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Joel McCrea Movies

mccrea-1111Want to know the best Joel McCrea movies?  How about the worst Joel McCrea movies?  Curious about Joel McCrea box office grosses or which Joel McCrea movie picked up the most Oscar® nominations? Need to know which Joel McCrea movie got the best reviews from critics and audiences and which got the worst reviews? Well you have come to the right place….because we have all of that information.

Joel McCrea (1905-1990) was an American actor whose career spanned 50 years. His IMDb page shows 95 acting credits from 1927-1976. This page ranks 65 Joel McCrea movies from Best to Worst in six different sortable columns of information.  His television performances, his uncredited roles, his cameos and some of his late 1920s and early 1930s movies (lack of box office information) were not included in the rankings.

Drivel Part:  So later today we are headed to Las Vegas and Hollywood.  In Las Vegas, WoC is a featured speaker at a conference.  In Hollywood….I have an appointment at the USC (University of Southern California) to view the William Schaefer Warner Brother’s Ledgers.  So before we leave for a week….we wanted to get a new page published.  Recently it has come to our attention…that Joel McCrea was being unfairly discriminated against at UMR.com (as he did not have a UMR page).  Well since we strongly believe that everybody should be treated equally and fairly…we have finally written a page on Mr. McCrea.  So Lyle, Flora and Bob you request has been completed. 

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Joel McCrea in 1941’s Sullivan’s Travels

Joel McCrea Movies Ranked In Chronological Order With Ultimate Movie Rankings Score (1 to 5 UMR Tickets) *Best combo of box office, reviews and awards.

Year Movie (Year) Rating S
Year Movie (Year) Rating S
1943 The More the Merrier (1943)
AA Best Picture Nom
1940 Foreign Correspondent (1940)
AA Best Picture Nom
1942 The Palm Beach Story (1942)
1937 Dead End (1937)
AA Best Picture Nom
1941 Sullivan's Travels (1941)
1939 Union Pacific (1939)
1937 Wells Fargo (1937)
1936 Come and Get It (1936)
1936 These Three (1936)
1950 Stars In My Crown (1950)
1955 Wichita (1955)
1935 Barbary Coast (1935)
1934 The Richest Girl in The World (1934)
1944 Buffalo Bill (1944)
1946 The Virginian (1946)
1949 Colorado Territory (1949)
1937 Internes Can't Take Money (1937)
1935 Our Little Girl (1935)
1937 Woman Chases Man (1937)
1933 The Silver Cord (1933)
1938 Three Blind Mice (1938)
1940 Primrose Path (1940)
1947 Ramrod (1947)
1932 The Lost Squadron (1932)
1936 Adventure in Manhatten (1936)
1948 Four Faces West (1948)
1942 The Great Man's Lady (1942)
1941 Reaching For The Sun (1941)
1936 Banjo On My Knee (1936)
1950 Frenchie (1950)
1950 Saddle Tramp (1950)
1931 The Common Law (1931)
1950 The Outriders (1950)
1962 Ride the High Country (1962)
1932 The Most Dangerous Game (1932)
1934 Gambling Lady (1934)
1931 Girls About Town (1931)
1955 Stranger on Horseback (1955)
1932 Business and Pleasure (1932)
1953 The Lone Hand (1953)
1939 They Shall Have Music (1939)
1949 South of St. Louis (1949)
1951 Cattle Drive (1951)
1945 The Unseen (1945)
1938 Youth Takes A Fling (1938)
1932 Bird of Paradise (1932)
1954 Border River (1954)
1933 Bed Of Roses (1933)
1936 Two In A Crowd (1936)
1957 Trooper Hook (1957)
1935 Woman Wanted (1935)
1935 Splendor (1935)
1935 Private Worlds (1935)
1952 The San Francisco Story (1952)
1944 The Great Moment (1944)
1940 He Married His Wife (1940)
1958 Fort Massacre (1958)
1939 Espionage Agent (1939)
1956 The First Texan (1956)
1954 Black Horse Canyon (1954)
1957 The Tall Stranger (1957)
1957 The Oklahoman (1957)
1953 Rough Shot/Shoot First (1953)
1959 The Gunfight at Dodge City (1959)
1976 Mustang Country (1976)
1957 Gunsight Ridge (1957)
1932 Rockabye (1932)
1970 Cry Blood, Apache (1970)

Joel McCrea Movies Can Be Ranked 6 Ways In This Table

The really cool thing about this table is that it is “user-sortable”. Rank the movies anyway you want.

