
This movie page looks at The Top Grossing Movies of 1952. In 1952, 463 movies were released in theaters. Average weekly movie attendance was 51 million. That translates to $2.65 billion (25th best year in movie history) movie tickets sold which generated revenue of $1.24 billion. So with all of this money flying around you would think somebody would have kept track of how each movie was performing. Sadly that was the case!
Currently when you type in the search words….”Top Grossing Movies of 1952″ you do not get much information. Wikipedia provides 10 movies. The Numbers.com provides 10 movies. Stats-a-mania offers up 7 movies. You have to go to the 26th search result to find the next place that lists box office results….UMR’s (that’s us) Marilyn Monroe page which offers up 5 movies. So in an effort to get more information out there…we have decided to unlock our 1952 movie database vault and share the information we have collected over the years.
To make this list a movie had to be made in 1952 (as listed on IMDB.com). Obviously many movies made in 1951 earned box office dollars in 1952. On the other side many movies made in 1952 made money in 1953 and later. This page will looks at 162 Top Grossing Movies of 1952. The movies are listed in a massive table that shows who starred in the movie, had much the movie grossed when it was released and how that gross means in today’s money.
Drivel part of the page: Currently our movie database is down for a massive update which includes a new box office formula and a new formula for our movie ranking equation. So we do not have access to all of our information. For some reason….Wife of Cogerson thinks her full time job takes precendent over this non-revenue generating hobby. Sometimes I just do not understand her….lol. So without the ability to do a page on a actor or actress…I had to pick a year as our the latest movie page.

Our UMR Top 50 of 1952
Year
Movie (Year)
Rating
S
Year Movie (Year) Rating S
1952
High Noon (1952)
AA Best Picture Nom

1952
The Quiet Man (1952)
AA Best Picture Nom

1952
The Greatest Show on Earth (1952)
AA Best Picture Win

1952
Singin' in the Rain (1952)

1952
Moulin Rouge (1952)
AA Best Picture Nom

1952
Ivanhoe (1952)
AA Best Picture Nom

1952
The Bad and the Beautiful (1952)

1952
Bend of the River (1952)

1952
Hans Christian Andersen (1952)

1952
Son of Paleface (1952)

1952
With a Song in My Heart (1952)

1952
Come Back, Little Sheba (1952)

1952
This is Cinerama (1952)

1952
Stars and Stripes Forever (1952)

1952
Scaramouche (1952)

1952
Sailor Beware (1952)

1952
The Crimson Pirate (1952)

1952
The Snows of Kilimanjaro (1952)

1952
Jumping Jacks (1952)

1952
Road to Bali (1952)
Cameo Role

1952
Million Dollar Mermaid (1952)

1952
Above and Beyond (1952)

1952
Pat and Mike (1952)

1952
Ma and Pa Kettle at the Fair (1952)

1952
Affair in Trinidad (1952)

1952
Sudden Fear (1952)

1952
Room For One More (1952)

1952
Viva Zapata! (1952)

1952
Just For You (1952)

1952
Monkey Business (1952)

1952
Ma and Pa Kettle on Vacation (1952)

1952
The World in His Arms (1952)

1952
5 Fingers (1952)

