
This movie page looks at 1950 Top Box Office Movies. Finding box office information for movies made in the 1940s and 1950s is extremely difficult. For somebody looking for box office information on 1950 it is very very frustrating. Over the years, we have researched and collected information on over 36,000 movies. So we figured we would show all the 1950 movies in our database.
To make this list a movie had to be made in 1950. Obviously many movies made in 1949 earned box office dollars in 1950. On the other side many movies made in 1950 made money in 1951 and later. This page will looks at 174 1950 Top Box Office Movies. The movies are listed in a massive table that lets you rank the movies from Best to Worst in six different sortable columns of information.
The following massive table only includes the movies made in 1950 that are in our database. Since we are constantly adding new movies to our database….this page will quickly become obsolete. We will try and update this page on a regular basis. *The box office totals for Cinderella include all of the re-releases it has had over the years.

Our UMR Top 50 of 1950
Year
Movie (Year)
Rating
S
Year Movie (Year) Rating S
1950
All About Eve (1950)
AA Best Picture Win

1950
Sunset Blvd. (1950)
AA Best Picture Nom

1950
Born Yesterday (1950)
AA Best Picture Nom

1950
Father of the Bride (1950)
AA Best Picture Nom

1950
Harvey (1950)

1950
Cinderella (1950)

1950
Annie Get Your Gun (1950)

1950
King Solomon's Mines (1950)
AA Best Picture Nom

1950
Winchester '73 (1950)

1950
The Flame and the Arrow (1950)

1950
Broken Arrow (1950)

1950
Three Little Words (1950)

1950
Summer Stock (1950)

1950
Cheaper by the Dozen (1950)

1950
Kim (1950)

1950
Fancy Pants (1950)

1950
The Gunfighter (1950)

1950
Francis (1950)

1950
Rio Grande (1950)

1950
Treasure Island (1950)

1950
Dallas (1950)

1950
Stars In My Crown (1950)

1950
Cyrano de Bergerac (1950)

1950
Duchess of Idaho (1950)

1950
At War with the Army (1950)

1950
I'll Get By (1950)

1950
Our Very Own (1950)

1950
Breakthrough (1950)

1950
My Blue Heaven (1950)

1950
Let's Dance (1950)

1950
Tea for Two (1950)

1950
In a Lonely Place (1950)

1950
Ma and Pa Kettle Go To Town (1950)
Uncredited Role

1950
The Black Rose (1950)

1950
Caged (1950)

1950
Three Came Home (1950)

1950
American Guerrilla in the Philippines (1950)

1950
Mr. Music (1950)

1950
The Asphalt Jungle (1950)

1950
The Furies (1950)

1950
Panic in the Streets (1950)

1950
The Yellow Cab Man (1950)

1950
Branded (1950)

1950
Two Weeks with Love (1950)

1950
The West Point Story (1950)

1950
My Friend Irma Goes West (1950)

1950
Kiss Tomorrow Goodbye (1950)

1950
Wabash Avenue (1950)

1950
Ambush (1950)

1950
The Daughter of Rose O'Grady (1950)

| Year | Movie (Year) | Rating | S |
|---|---|---|---|
| Year | Movie (Year) | Rating | S |
| 1950 | All About Eve (1950) AA Best Picture Win |
||
| 1950 | Sunset Blvd. (1950) AA Best Picture Nom |
||
| 1950 | Born Yesterday (1950) AA Best Picture Nom |
||
| 1950 | Father of the Bride (1950) AA Best Picture Nom |
||
| 1950 | Harvey (1950) | ||
| 1950 | Cinderella (1950) | ||
| 1950 | Annie Get Your Gun (1950) | ||
| 1950 | King Solomon's Mines (1950) AA Best Picture Nom |
||
| 1950 | Winchester '73 (1950) | ||
| 1950 | The Flame and the Arrow (1950) | ||
| 1950 | Broken Arrow (1950) | ||
| 1950 | Three Little Words (1950) | ||
| 1950 | Summer Stock (1950) | ||
| 1950 | Cheaper by the Dozen (1950) | ||
| 1950 | Kim (1950) | ||
| 1950 | Fancy Pants (1950) | ||
| 1950 | The Gunfighter (1950) | ||
| 1950 | Francis (1950) | ||
| 1950 | Rio Grande (1950) | ||
| 1950 | Treasure Island (1950) | ||
| 1950 | Dallas (1950) | ||
| 1950 | Stars In My Crown (1950) | ||
| 1950 | Cyrano de Bergerac (1950) | ||
| 1950 | Duchess of Idaho (1950) | ||
| 1950 | At War with the Army (1950) | ||
| 1950 | I'll Get By (1950) | ||
| 1950 | Our Very Own (1950) | ||
| 1950 | Breakthrough (1950) | ||
| 1950 | My Blue Heaven (1950) | ||
| 1950 | Let's Dance (1950) | ||
| 1950 | Tea for Two (1950) | ||
| 1950 | In a Lonely Place (1950) | ||
| 1950 | Ma and Pa Kettle Go To Town (1950) Uncredited Role |
||
| 1950 | The Black Rose (1950) | ||
