
This movie page looks at The Top Grossing Movies of 1952. In 1952, 463 movies were released in theaters. Average weekly movie attendance was 51 million. That translates to $2.65 billion (25th best year in movie history) movie tickets sold which generated revenue of $1.24 billion. So with all of this money flying around you would think somebody would have kept track of how each movie was performing. Sadly that was the case!
Currently when you type in the search words….”Top Grossing Movies of 1952″ you do not get much information. Wikipedia provides 10 movies. The Numbers.com provides 10 movies. Stats-a-mania offers up 7 movies. You have to go to the 26th search result to find the next place that lists box office results….UMR’s (that’s us) Marilyn Monroe page which offers up 5 movies. So in an effort to get more information out there…we have decided to unlock our 1952 movie database vault and share the information we have collected over the years.
To make this list a movie had to be made in 1952 (as listed on IMDB.com). Obviously many movies made in 1951 earned box office dollars in 1952. On the other side many movies made in 1952 made money in 1953 and later. This page will looks at 162 Top Grossing Movies of 1952. The movies are listed in a massive table that shows who starred in the movie, had much the movie grossed when it was released and how that gross means in today’s money.
Drivel part of the page: Currently our movie database is down for a massive update which includes a new box office formula and a new formula for our movie ranking equation. So we do not have access to all of our information. For some reason….Wife of Cogerson thinks her full time job takes precendent over this non-revenue generating hobby. Sometimes I just do not understand her….lol. So without the ability to do a page on a actor or actress…I had to pick a year as our the latest movie page.

Our UMR Top 50 of 1952
Year
Movie (Year)
Rating
S
Year Movie (Year) Rating S
1952
High Noon (1952)
AA Best Picture Nom

1952
The Quiet Man (1952)
AA Best Picture Nom

1952
The Greatest Show on Earth (1952)
AA Best Picture Win

1952
Singin' in the Rain (1952)

1952
Moulin Rouge (1952)
AA Best Picture Nom

1952
Ivanhoe (1952)
AA Best Picture Nom

1952
The Bad and the Beautiful (1952)

1952
Bend of the River (1952)

1952
Hans Christian Andersen (1952)

1952
Son of Paleface (1952)

1952
With a Song in My Heart (1952)

1952
Come Back, Little Sheba (1952)

1952
This is Cinerama (1952)

1952
Stars and Stripes Forever (1952)

1952
Scaramouche (1952)

1952
Sailor Beware (1952)

1952
The Crimson Pirate (1952)

1952
The Snows of Kilimanjaro (1952)

1952
Jumping Jacks (1952)

1952
Road to Bali (1952)
Cameo Role

1952
Million Dollar Mermaid (1952)

1952
Above and Beyond (1952)

1952
Pat and Mike (1952)

1952
Ma and Pa Kettle at the Fair (1952)

1952
Affair in Trinidad (1952)

1952
Sudden Fear (1952)

1952
Room For One More (1952)

1952
Viva Zapata! (1952)

1952
Just For You (1952)

1952
Monkey Business (1952)

1952
Ma and Pa Kettle on Vacation (1952)

1952
The World in His Arms (1952)

1952
5 Fingers (1952)