1952
The Merry Widow (1952)

1952
April in Paris (1952)

1952
The Big Sky (1952)

1952
The Lusty Men (1952)

1952
The Story of Robin Hood and His Merrie Men (1952)

1952
Somebody Loves Me (1952)

1952
Lovely To Look At (1952)

1952
Skirts Ahoy! (1952)

1952
The Story of Will Rogers (1952)

1952
Belles on their Toes (1952)

1952
Springfield Rifle (1952)

1952
Off Limits (1952)

1952
Carrie (1952)

1952
Big Jim McLain (1952)

1952
Lure of the Wilderness (1952)

1952
The Prisoner of Zenda (1952)

1952
The Wild North (1952)

| Year | Movie (Year) | Rating | S |
|---|---|---|---|
| Year | Movie (Year) | Rating | S |
| 1952 | High Noon (1952) AA Best Picture Nom |
||
| 1952 | The Quiet Man (1952) AA Best Picture Nom |
||
| 1952 | The Greatest Show on Earth (1952) AA Best Picture Win |
||
| 1952 | Singin' in the Rain (1952) | ||
| 1952 | Moulin Rouge (1952) AA Best Picture Nom |
||
| 1952 | Ivanhoe (1952) AA Best Picture Nom |
||
| 1952 | The Bad and the Beautiful (1952) | ||
| 1952 | Bend of the River (1952) | ||
| 1952 | Hans Christian Andersen (1952) | ||
| 1952 | Son of Paleface (1952) | ||
| 1952 | With a Song in My Heart (1952) | ||
| 1952 | Come Back, Little Sheba (1952) | ||
| 1952 | This is Cinerama (1952) | ||
| 1952 | Stars and Stripes Forever (1952) | ||
| 1952 | Scaramouche (1952) | ||
| 1952 | Sailor Beware (1952) | ||
| 1952 | The Crimson Pirate (1952) | ||
| 1952 | The Snows of Kilimanjaro (1952) | ||
| 1952 | Jumping Jacks (1952) | ||
| 1952 | Road to Bali (1952) Cameo Role |
||
| 1952 | Million Dollar Mermaid (1952) | ||
| 1952 | Above and Beyond (1952) | ||
| 1952 | Pat and Mike (1952) | ||
| 1952 | Ma and Pa Kettle at the Fair (1952) | ||
| 1952 | Affair in Trinidad (1952) | ||
| 1952 | Sudden Fear (1952) | ||
| 1952 | Room For One More (1952) | ||
| 1952 | Viva Zapata! (1952) | ||
| 1952 | Just For You (1952) | ||
| 1952 | Monkey Business (1952) | ||
| 1952 | Ma and Pa Kettle on Vacation (1952) | ||
| 1952 | The World in His Arms (1952) | ||
| 1952 | 5 Fingers (1952) | ||
| 1952 | The Merry Widow (1952) | ||
| 1952 | April in Paris (1952) | ||
| 1952 | The Big Sky (1952) | ||
| 1952 | The Lusty Men (1952) | ||
| 1952 | The Story of Robin Hood and His Merrie Men (1952) | ||
| 1952 | Somebody Loves Me (1952) | ||
| 1952 | Lovely To Look At (1952) | ||
| 1952 | Skirts Ahoy! (1952) | ||
| 1952 | The Story of Will Rogers (1952) | ||
| 1952 | Belles on their Toes (1952) | ||
| 1952 | Springfield Rifle (1952) | ||
| 1952 | Off Limits (1952) | ||
| 1952 | Carrie (1952) | ||
| 1952 | Big Jim McLain (1952) | ||
| 1952 | Lure of the Wilderness (1952) | ||
| 1952 | The Prisoner of Zenda (1952) | ||
| 1952 | The Wild North (1952) |
Top Grossing Movies of 1952 Can Be Sorted 3 Ways In This Table
The really cool thing about this table is that it is “user-sortable”. Rank the movies anyway you want.
- Sort Top Grossing Movies of 1952 by the stars or in some cases the director of the movie.
- Sort Top Grossing Movies of 1952 by domestic actual box office grosses (in millions)
- Sort Top Grossing Movies of 1952 by domestic adjusted box office grosses using current movie ticket cost (in millions)
| R | Movie (Year) | UMR Co-Star Links | Adj. B.O. Worldwide (mil) | UMR Score | ||||||
|---|---|---|---|---|---|---|---|---|---|---|
| R | Movie (Year) | UMR Co-Star Links | Actual B.O. Domestic (mil) | Adj. B.O. Domestic (mil) | Adj. B.O. Worldwide (mil) | B.O. Rank by Year | Review | Oscar Nom / Win | UMR Score | S |
| 1 | High Noon (1952) AA Best Picture Nom |
Gary Cooper & Grace Kelly |
9.4 | 214.6 | 214.60 | 12 | 92 | 07 / 04 | 99.7 | |
| 2 | The Quiet Man (1952) AA Best Picture Nom |
John Wayne & Maureen O'Hara |
10.6 | 239.9 | 366.20 | 10 | 84 | 07 / 02 | 99.4 | |
| 3 | The Greatest Show on Earth (1952) AA Best Picture Win |
James Stewart & Charlton Heston |
32.9 | 748.1 | 748.10 | 1 | 64 | 05 / 02 | 99.2 | |
| 4 | Singin' in the Rain (1952) | Gene Kelly | 12.4 | 281.1 | 430.50 | 6 | 93 | 02 / 00 | 99.1 | |
| 5 | Moulin Rouge (1952) AA Best Picture Nom |
Jose Ferrer | 11.8 | 268.4 | 268.40 | 8 | 71 | 07 / 02 | 98.2 | |
| 6 | Ivanhoe (1952) AA Best Picture Nom |
Elizabeth Taylor & Joan Fontaine |
17.4 | 395.1 | 716.20 | 4 | 73 | 03 / 00 | 97.5 | |
| 9 | The Bad and the Beautiful (1952) | Kirk Douglas | 6.6 | 149.4 | 212.90 | 37 | 85 | 06 / 05 | 97.1 | |
| 12 | Bend of the River (1952) | James Stewart & Rock Hudson |
8.3 | 189.4 | 189.40 | 16 | 82 | 00 / 00 | 96.8 | |
| 7 | Hans Christian Andersen (1952) | Danny Kaye | 16.7 | 378.8 | 378.80 | 5 | 73 | 06 / 00 | 96.8 | |
| 10 | Son of Paleface (1952) | Bob Hope & Jane Russell |
9.4 | 214.6 | 214.60 | 13 | 77 | 01 / 00 | 96.7 | |
| 13 | With a Song in My Heart (1952) | Susan Hayward & Thelma Ritter |
9.2 | 208.3 | 208.30 | 14 | 71 | 05 / 01 | 96.2 | |
| 11 | Come Back, Little Sheba (1952) | Shirley Booth & Terry Moore |
9.7 | 221.0 | 221.00 | 11 | 72 | 03 / 01 | 96.2 | |
| 13 | This is Cinerama (1952) | Lowell Thomas | 28.1 | 637.6 | 637.60 | 2 | 72 | 01 / 00 | 95.5 | |