| 1950 | Caged (1950) | ||
| 1950 | Three Came Home (1950) | ||
| 1950 | American Guerrilla in the Philippines (1950) | ||
| 1950 | Mr. Music (1950) | ||
| 1950 | The Asphalt Jungle (1950) | ||
| 1950 | The Furies (1950) | ||
| 1950 | Panic in the Streets (1950) | ||
| 1950 | The Yellow Cab Man (1950) | ||
| 1950 | Branded (1950) | ||
| 1950 | Two Weeks with Love (1950) | ||
| 1950 | The West Point Story (1950) | ||
| 1950 | My Friend Irma Goes West (1950) | ||
| 1950 | Kiss Tomorrow Goodbye (1950) | ||
| 1950 | Wabash Avenue (1950) | ||
| 1950 | Ambush (1950) | ||
| 1950 | The Daughter of Rose O'Grady (1950) |
1950 Top Box Office Movies Can Be Ranked 7 Ways In This Table
The really cool thing about this table is that it is “user-sortable”. Rank the movies anyway you want.
- Sort 1950 Top Box Office Movies by the stars or in some cases the director of the movie.
- Sort 1950 Top Box Office Movies by domestic actual box office grosses (in millions)
- Sort 1950 Top Box Office Movies by domestic adjusted box office grosses using current movie ticket cost (in millions).
- Sort 1950 Top Box Office Movies by yearly domestic box office rank
- Sort 1950 Top Box Office Movies how they were received by critics and audiences. 60% rating or higher should indicate a good movie.
- Sort by how many Oscar® nominations and how many Oscar® wins each 1950 Top Box Office Movies received.
- Sort 1950 Top Box Office Movies by Ultimate Movie Ranking Score (UMR). Our UMR score puts box office, reviews and awards into a mathematical equation and gives each movie a score.
| R | Movie (Year) | UMR Co-Star Links | Adj. B.O. Worldwide (mil) | UMR Score | ||||||
|---|---|---|---|---|---|---|---|---|---|---|
| R | Movie (Year) | UMR Co-Star Links | Actual B.O. Domestic (mil) | Adj. B.O. Domestic (mil) | Adj. B.O. Worldwide (mil) | B.O. Rank by Year | Review | Oscar Nom / Win | UMR Score | S |
| 1 | All About Eve (1950) AA Best Picture Win |
Bette Davis & Marilyn Monroe |
8.9 | 230.7 | 327.40 | 9 | 92 | 14 / 06 | 100.0 | |
| 3 | Sunset Blvd. (1950) AA Best Picture Nom |
William Holden & Gloria Swanson |
6.7 | 174.9 | 174.90 | 24 | 90 | 11 / 03 | 99.5 | |
| 2 | Born Yesterday (1950) AA Best Picture Nom |
William Holden & Judy Holliday |
11.8 | 306.2 | 306.20 | 5 | 81 | 05 / 01 | 99.0 | |
| 4 | Father of the Bride (1950) AA Best Picture Nom |
Spencer Tracy & Elizabeth Taylor |
11.5 | 300.3 | 452.70 | 6 | 82 | 03 / 00 | 98.9 | |
| 8 | Harvey (1950) | James Stewart | 7.4 | 193.5 | 193.50 | 17 | 87 | 02 / 01 | 98.5 | |
| 6 | Cinderella (1950) | Disney Animated Movies | 28.9 | 753.3 | 965.40 | 1 | 84 | 03 / 00 | 98.4 | |
| 7 | Annie Get Your Gun (1950) | Betty Hutton & Howard Keel |
13.3 | 346.0 | 572.80 | 3 | 78 | 04 / 01 | 97.8 | |
| 8 | King Solomon's Mines (1950) AA Best Picture Nom |
Stewart Granger & Deborah Kerr |
14.4 | 375.5 | 740.70 | 2 | 71 | 03 / 02 | 97.6 | |
| 12 | Winchester '73 (1950) | James Stewart & Rock Hudson |
6.4 | 167.4 | 167.40 | 32 | 87 | 00 / 00 | 96.4 | |
| 13 | The Flame and the Arrow (1950) | Burt Lancaster & Virginia Mayo |
7.8 | 203.6 | 418.60 | 15 | 74 | 02 / 00 | 96.2 | |
| 9 | Broken Arrow (1950) | James Stewart & Jeff Chandler |
10.1 | 264.1 | 264.10 | 7 | 71 | 03 / 00 | 95.6 | |
| 11 | Three Little Words (1950) | Fred Astaire & Debbie Reynolds |
8.6 | 224.6 | 336.80 | 10 | 73 | 01 / 00 | 95.6 | |
| 16 | Summer Stock (1950) | Judy Garland & Gene Kelly |
7.1 | 185.9 | 249.80 | 19 | 75 | 00 / 00 | 94.9 | |
| 13 | Cheaper by the Dozen (1950) | Myrna Loy & Clifton Webb |
12.6 | 329.2 | 329.20 | 4 | 68 | 00 / 00 | 94.1 | |
| 15 | Kim (1950) | Errol Flynn & Dean Stockwell |
8.3 | 215.5 | 398.90 | 12 | 68 | 00 / 00 | 94.1 | |
| 19 | Fancy Pants (1950) | Bob Hope & Lucille Ball |
7.4 | 193.5 | 193.50 | 18 | 70 | 00 / 00 | 94.0 | |
| 17 | The Gunfighter (1950) | Gregory Peck | 5.6 | 145.1 | 145.10 | 48 | 84 | 01 / 00 | 93.9 | |
| 16 | Francis (1950) | Donald O'Connor | 8.3 | 215.8 | 215.80 | 11 | 65 | 00 / 00 | 93.1 | |
| 20 | Rio Grande (1950) | John Wayne & Maureen O'Hara |
6.4 | 167.4 | 167.40 | 31 | 74 | 00 / 00 | 92.4 | |
| 23 | Treasure Island (1950) | Bobby Driscoll | 6.0 | 156.2 | 305.10 | 41 | 77 | 00 / 00 | 92.2 | |