1952
The Merry Widow (1952)

1952
April in Paris (1952)

1952
The Big Sky (1952)

1952
The Lusty Men (1952)

1952
The Story of Robin Hood and His Merrie Men (1952)

1952
Somebody Loves Me (1952)

1952
Lovely To Look At (1952)

1952
Skirts Ahoy! (1952)

1952
The Story of Will Rogers (1952)

1952
Belles on their Toes (1952)

1952
Springfield Rifle (1952)

1952
Off Limits (1952)

1952
Carrie (1952)

1952
Big Jim McLain (1952)

1952
Lure of the Wilderness (1952)

1952
The Prisoner of Zenda (1952)

1952
The Wild North (1952)

| Year | Movie (Year) | Rating | S |
|---|---|---|---|
| Year | Movie (Year) | Rating | S |
| 1952 | High Noon (1952) AA Best Picture Nom |
||
| 1952 | The Quiet Man (1952) AA Best Picture Nom |
||
| 1952 | The Greatest Show on Earth (1952) AA Best Picture Win |
||
| 1952 | Singin' in the Rain (1952) | ||
| 1952 | Moulin Rouge (1952) AA Best Picture Nom |
||
| 1952 | Ivanhoe (1952) AA Best Picture Nom |
||
| 1952 | The Bad and the Beautiful (1952) | ||
| 1952 | Bend of the River (1952) | ||
| 1952 | Hans Christian Andersen (1952) | ||
| 1952 | Son of Paleface (1952) | ||
| 1952 | With a Song in My Heart (1952) | ||
| 1952 | Come Back, Little Sheba (1952) | ||
| 1952 | This is Cinerama (1952) | ||
| 1952 | Stars and Stripes Forever (1952) | ||
| 1952 | Scaramouche (1952) | ||
| 1952 | Sailor Beware (1952) | ||
| 1952 | The Crimson Pirate (1952) | ||
| 1952 | The Snows of Kilimanjaro (1952) | ||
| 1952 | Jumping Jacks (1952) | ||
| 1952 | Road to Bali (1952) Cameo Role |
||
| 1952 | Million Dollar Mermaid (1952) | ||
| 1952 | Above and Beyond (1952) | ||
| 1952 | Pat and Mike (1952) | ||
| 1952 | Ma and Pa Kettle at the Fair (1952) | ||
| 1952 | Affair in Trinidad (1952) | ||
| 1952 | Sudden Fear (1952) | ||
| 1952 | Room For One More (1952) | ||
| 1952 | Viva Zapata! (1952) | ||
| 1952 | Just For You (1952) | ||
| 1952 | Monkey Business (1952) | ||
| 1952 | Ma and Pa Kettle on Vacation (1952) | ||
| 1952 | The World in His Arms (1952) | ||
| 1952 | 5 Fingers (1952) | ||
| 1952 | The Merry Widow (1952) | ||
| 1952 | April in Paris (1952) | ||
| 1952 | The Big Sky (1952) | ||
| 1952 | The Lusty Men (1952) | ||
| 1952 | The Story of Robin Hood and His Merrie Men (1952) | ||
| 1952 | Somebody Loves Me (1952) | ||
| 1952 | Lovely To Look At (1952) | ||
| 1952 | Skirts Ahoy! (1952) | ||
| 1952 | The Story of Will Rogers (1952) | ||
| 1952 | Belles on their Toes (1952) | ||
| 1952 | Springfield Rifle (1952) | ||
| 1952 | Off Limits (1952) | ||
| 1952 | Carrie (1952) | ||
| 1952 | Big Jim McLain (1952) | ||
| 1952 | Lure of the Wilderness (1952) | ||
| 1952 | The Prisoner of Zenda (1952) | ||
| 1952 | The Wild North (1952) |
Top Grossing Movies of 1952 Can Be Sorted 3 Ways In This Table
The really cool thing about this table is that it is “user-sortable”. Rank the movies anyway you want.
- Sort Top Grossing Movies of 1952 by the stars or in some cases the director of the movie.
- Sort Top Grossing Movies of 1952 by domestic actual box office grosses (in millions)
- Sort Top Grossing Movies of 1952 by domestic adjusted box office grosses using current movie ticket cost (in millions)
| R | Movie (Year) | UMR Co-Star Links | Adj. B.O. Worldwide (mil) | UMR Score | ||||||
|---|---|---|---|---|---|---|---|---|---|---|
| R | Movie (Year) | UMR Co-Star Links | Actual B.O. Domestic (mil) | Adj. B.O. Domestic (mil) | Adj. B.O. Worldwide (mil) | B.O. Rank by Year | Review | Oscar Nom / Win | UMR Score | S |
| 1 | High Noon (1952) AA Best Picture Nom |
Gary Cooper & Grace Kelly |
9.4 | 214.6 | 214.60 | 12 | 92 | 07 / 04 | 99.7 | |
| 2 | The Quiet Man (1952) AA Best Picture Nom |
John Wayne & Maureen O'Hara |
10.6 | 239.9 | 366.20 | 10 | 84 | 07 / 02 | 99.4 | |
| 3 | The Greatest Show on Earth (1952) AA Best Picture Win |
James Stewart & Charlton Heston |