| 16 | Stars and Stripes Forever (1952) | Clifton Webb | 8.3 | 189.4 | 189.40 | 18 | 76 | 00 / 00 | 95.3 | |
| 18 | Scaramouche (1952) | Janet Leigh & Eleanor Parker |
7.6 | 173.6 | 426.60 | 22 | 78 | 00 / 00 | 94.6 | |
| 14 | Sailor Beware (1952) | Dean Martin & Jerry Lewis |
11.9 | 271.5 | 271.50 | 7 | 68 | 00 / 00 | 93.9 | |
| 19 | The Crimson Pirate (1952) | Burt Lancaster | 6.9 | 157.8 | 157.80 | 31 | 81 | 00 / 00 | 93.8 | |
| 15 | The Snows of Kilimanjaro (1952) | Susan Hayward & Ava Gardner |
18.1 | 410.4 | 410.40 | 3 | 64 | 02 / 00 | 93.2 | |
| 17 | Jumping Jacks (1952) | Dean Martin & Jerry Lewis |
11.1 | 252.5 | 252.50 | 9 | 62 | 00 / 00 | 92.0 | |
| 21 | Road to Bali (1952) Cameo Role |
Bing Crosby & Bob Hope |
8.3 | 189.4 | 189.40 | 15 | 65 | 00 / 00 | 91.9 | |
| 23 | Million Dollar Mermaid (1952) | Walter Pidgeon & Esther Williams |
7.9 | 180.0 | 312.30 | 20 | 66 | 01 / 00 | 91.5 | |
| 22 | Above and Beyond (1952) | Robert Taylor & Eleanor Parker |
7.4 | 167.1 | 251.30 | 25 | 69 | 02 / 00 | 91.4 | |
| 23 | Pat and Mike (1952) | Katharine Hepburn & Spencer Tracy |
5.8 | 132.6 | 173.40 | 45 | 80 | 01 / 00 | 90.8 | |
| 25 | Ma and Pa Kettle at the Fair (1952) | Marjorie Main & Percy Kilbride |
6.9 | 157.8 | 157.80 | 29 | 70 | 00 / 00 | 90.0 | |
| 26 | Affair in Trinidad (1952) | Rita Hayworth & Glenn Ford |
7.5 | 170.5 | 170.50 | 24 | 65 | 01 / 00 | 90.0 | |
| 24 | Sudden Fear (1952) | Jack Palance & Joan Crawford |
4.6 | 104.2 | 104.20 | 67 | 82 | 04 / 00 | 89.4 | |
| 28 | Room For One More (1952) | Cary Grant & Betsy Drake |
6.6 | 149.7 | 218.60 | 36 | 70 | 00 / 00 | 89.1 | |
| 27 | Viva Zapata! (1952) | Marlon Brando & Anthony Quinn |
5.3 | 119.9 | 119.90 | 60 | 73 | 05 / 01 | 88.6 | |
| 31 | Just For You (1952) | Bing Crosby & Natalie Wood |
8.3 | 189.4 | 189.40 | 17 | 55 | 01 / 00 | 88.4 | |
| 30 | Monkey Business (1952) | Cary Grant & Marilyn Monroe |
5.6 | 126.3 | 126.30 | 47 | 75 | 00 / 00 | 88.1 | |
| 31 | Ma and Pa Kettle on Vacation (1952) | Ma and Pa Kettle | 6.1 | 138.9 | 138.90 | 42 | 70 | 00 / 00 | 87.9 | |
| 34 | The World in His Arms (1952) | Gregory Peck & Anthony Quinn |
8.2 | 186.2 | 186.20 | 19 | 55 | 00 / 00 | 87.8 | |
| 29 | 5 Fingers (1952) | James Mason & Danielle Darrieux |
3.8 | 85.2 | 85.20 | 93 | 85 | 02 / 00 | 87.8 | |
| 34 | The Merry Widow (1952) | Lana Turner | 6.4 | 145.2 | 145.20 | 39 | 66 | 02 / 00 | 87.8 | |
| 39 | April in Paris (1952) | Doris Day | 7.6 | 173.6 | 224.70 | 21 | 57 | 00 / 00 | 87.1 | |
| 36 | The Big Sky (1952) | Arthur Hunnicutt & Kirk Douglas |
4.6 | 104.2 | 104.20 | 68 | 77 | 02 / 00 | 87.1 | |
| 35 | The Lusty Men (1952) | Robert Mitchum & Susan Hayward |
4.2 | 94.7 | 94.70 | 77 | 82 | 00 / 00 | 87.0 | |
| 36 | The Story of Robin Hood and His Merrie Men (1952) | Richard Todd | 5.8 | 132.6 | 132.60 | 44 | 70 | 00 / 00 | 87.0 | |
| 37 | Somebody Loves Me (1952) | Betty Hutton | 6.1 | 138.9 | 138.90 | 41 | 68 | 00 / 00 | 87.0 | |
| 41 | Lovely To Look At (1952) | Kathryn Grayson & Red Skelton |
7.1 | 162.3 | 238.30 | 28 | 59 | 00 / 00 | 86.6 | |
| 43 | Skirts Ahoy! (1952) | Esther Williams | 7.2 | 163.2 | 255.60 | 27 | 58 | 00 / 00 | 86.1 | |
| 45 | The Story of Will Rogers (1952) | Will Rogers Jr. & Jane Wyman |
6.9 | 156.4 | 169.90 | 32 | 59 | 00 / 00 | 85.8 | |
| 42 | Belles on their Toes (1952) | Myrna Loy & Jeanne Crain |
5.6 | 126.3 | 126.30 | 57 | 69 | 00 / 00 | 85.8 | |
| 44 | Springfield Rifle (1952) | Gary Cooper | 6.7 | 151.5 | 151.50 | 35 | 61 | 00 / 00 | 85.8 | |
| 47 | Off Limits (1952) | Bob Hope & Mickey Rooney |
6.9 | 157.8 | 157.80 | 30 | 59 | 00 / 00 | 85.8 | |
| 43 | Carrie (1952) | Laurence Olivier & Jennifer Jones |
5.0 | 113.6 | 113.60 | 61 | 71 | 02 / 00 | 85.6 | |
| 47 | Big Jim McLain (1952) | John Wayne | 7.2 | 164.1 | 205.50 | 26 | 56 | 00 / 00 | 85.5 | |
| 46 | Lure of the Wilderness (1952) | Walter Brennan | 5.6 | 126.3 | 126.30 | 48 | 67 | 00 / 00 | 85.2 | |
| 49 | The Prisoner of Zenda (1952) | James Mason & Deborah Kerr |
5.8 | 131.2 | 355.30 | 46 | 66 | 00 / 00 | 85.2 | |
| 52 | The Wild North (1952) | Cyd Charisse | 5.9 | 133.3 | 253.00 | 43 | 64 | 00 / 00 | 84.8 | |
| 53 | Because You're Mine (1952) | Mario Lanza | 6.3 | 143.1 | 288.60 | 40 | 60 | 01 / 00 | 84.7 | |
| 48 | Clash by Night (1952) | Marilyn Monroe & Barbara Stanwyck |
4.2 | 94.7 | 94.70 | 84 | 75 | 00 / 00 | 84.6 | |
| 54 | The Battle at Apache Pass (1952) | Jeff Chandler | 5.6 | 126.3 | 126.30 | 49 | 65 | 00 / 00 | 84.3 | |
| 51 | Don't Bother To Knock (1952) | Marilyn Monroe | 4.2 | 94.7 | 94.70 | 76 | 74 | 00 / 00 | 84.2 | |
| 56 | Francis Goes to West Point (1952) | Lori Nelson | 5.6 | 126.3 | 126.30 | 50 | 64 | 00 / 00 | 83.9 | |
| 55 | Lydia Bailey (1952) | Dale Robertson & Anne Francis |
4.9 | 110.5 | 110.50 | 62 | 69 | 00 / 00 | 83.8 | |
| 59 | Thunder in the East (1952) | Alan Ladd & Deborah Kerr |
5.6 | 126.3 | 126.30 | 58 | 63 | 00 / 00 | 83.4 | |
| 60 | Retreat, Hell! (1952) | Frank Lovejoy & Marines |