| 19 | Dallas (1950) | Gary Cooper | 7.9 | 205.7 | 334.10 | 14 | 63 | 00 / 00 | 92.2 | |
| 23 | Stars In My Crown (1950) | Joel McCrea & Dean Stockwell |
5.6 | 146.0 | 159.70 | 46 | 79 | 00 / 00 | 92.1 | |
| 25 | Cyrano de Bergerac (1950) | José Ferrer | 5.4 | 141.4 | 141.40 | 50 | 78 | 01 / 01 | 91.9 | |
| 21 | Duchess of Idaho (1950) | Van Johnson & Eleanor Powell |
8.1 | 212.1 | 315.20 | 13 | 60 | 00 / 00 | 91.3 | |
| 24 | At War with the Army (1950) | Jerry Lewis & Dean Martin |
9.4 | 245.5 | 245.50 | 8 | 59 | 00 / 00 | 90.9 | |
| 26 | I'll Get By (1950) | Thelma Ritter & June Haver |
7.0 | 182.3 | 182.30 | 20 | 63 | 01 / 00 | 90.6 | |
| 29 | Our Very Own (1950) | Natalie Wood & Jane Wyatt |
6.9 | 178.6 | 260.40 | 22 | 64 | 01 / 00 | 90.5 | |
| 29 | Breakthrough (1950) | John Agar | 6.0 | 155.9 | 224.30 | 42 | 71 | 00 / 00 | 90.2 | |
| 30 | My Blue Heaven (1950) | Betty Grable & Dan Dailey |
6.5 | 169.3 | 169.30 | 30 | 66 | 00 / 00 | 89.9 | |
| 32 | Let's Dance (1950) | Fred Astaire & Betty Hutton |
6.9 | 178.6 | 289.30 | 23 | 63 | 00 / 00 | 89.9 | |
| 31 | Tea for Two (1950) | Doris Day & Gordon MacRae |
6.6 | 172.8 | 271.70 | 26 | 65 | 00 / 00 | 89.9 | |
| 29 | In a Lonely Place (1950) | Humphrey Bogart & Gloria Graham |
3.9 | 102.3 | 102.30 | 82 | 87 | 00 / 00 | 89.7 | |
| 35 | Ma and Pa Kettle Go To Town (1950) Uncredited Role |
Marjorie Main | 6.2 | 161.8 | 161.80 | 36 | 67 | 00 / 00 | 89.2 | |
| 36 | The Black Rose (1950) | Tyrone Power & Orson Welles |
7.6 | 197.2 | 197.20 | 16 | 54 | 01 / 00 | 88.9 | |
| 33 | Caged (1950) | Eleanor Parker | 4.3 | 111.6 | 111.60 | 71 | 79 | 03 / 00 | 88.8 | |
| 38 | Three Came Home (1950) | Claudette Colbert | 5.4 | 141.4 | 141.40 | 49 | 71 | 00 / 00 | 88.4 | |
| 40 | American Guerrilla in the Philippines (1950) | Tyrone Power | 6.5 | 169.6 | 169.60 | 29 | 62 | 00 / 00 | 88.4 | |
| 41 | Mr. Music (1950) | Bing Crosby | 6.6 | 171.1 | 171.10 | 27 | 61 | 00 / 00 | 88.3 | |
| 35 | The Asphalt Jungle (1950) | Sterling Hayden & Directed by John Huston |
3.1 | 80.1 | 159.40 | 104 | 87 | 04 / 00 | 88.3 | |
| 35 | The Furies (1950) | Barbara Stanwyck & Walter Huston |
4.6 | 119.0 | 119.00 | 65 | 77 | 01 / 00 | 88.3 | |
| 39 | Panic in the Streets (1950) | Richard Widmark & Jack Palance |
3.4 | 89.3 | 89.30 | 97 | 84 | 01 / 01 | 87.9 | |
| 43 | The Yellow Cab Man (1950) | Red Skelton | 5.6 | 145.2 | 193.40 | 47 | 67 | 00 / 00 | 87.6 | |
| 46 | Branded (1950) | Alan Ladd & Charles Bickford |
6.3 | 163.7 | 163.70 | 34 | 61 | 00 / 00 | 87.5 | |
| 42 | Two Weeks with Love (1950) | Jane Powell & Debbie Reynolds |
4.8 | 126.1 | 208.00 | 58 | 73 | 00 / 00 | 87.3 | |
| 47 | The West Point Story (1950) | James Cagney & Doris Day |
6.1 | 159.7 | 215.00 | 39 | 61 | 01 / 00 | 87.2 | |
| 49 | My Friend Irma Goes West (1950) | Dean Martin & Jerry Lewis |
6.9 | 178.6 | 178.60 | 21 | 56 | 00 / 00 | 87.2 | |
| 44 | Kiss Tomorrow Goodbye (1950) | James Cagney | 4.9 | 126.5 | 126.50 | 54 | 72 | 00 / 00 | 87.1 | |
| 48 | Wabash Avenue (1950) | Victor Mature & Betty Grable |
5.9 | 152.5 | 152.50 | 44 | 62 | 01 / 00 | 86.7 | |
| 52 | Ambush (1950) | Robert Taylor & Arlene Dahl |
6.0 | 156.8 | 239.20 | 40 | 60 | 00 / 00 | 86.2 | |
| 51 | The Daughter of Rose O'Grady (1950) | Debbie Reynolds & Gordon MacRae |
6.2 | 160.6 | 208.60 | 37 | 59 | 00 / 00 | 86.1 | |
| 49 | No Way Out (1950) | Richard Widmark & Sidney Poitier |
3.9 | 100.4 | 100.40 | 83 | 77 | 01 / 00 | 86.0 | |
| 52 | The Damned Don't Cry (1950) | Joan Crawford | 4.4 | 114.6 | 164.50 | 69 | 72 | 00 / 00 | 85.7 | |
| 54 | Young Man with a Horn (1950) | Kirk Douglas & Doris Day |
4.7 | 122.1 | 172.80 | 64 | 69 | 00 / 00 | 85.5 | |
| 56 | Rocky Mountain (1950) | Errol Flynn | 4.9 | 126.5 | 204.60 | 56 | 67 | 00 / 00 | 85.3 | |
| 57 | Key to the City (1950) | Clark Gable & Loretta Young |
6.6 | 170.8 | 221.20 | 28 | 53 | 00 / 00 | 85.1 | |
| 52 | Night and the City (1950) | Richard Widmark & Gene Tierney |
3.6 | 92.9 | 92.90 | 95 | 77 | 00 / 00 | 85.0 | |
| 58 | Riding High (1950) | Bing Crosby & Directed by Frank Capra |
6.7 | 174.9 | 174.90 | 25 | 51 | 00 / 00 | 84.9 | |