32.9 | 748.1 | 748.10 | 1 | 64 | 05 / 02 | 99.2 | |
| 4 | Singin' in the Rain (1952) | Gene Kelly | 12.4 | 281.1 | 430.50 | 6 | 93 | 02 / 00 | 99.1 | |
| 5 | Moulin Rouge (1952) AA Best Picture Nom |
Jose Ferrer | 11.8 | 268.4 | 268.40 | 8 | 71 | 07 / 02 | 98.2 | |
| 6 | Ivanhoe (1952) AA Best Picture Nom |
Elizabeth Taylor & Joan Fontaine |
17.4 | 395.1 | 716.20 | 4 | 73 | 03 / 00 | 97.5 | |
| 9 | The Bad and the Beautiful (1952) | Kirk Douglas | 6.6 | 149.4 | 212.90 | 37 | 85 | 06 / 05 | 97.1 | |
| 12 | Bend of the River (1952) | James Stewart & Rock Hudson |
8.3 | 189.4 | 189.40 | 16 | 82 | 00 / 00 | 96.8 | |
| 7 | Hans Christian Andersen (1952) | Danny Kaye | 16.7 | 378.8 | 378.80 | 5 | 73 | 06 / 00 | 96.8 | |
| 10 | Son of Paleface (1952) | Bob Hope & Jane Russell |
9.4 | 214.6 | 214.60 | 13 | 77 | 01 / 00 | 96.7 | |
| 13 | With a Song in My Heart (1952) | Susan Hayward & Thelma Ritter |
9.2 | 208.3 | 208.30 | 14 | 71 | 05 / 01 | 96.2 | |
| 11 | Come Back, Little Sheba (1952) | Shirley Booth & Terry Moore |
9.7 | 221.0 | 221.00 | 11 | 72 | 03 / 01 | 96.2 | |
| 13 | This is Cinerama (1952) | Lowell Thomas | 28.1 | 637.6 | 637.60 | 2 | 72 | 01 / 00 | 95.5 | |
| 16 | Stars and Stripes Forever (1952) | Clifton Webb | 8.3 | 189.4 | 189.40 | 18 | 76 | 00 / 00 | 95.3 | |
| 18 | Scaramouche (1952) | Janet Leigh & Eleanor Parker |
7.6 | 173.6 | 426.60 | 22 | 78 | 00 / 00 | 94.6 | |
| 14 | Sailor Beware (1952) | Dean Martin & Jerry Lewis |
11.9 | 271.5 | 271.50 | 7 | 68 | 00 / 00 | 93.9 | |
| 19 | The Crimson Pirate (1952) | Burt Lancaster | 6.9 | 157.8 | 157.80 | 31 | 81 | 00 / 00 | 93.8 | |
| 15 | The Snows of Kilimanjaro (1952) | Susan Hayward & Ava Gardner |
18.1 | 410.4 | 410.40 | 3 | 64 | 02 / 00 | 93.2 | |
| 17 | Jumping Jacks (1952) | Dean Martin & Jerry Lewis |
11.1 | 252.5 | 252.50 | 9 | 62 | 00 / 00 | 92.0 | |
| 21 | Road to Bali (1952) Cameo Role |
Bing Crosby & Bob Hope |
8.3 | 189.4 | 189.40 | 15 | 65 | 00 / 00 | 91.9 | |
| 23 | Million Dollar Mermaid (1952) | Walter Pidgeon & Esther Williams |
7.9 | 180.0 | 312.30 | 20 | 66 | 01 / 00 | 91.5 | |
| 22 | Above and Beyond (1952) | Robert Taylor & Eleanor Parker |
7.4 | 167.1 | 251.30 | 25 | 69 | 02 / 00 | 91.4 | |
| 23 | Pat and Mike (1952) | Katharine Hepburn & Spencer Tracy |
5.8 | 132.6 | 173.40 | 45 | 80 | 01 / 00 | 90.8 | |
| 25 | Ma and Pa Kettle at the Fair (1952) | Marjorie Main & Percy Kilbride |
6.9 | 157.8 | 157.80 | 29 | 70 | 00 / 00 | 90.0 | |
| 26 | Affair in Trinidad (1952) | Rita Hayworth & Glenn Ford |
7.5 | 170.5 | 170.50 | 24 | 65 | 01 / 00 | 90.0 | |
| 24 | Sudden Fear (1952) | Jack Palance & Joan Crawford |
4.6 | 104.2 | 104.20 | 67 | 82 | 04 / 00 | 89.4 | |
| 28 | Room For One More (1952) | Cary Grant & Betsy Drake |
6.6 | 149.7 | 218.60 | 36 | 70 | 00 / 00 | 89.1 | |
| 27 | Viva Zapata! (1952) | Marlon Brando & Anthony Quinn |
5.3 | 119.9 | 119.90 | 60 | 73 | 05 / 01 | 88.6 | |
| 31 | Just For You (1952) | Bing Crosby & Natalie Wood |
8.3 | 189.4 | 189.40 | 17 | 55 | 01 / 00 | 88.4 | |
| 30 | Monkey Business (1952) | Cary Grant & Marilyn Monroe |
5.6 | 126.3 | 126.30 | 47 | 75 | 00 / 00 | 88.1 | |
| 31 | Ma and Pa Kettle on Vacation (1952) | Ma and Pa Kettle | 6.1 | 138.9 | 138.90 | 42 | 70 | 00 / 00 | 87.9 | |
| 34 | The World in His Arms (1952) | Gregory Peck & Anthony Quinn |
8.2 | 186.2 | 186.20 | 19 | 55 | 00 / 00 | 87.8 | |
| 29 | 5 Fingers (1952) | James Mason & Danielle Darrieux |
3.8 | 85.2 | 85.20 | 93 | 85 | 02 / 00 | 87.8 | |
| 34 | The Merry Widow (1952) | Lana Turner | 6.4 | 145.2 | 145.20 | 39 | 66 | 02 / 00 | 87.8 | |
| 39 | April in Paris (1952) | Doris Day | 7.6 | 173.6 | 224.70 | 21 | 57 | 00 / 00 | 87.1 | |
| 36 | The Big Sky (1952) | Arthur Hunnicutt & Kirk Douglas |
4.6 | 104.2 | 104.20 | 68 | 77 | 02 / 00 | 87.1 | |
| 35 | The Lusty Men (1952) | Robert Mitchum & Susan Hayward |