5.6 | 126.3 | 126.30 | 52 | 63 | 00 / 00 | 83.4 | |
| 62 | She's Working Her Way Through College (1952) | Ronald Reagan & Virginia Mayo |
6.7 | 151.5 | 193.90 | 34 | 55 | 00 / 00 | 83.4 | |
| 58 | Ruby Gentry (1952) | Charlton Heston & Jennifer Jones |
4.9 | 110.5 | 110.50 | 63 | 68 | 00 / 00 | 83.3 | |
| 61 | My Cousin Rachel (1952) | Richard Burton & Olivia de Havilland |
3.6 | 82.1 | 82.10 | 96 | 72 | 04 / 00 | 82.6 | |
| 65 | Bloodhounds of Broadway (1952) | Mitzi Gaynor & Scott Brady |
5.6 | 126.3 | 126.30 | 54 | 61 | 00 / 00 | 82.3 | |
| 66 | We're Not Married! (1952) | Marilyn Monroe & Ginger Rogers |
5.6 | 126.3 | 126.30 | 56 | 61 | 00 / 00 | 82.3 | |
| 61 | The Marrying Kind (1952) | George Cukor | 4.7 | 107.3 | 107.30 | 65 | 67 | 00 / 00 | 82.3 | |
| 63 | Carbine Williams (1952) | James Stewart | 4.9 | 110.5 | 110.50 | 64 | 65 | 00 / 00 | 82.2 | |
| 68 | Botany Bay (1952) | James Mason & Alan Ladd |
5.6 | 126.3 | 126.30 | 55 | 60 | 00 / 00 | 81.9 | |
| 68 | Lone Star (1952) | Clark Gable & Ava Gardner |
6.9 | 156.4 | 247.60 | 33 | 49 | 00 / 00 | 81.4 | |
| 70 | The Iron Mistress (1952) | Alan Ladd & Virginia Mayo |
6.6 | 149.0 | 246.00 | 38 | 51 | 00 / 00 | 81.0 | |
| 67 | Has Anybody Seen My Gal (1952) | Rock Hudson & Piper Laurie |
2.5 | 56.8 | 56.80 | 135 | 80 | 00 / 00 | 80.9 | |
| 69 | Lost in Alaska (1952) | Bud Abbott & Tom Ewell |
4.2 | 94.7 | 94.70 | 82 | 67 | 00 / 00 | 80.6 | |
| 77 | What Price Glory (1952) | James Cagney & Robert Wagner |
5.6 | 126.3 | 126.30 | 53 | 56 | 00 / 00 | 80.1 | |
| 73 | The Pride of St. Louis (1952) | Dan Dailey | 4.5 | 102.9 | 102.90 | 70 | 63 | 01 / 00 | 80.1 | |
| 72 | Phone Call From a Stranger (1952) | Bette Davis & Shelley Winters |
3.8 | 85.2 | 85.20 | 92 | 69 | 00 / 00 | 79.8 | |
| 71 | The Narrow Margin (1952) | Charles McGraw & Marie Windsor |
1.7 | 37.7 | 37.70 | 173 | 83 | 01 / 00 | 79.7 | |
| 73 | Rancho Notorious (1952) | Marlene Dietrich & Arthur Kennedy |
2.5 | 56.8 | 56.80 | 136 | 77 | 00 / 00 | 79.5 | |
| 78 | Against All Flags (1952) | Errol Flynn & Maureen O'Hara |
4.4 | 101.0 | 101.00 | 73 | 62 | 00 / 00 | 78.8 | |
| 79 | Dreamboat (1952) | Ginger Rogers & Clifton Webb |
5.6 | 126.3 | 126.30 | 51 | 53 | 00 / 00 | 78.2 | |
| 79 | Where's Charley? (1952) | Ray Bolger & Allyn Ann McLerie |
4.2 | 94.7 | 94.70 | 78 | 63 | 00 / 00 | 78.2 | |
| 76 | Limelight (1952) | Charles Chaplin & Buster Keaton |
0.5 | 11.4 | 11.40 | 227 | 87 | 01 / 01 | 78.0 | |
| 80 | Crazy for Love/Le trou normand (1952) | Brigitte Bardot | 3.9 | 89.0 | 89.00 | 87 | 64 | 00 / 00 | 77.7 | |
| 83 | The Winning Team (1952) | Doris Day & Ronald Reagan |
4.0 | 90.8 | 101.30 | 86 | 63 | 00 / 00 | 77.2 | |
| 82 | Wait Till the Sun Shines, Nellie (1952) | Jean Peters & David Wayne |
3.5 | 78.9 | 78.90 | 99 | 66 | 00 / 00 | 76.8 | |
| 86 | Mara Maru (1952) | Errol Flynn | 4.2 | 94.7 | 170.80 | 75 | 61 | 00 / 00 | 76.5 | |
| 88 | Bwana Devil (1952) | Robert Stack | 7.5 | 170.5 | 170.50 | 23 | 37 | 00 / 00 | 76.4 | |
| 85 | Steel Town (1952) | Ann Sheridan & John Lund |
3.1 | 69.4 | 69.40 | 116 | 68 | 00 / 00 | 76.1 | |
| 81 | Scandal Sheet (1952) | Broderick Crawford | 2.4 | 54.9 | 54.90 | 137 | 73 | 00 / 00 | 76.0 | |
| 88 | The Lawless Breed (1952) | Rock Hudson & Julie Adams |
3.6 | 82.1 | 82.10 | 97 | 64 | 00 / 00 | 75.8 | |
| 87 | The Sound Barrier (1952) | Ralph Richardson & Denholm Elliott |
2.5 | 56.8 | 56.80 | 134 | 71 | 00 / 00 | 74.9 | |
| 91 | The Cimarron Kid (1952) | Audie Murphy | 3.5 | 79.2 | 79.20 | 98 | 63 | 00 / 00 | 74.5 | |
| 94 | Jack and the Beanstalk (1952) | Bud Abbott & Buddy Baer |
4.4 | 101.0 | 101.00 | 71 | 56 | 00 / 00 | 74.5 | |
| 93 | Way of a Gaucho (1952) | Gene Tierney | 3.9 | 88.4 | 88.40 | 88 | 60 | 00 / 00 | 74.3 | |
| 89 | Just Across The Street (1952) | Ann Sheridan | 1.7 | 39.5 | 39.50 | 170 | 75 | 00 / 00 | 73.6 | |
| 94 | The Las Vegas Story (1952) | Vincent Price & Jane Russell |
3.3 | 75.8 | 75.80 | 110 | 63 | 00 / 00 | 73.5 | |
| 96 | Deadline - USA (1952) | Humphrey Bogart | 3.5 | 78.9 | 78.90 | 104 | 62 | 00 / 00 | 73.5 | |
| 98 | Carson City (1952) | Randolph Scott & Raymond Massey |
4.7 | 107.3 | 107.30 | 66 | 53 | 00 / 00 | 73.5 | |
| 95 | Because Of You (1952) | Loretta Young & Jeff Chandler |
2.7 | 60.7 | 60.70 | 129 | 68 | 00 / 00 | 73.2 | |
| 100 | Bugles in the Afternoon (1952) | Ray Milland | 4.2 | 94.7 | 94.70 | 79 | 57 | 00 / 00 | 73.0 | |
| 93 | Kansas City Confidential (1952) | John Payne & Lee Van Cleef |
1.5 | 34.1 | 34.10 | 178 | 76 | 00 / 00 | 72.9 | |
| 95 | The Thief (1952) | Ray Milland | 2.8 | 63.1 | 63.10 | 126 | 66 | 01 / 00 | 72.8 | |
| 104 | One Minute To Zero (1952) | Robert Mitchum | 4.4 | 101.0 | 101.00 | 72 | 54 | 00 / 00 | 72.2 | |
| 98 | The Member of the Wedding (1952) | Julie Harris | 2.0 | 45.8 | 45.80 | 156 | 70 | 01 / 00 | 71.9 | |
| 104 | Untamed Frontier (1952) | Shelley Winters & Lee Van Cleef |
4.2 | 94.7 | 94.70 | 74 | 55 | 00 / 00 | 71.6 | |