| 54 | Where the Sidewalk Ends (1950) | Dana Andrews & Gene Tierney |
2.9 | 74.4 | 74.40 | 110 | 82 | 00 / 00 | 84.5 | |
| 62 | When Willie Comes Marching Home (1950) | Dan Dailey & Directed by John Ford |
4.9 | 126.5 | 126.50 | 57 | 64 | 01 / 00 | 84.3 | |
| 57 | Kon-Tiki (1950) | Thor Heyerdahl | 2.4 | 63.2 | 115.30 | 123 | 82 | 01 / 01 | 83.9 | |
| 61 | The Breaking Point (1950) | John Garfield & Patricia Neal |
3.0 | 78.1 | 128.00 | 105 | 78 | 00 / 00 | 83.5 | |
| 63 | Three Secrets (1950) | Eleanor Parker & Patricia Neal |
4.0 | 104.2 | 104.20 | 79 | 70 | 00 / 00 | 83.3 | |
| 62 | Harriet Craig (1950) | Joan Crawford | 3.1 | 81.8 | 81.80 | 103 | 77 | 00 / 00 | 83.2 | |
| 64 | Wagon Master (1950) | Ben Johnson & Directed by John Ford |
3.2 | 83.7 | 106.00 | 101 | 76 | 00 / 00 | 83.0 | |
| 66 | Nancy Goes To Rio (1950) | Jane Powell & Ann Sothern |
5.3 | 136.8 | 213.20 | 51 | 59 | 00 / 00 | 82.9 | |
| 65 | The Toast of New Orleans (1950) | David Niven & Kathryn Grayson |
4.8 | 124.3 | 241.90 | 60 | 62 | 01 / 00 | 82.9 | |
| 73 | Copper Canyon (1950) | Ray Milland & Hedy Lamarr |
6.3 | 163.7 | 163.70 | 35 | 50 | 00 / 00 | 82.7 | |
| 65 | Watch The Birdie (1950) | Red Skelton & Arlene Dahl |
3.8 | 98.1 | 137.20 | 86 | 70 | 00 / 00 | 82.5 | |
| 70 | 711 Ocean Drive (1950) | Edmond O'Brien | 4.4 | 115.3 | 115.30 | 67 | 65 | 00 / 00 | 82.5 | |
| 70 | Commache Territory (1950) | Maureen O'Hara | 4.6 | 119.0 | 119.00 | 66 | 63 | 00 / 00 | 82.4 | |
| 71 | Devil's Doorway (1950) | Robert Taylor | 3.9 | 100.4 | 156.00 | 84 | 69 | 00 / 00 | 82.2 | |
| 68 | Gun Crazy (1950) | Peggy Cummins & John Dall |
2.4 | 61.4 | 61.40 | 134 | 81 | 00 / 00 | 82.1 | |
| 74 | Montana (1950) | Errol Flynn & Alexis Smith |
6.3 | 163.9 | 271.40 | 33 | 48 | 00 / 00 | 82.1 | |
| 75 | Pagan Love Song (1950) | Esther Williams & Howard Keel |
6.2 | 160.5 | 250.00 | 38 | 49 | 00 / 00 | 82.0 | |
| 76 | For Heaven's Sake (1950) | Clifton Webb & Joan Bennett |
4.9 | 126.5 | 126.50 | 55 | 59 | 00 / 00 | 81.7 | |
| 74 | September Affair (1950) | Jospeh Cotten & Joan Fontaine |
4.1 | 106.0 | 106.00 | 77 | 66 | 00 / 00 | 81.6 | |
| 77 | Chain Lightning (1950) | Eleanor Parker | 4.8 | 123.9 | 190.10 | 61 | 60 | 00 / 00 | 81.5 | |
| 78 | Tripoli (1950) | Maureen O'Hara | 4.7 | 122.8 | 122.80 | 62 | 60 | 00 / 00 | 81.3 | |
| 79 | Mister 880 (1950) | Burt Lancaster & Dorothy McGuire |
4.9 | 126.5 | 126.50 | 53 | 57 | 01 / 00 | 81.1 | |
| 84 | Bright Leaf (1950) | Gary Cooper & Lauren Bacall |
4.9 | 126.6 | 182.00 | 52 | 58 | 00 / 00 | 80.9 | |
| 78 | Whirlpool (1950) | Gene Tierney & Directed by Otto Preminger |
3.3 | 85.6 | 85.60 | 100 | 70 | 00 / 00 | 80.6 | |
| 81 | Stage Fright (1950) | Marlene Dietrich & Directed by Alfred Hitchcock |
2.9 | 75.3 | 142.00 | 108 | 73 | 00 / 00 | 80.4 | |
| 83 | Champagne For Caesar (1950) | Ronald Colman & Vincent Price |
2.4 | 63.2 | 63.20 | 126 | 76 | 00 / 00 | 80.1 | |
| 84 | Destination Moon (1950) | Science Fiction Movies | 3.7 | 96.7 | 96.70 | 88 | 63 | 02 / 01 | 80.1 | |
| 88 | Colt .45 (1950) | Randolph Scott & Lloyd Bridges |
5.7 | 149.0 | 232.20 | 45 | 49 | 00 / 00 | 79.9 | |
| 84 | Abbott and Costello in the Foreign Legion (1950) | Bud Abbott | 3.6 | 94.9 | 94.90 | 91 | 66 | 00 / 00 | 79.8 | |
| 86 | Storm Warning (1950) | Doris Day & Ronald Reagan |
3.6 | 93.0 | 93.00 | 93 | 66 | 00 / 00 | 79.7 | |
| 89 | The Reformer and the Redhead (1950) | Dick Powell & June Allyson |
4.8 | 125.6 | 158.30 | 59 | 56 | 00 / 00 | 79.6 | |
| 88 | Frenchie (1950) | Joel McCrea & Shelley Winters |
4.0 | 104.2 | 104.20 | 80 | 62 | 00 / 00 | 79.5 | |
| 90 | Union Station (1950) | William Holden | 4.1 | 106.0 | 106.00 | 76 | 61 | 00 / 00 | 79.2 | |
| 92 | Louisa (1950) | Ronald Reagan | 4.1 | 106.1 | 106.10 | 75 | 60 | 01 / 00 | 79.1 | |
| 92 | Saddle Tramp (1950) | Joel McCrea | 3.4 | 89.3 | 89.30 | 98 | 66 | 00 / 00 | 78.6 | |
| 93 | The Men (1950) | Marlon Brando & Directed by Fred Zinnemann |
2.4 | 63.2 | 63.20 | 124 | 72 | 01 / 00 | 78.0 | |
| 97 | The Outriders (1950) | Joel McCrea & Arlene Dahl |
4.4 | 114.6 | 162.10 | 68 | 56 | 00 / 00 | 77.7 | |
| 97 | Never a Dull Moment (1950) | Irene Dunne & Fred MacMurray |