4.2 | 94.7 | 94.70 | 77 | 82 | 00 / 00 | 87.0 | |
| 36 | The Story of Robin Hood and His Merrie Men (1952) | Richard Todd | 5.8 | 132.6 | 132.60 | 44 | 70 | 00 / 00 | 87.0 | |
| 37 | Somebody Loves Me (1952) | Betty Hutton | 6.1 | 138.9 | 138.90 | 41 | 68 | 00 / 00 | 87.0 | |
| 41 | Lovely To Look At (1952) | Kathryn Grayson & Red Skelton |
7.1 | 162.3 | 238.30 | 28 | 59 | 00 / 00 | 86.6 | |
| 43 | Skirts Ahoy! (1952) | Esther Williams | 7.2 | 163.2 | 255.60 | 27 | 58 | 00 / 00 | 86.1 | |
| 45 | The Story of Will Rogers (1952) | Will Rogers Jr. & Jane Wyman |
6.9 | 156.4 | 169.90 | 32 | 59 | 00 / 00 | 85.8 | |
| 42 | Belles on their Toes (1952) | Myrna Loy & Jeanne Crain |
5.6 | 126.3 | 126.30 | 57 | 69 | 00 / 00 | 85.8 | |
| 44 | Springfield Rifle (1952) | Gary Cooper | 6.7 | 151.5 | 151.50 | 35 | 61 | 00 / 00 | 85.8 | |
| 47 | Off Limits (1952) | Bob Hope & Mickey Rooney |
6.9 | 157.8 | 157.80 | 30 | 59 | 00 / 00 | 85.8 | |
| 43 | Carrie (1952) | Laurence Olivier & Jennifer Jones |
5.0 | 113.6 | 113.60 | 61 | 71 | 02 / 00 | 85.6 | |
| 47 | Big Jim McLain (1952) | John Wayne | 7.2 | 164.1 | 205.50 | 26 | 56 | 00 / 00 | 85.5 | |
| 46 | Lure of the Wilderness (1952) | Walter Brennan | 5.6 | 126.3 | 126.30 | 48 | 67 | 00 / 00 | 85.2 | |
| 49 | The Prisoner of Zenda (1952) | James Mason & Deborah Kerr |
5.8 | 131.2 | 355.30 | 46 | 66 | 00 / 00 | 85.2 | |
| 52 | The Wild North (1952) | Cyd Charisse | 5.9 | 133.3 | 253.00 | 43 | 64 | 00 / 00 | 84.8 | |
| 53 | Because You're Mine (1952) | Mario Lanza | 6.3 | 143.1 | 288.60 | 40 | 60 | 01 / 00 | 84.7 | |
| 48 | Clash by Night (1952) | Marilyn Monroe & Barbara Stanwyck |
4.2 | 94.7 | 94.70 | 84 | 75 | 00 / 00 | 84.6 | |
| 54 | The Battle at Apache Pass (1952) | Jeff Chandler | 5.6 | 126.3 | 126.30 | 49 | 65 | 00 / 00 | 84.3 | |
| 51 | Don't Bother To Knock (1952) | Marilyn Monroe | 4.2 | 94.7 | 94.70 | 76 | 74 | 00 / 00 | 84.2 | |
| 56 | Francis Goes to West Point (1952) | Lori Nelson | 5.6 | 126.3 | 126.30 | 50 | 64 | 00 / 00 | 83.9 | |
| 55 | Lydia Bailey (1952) | Dale Robertson & Anne Francis |
4.9 | 110.5 | 110.50 | 62 | 69 | 00 / 00 | 83.8 | |
| 59 | Thunder in the East (1952) | Alan Ladd & Deborah Kerr |
5.6 | 126.3 | 126.30 | 58 | 63 | 00 / 00 | 83.4 | |
| 60 | Retreat, Hell! (1952) | Frank Lovejoy & Marines |
5.6 | 126.3 | 126.30 | 52 | 63 | 00 / 00 | 83.4 | |
| 62 | She's Working Her Way Through College (1952) | Ronald Reagan & Virginia Mayo |
6.7 | 151.5 | 193.90 | 34 | 55 | 00 / 00 | 83.4 | |
| 58 | Ruby Gentry (1952) | Charlton Heston & Jennifer Jones |
4.9 | 110.5 | 110.50 | 63 | 68 | 00 / 00 | 83.3 | |
| 61 | My Cousin Rachel (1952) | Richard Burton & Olivia de Havilland |
3.6 | 82.1 | 82.10 | 96 | 72 | 04 / 00 | 82.6 | |
| 65 | Bloodhounds of Broadway (1952) | Mitzi Gaynor & Scott Brady |
5.6 | 126.3 | 126.30 | 54 | 61 | 00 / 00 | 82.3 | |
| 66 | We're Not Married! (1952) | Marilyn Monroe & Ginger Rogers |
5.6 | 126.3 | 126.30 | 56 | 61 | 00 / 00 | 82.3 | |
| 61 | The Marrying Kind (1952) | George Cukor | 4.7 | 107.3 | 107.30 | 65 | 67 | 00 / 00 | 82.3 | |
| 63 | Carbine Williams (1952) | James Stewart | 4.9 | 110.5 | 110.50 | 64 | 65 | 00 / 00 | 82.2 | |
| 68 | Botany Bay (1952) | James Mason & Alan Ladd |
5.6 | 126.3 | 126.30 | 55 | 60 | 00 / 00 | 81.9 | |
| 68 | Lone Star (1952) | Clark Gable & Ava Gardner |
6.9 | 156.4 | 247.60 | 33 | 49 | 00 / 00 | 81.4 | |
| 70 | The Iron Mistress (1952) | Alan Ladd & Virginia Mayo |
6.6 | 149.0 | 246.00 | 38 | 51 | 00 / 00 | 81.0 | |
| 67 | Has Anybody Seen My Gal (1952) | Rock Hudson & Piper Laurie |
2.5 | 56.8 | 56.80 | 135 | 80 | 00 / 00 | 80.9 | |
| 69 | Lost in Alaska (1952) | Bud Abbott & Tom Ewell |
4.2 | 94.7 | 94.70 | 82 | 67 | 00 / 00 | 80.6 | |
| 77 | What Price Glory (1952) | James Cagney & Robert Wagner |
5.6 | 126.3 | 126.30 | 53 | 56 | 00 / 00 | 80.1 | |