| 103 | My Six Convicts (1952) | Millard Mitchell & Harry Morgan |
3.1 | 69.4 | 69.40 | 115 | 63 | 00 / 00 | 71.6 | |
| 104 | My Pal Gus (1952) | Richard Widmark | 2.8 | 63.3 | 63.30 | 119 | 65 | 00 / 00 | 71.1 | |
| 105 | Back At The Front (1952) | Tom Ewell | 3.5 | 78.9 | 78.90 | 106 | 59 | 00 / 00 | 70.7 | |
| 108 | O. Henry's Full House (1952) | Richard Widmark & Marilyn Monroe |
2.8 | 63.1 | 63.10 | 120 | 64 | 00 / 00 | 70.2 | |
| 109 | Something To Live For (1952) | Joan Fontaine & Ray Milland |
2.8 | 63.1 | 63.10 | 127 | 64 | 00 / 00 | 70.2 | |
| 109 | Scarlet Angel (1952) | Rock Hudson & Yvonne De Carlo |
4.2 | 94.7 | 94.70 | 81 | 54 | 00 / 00 | 70.2 | |
| 112 | Pony Soldier (1952) | Tyrone Power | 4.6 | 104.2 | 104.20 | 69 | 51 | 00 / 00 | 70.1 | |
| 110 | Caribbean (1952) | Arlene Dahl | 3.9 | 88.4 | 88.40 | 89 | 56 | 00 / 00 | 70.0 | |
| 112 | Meet Danny Wilson (1952) | Frank Sinatra & Shelley Winters |
2.1 | 47.8 | 47.80 | 148 | 68 | 00 / 00 | 69.1 | |
| 117 | Saturday Island (1952) | Linda Darnell | 4.2 | 94.7 | 94.70 | 80 | 53 | 00 / 00 | 69.0 | |
| 115 | Les Miserables (1952) | Sylvia Sidney | 3.1 | 69.4 | 69.40 | 117 | 61 | 00 / 00 | 69.0 | |
| 108 | The Greatest Love (1952) | Ingrid Bergman | 0.8 | 18.9 | 18.90 | 210 | 77 | 00 / 00 | 68.9 | |
| 121 | Walk East on Beacon! (1952) | George Murphy | 3.6 | 82.1 | 82.10 | 95 | 56 | 00 / 00 | 68.4 | |
| 113 | The Sniper (1952) | Arthur Franz & Adolphe Menjou |
1.5 | 33.1 | 33.10 | 181 | 72 | 00 / 00 | 68.4 | |
| 114 | The Importance of Being Earnest (1952) | Michael Redgrave | 0.6 | 14.2 | 14.20 | 225 | 77 | 00 / 00 | 67.8 | |
| 118 | My Wife's Best Friend (1952) | Anne Baxter | 1.9 | 44.2 | 44.20 | 163 | 68 | 00 / 00 | 67.7 | |
| 117 | Something For The Birds (1952) | Victor Mature | 2.2 | 50.5 | 50.50 | 147 | 66 | 00 / 00 | 67.6 | |
| 123 | The Duel at Silver Creek (1952) | Lee Marvin & Audie Murphy |
3.5 | 78.9 | 78.90 | 108 | 56 | 00 / 00 | 67.2 | |
| 116 | Ikiru (1952) | Takashi Shimura & Nobuo Kaneko |
0.1 | 1.4 | 1.40 | 242 | 81 | 00 / 00 | 67.2 | |
| 123 | The Belle of New York (1952) | Fred Astaire | 3.7 | 84.6 | 125.10 | 94 | 54 | 00 / 00 | 66.9 | |
| 130 | Plymouth Adventure (1952) | Spencer Tracy & Gene Tierney |
5.3 | 120.5 | 191.00 | 59 | 41 | 01 / 01 | 66.8 | |
| 124 | About Face (1952) | Gordon MacRae & Eddie Bracken |
3.8 | 85.4 | 103.80 | 91 | 54 | 00 / 00 | 66.8 | |
| 129 | Blackbeard, the Pirate (1952) | Linda Darnell | 3.5 | 78.9 | 78.90 | 105 | 55 | 00 / 00 | 66.0 | |
| 128 | Flaming Feather (1952) | Sterling Hayden | 3.5 | 78.9 | 78.90 | 103 | 55 | 00 / 00 | 66.0 | |
| 122 | The Wild Heart (1952) | Jennifer Jones & Joseph Cotten |
1.2 | 26.6 | 26.60 | 191 | 72 | 00 / 00 | 65.9 | |
| 127 | Hurricane Smith (1952) | Yvonne De Carlo | 3.3 | 74.2 | 74.20 | 113 | 57 | 00 / 00 | 65.8 | |
| 125 | The Lion And The Horse (1952) | Steve Cochran | 2.4 | 54.7 | 91.20 | 138 | 63 | 00 / 00 | 65.8 | |
| 134 | Kangaroo (1952) | Maureen O'Hara | 3.5 | 78.9 | 78.90 | 101 | 55 | 00 / 00 | 65.5 | |
| 130 | The Steel Trap (1952) | Joseph Cotten | 2.8 | 63.1 | 63.10 | 124 | 60 | 00 / 00 | 65.3 | |
| 135 | Abbott and Costello Meet Captain Kidd (1952) | Bud Abbott & Charles Laughton |
3.3 | 75.4 | 124.10 | 111 | 56 | 00 / 00 | 65.1 | |
| 126 | Washington Story (1952) | Van Johnson | 1.5 | 35.2 | 43.20 | 177 | 68 | 00 / 00 | 65.0 | |
| 139 | Denver & Rio Grande (1952) | Edmond O'Brien | 3.3 | 74.5 | 74.50 | 112 | 56 | 00 / 00 | 64.8 | |
| 134 | The Outcasts of Poker Flat (1952) | Anne Baxter | 2.3 | 51.9 | 51.90 | 143 | 63 | 00 / 00 | 64.8 | |
| 138 | Diplomatic Courier (1952) | Tyrone Power | 3.9 | 88.4 | 88.40 | 90 | 51 | 00 / 00 | 64.7 | |
| 140 | Hangman's Knot (1952) | Lee Marvin & Randolph Scott |
3.5 | 78.9 | 78.90 | 107 | 54 | 00 / 00 | 64.3 | |
| 136 | The Captive City (1952) | John Forsythe & Directed by Robert Wise |
2.1 | 47.3 | 47.30 | 150 | 64 | 00 / 00 | 64.3 | |
| 139 | Androcles and the Lion (1952) | Victor Mature & Jean Simmons |
3.1 | 70.7 | 70.70 | 114 | 56 | 00 / 00 | 64.1 | |
| 133 | Anything Can Happen (1952) | José Ferrer | 1.0 | 21.7 | 21.70 | 202 | 72 | 00 / 00 | 64.1 | |
| 141 | Return of the Texan (1952) | Richard Boone | 1.7 | 36.5 | 36.50 | 172 | 66 | 00 / 00 | 63.1 | |
| 140 | Beware, My Lovely (1952) | Robert Ryan | 2.0 | 45.7 | 45.70 | 157 | 63 | 00 / 00 | 62.9 | |
| 141 | The Green Glove (1952) | Glenn Ford | 2.1 | 46.9 | 46.90 | 153 | 63 | 00 / 00 | 62.8 | |
| 146 | Macao (1952) | Robert Mitchum | 3.1 | 69.4 | 69.40 | 118 | 55 | 00 / 00 | 62.2 | |
| 143 | Boots Malone (1952) | William Holden & Stanley Clements |
1.9 | 44.2 | 44.20 | 160 | 63 | 00 / 00 | 62.1 | |
| 144 | The Happy Time (1952) | Charles Boyer | 0.9 | 20.0 | 20.00 | 207 | 71 | 00 / 00 | 61.9 | |
| 150 | Operation Secret (1952) | Cornel Wilde & Karl Malden |
2.8 | 62.6 | 116.00 | 128 | 57 | 00 / 00 | 61.1 | |
| 149 | No Room For The Groom (1952) | Tony Curtis | 2.3 | 51.5 | 51.50 | 145 | 60 | 00 / 00 | 61.1 | |