  • Sort Joel McCrea movies by co-stars of his movies
  • Sort Joel McCrea movies by adjusted domestic box office grosses using current movie ticket cost (in millions)
  • Sort Joel McCrea movies by yearly domestic box office rank
  • Sort Joel McCrea movies how they were received by critics and audiences.  60% rating or higher should indicate a good movie
  • Sort by how many Oscar® nominations and how many Oscar® wins each Joel McCrea movie received.
  • Sort Joel McCrea movies by Ultimate Movie Rankings (UMR) Score.  UMR Score puts box office, reviews and awards into a mathematical equation and gives each movie a score.
R Movie (Year) UMR Co-Star Links Adj. B.O. Worldwide (mil) Review Oscar Nom / Win UMR Score
R Movie (Year) UMR Co-Star Links Actual B.O. Domestic (mil) Adj. B.O. Domestic (mil) Adj. B.O. Worldwide (mil) B.O. Rank by Year Review Oscar Nom / Win UMR Score S
1 The More the Merrier (1943)
AA Best Picture Nom
Jean Arthur &
Charles Coburn
5.10 214.3 314.90 57 82 06 / 01 99.1
2 Foreign Correspondent (1940)
AA Best Picture Nom
Directed by Alfred Hitchcock 4.10 182.2 279.30 32 82 06 / 00 98.5
4 The Palm Beach Story (1942) Claudette Colbert 4.90 209.4 209.40 50 82 00 / 00 97.5
3 Dead End (1937)
AA Best Picture Nom
Humphrey Bogart &
Directed by William Wyler
3.40 162.5 162.50 65 80 04 / 00 96.6
6 Sullivan's Travels (1941) Veronica Lake &
Directed by Preston Sturges
3.70 165.6 165.60 62 85 00 / 00 95.8
5 Union Pacific (1939) Anthony Quinn &
Directed by Cecil B. DeMille
5.50 245.5 245.50 25 66 01 / 00 93.7
7 Wells Fargo (1937) Frances Dee 5.00 240.4 240.40 22 64 01 / 00 93.0
9 Come and Get It (1936) Walter Brennan &
Directed by Howard Hawks
2.90 146.1 146.10 65 79 02 / 01 92.8
10 These Three (1936) Walter Brennan &
Directed by William Wyler
2.80 137.5 137.50 71 82 01 / 00 92.4
11 Stars In My Crown (1950) Dean Stockwell 5.60 146.0 159.70 46 79 00 / 00 92.1
13 Wichita (1955) Lloyd Bridges &
Vera Miles
6.90 164.8 164.80 44 70 00 / 00 90.6
14 Barbary Coast (1935) Edgar G. Robinson &
Miriam Hopkins
2.90 149.1 149.10 32 70 01 / 00 89.2
15 The Richest Girl in The World (1934) Miriam Hopkins &
Fay Wray
3.10 170.0 170.00 16 62 01 / 00 88.9
12 Buffalo Bill (1944) Maureen O'Hara 6.50 252.0 252.00 38 53 00 / 00 88.8
12 The Virginian (1946) Brian Donlevy 9.20 328.2 328.20 24 53 00 / 00 88.6
16 Colorado Territory (1949) Virginia Mayo 4.60 134.5 217.50 64 71 00 / 00 87.7
17 Internes Can't Take Money (1937) Barbara Stanwyck 3.30 156.7 156.70 66 59 00 / 00 85.9
19 Our Little Girl (1935) Shirley Temple 2.80 148.1 148.10 35 61 00 / 00 85.4
18 Woman Chases Man (1937) Miriam Hopkins 2.90 139.1 139.10 79 63 00 / 00 85.2
20 The Silver Cord (1933) Irene Dunne 2.30 123.7 123.70 30 65 00 / 00 84.1
23 Three Blind Mice (1938) David Niven &
Loretta Young
2.80 128.7 128.70 80 63 00 / 00 84.0
21 Primrose Path (1940) Ginger Rogers 2.60 114.5 153.10 72 67 00 / 00 83.7
24 Ramrod (1947) Veronica Lake 3.50 118.7 118.70 97 65 00 / 00 83.4
22 The Lost Squadron (1932) Richard Dix 2.00 112.2 145.10 39 67 00 / 00 83.4
27 Adventure in Manhatten (1936) Jean Arthur 3.10 154.2 154.20 54 52 00 / 00 82.3
26 Four Faces West (1948) Charles Bickford 2.90 90.5 90.50 105 70 00 / 00 81.4
28 The Great Man's Lady (1942) Barbara Stanwyck 3.10 135.5 135.50 88 56 00 / 00 81.3