| 73 | The Pride of St. Louis (1952) | Dan Dailey | 4.5 | 102.9 | 102.90 | 70 | 63 | 01 / 00 | 80.1 | |
| 72 | Phone Call From a Stranger (1952) | Bette Davis & Shelley Winters |
3.8 | 85.2 | 85.20 | 92 | 69 | 00 / 00 | 79.8 | |
| 71 | The Narrow Margin (1952) | Charles McGraw & Marie Windsor |
1.7 | 37.7 | 37.70 | 173 | 83 | 01 / 00 | 79.7 | |
| 73 | Rancho Notorious (1952) | Marlene Dietrich & Arthur Kennedy |
2.5 | 56.8 | 56.80 | 136 | 77 | 00 / 00 | 79.5 | |
| 78 | Against All Flags (1952) | Errol Flynn & Maureen O'Hara |
4.4 | 101.0 | 101.00 | 73 | 62 | 00 / 00 | 78.8 | |
| 79 | Dreamboat (1952) | Ginger Rogers & Clifton Webb |
5.6 | 126.3 | 126.30 | 51 | 53 | 00 / 00 | 78.2 | |
| 79 | Where's Charley? (1952) | Ray Bolger & Allyn Ann McLerie |
4.2 | 94.7 | 94.70 | 78 | 63 | 00 / 00 | 78.2 | |
| 76 | Limelight (1952) | Charles Chaplin & Buster Keaton |
0.5 | 11.4 | 11.40 | 227 | 87 | 01 / 01 | 78.0 | |
| 80 | Crazy for Love/Le trou normand (1952) | Brigitte Bardot | 3.9 | 89.0 | 89.00 | 87 | 64 | 00 / 00 | 77.7 | |
| 83 | The Winning Team (1952) | Doris Day & Ronald Reagan |
4.0 | 90.8 | 101.30 | 86 | 63 | 00 / 00 | 77.2 | |
| 82 | Wait Till the Sun Shines, Nellie (1952) | Jean Peters & David Wayne |
3.5 | 78.9 | 78.90 | 99 | 66 | 00 / 00 | 76.8 | |
| 86 | Mara Maru (1952) | Errol Flynn | 4.2 | 94.7 | 170.80 | 75 | 61 | 00 / 00 | 76.5 | |
| 88 | Bwana Devil (1952) | Robert Stack | 7.5 | 170.5 | 170.50 | 23 | 37 | 00 / 00 | 76.4 | |
| 85 | Steel Town (1952) | Ann Sheridan & John Lund |
3.1 | 69.4 | 69.40 | 116 | 68 | 00 / 00 | 76.1 | |
| 81 | Scandal Sheet (1952) | Broderick Crawford | 2.4 | 54.9 | 54.90 | 137 | 73 | 00 / 00 | 76.0 | |
| 88 | The Lawless Breed (1952) | Rock Hudson & Julie Adams |
3.6 | 82.1 | 82.10 | 97 | 64 | 00 / 00 | 75.8 | |
| 87 | The Sound Barrier (1952) | Ralph Richardson & Denholm Elliott |
2.5 | 56.8 | 56.80 | 134 | 71 | 00 / 00 | 74.9 | |
| 91 | The Cimarron Kid (1952) | Audie Murphy | 3.5 | 79.2 | 79.20 | 98 | 63 | 00 / 00 | 74.5 | |
| 94 | Jack and the Beanstalk (1952) | Bud Abbott & Buddy Baer |
4.4 | 101.0 | 101.00 | 71 | 56 | 00 / 00 | 74.5 | |
| 93 | Way of a Gaucho (1952) | Gene Tierney | 3.9 | 88.4 | 88.40 | 88 | 60 | 00 / 00 | 74.3 | |
| 89 | Just Across The Street (1952) | Ann Sheridan | 1.7 | 39.5 | 39.50 | 170 | 75 | 00 / 00 | 73.6 | |
| 94 | The Las Vegas Story (1952) | Vincent Price & Jane Russell |
3.3 | 75.8 | 75.80 | 110 | 63 | 00 / 00 | 73.5 | |
| 96 | Deadline - USA (1952) | Humphrey Bogart | 3.5 | 78.9 | 78.90 | 104 | 62 | 00 / 00 | 73.5 | |
| 98 | Carson City (1952) | Randolph Scott & Raymond Massey |
4.7 | 107.3 | 107.30 | 66 | 53 | 00 / 00 | 73.5 | |
| 95 | Because Of You (1952) | Loretta Young & Jeff Chandler |
2.7 | 60.7 | 60.70 | 129 | 68 | 00 / 00 | 73.2 | |
| 100 | Bugles in the Afternoon (1952) | Ray Milland | 4.2 | 94.7 | 94.70 | 79 | 57 | 00 / 00 | 73.0 | |
| 93 | Kansas City Confidential (1952) | John Payne & Lee Van Cleef |
1.5 | 34.1 | 34.10 | 178 | 76 | 00 / 00 | 72.9 | |
| 95 | The Thief (1952) | Ray Milland | 2.8 | 63.1 | 63.10 | 126 | 66 | 01 / 00 | 72.8 | |
| 104 | One Minute To Zero (1952) | Robert Mitchum | 4.4 | 101.0 | 101.00 | 72 | 54 | 00 / 00 | 72.2 | |
| 98 | The Member of the Wedding (1952) | Julie Harris | 2.0 | 45.8 | 45.80 | 156 | 70 | 01 / 00 | 71.9 | |
| 104 | Untamed Frontier (1952) | Shelley Winters & Lee Van Cleef |
4.2 | 94.7 | 94.70 | 74 | 55 | 00 / 00 | 71.6 | |
| 103 | My Six Convicts (1952) | Millard Mitchell & Harry Morgan |
3.1 | 69.4 | 69.40 | 115 | 63 | 00 / 00 | 71.6 | |
| 104 | My Pal Gus (1952) | Richard Widmark | 2.8 | 63.3 | 63.30 | 119 | 65 | 00 / 00 | 71.1 | |
| 105 | Back At The Front (1952) | Tom Ewell | 3.5 | 78.9 | 78.90 | 106 | 59 | 00 / 00 | 70.7 | |
| 108 | O. Henry's Full House (1952) | Richard Widmark & Marilyn Monroe |
2.8 | 63.1 | 63.10 | 120 | 64 | 00 / 00 | 70.2 | |