| 147 | At Sword's Point (1952) | Maureen O'Hara | 2.0 | 45.8 | 45.80 | 154 | 62 | 00 / 00 | 60.7 | |
| 148 | Lady Possessed (1952) | James Mason & June Havoc |
1.9 | 44.2 | 44.20 | 161 | 62 | 00 / 00 | 60.6 | |
| 152 | Face to Face (1952) | James Mason & Gene Lockhart |
2.2 | 50.5 | 50.50 | 146 | 60 | 00 / 00 | 60.6 | |
| 153 | Assignment: Paris (1952) | Dana Andrews & George Sanders |
2.6 | 59.3 | 59.30 | 130 | 57 | 00 / 00 | 60.5 | |
| 157 | Stop, You're Killing Me (1952) | Broderick Crawford | 2.5 | 57.9 | 75.50 | 131 | 58 | 00 / 00 | 60.4 | |
| 152 | Just This Once (1952) | Janet Leigh & Peter Lawford |
2.0 | 44.6 | 66.90 | 159 | 62 | 00 / 00 | 60.3 | |
| 154 | Flesh and Fury (1952) | Tony Curtis & Jan Sterling |
1.7 | 39.5 | 39.50 | 169 | 63 | 00 / 00 | 60.0 | |
| 156 | It Grows On Trees (1952) | Irene Dunne | 2.5 | 56.8 | 56.80 | 133 | 58 | 00 / 00 | 59.9 | |
| 157 | Japanese War Bride (1952) | Cameron Mitchell | 1.0 | 20.9 | 20.90 | 200 | 68 | 00 / 00 | 58.7 | |
| 162 | Invitation (1952) | Van Johnson | 2.4 | 54.0 | 91.90 | 140 | 57 | 00 / 00 | 57.9 | |
| 160 | When in Rome (1952) | Van Johnson | 1.4 | 31.8 | 43.10 | 182 | 64 | 00 / 00 | 57.8 | |
| 158 | Casque d'Or (1952) | Simone Signoret | 0.1 | 3.0 | 3.00 | 241 | 73 | 00 / 00 | 57.6 | |
| 162 | Eight Iron Men (1952) | Lee Marvin & Richard Kiley |
1.9 | 44.2 | 44.20 | 162 | 60 | 00 / 00 | 57.5 | |
| 163 | Horizons West (1952) | Robert Ryan & Rock Hudson |
2.1 | 47.6 | 47.60 | 149 | 59 | 00 / 00 | 56.9 | |
| 171 | Red Ball Express (1952) | Sidney Poitier | 4.2 | 94.7 | 94.70 | 83 | 44 | 00 / 00 | 56.9 | |
| 164 | The Savage (1952) | Charlton Heston | 1.8 | 41.0 | 41.00 | 166 | 61 | 00 / 00 | 56.8 | |
| 164 | The Girl in White (1952) | Directed by John Sturges | 2.5 | 57.1 | 84.80 | 132 | 56 | 00 / 00 | 56.8 | |
| 165 | The San Francisco Story (1952) | Joel McCrea | 2.4 | 54.6 | 54.60 | 139 | 56 | 00 / 00 | 56.5 | |
| 173 | Son of Ali Baba (1952) | Tony Curtis | 3.5 | 78.9 | 78.90 | 102 | 48 | 00 / 00 | 56.1 | |
| 167 | Night Without Sleep (1952) | Linda Darnell | 2.1 | 47.0 | 47.00 | 151 | 58 | 00 / 00 | 55.9 | |
| 170 | Fearless Fagan (1952) | Janet Leigh | 2.0 | 45.6 | 60.00 | 158 | 59 | 00 / 00 | 55.9 | |
| 168 | Yankee Buccaneer (1952) | Jeff Chandler & Scott Brady |
1.7 | 38.9 | 38.90 | 171 | 61 | 00 / 00 | 55.8 | |
| 179 | The Jazz Singer (1952) | Michael Curtiz & Danny Thomas |
4.1 | 93.1 | 107.30 | 85 | 43 | 01 / 00 | 55.8 | |
| 176 | The Star (1952) | Bette Davis & Natalie Wood |
2.8 | 63.1 | 63.10 | 121 | 52 | 01 / 00 | 55.6 | |
| 169 | Man Bait (1952) | George Brent | 0.8 | 18.7 | 18.70 | 213 | 67 | 00 / 00 | 54.9 | |
| 174 | The Devil Makes Three (1952) | Gene Kelly | 2.1 | 46.9 | 93.80 | 152 | 58 | 00 / 00 | 54.8 | |
| 173 | Paula (1952) | Loretta Young | 1.5 | 33.2 | 33.20 | 179 | 62 | 00 / 00 | 54.5 | |
| 170 | The Golden Coach (1952) | Anna Magnani | 0.1 | 3.2 | 3.20 | 240 | 71 | 00 / 00 | 54.2 | |
| 179 | Thunderbirds (1952) | John Derek | 2.8 | 63.1 | 63.10 | 123 | 52 | 00 / 00 | 54.2 | |
| 172 | The Holly and the Ivy (1952) | Ralph Richardson | 0.2 | 3.9 | 3.90 | 237 | 71 | 00 / 00 | 53.9 | |
| 179 | The Promoter/The Card (1952) | Alec Guinness | 0.3 | 6.0 | 6.00 | 234 | 68 | 01 / 00 | 51.0 | |
| 185 | Montana Belle (1952) | Jane Russell | 2.8 | 63.1 | 63.10 | 122 | 50 | 00 / 00 | 50.4 | |
| 182 | The Four Poster (1952) | Rex Harrison | 1.1 | 26.1 | 26.10 | 192 | 61 | 01 / 00 | 49.9 | |
| 180 | The Blazing Forest (1952) | William Demarest & Agnes Moorehead |
0.8 | 19.0 | 19.00 | 209 | 64 | 00 / 00 | 49.9 | |
| 181 | The Hour of 13 (1952) | Peter Lawford & Dawn Addams |
1.0 | 21.7 | 21.70 | 201 | 63 | 00 / 00 | 49.4 | |
| 184 | Hong Kong (1952) | Ronald Reagan | 3.5 | 78.9 | 78.90 | 109 | 45 | 00 / 00 | 49.3 | |
| 186 | A Girl in Every Port (1952) | Marx Brothers | 1.8 | 41.0 | 41.00 | 165 | 56 | 00 / 00 | 47.6 | |
| 184 | The Ring (1952) | Gerald Mohr & Rita Moreno |
1.3 | 28.8 | 28.80 | 187 | 59 | 00 / 00 | 47.2 | |
| 189 | Actors and Sin (1952) | Edward G. Robinson | 2.0 | 45.8 | 45.80 | 155 | 54 | 00 / 00 | 46.8 | |
| 189 | Down Among the Sheltering Palms (1952) | Mitzi Gaynor | 2.8 | 63.1 | 63.10 | 125 | 48 | 00 / 00 | 46.8 | |
| 188 | This Woman Is Dangerous (1952) | Joan Crawford & Dennis Morgan |
2.4 | 53.7 | 53.70 | 142 | 51 | 00 / 00 | 46.6 | |
| 191 | Shadow In The Sky (1952) | Jean Hagen | 0.7 | 14.5 | 19.00 | 223 | 62 | 00 / 00 | 44.7 | |
| 188 | For Men Only (1952) | Paul Henreid | 0.8 | 18.9 | 18.90 | 211 | 61 | 00 / 00 | 44.7 | |
| 190 | Sky Full of Moon (1952) | Keenan Wynn | 1.0 | 21.5 | 21.50 | 199 | 60 | 00 / 00 | 44.0 | |
| 192 | The Girl in the Bikini/Manina la fille sans voiles (1952) | Brigitte Bardot | 1.1 | 25.4 | 25.40 | 195 | 59 | 00 / 00 | 44.0 | |
| 194 | The Turning Point (1952) | William Holden & Edmond O'Brien |
1.1 | 25.3 | 25.30 | 196 | 59 | 00 / 00 | 43.7 | |
| 195 | Talk About a Stranger (1952) | George Murphy & Nancy Reagan |
0.8 | 17.6 | 17.60 | 215 | 61 | 00 / 00 | 43.1 | |
| 197 | Glory Alley (1952) | Leslie Caron | 1.2 | 26.9 | 38.30 | 190 | 58 | 00 / 00 | 42.7 | |