25 Reaching For The Sun (1941) Eddie Bracken 1.60 72.8 72.80 142 75 00 / 00 80.9
31 Banjo On My Knee (1936) Barbara Stanwyck &
Walter Brennan
3.00 150.0 150.00 59 48 01 / 00 80.0
31 Frenchie (1950) Shelley Winters 4.00 104.2 104.20 80 62 00 / 00 79.5
32 Saddle Tramp (1950) Wanda Hendrix 3.40 89.3 89.30 98 66 00 / 00 78.6
33 The Common Law (1931) Constance Bennett 1.70 100.9 125.60 71 61 00 / 00 77.8
33 The Outriders (1950) Arlene Dahl &
James Whitmore
4.40 114.6 162.10 68 56 00 / 00 77.7
32 Ride the High Country (1962) Randolph Scott 2.10 35.3 35.30 96 80 00 / 00 76.6
35 The Most Dangerous Game (1932) Faye Wray 0.80 42.7 71.90 143 77 00 / 00 76.5
34 Gambling Lady (1934) Barbara Stanwyck 1.40 76.9 101.40 81 66 00 / 00 76.4
38 Girls About Town (1931) Kay Francis 1.50 84.3 84.30 84 60 00 / 00 74.2
36 Stranger on Horseback (1955) John Carradine 2.10 51.0 51.00 135 72 00 / 00 74.1
39 Business and Pleasure (1932) Will Rogers 1.30 72.0 72.00 79 64 00 / 00 74.0
39 The Lone Hand (1953) Barbara Hale 3.50 72.6 72.60 110 64 00 / 00 73.5
41 They Shall Have Music (1939) Walter Brennan &
Andrea Leeds
1.00 46.4 46.40 173 71 01 / 00 72.6
41 South of St. Louis (1949) Alexis Smith 2.90 84.8 84.80 116 59 00 / 00 72.5
41 Cattle Drive (1951) Dean Stockwell 2.70 68.3 68.30 134 63 00 / 00 71.2
43 The Unseen (1945) Gail Russell 1.90 71.0 71.00 118 61 01 / 00 70.8
43 Youth Takes A Fling (1938) Andrea Leeds 1.30 62.0 62.00 149 62 00 / 00 67.4
48 Bird of Paradise (1932) Dolores del Rio 1.40 81.7 122.20 69 55 00 / 00 67.0
49 Border River (1954) Yvonne De Carlo 2.60 71.8 71.80 110 57 00 / 00 65.7
45 Bed Of Roses (1933) Constance Bennett 1.10 54.7 54.70 94 62 00 / 00 65.5
49 Two In A Crowd (1936) Joan Bennett 1.00 49.2 49.20 148 63 00 / 00 64.3
49 Trooper Hook (1957) Barbara Stanwyck 2.00 44.6 44.60 115 63 00 / 00 61.7
50 Woman Wanted (1935) Maureen O'Sullivan 0.80 43.8 43.80 154 63 00 / 00 61.4
51 Splendor (1935) Miriam Hopkins 0.90 46.9 46.90 147 62 00 / 00 61.3
55 Private Worlds (1935) Claudette Colbert &
Charles Boyer
1.50 79.2 121.90 81 49 00 / 00 57.9
53 The San Francisco Story (1952) Yvonne De Carlo 2.40 54.6 54.60 139 56 00 / 00 56.5
53 The Great Moment (1944) Directed by Preston Sturges 0.80 31.5 31.50 156 62 00 / 00 53.4
54 He Married His Wife (1940) Nancy Kelly &
Roland Young
0.70 32.7 32.70 186 61 00 / 00 52.3
57 Fort Massacre (1958) Forrest Tucker 2.30 47.6 47.60 99 56 00 / 00 51.5
58 Espionage Agent (1939) Brenda Marshall 1.00 43.1 43.10 180 55 00 / 00 47.3
60 The First Texan (1956) Felicia Farr 2.90 64.9 64.90 114 48 00 / 00 46.7
59 Black Horse Canyon (1954) Mari Blanchard 1.20 33.0 33.00 144 57 00 / 00 44.7
61 The Tall Stranger (1957) Virginia Mayo 2.40 54.6 54.60 101 49 00 / 00 42.4
61 The Oklahoman (1957) Barbara Hale 2.00 45.6 45.60 113 51 00 / 00 41.5
63 Rough Shot/Shoot First (1953) Laurence Naismith 0.80 15.8 15.80 219 56 00 / 00 30.3
65 The Gunfight at Dodge City (1959) Julie Adams 2.10 44.6 44.60 106 46 00 / 00 30.0
63 Mustang Country (1976) Patrick Wayne 1.00 5.6 5.60 141 58 00 / 00 28.3
66 Gunsight Ridge (1957) Mark Stevens 0.80 17.5 17.50 173 51 00 / 00 23.0
66 Rockabye (1932) Walter Pidgeon &
Directed by George Cukor
0.60 35.9 35.90 150 42 00 / 00 17.2
68 Cry Blood, Apache (1970) Jody McCrea 0.90 7.3 7.30 148 26 00 / 00 0.6