| 109 | Something To Live For (1952) | Joan Fontaine & Ray Milland |
2.8 | 63.1 | 63.10 | 127 | 64 | 00 / 00 | 70.2 | |
| 109 | Scarlet Angel (1952) | Rock Hudson & Yvonne De Carlo |
4.2 | 94.7 | 94.70 | 81 | 54 | 00 / 00 | 70.2 | |
| 112 | Pony Soldier (1952) | Tyrone Power | 4.6 | 104.2 | 104.20 | 69 | 51 | 00 / 00 | 70.1 | |
| 110 | Caribbean (1952) | Arlene Dahl | 3.9 | 88.4 | 88.40 | 89 | 56 | 00 / 00 | 70.0 | |
| 112 | Meet Danny Wilson (1952) | Frank Sinatra & Shelley Winters |
2.1 | 47.8 | 47.80 | 148 | 68 | 00 / 00 | 69.1 | |
| 117 | Saturday Island (1952) | Linda Darnell | 4.2 | 94.7 | 94.70 | 80 | 53 | 00 / 00 | 69.0 | |
| 115 | Les Miserables (1952) | Sylvia Sidney | 3.1 | 69.4 | 69.40 | 117 | 61 | 00 / 00 | 69.0 | |
| 108 | The Greatest Love (1952) | Ingrid Bergman | 0.8 | 18.9 | 18.90 | 210 | 77 | 00 / 00 | 68.9 | |
| 121 | Walk East on Beacon! (1952) | George Murphy | 3.6 | 82.1 | 82.10 | 95 | 56 | 00 / 00 | 68.4 | |
| 113 | The Sniper (1952) | Arthur Franz & Adolphe Menjou |
1.5 | 33.1 | 33.10 | 181 | 72 | 00 / 00 | 68.4 | |
| 114 | The Importance of Being Earnest (1952) | Michael Redgrave | 0.6 | 14.2 | 14.20 | 225 | 77 | 00 / 00 | 67.8 | |
| 118 | My Wife's Best Friend (1952) | Anne Baxter | 1.9 | 44.2 | 44.20 | 163 | 68 | 00 / 00 | 67.7 | |
| 117 | Something For The Birds (1952) | Victor Mature | 2.2 | 50.5 | 50.50 | 147 | 66 | 00 / 00 | 67.6 | |
| 123 | The Duel at Silver Creek (1952) | Lee Marvin & Audie Murphy |
3.5 | 78.9 | 78.90 | 108 | 56 | 00 / 00 | 67.2 | |
| 116 | Ikiru (1952) | Takashi Shimura & Nobuo Kaneko |
0.1 | 1.4 | 1.40 | 242 | 81 | 00 / 00 | 67.2 | |
| 123 | The Belle of New York (1952) | Fred Astaire | 3.7 | 84.6 | 125.10 | 94 | 54 | 00 / 00 | 66.9 | |
| 130 | Plymouth Adventure (1952) | Spencer Tracy & Gene Tierney |
5.3 | 120.5 | 191.00 | 59 | 41 | 01 / 01 | 66.8 | |
| 124 | About Face (1952) | Gordon MacRae & Eddie Bracken |
3.8 | 85.4 | 103.80 | 91 | 54 | 00 / 00 | 66.8 | |
| 129 | Blackbeard, the Pirate (1952) | Linda Darnell | 3.5 | 78.9 | 78.90 | 105 | 55 | 00 / 00 | 66.0 | |
| 128 | Flaming Feather (1952) | Sterling Hayden | 3.5 | 78.9 | 78.90 | 103 | 55 | 00 / 00 | 66.0 | |
| 122 | The Wild Heart (1952) | Jennifer Jones & Joseph Cotten |
1.2 | 26.6 | 26.60 | 191 | 72 | 00 / 00 | 65.9 | |
| 127 | Hurricane Smith (1952) | Yvonne De Carlo | 3.3 | 74.2 | 74.20 | 113 | 57 | 00 / 00 | 65.8 | |
| 125 | The Lion And The Horse (1952) | Steve Cochran | 2.4 | 54.7 | 91.20 | 138 | 63 | 00 / 00 | 65.8 | |
| 134 | Kangaroo (1952) | Maureen O'Hara | 3.5 | 78.9 | 78.90 | 101 | 55 | 00 / 00 | 65.5 | |
| 130 | The Steel Trap (1952) | Joseph Cotten | 2.8 | 63.1 | 63.10 | 124 | 60 | 00 / 00 | 65.3 | |
| 135 | Abbott and Costello Meet Captain Kidd (1952) | Bud Abbott & Charles Laughton |
3.3 | 75.4 | 124.10 | 111 | 56 | 00 / 00 | 65.1 | |
| 126 | Washington Story (1952) | Van Johnson | 1.5 | 35.2 | 43.20 | 177 | 68 | 00 / 00 | 65.0 | |
| 139 | Denver & Rio Grande (1952) | Edmond O'Brien | 3.3 | 74.5 | 74.50 | 112 | 56 | 00 / 00 | 64.8 | |
| 134 | The Outcasts of Poker Flat (1952) | Anne Baxter | 2.3 | 51.9 | 51.90 | 143 | 63 | 00 / 00 | 64.8 | |
| 138 | Diplomatic Courier (1952) | Tyrone Power | 3.9 | 88.4 | 88.40 | 90 | 51 | 00 / 00 | 64.7 | |
| 140 | Hangman's Knot (1952) | Lee Marvin & Randolph Scott |
3.5 | 78.9 | 78.90 | 107 | 54 | 00 / 00 | 64.3 | |
| 136 | The Captive City (1952) | John Forsythe & Directed by Robert Wise |
2.1 | 47.3 | 47.30 | 150 | 64 | 00 / 00 | 64.3 | |
| 139 | Androcles and the Lion (1952) | Victor Mature & Jean Simmons |
3.1 | 70.7 | 70.70 | 114 | 56 | 00 / 00 | 64.1 | |
| 133 | Anything Can Happen (1952) | José Ferrer | 1.0 | 21.7 | 21.70 | 202 | 72 | 00 / 00 | 64.1 | |
| 141 | Return of the Texan (1952) | Richard Boone | 1.7 | 36.5 | 36.50 | 172 | 66 | 00 / 00 | 63.1 | |