3.9 | 102.3 | 135.80 | 81 | 60 | 00 / 00 | 77.5 | |
| 95 | The Jackie Robinson Story (1950) | Jackie Robinson | 2.7 | 70.7 | 70.70 | 115 | 70 | 00 / 00 | 77.5 | |
| 99 | Appointment with Danger (1950) | Alan Ladd & Jack Webb |
4.1 | 107.9 | 107.90 | 74 | 58 | 00 / 00 | 77.3 | |
| 96 | One Way Street (1950) | James Mason & Dan Duryea |
3.7 | 96.7 | 96.70 | 89 | 61 | 00 / 00 | 77.2 | |
| 102 | To Please a Lady (1950) | Clark Gable & Barbara Stanwyck |
5.9 | 153.3 | 217.40 | 43 | 43 | 00 / 00 | 77.1 | |
| 99 | The White Tower (1950) | Glenn Ford & Claude Rains |
3.7 | 95.6 | 162.60 | 90 | 61 | 00 / 00 | 77.0 | |
| 94 | Rashomon (1950) | Toshirô Mifune | 0.9 | 24.2 | 24.20 | 188 | 83 | 01 / 00 | 76.9 | |
| 101 | The Eagle and the Hawk (1950) | John Payne | 4.3 | 111.6 | 111.60 | 72 | 56 | 00 / 00 | 76.6 | |
| 106 | So Young, So Bad (1950) | Paul Henreid | 4.7 | 122.2 | 122.20 | 63 | 52 | 00 / 00 | 76.6 | |
| 107 | A Life of Her Own (1950) | Lana Turner & Directed by George Cukor |
4.0 | 105.1 | 142.60 | 78 | 57 | 00 / 00 | 76.4 | |
| 108 | Captain China (1950) | Gail Russell | 4.2 | 108.3 | 108.30 | 73 | 56 | 00 / 00 | 76.4 | |
| 105 | A Ticket to Tomahawk (1950) | Dan Dailey & Anne Baxter |
3.7 | 96.7 | 96.70 | 87 | 60 | 00 / 00 | 76.2 | |
| 111 | The Jackpot (1950) | James Stewart & Natalie Wood |
4.4 | 113.5 | 113.50 | 70 | 54 | 00 / 00 | 76.2 | |
| 101 | Convicted (1950) | Glenn Ford & Broderick Crawford |
3.3 | 85.6 | 85.60 | 99 | 63 | 00 / 00 | 76.1 | |
| 102 | Under My Skin (1950) | John Garfield | 3.1 | 81.8 | 81.80 | 102 | 64 | 00 / 00 | 76.0 | |
| 109 | The Big Hangover (1950) | Elizabeth Taylor & Van Johnson |
3.8 | 98.6 | 121.40 | 85 | 59 | 00 / 00 | 75.9 | |
| 112 | Kill the Umpire (1950) | Baseball Movies | 2.3 | 59.5 | 59.50 | 138 | 70 | 00 / 00 | 74.7 | |
| 111 | Stromboli (1950) | Ingrid Bergman | 1.6 | 41.7 | 117.90 | 161 | 75 | 00 / 00 | 74.6 | |
| 113 | Crisis (1950) | Cary Grant & José Ferrer |
2.5 | 66.3 | 104.40 | 120 | 66 | 00 / 00 | 73.5 | |
| 115 | The Mudlark (1950) | Irene Dunne & Alec Guinness |
2.9 | 74.4 | 74.40 | 109 | 62 | 01 / 00 | 72.9 | |
| 113 | La Ronde (1950) | 0.7 | 17.5 | 17.50 | 198 | 78 | 02 / 00 | 72.9 | ||
| 117 | The Big Lift (1950) | Montgomery Clift | 3.6 | 94.9 | 94.90 | 92 | 56 | 00 / 00 | 72.7 | |
| 117 | Born To Be Bad (1950) | Robert Ryan & Joan Fontaine |
2.7 | 70.7 | 106.00 | 116 | 64 | 00 / 00 | 72.6 | |
| 117 | Paid In Full (1950) | Robert Cummings | 2.3 | 59.7 | 59.70 | 136 | 67 | 00 / 00 | 72.0 | |
| 118 | The Secret Fury (1950) | Claudette Colbert & Robert Ryan |
2.4 | 63.2 | 96.70 | 125 | 65 | 00 / 00 | 71.7 | |
| 121 | The Petty Girl (1950) | Robert Cummings | 3.6 | 93.0 | 93.00 | 94 | 56 | 00 / 00 | 71.5 | |
| 127 | Kansas Raiders (1950) | Audie Murphy & Tony Curtis |
3.4 | 89.3 | 89.30 | 96 | 56 | 00 / 00 | 70.9 | |
| 122 | Mrs. O'Malley and Mr. Malone (1950) | Marjorie Main & James Whitmore |
2.2 | 57.4 | 68.10 | 141 | 66 | 00 / 00 | 70.8 | |
| 123 | The Nevadan (1950) | Randolph Scott & Dorothy Malone |
2.5 | 65.1 | 65.10 | 121 | 64 | 00 / 00 | 70.8 | |
| 122 | No Man of Her Own (1950) | Barbara Stanwyck | 1.6 | 42.0 | 42.00 | 160 | 71 | 00 / 00 | 70.4 | |
| 124 | Sierra (1950) | Audie Murphy & Tony Curtis |
2.4 | 62.6 | 62.60 | 128 | 64 | 00 / 00 | 70.4 | |
| 124 | Side Street (1950) | Farley Granger | 1.3 | 33.3 | 57.40 | 172 | 73 | 00 / 00 | 70.1 | |
| 126 | The Next Voice You Hear... (1950) | Nancy Reagan & James Whitmore |
1.9 | 49.7 | 58.60 | 151 | 67 | 00 / 00 | 69.3 | |
| 129 | Mother Didn't Tell Me (1950) | Dorothy McGuire | 2.8 | 71.9 | 71.90 | 113 | 60 | 00 / 00 | 69.2 | |
| 131 | The Miniver Story (1950) | Greer Garson & Walter Pidgeon |
2.8 | 73.7 | 165.50 | 111 | 59 | 00 / 00 | 68.9 | |
| 132 | Where Danger Lives (1950) | Robert Mitchum & Maureen O'Sullivan |
2.4 | 62.5 | 96.00 | 129 | 62 | 00 / 00 | 68.0 | |
| 129 | Woman On The Run (1950) | Ann Sheridan | 0.9 | 22.5 | 22.50 | 190 | 75 | 00 / 00 | 68.0 | |
| 131 | The Kid From Texas (1950) | Audie Murphy | 2.3 | 59.2 | 59.20 | 139 | 63 | 00 / 00 | 68.0 | |
| 133 | Pretty Baby (1950) | Dennis Morgan & Betsy Drake |
3.0 | 77.8 | 92.90 | 106 | 57 | 00 / 00 | 68.0 | |