Stats and Possibly Interesting Things From The Above Joel McCrea Table

  1. Fifteen Joel McCrea movies crossed the magical $100 million domestic gross mark.  That is a percentage of 23.05% of his movies listed. Union Pacific (1939) was his biggest box office hit.
  2. An average Joel McCrea movie grossed $68.50 million in adjusted domestic box office gross.
  3. That translates to a career adjusted box office of $4.45 billion.
  4. Using RottenTomatoes.com’s 60% fresh meter.  41 Joel McCrea movies are rated as good movies…or 63.07% of his movies. Sullivan’s Travels (1941) is his highest rated movie while Cry Blood, Apache (1970) is his lowest rated movie.
  5. Eleven Joel McCrea movies received at least one Oscar® nomination in any category…..or 16.92% of his movies.
  6. Two Joel McCrea movies won at least one Oscar® in any category…..or 3.07% of his movies.
  7. An average Ultimate Movie Rankings (UMR) Score is 40.00. 32 Joel McCrea movies scored higher that average….or 49.23% of his movies.  The More the Merrier (1943) got the the highest UMR Score while Cry Blood, Apache (1970) got the lowest UMR Score.
Fay Wray and Joel McCrea in 1932's The Most Dangerous Game
Fay Wray and Joel McCrea in 1932’s The Most Dangerous Game

Possibly Interesting Facts About Joel McCrea

1. Joel Albert McCrea was born in in South Pasadena, California in 1905.

2. Joel McCrea was good around horses.  Even as a high school student, he was working as a stunt double and held horses for cowboy stars William S. Hart and Tom Mix.

3. Joel McCrea met the real Wyatt Earp in Hollywood in 1928 and ended up playing the iconic lawman in 1955’s Wichita.

4. Joel McCrea’s nickname was McFee.

5.  Joel McCrea was inducted into the Hall of Great Western Performers of the National Cowboy and Western Heritage Museum in 1969.

6.  Joel McCrea was married 1 time.  He married actress Frances Dee in 1933…..he passed away on their 57th anniversary….they had three children.

7.  We found worldwide box office on 13 of Joel McCrea’s movies:

  • The More The Merrier (1943) $211.50 million in adjusted gross
  • Foreign Correspondent (1940) $ 188.90 million in adjusted gross
  • The Outriders (1950) $ 109.30 million in adjusted gross
  • Stars In My Crown (1950) $107.50 million in adjusted gross
  • Primrose Path (1940) $103.20 million in adjusted gross
  • Our Little Girl (1935) $99.50 million in adjusted gross
  • The Lost Squadron (1932) $97.70 million in adjusted gross
  • Three Blind Mice (1938) $86.80 million in adjusted gross
  • The Common Law (1931) $85.10 million in adjusted gross
  • The Silver Cord (1933) $83.50 million in adjusted gross
  • Private Worlds (1935) $82.40 million in adjusted gross
  • Bird of Paradise (1932) $82.10 million in adjusted gross
  • The Most Dangerous Game (1932) $47.80 million in adjusted gross

8.  Joel McCrea was infamously modest about his own acting abilities, often bordering on a soft-spoken contempt.  The Top 2 actresses on the AFI Screen Legends list, Katharine Hepburn and Bette Davis, however spoke very highly of McCrea’s acting skills.

