48 | 00 / 00 | 32.2 | |
| 197 | My Own True Love (1948) | Melvyn Douglas | 1.0 | 30.9 | 30.90 | 178 | 49 | 00 / 00 | 26.6 | |
| 197 | The Decision of Christopher Blake (1948) | 0.7 | 19.2 | 19.20 | 185 | 52 | 00 / 00 | 26.5 | ||
| 198 | Killer Diller (1948) | 0.1 | 1.5 | 1.50 | 200 | 52 | 00 / 00 | 16.5 | ||
| 198 | Make Mine Laughs (1948) | 0.3 | 9.4 | 9.40 | 195 | 46 | 00 / 00 | 11.5 |
1948 Box Office Grosses – Adjusted World Wide
Movie (Year)
UMR Co-Star Links
World-Wide Box Office Adjusted (mil)
S
Movie (Year) UMR Co-Star Links World-Wide Box Office Adjusted (mil) S
The Three Musketeers (1948)
Lana Turner &
Gene Kelly691.80
Easter Parade (1948)
Fred Astaire &
Judy Garland477.20
Joan of Arc (1948)
José Ferrer &
Ingrid Bergman474.40
The Fuller Brush Man (1948)
Red Skelton
460.50
Homecoming (1948)
Clark Gable &
Lana Turner460.00
On an Island with You (1948)
Cyd Charisse &
Esther Williams426.90
Adventures of Don Juan (1948)
Errol Flynn
392.40
State of the Union (1948)
Katharine Hepburn &
Spencer Tracy386.50
A Date with Judy (1948)
Elizabeth Taylor &
Wallace Beery377.10
Words and Music (1948)
Gene Kelly &
Mickey Rooney374.30
Julia Misbehaves (1948)
Elizabeth Taylor &
Greer Garson369.80
Fort Apache (1948)
John Wayne &
Henry Fonda365.10
Key Largo (1948)
Humphrey Bogart &
Edward G. Robinson359.30
Luxury Liner (1948)
Jane Powell
339.50
The Treasure of the Sierra Madre (1948)
AA Best Picture NomWalter Huston &
Humphrey Bogart336.80
Three Daring Daughters (1948)
Jeanette MacDonald &
Jane Powell329.80
The Bride Goes Wild (1948)
Van Johnson &
Arlene Dahl309.70
Command Decision (1948)
Clark Gable &
Walter Pidgeon303.00
I Remember Mama (1948)
Irene Dunne &
Directed by George Stevens300.20
Mr. Blandings Builds His Dream House (1948)
Cary Grant &
Myrna Loy291.90
Every Girl Should Be Married (1948)
Cary Grant &
Franchot Tone289.10
Silver River (1948)
Errol Flynn &
Ann Sheridan286.50
Good Sam (1948)
Gary Cooper &
Ann Sheridan282.90
Tap Roots (1948)
Susan Hayward &
Boris Karloff265.60
Romance on the High Seas (1948)
Doris Day
265.20
A Song Is Born (1948)
Danny Kaye &
Virginia Mayo262.30
Fighter Squadron (1948)
Edmond O’Brien &
Directed by Raoul Walsh253.80
Two Guys From Texas (1948)
Dorothy Malone &
Dennis Morgan243.70
Rope (1948)
James Stewart
242.40
Rachel and the Stranger (1948)
William Holden &
Robert Mitchum235.60
3 Godfathers (1948)
John Wayne &
Ward Bond233.60
So Dear To My Heart (1948)
Burl Ives
228.20
The Pirate (1948)
Judy Garland &
Gene Kelly218.40
Blood on the Moon (1948)
Robert Mitchum &
Walter Brennan217.10
The Miracle of the Bells (1948)
Frank Sinatra &
Fred MacMurray216.70
Melody Time (1948)
Disney Animated Movies
213.80
A Southern Yankee (1948)
Arlene Dahl &
Red Skelton209.50
June Bride (1948)
Bette Davis &
Robert Montgomery200.20
Hills of Home (1948)
Donald Crisp
190.10
On Our Merry Way (1948)
James Stewart &
Henry Fonda190.10
Enchantment (1948)
David Niven &
Teresa Wright185.90
One Sunday Afternoon (1948)
Dorothy Malone &
Directed by Raoul Walsh184.40
Tarzan and the Mermaids (1948)
Johnny Weismuller
166.50
B.F.'s Daughter (1948)
Barbara Stanwyck &
Van Heflin157.10
If You Knew Susie (1948)
Eddie Cantor &
Joan Davis151.30
Station West (1948)
Dick Powell
141.00
Whiplash (1948)
Dane Clark &
Alexis Smith122.40
The Velvet Touch (1948)
Sydney Greenstreet &
Rosalind Russell116.80
Big City (1948)
Margaret O'Brien &
Robert Preston115.00
Kissing Bandit The (1948)
Frank Sinatra &
Kathryn Grayson113.60
The Boy with Green Hair (1948)
Robert Ryan
112.70
Alias A Gentleman (1948)
Wallace Beery
112.30
The Woman In White (1948)
Sydney Greenstreet &
Eleanor Parker102.40
Winter Meeting (1948)
Bette Davis
89.10
Force of Evil (1948)
John Garfield
88.10
Tenth Avenue Angel (1948)
Angela Lansbury
65.80
My Girl Tisa (1948)
Akim Tamiroff
58.80
The Big Punch (1948)
Gordon MacRae &
Wayne Morris55.10
No Minor Vices (1948)
Dana Andrews
52.90