| 134 | Walk Softly, Stranger (1950) | Joseph Cotten & Jack Parr |
2.4 | 61.4 | 106.00 | 131 | 62 | 00 / 00 | 67.1 | |
| 140 | A Woman Of Distinction (1950) | Rosalind Russell & Ray Milland |
2.8 | 73.1 | 73.10 | 112 | 58 | 00 / 00 | 66.7 | |
| 137 | Mystery Street (1950) | Ricardo Montalban & Directed by John Sturges |
1.2 | 31.9 | 57.70 | 175 | 69 | 01 / 00 | 66.0 | |
| 138 | The Great Manhunt (1950) | Douglas Fairbanks Jr. | 1.2 | 31.7 | 31.70 | 176 | 70 | 00 / 00 | 65.9 | |
| 136 | Madeline (1950) | Directed by David Lean | 0.7 | 18.6 | 18.60 | 197 | 74 | 00 / 00 | 65.8 | |
| 135 | Julius Caesar (1950) | Charlton Heston | 0.1 | 2.2 | 2.20 | 216 | 79 | 00 / 00 | 65.7 | |
| 143 | The Flying Missile (1950) | Glenn Ford | 2.6 | 67.1 | 67.10 | 119 | 59 | 00 / 00 | 65.6 | |
| 139 | Armored Car Robbery (1950) | 0.8 | 19.2 | 19.20 | 194 | 73 | 00 / 00 | 65.3 | ||
| 141 | The Underworld Story (1950) | Dan Duryea | 1.5 | 38.4 | 38.40 | 166 | 67 | 00 / 00 | 65.0 | |
| 142 | Quicksand (1950) | Mickey Rooney & Peter Lorre |
1.8 | 46.5 | 46.50 | 155 | 65 | 00 / 00 | 64.9 | |
| 145 | Dark City (1950) | Charlton Heston & Lizabeth Scott |
2.7 | 70.7 | 70.70 | 117 | 57 | 00 / 00 | 64.6 | |
| 144 | Hunt The Man Down (1950) | Gig Young | 1.5 | 39.6 | 39.60 | 163 | 66 | 00 / 00 | 64.3 | |
| 145 | Pygmy Island (1950) | 1.5 | 38.3 | 38.30 | 167 | 66 | 00 / 00 | 63.0 | ||
| 149 | The Happy Years (1950) | Dean Stockwell | 1.9 | 50.6 | 63.60 | 147 | 62 | 00 / 00 | 63.0 | |
| 146 | Trio (1950) | Jean Simmons | 1.0 | 27.0 | 27.00 | 182 | 68 | 01 / 00 | 62.8 | |
| 152 | The Glass Menagerie (1950) | Kirk Douglas & Jane Wyman |
2.9 | 75.9 | 109.90 | 107 | 53 | 00 / 00 | 62.1 | |
| 148 | Operation Disaster/Morning Departure (1950) | John Mills | 0.5 | 13.7 | 13.70 | 202 | 73 | 00 / 00 | 62.0 | |
| 150 | The Skipper Surprised His Wife (1950) | Robert Walker | 2.1 | 54.5 | 68.90 | 143 | 60 | 00 / 00 | 61.8 | |
| 151 | Curtain Call at Cactus Creek (1950) | Donald O'Connor & Walter Brennan |
2.0 | 51.0 | 51.00 | 145 | 61 | 00 / 00 | 61.7 | |
| 154 | Vendetta (1950) | Faith Domergue | 1.7 | 45.4 | 75.10 | 157 | 62 | 00 / 00 | 61.2 | |
| 154 | The Magnificent Yankee (1950) | Directed by John Sturges | 1.4 | 36.2 | 41.90 | 169 | 63 | 02 / 00 | 60.8 | |
| 157 | Backfire (1950) | Virginia Mayo & Gordon MacRae |
2.5 | 65.1 | 65.10 | 122 | 56 | 00 / 00 | 60.7 | |
| 158 | Stella (1950) | Victor Mature | 1.8 | 48.0 | 48.00 | 154 | 61 | 00 / 00 | 60.3 | |
| 157 | Gambling House (1950) | Victor Mature | 1.7 | 44.6 | 63.20 | 158 | 62 | 00 / 00 | 60.3 | |
| 159 | Outrage (1950) | Mala Powers & Directed by Ida Lupino |
1.3 | 34.7 | 34.70 | 170 | 65 | 00 / 00 | 59.8 | |
| 155 | Odette (1950) | 0.2 | 5.5 | 5.50 | 210 | 74 | 00 / 00 | 59.7 | ||
| 162 | The Lawless (1950) | Gail Russell | 2.7 | 70.0 | 70.00 | 118 | 53 | 00 / 00 | 59.5 | |
| 160 | Deported (1950) | Jeff Chandler | 1.9 | 50.5 | 50.50 | 148 | 59 | 00 / 00 | 59.4 | |
| 161 | The Clouded Yellow (1950) | Jean Simmons | 0.9 | 22.2 | 22.20 | 191 | 68 | 00 / 00 | 58.4 | |
| 161 | Outside The Wall (1950) | 1.1 | 28.7 | 28.70 | 179 | 65 | 00 / 00 | 57.9 | ||
| 163 | The Man Who Cheated Himself (1950) | Lee J. Cobb | 1.3 | 34.6 | 34.60 | 171 | 63 | 00 / 00 | 57.5 | |
| 168 | No Sad Songs For Me (1950) | Margaret Sullavan & Natalie Wood |
2.4 | 61.4 | 61.40 | 132 | 54 | 01 / 00 | 57.4 | |
| 164 | Captive Girl (1950) | 1.4 | 37.1 | 37.10 | 168 | 62 | 00 / 00 | 57.2 | ||
| 164 | The Wooden Horse (1950) | 0.3 | 6.7 | 6.70 | 209 | 72 | 00 / 00 | 57.1 | ||
| 169 | The Cariboo Trail (1950) | Randolph Scott | 2.3 | 60.6 | 60.60 | 135 | 54 | 00 / 00 | 56.3 | |
| 173 | Two Flags West (1950) | Joseph Cotten & Linda Darnell |
2.4 | 63.2 | 63.20 | 127 | 53 | 00 / 00 | 55.9 | |
| 168 | Buccaneer's Girl (1950) | Yvonne De Carlo | 1.2 | 32.2 | 32.20 | 174 | 63 | 00 / 00 | 55.6 | |
| 170 | So Long At The Fair (1950) | 0.4 | 11.6 | 11.60 | 204 | 69 | 00 / 00 | 54.6 | ||
| 172 | The Second Woman (1950) | Robert Young | 1.5 | 39.1 | 39.10 | 164 | 60 | 00 / 00 | 54.1 | |
| 174 | Edge Of Doom (1950) | Dana Andrews & Farley Granger |
2.0 | 51.0 | 86.30 | 146 | 56 | 00 / 00 | 53.5 | |
| 172 | Shadow On The Wall (1950) | Ann Sothern | 1.2 | 32.2 | 46.50 | 173 | 61 | 00 / 00 | 52.8 | |