9. Joel McCrea was awarded 2 Stars on the Hollywood Walk of Fame for Motion Pictures at 1719 Vine Street and for Radio at 6241 Hollywood Boulevard in Hollywood, California.

10. Check out Joel McCrea ‘s career compared to current and classic actors.  Most 100 Million Dollar Movies of All-Time.

Academy Award® and Oscar® are the registered trademarks of the Academy of Motion Arts and Sciences.

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32 thoughts on “Joel McCrea Movies”

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  1. BOB says:
    January 10, 2017 at 6:54 am

    1 STEVE Where an a star has made many films am always interested in what films you actually select for your video and as McCrea in his later years was known mainly for his westerns I was wondering what your split would be between the westerns and the non-westerns. It was pretty even actually and I think you have included most of his best films in each of the two categories. My only personal disappointment was that both you and Bruce ranked Ramrod a bit lower than I would have as I have always considered it as one of Joel’s finest westerns. IMDB though leans a bit more in my direction with an almost 70% rating

    2 I especially liked the posters for Frenchie [very suggestive!] The Great Man’ Lady and the final racy one for Sullivan’s Travels. Great stills of Stanywck, McCrea and Robert Preston from Union Pacific, McCrea and Maureen O’Hara from Buffalo Bill, Joel’s solo one, and an absolutely marvellous one of McCrea and Randy Scott standing back to back with six guns in hand and smiling.

    3 Bruce and you are agreed on 3 of the Top 5. Overall a fine presentation worth 9.2/10 and which I think is an excellent companion piece for Bruce’s fine profile of Joel before Christmas. Hopefully therefore your McCrea video will please the Maestro too and John should be pleased about the amicable billing arrangement between Randy Scott and Joel for Ride the High Country [aka Guns in the Afternoon – my own title preference]. As I think I’ve mentioned before the two legends dined together at a Brown Derby restaurant and in front of excited fellow diners tossed a coin to decide matters and as your posters demonstrate Randy won the toss.

    4 As I indicated yesterday your posters often chart a star’s rise up the prestige ladder. In relation to the McCrea/Stanwyck pairings your poster for the 1934 Gambling Lady shows Babs billed massively above title and Joel in small letters below the title; your one for Interns Can’t Take Money in 1937 puts Babs and Joel both above the title but with him still in smaller letters; and your later ones show them with equal billing though Babs still 1st. Their final one was Trooper Hook in 1957 (not in your selections)and at last Joel got 1st billing as IMDB illustrates though Barbara of course had the last word as she was included as an AFI legends whilst Joel was not.

    Reply
    1. Steve Lensman says:
      January 10, 2017 at 10:23 am

      Hi Bob, thanks for the review, rating, trivia and biiling info. Glad you liked the posters and stills. Ramrod’s only high rating was from IMDB the rest were in the middle.

      Ironically Joel McCrea’s top 2 highest rated weren’t westerns. Ride the High Country is his highest rated western, no.3 on my chart and 7th on Bruces. Looking at the box office for that film it wasn’t a big hit, other less well known westerns were more popular.

      McCrea’s four most successful movies in the US were westerns with The Virginian topping them all. Top rated Sullivan’s Travels not as popular as The More the Merrier or The Palm Beach Story.

      Reply
      1. Cogerson says:
        January 11, 2017 at 12:12 am

        🙂

        Reply
    2. BOB says:
      January 10, 2017 at 11:33 am

      Actually Steve Ride the High Country in my book was OK but it was not one of my fave Scott or McCrea westerns as I tend not to like movies where they travel about a lot and I prefer the atmosphere of town/saloon based horse operas such as Scott’s A Lawless Street, McCrea’s Witchita and Audie Murphy’s No Name on the Bullet. The exception was James Stewart/Robert Ryan’s The Naked Spur where there was so much tension between those two that the suspense could easily have been likened unto Hitchcock out west. I should add that I don’t like either what are usually called the “road” films [not in the Crosby/Hope sense]. I suppose basically I’m just a settled type of person. .