The Secret Land (1948)
Robert Montgomery &
Robert Taylor47.40
Variety Time (1948)
Hans Conried
24.70
Guns Of Hate (1948)
Tim Holt
19.60
Source 1: Eddie Mannix MGM Ledgers
Source 2: C.J. Tevlin RKO Ledgers
Source 3: Variety Magazines –
Source 4: Year In Review Variety Editions
Source 5: Grand Design: Hollywood As A Modern Business Enterprise 1930-1942 by Tino Balio
Source 6: Twentieth Century-Fox A Corporate and Financial History by Aubrey Solomon
Source 7: Wikipedia
Source 8: IMDb.com
Source 9: “Revenue sharing and the coming of sound” by H. Mark Glancy
Source 10: Hollywood Power Stats by Christopher Reynolds

Could anyone please provide me with documentation for the box office numbers for “The Search” (e.g., a page from Variety with box office stats for the film)? I’m publishing an article on the film and need to be able to say where exactly the $1.8 million number came from. Any help would be most appreciated. Thanks!
Hey Anna…..The Search did not crack the million dollar rental mark. So it did not make Variety’s Top Grossing Movies. Despite being a MGM movie, The Search is not (at least where I looked) in the MGM ledger. That left us to do research in some Clift books and the Harrison Reports (1948). In the Harrison Report of October 30th, 1948 they list The Search as being “Fair” at the box office. So using our 36,000 movie database…we compared all the Fair movies of 1948 and the information in the Clift books to come up with a rental number of just a tad over 700,000. Rentals are not the gross….but the amount the studio got back. We estimate that 700,000 in rentals would be the $1.9 million in gross. All of the numbers are estimated….the actuals will never be known…as studios made sure to keep that a secret. Anybody who claims to have the actual grosses would fail to understand the reality of the bookkeeping system back then. Hope that helps.
Yes, thank you, that’s very helpful. Strangely, Wikipedia’s “1948 in film” article lists “The Search” as one of the top-grossing films, with more than a $3.1 million gross, but there are no notes, so I have no idea where the number is coming from.
Hey Anna. Interesting about Wiki. The Search was much more popular in Europe than in the United States. So maybe the 3.1 million is worldwide gross. I can easily see that….but I feel pretty good about our domestic estimate. In the MGM book I own….it mentions The Search being a hit overseas.
In one of the Zinnermann books I read it talks about how the marketing here in the states, ruined any chance of it being successful. The movie’s poster had no faces on it (Clift was not a star yet), the marketing concentrated on making it a thriller (publicity photos showed a man chasing a woman in dark alleys)….and ignored the child caught in the war aspect…..which made the movie seem “more of an orphan than a MGM release”.
Thanks for the extra info!
I’m trying to figure out how you got the box office figures for “The Red Shoes”…. If you use the same formula you have I am getting a lower rental figure than anywhere else I find. Being a member of Newspaper Archive, I have found a bunch of entries here and there, and appears to only played 3 to 4 days at a time in any particular city. In early 1949 the tickets were going from $1.20 to $1,80 a piece, by mid 1950 the ad’s say “Now at Popular Price” and run from 40c matinee to 65c evening in most venues, with some at 35c and 60c. March 24, 1949 is the first showing I can find outside of the single New York run from 1948 …. I hope to find earlier dates, but that seems to be the first. Odd thing is, I can only find one or two cities a month that played the Red Shoes over the next 2 years or more, and those 2 to 4 day play dates would had to have been packed to bring in the rental income that the movie supposedly had done. Your thoughts? and what rental income do you have and where did you get that figure from? Thanks.