| 201 | My Son John (1952) | Van Heflin | 2.3 | 51.8 | 51.80 | 144 | 49 | 01 / 00 | 42.3 | |
| 198 | You For Me (1952) | Peter Lawford & Jane Greer |
1.3 | 28.9 | 28.90 | 186 | 57 | 00 / 00 | 42.1 | |
| 198 | Holiday For Sinners (1952) | Gig Young | 0.8 | 19.1 | 19.10 | 208 | 60 | 00 / 00 | 42.1 | |
| 207 | Red Skies of Montana (1952) | Richard Widmark | 3.5 | 78.9 | 78.90 | 100 | 41 | 00 / 00 | 42.0 | |
| 201 | The Black Castle (1952) | Boris Karloff | 1.5 | 33.1 | 33.10 | 180 | 55 | 00 / 00 | 42.0 | |
| 202 | The Big Trees (1952) | Kirk Douglas | 2.4 | 53.7 | 53.70 | 141 | 49 | 00 / 00 | 41.7 | |
| 200 | Desperate Search (1952) | Howard Keel | 1.3 | 29.4 | 44.60 | 185 | 56 | 00 / 00 | 41.5 | |
| 203 | Apache War Smoke (1952) | Gilbert Roland & Glenda Farrell |
1.6 | 36.4 | 36.40 | 174 | 54 | 00 / 00 | 41.1 | |
| 204 | Tarzan's Savage Fury (1952) | Lex Barker | 1.1 | 25.4 | 56.80 | 193 | 57 | 00 / 00 | 39.9 | |
| 202 | Loan Shark (1952) | George Raft | 0.7 | 16.8 | 16.80 | 217 | 59 | 00 / 00 | 39.2 | |
| 206 | Secret People (1952) | Audrey Hepburn | 0.7 | 16.2 | 16.20 | 220 | 59 | 00 / 00 | 37.1 | |
| 216 | Cattle Town (1952) | Rita Moreno & Dennis Morgan |
1.9 | 43.4 | 54.40 | 164 | 49 | 00 / 00 | 35.8 | |
| 210 | Three for Bedroom C (1952) | Gloria Swanson | 0.9 | 20.1 | 22.30 | 206 | 57 | 00 / 00 | 35.8 | |
| 211 | The Golden Hawk (1952) | Sterling Hayden & Rhonda Fleming |
1.6 | 35.5 | 35.50 | 176 | 52 | 00 / 00 | 35.7 | |
| 210 | Vodoo Tiger (1952) | Johnny Weissmuller | 1.1 | 25.4 | 25.40 | 194 | 55 | 00 / 00 | 35.4 | |
| 209 | Stranger On The Prowl (1952) | Paul Muni | 0.6 | 14.2 | 14.20 | 224 | 58 | 00 / 00 | 34.5 | |
| 211 | Glory At Sea/Gift Horse (1952) | Richard Attenborough & Trevor Howard |
0.4 | 10.1 | 10.10 | 229 | 59 | 00 / 00 | 34.2 | |
| 213 | Murder On Monday (1952) | Ralph Richardson | 0.2 | 3.9 | 3.90 | 238 | 61 | 00 / 00 | 34.1 | |
| 215 | Wild Stallion (1952) | Ben Johnson | 0.7 | 16.8 | 16.80 | 218 | 57 | 00 / 00 | 33.2 | |
| 218 | Jungle Jim in the Forbidden Land (1952) | Johnny Weissmuller | 1.1 | 24.6 | 24.60 | 198 | 54 | 00 / 00 | 32.3 | |
| 219 | The Sellout (1952) | Walter Pidgeon | 1.2 | 27.4 | 40.70 | 188 | 53 | 00 / 00 | 32.1 | |
| 217 | Curtain Up (1952) | Margaret Rutherford | 0.5 | 10.4 | 10.40 | 228 | 58 | 00 / 00 | 31.3 | |
| 220 | Apache County (1952) | Gene Autry | 0.3 | 6.2 | 6.20 | 233 | 57 | 00 / 00 | 27.9 | |
| 221 | Trail Guide (1952) | Tim Holt & Linda Douglas |
0.3 | 7.6 | 7.60 | 231 | 57 | 00 / 00 | 27.7 | |
| 222 | Anita Garibaldi (1952) | Anna Magnani | 0.1 | 3.3 | 3.30 | 239 | 58 | 00 / 00 | 26.9 | |
| 223 | Miss Robin Hood (1952) Limited Release |
Margaret Rutherford | 0.2 | 5.3 | 5.30 | 235 | 57 | 00 / 00 | 26.6 | |
| 224 | Thief of Damascus (1952) | Paul Henreid | 1.4 | 30.8 | 30.80 | 183 | 49 | 00 / 00 | 26.5 | |
| 225 | Young Man with Ideas (1952) | Glenn Ford & Ruth Roman |
1.6 | 35.7 | 35.70 | 175 | 47 | 00 / 00 | 25.6 | |
| 226 | Hoodlum Empire (1952) | Claire Trevor & Richard Jaeckel |
0.2 | 3.8 | 6.00 | 236 | 55 | 00 / 00 | 22.4 | |
| 228 | Red Planet Mars (1952) | Peter Graves & Andrea King |
1.8 | 40.7 | 40.70 | 167 | 42 | 00 / 00 | 20.4 | |
| 228 | Love Is Better Than Ever (1952) | Elizabeth Taylor & Larry Parks |
1.8 | 40.0 | 61.50 | 168 | 42 | 00 / 00 | 19.2 | |
| 227 | Okinawa (1952) | Pat O'Brien | 0.8 | 18.8 | 18.80 | 212 | 48 | 00 / 00 | 18.8 | |
| 230 | Affair in Monte Carlo (1952) | Merle Oberon | 0.9 | 20.6 | 20.60 | 203 | 47 | 00 / 00 | 18.0 | |
| 231 | The Half-Breed (1952) | Robert Young | 0.9 | 20.5 | 20.50 | 205 | 47 | 00 / 00 | 18.0 | |
| 229 | Battle Zone (1952) | Charles Bronson | 0.7 | 14.9 | 14.90 | 221 | 49 | 00 / 00 | 18.0 | |
| 233 | I'll Get You/Escape Route (1952) | George Raft | 0.6 | 13.4 | 13.40 | 226 | 49 | 00 / 00 | 17.1 | |
| 235 | Babes in Bagdad (1952) | Paulette Goddard | 0.7 | 16.5 | 16.50 | 219 | 48 | 00 / 00 | 17.0 | |
| 234 | Outpost in Malaya (1952) | Claudette Colbert & Jack Hawkins |
0.3 | 7.8 | 7.80 | 230 | 50 | 00 / 00 | 16.3 | |
| 236 | The Rose Bowl Story (1952) | Natalie Wood & Vera Miles |
0.8 | 18.1 | 18.10 | 214 | 47 | 00 / 00 | 16.1 | |
| 237 | Bonzo Goes To College (1952) | Maureen O'Sullivan | 0.7 | 15.8 | 15.80 | 222 | 47 | 00 / 00 | 14.8 | |
| 239 | My Man And I (1952) | Shelley Winters | 1.3 | 29.6 | 29.60 | 184 | 41 | 00 / 00 | 13.4 | |
| 238 | The Paris Express (1952) | Claude Rains | 0.8 | 17.5 | 17.50 | 216 | 45 | 00 / 00 | 12.9 | |
| 240 | Mutiny (1952) | Angela Lansbury | 1.2 | 27.2 | 27.20 | 189 | 39 | 00 / 00 | 10.8 | |
| 241 | California Conquest (1952) | Teresa Wright | 0.9 | 20.5 | 20.50 | 204 | 41 | 00 / 00 | 10.0 | |
| 241 | Invansion USA (1952) | Dan O'Herlihy | 1.1 | 23.5 | 23.50 | 197 | 37 | 00 / 00 | 6.8 | |
| 242 | Love Island (1952) | Eva Gabor | 0.3 | 6.3 | 6.30 | 232 | 29 | 00 / 00 | 0.8 | |
| 243 | Bela Lugosi Meets a Brooklyn Gorilla (1952) | Bela Lugosi | 0.0 | 0.7 | 0.70 | 243 | 29 | 00 / 00 | 0.7 |