      Reply
      1. Steve Lensman says:
        January 10, 2017 at 12:45 pm

        Funny you should mention Audie Murphy… 🙂

        Reply
        1. Cogerson says:
          January 11, 2017 at 12:12 am

          I am guessing that means a Audie Murphy video is coming?

          Reply
      2. Cogerson says:
        January 11, 2017 at 12:09 am

        Hey Bob…. I love the ending of Ride The High Country…but I agree with you about other parts of that movie. I have not seen the other movies you mentioned. 🙂

        Reply
    3. Cogerson says:
      January 10, 2017 at 11:31 pm

      Hey Bob….I enjoyed reading your comments on the McCrea billings in the posters….I have noticed like Steve…I have been paying more attention to the billings while watching Steve’s videos….I wonder why?

      As for Ramrod…it did make the Top 25…..and it does fall in the “good” category of the ratings. Good information.

      Reply
  2. John says:
    January 9, 2017 at 2:27 pm

    Cogerson

    Joel McCrea appeared in 21 color movies. He started slow. His first color appearance was in Buffalo Bill in 1944. He also appeared in The Virginian in 1946 & South of St Louis in 1949. His total of 3 up through the forties is fairly low. He came alive in the fifties with 15 color films during his B western phase. His one appearance in the 1960’s was in Ride the High Country, his best color film. He had two more appearances in color in the 1970’s. Cry Blood, Apache–apparently as a favor to his son Jody who was the star, & Mustang Country in 1976, nothing like Ride the High Country but a respectable final film. I wouldn’t be surprised if after he saw Cry Blood, Apache, or learned from others how rotten it was, he agreed to do Mustang Country just to have something besides Cry Blood, Apache as his swan song.

    Reply
  3. BOB says:
    September 26, 2016 at 3:57 am

    MORNIN BRUCE

    1 Decision at Sundown (1957) was another one of the few later western movies in which Randy partially deserted his holier than thou persona. In that movie his character like Thomas Dunson in Red River is so revenge-obsessed that behavioural defects emerge and if I recall correctly the films ends with Scott becoming so disgusted with himself that he gets drunk. Decision at Sundown is the only one of the 7 Scott/Boettcher films not included in your existing Scott table. Can you remember Joel EVER playing the less than true-blue hero at least in a western ?

    2 With the McCrea entry you have squared the circle and I think there is now a Cogerson page on every major star strongly associated with the western genre the others immediately springing to mind being Cooper, Widmark, Stewart Glenn Ford, Laddie and of course the would-be Cowboy of the Century Bob Taylor

    3 In Cafe Society there is as I have said a cascade of name dropping in the opening sequences of the film and I’m sure that the only star eventually mentioned who is now minus a Cogerson page is Paul Muni, though possibly not too many of your readers would be interested in him today as I don’t think he was major box office and tended to be regarded as what was known as a ‘prestige’ star in his heyday.

    4 Anyway I’ve always enjoyed westerns so it was fun having the McCrea/Scott exchanges with you. Hope you’re well settling in again. Best wishes BOB

    Reply
    1. Cogerson says:
      September 26, 2016 at 8:38 pm

      Hey Bob.
      1. I see the error with Buffalo Bill….it has been fixed…though I know even though this page is almost brand new….after my USC trip….I need to fix a few of these movies….but there should be more worldwide box office.
      2. Maybe when I update the Scott page I will have found some information on Decision At Sundown….I noticed that both Scott and McCrea’s movies in the mid to late 1950s…it became harder and harder to find box office information….as the sun was setting on their careers…I feel the box office returns were diminishing pretty rapidly.
      3. Good to know….that I have the westerns covered….though I imagine there are some Will Rogers, Tom Mix and other fans….that strongly disagree with your thought….lol.
      4. Paul Muni? I think he would make a good choice….sadly for someone who was thought so highly off in the 1930s and 1940s is almost a forgotten star.
      Thanks for the suggestion to finally do a McCrea page.

      Reply
  4. Marcel Gauvreau says:
    September 25, 2016 at 5:51 pm

    Hi Bruce,

    One lazy Sunday afternoon my father and I watched a movie called Fort Massacre. It was the first time I watched a movie with my old man. It was tough and it was gritty. I took notice of the Sergeant; strong, heroic, flawed…..tragic.