| 140 | Beware, My Lovely (1952) | Robert Ryan | 2.0 | 45.7 | 45.70 | 157 | 63 | 00 / 00 | 62.9 | |
| 141 | The Green Glove (1952) | Glenn Ford | 2.1 | 46.9 | 46.90 | 153 | 63 | 00 / 00 | 62.8 | |
| 146 | Macao (1952) | Robert Mitchum | 3.1 | 69.4 | 69.40 | 118 | 55 | 00 / 00 | 62.2 | |
| 143 | Boots Malone (1952) | William Holden & Stanley Clements |
1.9 | 44.2 | 44.20 | 160 | 63 | 00 / 00 | 62.1 | |
| 144 | The Happy Time (1952) | Charles Boyer | 0.9 | 20.0 | 20.00 | 207 | 71 | 00 / 00 | 61.9 | |
| 150 | Operation Secret (1952) | Cornel Wilde & Karl Malden |
2.8 | 62.6 | 116.00 | 128 | 57 | 00 / 00 | 61.1 | |
| 149 | No Room For The Groom (1952) | Tony Curtis | 2.3 | 51.5 | 51.50 | 145 | 60 | 00 / 00 | 61.1 | |
| 147 | At Sword's Point (1952) | Maureen O'Hara | 2.0 | 45.8 | 45.80 | 154 | 62 | 00 / 00 | 60.7 | |
| 148 | Lady Possessed (1952) | James Mason & June Havoc |
1.9 | 44.2 | 44.20 | 161 | 62 | 00 / 00 | 60.6 | |
| 152 | Face to Face (1952) | James Mason & Gene Lockhart |
2.2 | 50.5 | 50.50 | 146 | 60 | 00 / 00 | 60.6 | |
| 153 | Assignment: Paris (1952) | Dana Andrews & George Sanders |
2.6 | 59.3 | 59.30 | 130 | 57 | 00 / 00 | 60.5 | |
| 157 | Stop, You're Killing Me (1952) | Broderick Crawford | 2.5 | 57.9 | 75.50 | 131 | 58 | 00 / 00 | 60.4 | |
| 152 | Just This Once (1952) | Janet Leigh & Peter Lawford |
2.0 | 44.6 | 66.90 | 159 | 62 | 00 / 00 | 60.3 | |
| 154 | Flesh and Fury (1952) | Tony Curtis & Jan Sterling |
1.7 | 39.5 | 39.50 | 169 | 63 | 00 / 00 | 60.0 | |
| 156 | It Grows On Trees (1952) | Irene Dunne | 2.5 | 56.8 | 56.80 | 133 | 58 | 00 / 00 | 59.9 | |
| 157 | Japanese War Bride (1952) | Cameron Mitchell | 1.0 | 20.9 | 20.90 | 200 | 68 | 00 / 00 | 58.7 | |
| 162 | Invitation (1952) | Van Johnson | 2.4 | 54.0 | 91.90 | 140 | 57 | 00 / 00 | 57.9 | |
| 160 | When in Rome (1952) | Van Johnson | 1.4 | 31.8 | 43.10 | 182 | 64 | 00 / 00 | 57.8 | |
| 158 | Casque d'Or (1952) | Simone Signoret | 0.1 | 3.0 | 3.00 | 241 | 73 | 00 / 00 | 57.6 | |
| 162 | Eight Iron Men (1952) | Lee Marvin & Richard Kiley |
1.9 | 44.2 | 44.20 | 162 | 60 | 00 / 00 | 57.5 | |
| 163 | Horizons West (1952) | Robert Ryan & Rock Hudson |
2.1 | 47.6 | 47.60 | 149 | 59 | 00 / 00 | 56.9 | |
| 171 | Red Ball Express (1952) | Sidney Poitier | 4.2 | 94.7 | 94.70 | 83 | 44 | 00 / 00 | 56.9 | |
| 164 | The Savage (1952) | Charlton Heston | 1.8 | 41.0 | 41.00 | 166 | 61 | 00 / 00 | 56.8 | |
| 164 | The Girl in White (1952) | Directed by John Sturges | 2.5 | 57.1 | 84.80 | 132 | 56 | 00 / 00 | 56.8 | |
| 165 | The San Francisco Story (1952) | Joel McCrea | 2.4 | 54.6 | 54.60 | 139 | 56 | 00 / 00 | 56.5 | |
| 173 | Son of Ali Baba (1952) | Tony Curtis | 3.5 | 78.9 | 78.90 | 102 | 48 | 00 / 00 | 56.1 | |
| 167 | Night Without Sleep (1952) | Linda Darnell | 2.1 | 47.0 | 47.00 | 151 | 58 | 00 / 00 | 55.9 | |
| 170 | Fearless Fagan (1952) | Janet Leigh | 2.0 | 45.6 | 60.00 | 158 | 59 | 00 / 00 | 55.9 | |
| 168 | Yankee Buccaneer (1952) | Jeff Chandler & Scott Brady |
1.7 | 38.9 | 38.90 | 171 | 61 | 00 / 00 | 55.8 | |
| 179 | The Jazz Singer (1952) | Michael Curtiz & Danny Thomas |
4.1 | 93.1 | 107.30 | 85 | 43 | 01 / 00 | 55.8 | |
| 176 | The Star (1952) | Bette Davis & Natalie Wood |
2.8 | 63.1 | 63.10 | 121 | 52 | 01 / 00 | 55.6 | |
| 169 | Man Bait (1952) | George Brent | 0.8 | 18.7 | 18.70 | 213 | 67 | 00 / 00 | 54.9 | |
| 174 | The Devil Makes Three (1952) | Gene Kelly | 2.1 | 46.9 | 93.80 | 152 | 58 | 00 / 00 | 54.8 | |
| 173 | Paula (1952) | Loretta Young | 1.5 | 33.2 | 33.20 | 179 | 62 | 00 / 00 | 54.5 | |
| 170 | The Golden Coach (1952) | Anna Magnani | 0.1 | 3.2 | 3.20 | 240 | 71 | 00 / 00 | 54.2 | |
| 179 | Thunderbirds (1952) | John Derek | 2.8 | 63.1 | 63.10 | 123 | 52 | 00 / 00 | 54.2 | |
| 172 | The Holly and the Ivy (1952) | Ralph Richardson | 0.2 | 3.9 | 3.90 | 237 | 71 | 00 / 00 | 53.9 | |