1952 Box Office Grosses – Adjusted World Wide
| Movie (Year) | UMR Co-Star Links | World-Wide Box Office Adjusted (mil) | S |
|---|---|---|---|
| Movie (Year) | UMR Co-Star Links | World-Wide Box Office Adjusted (mil) | S |
| Ivanhoe (1952) AA Best Picture Nom |
Elizabeth Taylor & Joan Fontaine |
716.20 | |
| Singin' in the Rain (1952) | Gene Kelly | 430.50 | |
| Scaramouche (1952) | Janet Leigh & Eleanor Parker |
426.60 | |
| The Quiet Man (1952) AA Best Picture Nom |
John Wayne & Maureen O'Hara |
366.20 | |
| The Prisoner of Zenda (1952) | James Mason & Deborah Kerr |
355.30 | |
| Million Dollar Mermaid (1952) | Walter Pidgeon & Esther Williams |
312.30 | |
| Because You're Mine (1952) | Mario Lanza | 288.60 | |
| Skirts Ahoy! (1952) | Esther Williams | 255.60 | |
| The Wild North (1952) | Cyd Charisse | 253.00 | |
| Above and Beyond (1952) | Robert Taylor & Eleanor Parker |
251.30 | |
| Lone Star (1952) | Clark Gable & Ava Gardner |
247.60 | |
| The Iron Mistress (1952) | Alan Ladd & Virginia Mayo |
246.00 | |
| Lovely To Look At (1952) | Kathryn Grayson & Red Skelton |
238.30 | |
| April in Paris (1952) | Doris Day | 224.70 | |
| Room For One More (1952) | Cary Grant & Betsy Drake |
218.60 | |
| The Bad and the Beautiful (1952) | Kirk Douglas | 212.90 | |
| Big Jim McLain (1952) | John Wayne | 205.50 | |
| She's Working Her Way Through College (1952) | Ronald Reagan & Virginia Mayo |
193.90 | |
| Plymouth Adventure (1952) | Spencer Tracy & Gene Tierney |
191.00 | |
| Pat and Mike (1952) | Katharine Hepburn & Spencer Tracy |
173.40 | |
| Mara Maru (1952) | Errol Flynn | 170.80 | |
| The Story of Will Rogers (1952) | Will Rogers Jr. & Jane Wyman |
169.90 | |
| The Belle of New York (1952) | Fred Astaire | 125.10 | |
| Abbott and Costello Meet Captain Kidd (1952) | Bud Abbott & Charles Laughton |
124.10 | |
| Operation Secret (1952) | Cornel Wilde & Karl Malden |
116.00 | |
| The Jazz Singer (1952) | Michael Curtiz & Danny Thomas |
107.30 | |
| About Face (1952) | Gordon MacRae & Eddie Bracken |
103.80 | |
| The Winning Team (1952) | Doris Day & Ronald Reagan |
101.30 | |
| The Devil Makes Three (1952) | Gene Kelly | 93.80 | |
| Invitation (1952) | Van Johnson | 91.90 | |
| The Lion And The Horse (1952) | Steve Cochran | 91.20 | |
| The Girl in White (1952) | Directed by John Sturges | 84.80 | |
| Stop, You're Killing Me (1952) | Broderick Crawford | 75.50 | |
| Just This Once (1952) | Janet Leigh & Peter Lawford |
66.90 | |
| Love Is Better Than Ever (1952) | Elizabeth Taylor & Larry Parks |
61.50 | |
| Fearless Fagan (1952) | Janet Leigh | 60.00 | |
| Tarzan's Savage Fury (1952) | Lex Barker | 56.80 | |
| Cattle Town (1952) | Rita Moreno & Dennis Morgan |
54.40 | |
| Desperate Search (1952) | Howard Keel | 44.60 | |
| Washington Story (1952) | Van Johnson | 43.20 | |
| When in Rome (1952) | Van Johnson | 43.10 | |
| The Sellout (1952) | Walter Pidgeon | 40.70 | |
| Glory Alley (1952) | Leslie Caron | 38.30 | |
| Three for Bedroom C (1952) | Gloria Swanson | 22.30 | |
| Shadow In The Sky (1952) | Jean Hagen | 19.00 | |
| Hoodlum Empire (1952) | Claire Trevor & Richard Jaeckel |
6.00 |
How the Box Office Numbers were Calculated
Sadly in 1952….BoxOfficeMojo was not around to keep track of box office earnings. Back then earnings seem to be a secret and a secret that needed to be safely locked up. When studios did report box office stats they used “box office rentals”. Box office rentals were the amount of money the studio got back from the theaters. It is NOT the box office gross. According to Film Daily Yearbook the film rentals as percentage of box office grosses was 36% in 1952. That means that box office gross was 2.75 times greater than box office rentals. It is not an exact calculation….but for 1952 the multiplier we used was 2.75.
Our Other Yearly Review Movie Pages
-
- 1939 Movies Ranked Best to Worst Our movie of the year? Gone With The Wind
- 1946 Movies Ranked Best to Worst Our movie of the year? The Best Years of Our Lives
- 2011 Movies Ranked Best to Worst Our movie of the year? The Help
- 2012 Movies Ranked Best to Worst Our movie of the year? Argo
- 2013 Movies Ranked Best to Worst Our movie of the year? Gravity
- 2014 Movies Ranked Best to Worst Our movie of the year? American Sniper
- 2015 Movies Ranked Best to Worst Our movie of the year? The Martian
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True love never fails! Love The Quiet Man.
Love at first sight too…when you think about Wayne and O’Hara in The Quiet Man.
Hans Christian Andersen, not Anderson. He was Danish, not German.
Thank you Phalbe….I fixed that error not only this page but on my Danny Kaye page….too….thanks for the catch….it is greatly apppreciated.
Nice to see COME BACK, LITTLE SHEBA at #10 with $9.73 million, as it was a rather small, intimate domestic drama. Despite this it apparently appealed to a wide audience, undoubtedly due in part to the acclaim heaped upon Shirley Booth’s brilliant performance. These were the days when a modestly successful Broadway run of 190 performances could attract the attention of a distinguished independent Hollywood producer such as Hal Wallis. And he was wise as well as brave enough to risk casting Booth to recreate her award-winning Broadway performance.
Hey Philip…Come Back Little Sheba got released in late 1952…and ended up being the 14th biggest hit of1953. Pretty sure Shirley Booth getting an Oscar for the movie helped the box office. Growing up I only knew Booth from Hazel re-runs….I remember when I realized she and Mrs. Partridge were both Oscar winning actresses….at first it really confused me. Glad Wallis gave her a chance….amazing how well she and Lancaster matched up in that movie….thanks for feedback.
I didn’t catch up with SHEBA until it came out on VHS in the early 90s, though I’d long been familiar with Booth and knew she’d won the Oscar for it. She was still alive at the time of my first viewing, and as I wiped my eyes at the end I thought, “But when she dies, the obits will lead off with ‘Shirley Booth, TV’s HAZEL…'” and I was right. Anyway, it’s a heartbreaker of a performance, and I think most people who’ve been closely affected by the alcoholism of a loved one will tell you that she got everything right.
I just watched Sheba about 5 years ago. I decided to try and watch all the major category Oscar winning movies….so I tracked down the movie. She was incredible….never once did I think of Hazel. I can see her Obit starting that way. I think no the Hazel memory is fading…and she is now one of the many woman great actresses to win a Best Actress Oscar.
Just visited Ringling Museum in Sarasota, FL where much history, Artwork and posters provide great background and detail about circus performers and preparation for performance. The movie, The greatest Show on Earth, appears to give a true and accurate account of the circus. Brought back a lot of wonderful childhood memories!
Hey Suzy….very cool…thanks for sharing your visit to the Ringling Musuem. Growing up my dad always talked about the train wreck in Greatest Show On Earth…..I have the chase scene from Raiders of the Lost Ark….and he had the train wreck scene. Glad that brought back those wonderful childhood memories….thanks for the comment and thanks for stopping by.
WOW – LOTS OF RESEARCH FOR ALL THESE MOVIES. I have seen quite a few of these movies. DID YOU EVER SEE IRON MISTRESS WITH ALAN LADD? That was a good movie. So many good movies that entertained for 1952 – YOU WERE NOT EVEN A TWINKLE IN YOUR DAD’S EYE OR MINE EITHER, ha, ha, ha. Thanks so much for the information – interesting to say the least!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Hey Bern1960….glad you liked my 1952 movie page. I have not seen Iron Mistress but I saw it made a lot of money. I remember dad talking about more than a few of these movies. He was always a fan of the train wreck in The Greatest Show On Earth….he would have been 15 or so when he saw that….I imagine it made a big impact on him as a kid. Thanks for stopping by.