    Joel McRae was not, arguably, in the top 50 greatest stars of the classic era however popular he became in the late thirties and forties. This led to the best scripts always landing on Wayne’s, Stewart’s or Fonda’s desks effectively leaving little material for guys like Randolph Scott, McRae and Richard Boone, amoung others, to bite into. When a good script did filter through they were keen enough to recognize it and, with the right production company, were able to make great pictures due mostly to their strong presence and solid performances which always seemed to lift the remaining cast members to greater heights. Ride the High Country, Rio Conchos and 7 Men From Now are excellent examples.

    I am forced to agree with Bob; the straightest shooter of the bunch has to be McRae. He, along with Wayne, Stewart and Scott, stood tall helping to shape generations of movie goers who looked for strength, honesty and all the virtues that men of valour lived by. He remains for me the indominitable Sergeant.

    Great era, great actor, great page.

    Marcel

    Reply
    1. Cogerson says:
      September 25, 2016 at 11:34 pm

      Hey Marcel…thanks for sharing your story on your dad, you and Fort Massacre….I love hearing about stuff like that….a great memory to have. I agree with you about him not being a Top 50 great star. I think he is in the same group as Glenn Ford, Bruce Willis and Randolph Scott…..great movie personalities …but just a little short of all-time greatness.

      Well the good news for Scott and McRae….during the 1950s….there were plenty of western stories out there for them both to be able to easily share. I am sure Bob will be happy to know he has somebody willing to agree with him…lol. Actually he is very “movie” smart with lots of stories to make his points. Thanks for the visit and the comment.

      Reply
  5. BOB says:
    September 25, 2016 at 4:59 am

    1 IMDB regards Joel as one of the greatest western stars of all time and personally I think that the greatest affinity with the genre was shared by him, the Duke and Randolph Scott. Not only were they among the most prolific of western makers but they seemed to me to be the chief representatives of the “A man’s gotta do what a man’s gotta do.” school which went hand in hand with an on-screen strict moral Code of Ethics. Even in Ride the High Country/aka Guns in the Afternoon where Randy abnormally played a flawed character he reverted to The Code at the end

    2 Of course they practised that Code in different ways with Duke being the most extrovert one, Randy often being the tight-lipped icily determined hero and Joel at times the more initially hesitant, gentlemanly and avuncular of the trio. And what a success story with Duke thought of as THE AMERICAN in the eyes of many people and the other two becoming a duo of Hollywood’s richest stars!

    3 What McCrea and Scott also had in common was that in their westerns in a perfectly honourable way of course they tended to date and marry women half their age whose fathers were roughly the same age as our two heroes but insisted in addressing them as “Young Man.”

    4 Joel was very relaxing to watch and if someone was to challenge me to name an actor who can be highly upright on the screen without being boring I would say “OK – Joel McCrea.”

    5 As Steve has suggested in his post Cogerson is probably unique in comprehensively covering the domestic commercial aspects of Joel’s career with a selection of worldwide grosses thrown in for good measure; and if I go to see Woody Allen’s Cafe Society again I will be tempted to stand up and say to others in the audience “Do you realise that the greats stars just mentioned ALL have a page in Cogerson ?” !

    MB: Joel’s Colorado Territory (1949) is a western remake of the Bogart crime classic High Sierra.

    Best wishes BOB

    Reply
    1. Cogerson says:
      September 25, 2016 at 11:07 pm

      Hey Bob.
      1. Good point about Scott (I keep thinking I need to do his update), Wayne and McCrea. Another good point about Scott in Ride The High Country. Originally McCrea was going to play the Scott part…but backed out because he did not want to play the “almost bad guy”. Scott agreed to switch…because he did not mind playing “bad guys”.
      2. Wayne and Scott were both very smart with their money..especially Scott….good breakdown of the trilogy.
      3. I think the fact that Scott and McCrea were so familiar is one of the reasons why their Ride The High Country is now considered a classic movie…even though it was ignored when it first came out.
      4. Good to know….that the UMR lists are now back in order…with us adding Joel M. to the show…..lol.
      5. Colorado Territory is one of the Warner Brothers ledger numbers I got so it will be seeing some numbers change in the near future.
      As always….thanks for your contribution to the page.

      Reply

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