| 177 | Highway 301 (1950) | Steve Cochran | 2.2 | 56.5 | 119.30 | 142 | 53 | 00 / 00 | 52.3 | |
| 178 | Black Hand (1950) | Gene Kelly | 2.2 | 57.4 | 90.00 | 140 | 53 | 00 / 00 | 52.1 | |
| 176 | The Milkman (1950) | 1.0 | 24.5 | 24.50 | 184 | 63 | 00 / 00 | 52.0 | ||
| 175 | The Great Rupert (1950) | Jimmy Durante | 1.2 | 29.7 | 29.70 | 177 | 61 | 00 / 00 | 52.0 | |
| 181 | Please Believe Me (1950) | Deborah Kerr & Robert Walker |
1.7 | 43.1 | 57.40 | 159 | 56 | 00 / 00 | 48.8 | |
| 178 | The Good Humor Man (1950) | 0.7 | 18.3 | 18.30 | 195 | 63 | 00 / 00 | 48.1 | ||
| 182 | A Lady Without Passport (1950) | Hedy Lamarr | 1.9 | 49.7 | 74.70 | 150 | 53 | 00 / 00 | 47.4 | |
| 180 | Never Fear (1950) | Sally Forrest & Directed by Ida Lupino |
0.6 | 14.6 | 14.60 | 201 | 63 | 00 / 00 | 46.1 | |
| 182 | Barricade (1950) | 0.8 | 20.6 | 20.60 | 193 | 61 | 00 / 00 | 45.5 | ||
| 183 | Mark of the Gorilla (1950) | 1.5 | 38.8 | 38.80 | 165 | 55 | 00 / 00 | 45.4 | ||
| 185 | The Admiral Was A Lady (1950) | Edmond O'Brien | 1.9 | 48.4 | 48.40 | 153 | 52 | 00 / 00 | 45.3 | |
| 184 | Manèges (1950) | 0.1 | 3.6 | 3.60 | 213 | 66 | 00 / 00 | 44.8 | ||
| 188 | The Fireball (1950) | Mickey Rooney & Marilyn Monroe |
2.4 | 61.4 | 61.40 | 133 | 48 | 00 / 00 | 44.6 | |
| 192 | Right Cross (1950) | Dick Powell & Lionel Barrymore |
2.7 | 71.1 | 96.90 | 114 | 44 | 00 / 00 | 43.1 | |
| 191 | Tarzan and the Slave Girl (1950) | Lex Barker | 2.3 | 59.5 | 128.30 | 137 | 47 | 00 / 00 | 42.6 | |
| 189 | Rocketship X-M (1950) | 1.6 | 40.4 | 40.40 | 162 | 53 | 00 / 00 | 42.4 | ||
| 186 | Captain Blackjack (1950) | Agnes Moorehead | 1.0 | 27.2 | 27.20 | 181 | 57 | 00 / 00 | 42.3 | |
| 187 | Wyoming Mail (1950) | Ed Begley | 1.0 | 25.7 | 25.70 | 186 | 58 | 00 / 00 | 42.1 | |
| 195 | I Was A Shoplifter (1950) | Tony Curtis & Rock Hudson |
1.8 | 46.5 | 46.50 | 156 | 51 | 00 / 00 | 41.3 | |
| 197 | Father is a Bachelor (1950) | William Holden | 1.9 | 48.7 | 48.70 | 152 | 50 | 00 / 00 | 40.7 | |
| 193 | Dial 1119 (1950) | Marshall Thompson | 1.1 | 29.9 | 44.90 | 178 | 56 | 00 / 00 | 40.7 | |
| 196 | This Side of the Law (1950) | Viveca Lindfors | 0.8 | 22.1 | 38.00 | 192 | 58 | 00 / 00 | 39.8 | |
| 195 | Love That Brute (1950) | Jean Peters | 1.0 | 24.9 | 24.90 | 183 | 57 | 00 / 00 | 39.5 | |
| 200 | The Capture (1950) | Lew Ayres & Directed by John Sturges |
2.0 | 53.2 | 53.20 | 144 | 47 | 00 / 00 | 38.1 | |
| 198 | Volcano (1950) | 0.1 | 3.8 | 3.80 | 212 | 63 | 00 / 00 | 37.9 | ||
| 200 | Perfect Strangers (1950) | Ginger Rogers & Thelma Ritter |
2.4 | 61.7 | 79.30 | 130 | 44 | 00 / 00 | 36.4 | |
| 201 | Bordeline (1950) | Fred MacMurray & Claire Trevor |
1.9 | 49.9 | 49.90 | 149 | 47 | 00 / 00 | 35.8 | |
| 201 | Four Days Leave/Swiss Tour (1950) | Cornel Wilde | 0.7 | 18.1 | 18.10 | 199 | 57 | 00 / 00 | 34.1 | |
| 203 | Singing Guns (1950) | 0.6 | 13.8 | 13.80 | 200 | 58 | 00 / 00 | 33.8 | ||
| 204 | Three Husbands (1950) | Eve Arden | 1.0 | 25.7 | 25.70 | 187 | 53 | 00 / 00 | 31.9 | |
| 204 | Rider From Tucson (1950) | Tim Holt | 0.4 | 10.4 | 11.90 | 205 | 58 | 00 / 00 | 31.2 | |
| 204 | Mule Train (1950) | 0.4 | 11.6 | 11.60 | 203 | 57 | 00 / 00 | 31.2 | ||
| 206 | Eye Witness (1950) | Robert Montgomery | 0.4 | 10.4 | 10.40 | 206 | 57 | 00 / 00 | 30.2 | |
| 206 | Golden Salamander (1950) | 0.1 | 2.6 | 2.60 | 214 | 60 | 00 / 00 | 30.2 | ||
| 210 | The Torch (1950) | Paulette Goddard | 1.1 | 27.9 | 27.90 | 180 | 50 | 00 / 00 | 26.6 | |
| 208 | State Penitentiary (1950) | 0.3 | 7.0 | 7.00 | 208 | 56 | 00 / 00 | 25.9 | ||
| 209 | High Lonesome (1950) | 0.9 | 22.0 | 22.00 | 189 | 50 | 00 / 00 | 24.4 | ||
| 212 | Utopia (1950) | Laurel and Hardy | 0.7 | 18.7 | 18.70 | 196 | 51 | 00 / 00 | 24.0 | |
| 213 | Mystery Submarine (1950) | 0.1 | 3.6 | 3.60 | 211 | 55 | 00 / 00 | 23.0 | ||
| 214 | Last of the Buccaneers (1950) | Paul Henreid | 1.0 | 25.8 | 25.80 | 185 | 47 | 00 / 00 | 21.1 | |
| 214 | Paper Gallows/Torment (1950) Limited Release |
Directed by John Guillermin | 0.1 | 2.1 | 2.10 | 215 | 52 | 00 / 00 | 16.3 | |
| 215 | The Thief of Venice (1950) | 0.3 | 8.3 | 8.30 | 207 | 49 | 00 / 00 | 14.6 |