Hey Chris.
1. First of all….thanks for checking out this page.
2. Ah….questions about The Red Shoes’ box office grosses. Ok….here we go. The Red Shoes is one of those rare movies that got released originally did moderately well at the box office…and then a few years later…got re-released and was a box office smash.
3. In 1948 The Red Shoes was the 56th biggest hit of the year…then in 1951 (I think…going by memory) it earned more than in rentals
4. Variety reports that The Red Shoes had a rental number of 2.2 million in 1948…..and a 5.0 million total. So my calculation shows a $125.00 million adjusted gross for 1948….and an adjusted gross of $124.00 for the second release….for a grand total of $249.00 million.
5. If I would have used it’s career total in 1948….the gross would have been about $290 million….or over inflated by about $40 million.
6. One of the rules I had to go with when doing these yearly pages…is to put all the movies with the same production year together…..that of course creates a false impression. This page is the perfect example….in 1948 The Red Shoes was not even in the Top 50…but because of a re-release it sits on top of the list.
7. Years ago the box office gurus tried to do the top hits by going summer to summer…..but the same thing happens no matter what way you want to do it…..like lots of things…there is no right or wrong way…..just the way you prefer it to be.
8. Gone With The Wind was (and is in my mind) the biggest box office hit of all-time…..it is listed as the top box office movie of 1939…..when the reality is……it made almost nothing in 1939. It had it’s big Atlanta premiere in late December of 1939…..hit some big cities for a week of release…and then 1940 was here.
Hope that answers the question….FYI….I really really dislike movies that got re-released…it causes havoc in my database….lol.
BRUCE
Above On an Island with You is duplicated but with different figures for the actual gross as well as for the adjusted gross.
Hey Bob….On An Island With You has been fixed….and now the Esther Williams, Cyd Charisse and 1948 pages match. Also I got rid of the “extra” On A Island With You…thanks for the headsup….it is greatly appreciated.
HI BRUCE
No, I thank you. As you may have guessed I’m doing another one of my special exercises and am entirely relying on your figures.
Hey Bob…..glad our figures are helping with your projects. Good to know all our hours of data entry are being used.
Hey Lupino. I agree 1948 was a great year for movies. I have only seen about half of your favorite movies. An Act of Murder sounds interesting….I will have to check that one out.
Good point about how things changed in the movie world back then. I think seeing movies that represent the beginning and the end of people’s careers is one of the really cool things. Thanks for the feedback.
78 movies watched- and what a great year! Portrait of Jenny, my alltime favorite romantic fantasie, Letter from an unknown Woman, A Foreign Affair, Sorry, wrong Number, Johnny Belinda, one of my top westerns, Red River, one of my fav musicals, Easter Parade, I remember Mama, Three Godfathers, An Act of Murder with a fine performance by F. March and an unusual topic, some great Brits (Anna Karenina, though certainly flawed, but nevertheless fascinating, Oliver Twist and The Red Shoes), the great italian Ladri de biciclette, and the funny Unfaithfully Yours. Plus, some small budget winners like Ruthless, Hollow Triumph and the very good Act of Violence. What I find extremely interesting is the way these charts reflect the changing taste in audience reception so shortly after the end of WWll. Great Stars like Bette Davis, Claudette Colbert, Joan Fontaine and Veronica Lake are loosing Ground, though when partnered with a strong Costar (Crosby in Emperor Waltz, Ladd in Saigon), they still can muster some box office cloud. Davis would soon come back to her old glory, though only for a short time, with her iconic portrayal of Margo Channing in All about Eve, Fontaine would linger on in less important films and then as a “second lead” during the next decade, Colbert would have some medium hits to come but eventually would go down the road of “a picture shot in England” or a Repulic Western, while Veronica Lake would prove herself unable to regain her WWII fame. The hardest fall, though, was taken by the Girl who once saved Universal Pictures from bankruptcy. Deanna Durbin’s 1948 pictures made slightly more money than a little B starring a totally unknown Marilyn Monroe. She would do the wisest thing, quitting movies completely and settling for a reportedly happy private life in Paris. New arrivals include Montgomery Clift and Doris Day, both with so much more to come.
Hey Lupino great comment. 78 movies is a pretty stout total and good enough for the silver medal. Part 2 coming.