1950 Box Office Grosses – Adjusted World Wide
| Movie (Year) | UMR Co-Star Links | World-Wide Box Office Adjusted (mil) | S |
|---|---|---|---|
| Movie (Year) | UMR Co-Star Links | World-Wide Box Office Adjusted (mil) | S |
| Cinderella (1950) | Disney Animated Movies | 965.40 | |
| King Solomon's Mines (1950) AA Best Picture Nom |
Stewart Granger & Deborah Kerr |
740.70 | |
| Annie Get Your Gun (1950) | Betty Hutton & Howard Keel |
572.80 | |
| Father of the Bride (1950) AA Best Picture Nom |
Spencer Tracy & Elizabeth Taylor |
452.70 | |
| The Flame and the Arrow (1950) | Burt Lancaster & Virginia Mayo |
418.60 | |
| Kim (1950) | Errol Flynn & Dean Stockwell |
398.90 | |
| Three Little Words (1950) | Fred Astaire & Debbie Reynolds |
336.80 | |
| Dallas (1950) | Gary Cooper | 334.10 | |
| All About Eve (1950) AA Best Picture Win |
Bette Davis & Marilyn Monroe |
327.40 | |
| Duchess of Idaho (1950) | Van Johnson & Eleanor Powell |
315.20 | |
| Treasure Island (1950) | Bobby Driscoll | 305.10 | |
| Let's Dance (1950) | Fred Astaire & Betty Hutton |
289.30 | |
| Tea for Two (1950) | Doris Day & Gordon MacRae |
271.70 | |
| Montana (1950) | Errol Flynn & Alexis Smith |
271.40 | |
| Our Very Own (1950) | Natalie Wood & Jane Wyatt |
260.40 | |
| Pagan Love Song (1950) | Esther Williams & Howard Keel |
250.00 | |
| Summer Stock (1950) | Judy Garland & Gene Kelly |
249.80 | |
| The Toast of New Orleans (1950) | David Niven & Kathryn Grayson |
241.90 | |
| Ambush (1950) | Robert Taylor & Arlene Dahl |
239.20 | |
| Colt .45 (1950) | Randolph Scott & Lloyd Bridges |
232.20 | |
| Breakthrough (1950) | John Agar | 224.30 | |
| Key to the City (1950) | Clark Gable & Loretta Young |
221.20 | |
| To Please a Lady (1950) | Clark Gable & Barbara Stanwyck |
217.40 | |
| The West Point Story (1950) | James Cagney & Doris Day |
215.00 | |
| Nancy Goes To Rio (1950) | Jane Powell & Ann Sothern |
213.20 | |
| The Daughter of Rose O'Grady (1950) | Debbie Reynolds & Gordon MacRae |
208.60 | |
| Two Weeks with Love (1950) | Jane Powell & Debbie Reynolds |
208.00 | |
| Rocky Mountain (1950) | Errol Flynn | 204.60 | |
| The Yellow Cab Man (1950) | Red Skelton | 193.40 | |
| Chain Lightning (1950) | Eleanor Parker | 190.10 | |
| Bright Leaf (1950) | Gary Cooper & Lauren Bacall |
182.00 | |
| Young Man with a Horn (1950) | Kirk Douglas & Doris Day |
172.80 | |
| The Miniver Story (1950) | Greer Garson & Walter Pidgeon |
165.50 | |
| The Damned Don't Cry (1950) | Joan Crawford | 164.50 | |
| The White Tower (1950) | Glenn Ford & Claude Rains |
162.60 | |
| The Outriders (1950) | Joel McCrea & Arlene Dahl |
162.10 | |
| Stars In My Crown (1950) | Joel McCrea & Dean Stockwell |
159.70 | |
| The Asphalt Jungle (1950) | Sterling Hayden & Directed by John Huston |
159.40 | |
| The Reformer and the Redhead (1950) | Dick Powell & June Allyson |
158.30 | |
| Devil's Doorway (1950) | Robert Taylor | 156.00 | |
| A Life of Her Own (1950) | Lana Turner & Directed by George Cukor |
142.60 | |
| Stage Fright (1950) | Marlene Dietrich & Directed by Alfred Hitchcock |
142.00 | |
| Watch The Birdie (1950) | Red Skelton & Arlene Dahl |
137.20 | |
| Never a Dull Moment (1950) | Irene Dunne & Fred MacMurray |
135.80 | |
| Tarzan and the Slave Girl (1950) | Lex Barker | 128.30 | |
| The Breaking Point (1950) | John Garfield & Patricia Neal |
128.00 | |
| The Big Hangover (1950) | Elizabeth Taylor & Van Johnson |
121.40 | |
| Highway 301 (1950) | Steve Cochran | 119.30 | |
| Stromboli (1950) | Ingrid Bergman | 117.90 | |
| Kon-Tiki (1950) | Thor Heyerdahl | 115.30 | |
| The Glass Menagerie (1950) | Kirk Douglas & Jane Wyman |
109.90 | |
| Born To Be Bad (1950) | Robert Ryan & Joan Fontaine |
106.00 | |
| Wagon Master (1950) | Ben Johnson & Directed by John Ford |
106.00 | |
| Walk Softly, Stranger (1950) | Joseph Cotten & Jack Parr |
106.00 | |
| Crisis (1950) | Cary Grant & José Ferrer |
104.40 | |
| Right Cross (1950) | Dick Powell & Lionel Barrymore |
96.90 | |
| The Secret Fury (1950) | Claudette Colbert & Robert Ryan |
96.70 | |
| Where Danger Lives (1950) | Robert Mitchum & Maureen O'Sullivan |
96.00 | |
| Pretty Baby (1950) | Dennis Morgan & Betsy Drake |
92.90 | |
| Black Hand (1950) | Gene Kelly | 90.00 | |
| Edge Of Doom (1950) | Dana Andrews & Farley Granger |
86.30 | |
| Perfect Strangers (1950) | Ginger Rogers & Thelma Ritter |
79.30 | |
| Vendetta (1950) | Faith Domergue | 75.10 | |
| A Lady Without Passport (1950) | Hedy Lamarr | 74.70 | |
| The Skipper Surprised His Wife (1950) | Robert Walker | 68.90 | |
| Mrs. O'Malley and Mr. Malone (1950) | Marjorie Main & James Whitmore |
68.10 | |
| The Happy Years (1950) | Dean Stockwell | 63.60 | |
| Gambling House (1950) | Victor Mature | 63.20 | |
| The Next Voice You Hear... (1950) | Nancy Reagan & James Whitmore |
58.60 | |
| Mystery Street (1950) | Ricardo Montalban & Directed by John Sturges |
57.70 | |
| Please Believe Me (1950) | Deborah Kerr & Robert Walker |
57.40 | |
| Side Street (1950) | Farley Granger | 57.40 | |
| Shadow On The Wall (1950) | Ann Sothern | 46.50 | |
| Dial 1119 (1950) | Marshall Thompson | 44.90 | |
| The Magnificent Yankee (1950) | Directed by John Sturges | 41.90 | |
| This Side of the Law (1950) | Viveca Lindfors | 38.00 | |
| Rider From Tucson (1950) | Tim Holt | 11.90 |
My Main Sources
Source 1: Eddie Mannix MGM Ledgers
Source 2: C.J. Tevlin RKO Ledgers
Source 3: William Schaefer Warner Brothers Ledgers
Source 4: Year In Review Variety Editions
Source 5: Grand Design: Hollywood As A Modern Business Enterprise 1930-1942 by Tino Balio
Source 6: Twentieth Century-Fox A Corporate and Financial History by Aubrey Solomon
Source 7: Wikipedia
Source 8: IMDb.com
Source 9: “Revenue sharing and the coming of sound” by H. Mark Glancy
Source 10: Hollywood Power Stats by Christopher Reynolds
51 The Daughter of Rose O’Grady (1950) title should be “The Daughter of Rosie O’Grady”
Bitter Rice
Highly rated and acclaimed Italian Drama
Oscar Nominee for Best Writing
http://www.imdb.com/title/tt0040737
I think the allocation to a particular year is difficult. To line up with the 1951 Oscars you would put it in 1950 but to line up with the original release at Cannes Film Festival it might go to 1949. Or if you really feal like hedging you create two entries and span them both.
80 The File of Thelma Jordan (1950)
title could be “The File on Thelma Jordon”
Thank you Sidney……that error has been fixed.
The Damned Don’t Cry title could use a ! at the end if it is an allowable character in your app/db.
Thank you Sidney……that error has been fixed. Our database does not have too many issues with ! marks. Good catch.
HI BRUCE
1 I look forward to the 1951 page.
2 Thought-association can be a wonderful thing. I was working on my De Niro post to Steve when I noticed that you and Joel had been corresponding again.
3 That reminded me of De Niro’s 1991 Guilty by Suspicion in which a 3rd rate Hollywood B movie producer had been pursuing to make a film the important director David Merrill whom Robert was playing.
4 The producer again confronts David as he is entering a restaurant and says to him “If we join forces for that movie we’ll walk up the isle together at Oscar time,” to which Merrill brushing past him dismissively replies “What, are we gonna get married or something?”
5 Few could do sarcasm better than Bobby D but things do seem to be getting serious between you and Joel and one can only hope W o C is not the jealous type!
ADDITIONAL TRIVIA Guilty by Suspicion is probably my favourite De Niro flick. You and Steve don’t seem to think over-much of it but for once I can maybe claim the high ground as Roger Ebert praised it and gave it 3 and 1/2 out of 4 stars. Martin Scorsese had a supporting role and his character was based on blacklisted director Joseph Losey while De Niro’s David Merrill was supposed to have been inspired by director John Berry, also blacklisted in the McCarthy era.