| 179 | The Promoter/The Card (1952) | Alec Guinness | 0.3 | 6.0 | 6.00 | 234 | 68 | 01 / 00 | 51.0 | |
| 185 | Montana Belle (1952) | Jane Russell | 2.8 | 63.1 | 63.10 | 122 | 50 | 00 / 00 | 50.4 | |
| 182 | The Four Poster (1952) | Rex Harrison | 1.1 | 26.1 | 26.10 | 192 | 61 | 01 / 00 | 49.9 | |
| 180 | The Blazing Forest (1952) | William Demarest & Agnes Moorehead |
0.8 | 19.0 | 19.00 | 209 | 64 | 00 / 00 | 49.9 | |
| 181 | The Hour of 13 (1952) | Peter Lawford & Dawn Addams |
1.0 | 21.7 | 21.70 | 201 | 63 | 00 / 00 | 49.4 | |
| 184 | Hong Kong (1952) | Ronald Reagan | 3.5 | 78.9 | 78.90 | 109 | 45 | 00 / 00 | 49.3 | |
| 186 | A Girl in Every Port (1952) | Marx Brothers | 1.8 | 41.0 | 41.00 | 165 | 56 | 00 / 00 | 47.6 | |
| 184 | The Ring (1952) | Gerald Mohr & Rita Moreno |
1.3 | 28.8 | 28.80 | 187 | 59 | 00 / 00 | 47.2 | |
| 189 | Actors and Sin (1952) | Edward G. Robinson | 2.0 | 45.8 | 45.80 | 155 | 54 | 00 / 00 | 46.8 | |
| 189 | Down Among the Sheltering Palms (1952) | Mitzi Gaynor | 2.8 | 63.1 | 63.10 | 125 | 48 | 00 / 00 | 46.8 | |
| 188 | This Woman Is Dangerous (1952) | Joan Crawford & Dennis Morgan |
2.4 | 53.7 | 53.70 | 142 | 51 | 00 / 00 | 46.6 | |
| 191 | Shadow In The Sky (1952) | Jean Hagen | 0.7 | 14.5 | 19.00 | 223 | 62 | 00 / 00 | 44.7 | |
| 188 | For Men Only (1952) | Paul Henreid | 0.8 | 18.9 | 18.90 | 211 | 61 | 00 / 00 | 44.7 | |
| 190 | Sky Full of Moon (1952) | Keenan Wynn | 1.0 | 21.5 | 21.50 | 199 | 60 | 00 / 00 | 44.0 | |
| 192 | The Girl in the Bikini/Manina la fille sans voiles (1952) | Brigitte Bardot | 1.1 | 25.4 | 25.40 | 195 | 59 | 00 / 00 | 44.0 | |
| 194 | The Turning Point (1952) | William Holden & Edmond O'Brien |
1.1 | 25.3 | 25.30 | 196 | 59 | 00 / 00 | 43.7 | |
| 195 | Talk About a Stranger (1952) | George Murphy & Nancy Reagan |
0.8 | 17.6 | 17.60 | 215 | 61 | 00 / 00 | 43.1 | |
| 197 | Glory Alley (1952) | Leslie Caron | 1.2 | 26.9 | 38.30 | 190 | 58 | 00 / 00 | 42.7 | |
| 201 | My Son John (1952) | Van Heflin | 2.3 | 51.8 | 51.80 | 144 | 49 | 01 / 00 | 42.3 | |
| 198 | You For Me (1952) | Peter Lawford & Jane Greer |
1.3 | 28.9 | 28.90 | 186 | 57 | 00 / 00 | 42.1 | |
| 198 | Holiday For Sinners (1952) | Gig Young | 0.8 | 19.1 | 19.10 | 208 | 60 | 00 / 00 | 42.1 | |
| 207 | Red Skies of Montana (1952) | Richard Widmark | 3.5 | 78.9 | 78.90 | 100 | 41 | 00 / 00 | 42.0 | |
| 201 | The Black Castle (1952) | Boris Karloff | 1.5 | 33.1 | 33.10 | 180 | 55 | 00 / 00 | 42.0 | |
| 202 | The Big Trees (1952) | Kirk Douglas | 2.4 | 53.7 | 53.70 | 141 | 49 | 00 / 00 | 41.7 | |
| 200 | Desperate Search (1952) | Howard Keel | 1.3 | 29.4 | 44.60 | 185 | 56 | 00 / 00 | 41.5 | |
| 203 | Apache War Smoke (1952) | Gilbert Roland & Glenda Farrell |
1.6 | 36.4 | 36.40 | 174 | 54 | 00 / 00 | 41.1 | |
| 204 | Tarzan's Savage Fury (1952) | Lex Barker | 1.1 | 25.4 | 56.80 | 193 | 57 | 00 / 00 | 39.9 | |
| 202 | Loan Shark (1952) | George Raft | 0.7 | 16.8 | 16.80 | 217 | 59 | 00 / 00 | 39.2 | |
| 206 | Secret People (1952) | Audrey Hepburn | 0.7 | 16.2 | 16.20 | 220 | 59 | 00 / 00 | 37.1 | |
| 216 | Cattle Town (1952) | Rita Moreno & Dennis Morgan |
1.9 | 43.4 | 54.40 | 164 | 49 | 00 / 00 | 35.8 | |
| 210 | Three for Bedroom C (1952) | Gloria Swanson | 0.9 | 20.1 | 22.30 | 206 | 57 | 00 / 00 | 35.8 | |
| 211 | The Golden Hawk (1952) | Sterling Hayden & Rhonda Fleming |
1.6 | 35.5 | 35.50 | 176 | 52 | 00 / 00 | 35.7 | |
| 210 | Vodoo Tiger (1952) | Johnny Weissmuller | 1.1 | 25.4 | 25.40 | 194 | 55 | 00 / 00 | 35.4 | |
| 209 | Stranger On The Prowl (1952) | Paul Muni | 0.6 | 14.2 | 14.20 | 224 | 58 | 00 / 00 | 34.5 | |
| 211 | Glory At Sea/Gift Horse (1952) | Richard Attenborough & Trevor Howard |
0.4 | 10.1 | 10.10 | 229 | 59 | 00 / 00 | 34.2 | |
| 213 | Murder On Monday (1952) | Ralph Richardson | 0.2 | 3.9 | 3.90 | 238 | 61 | 00 / 00 | 34.1 | |
| 215 | Wild Stallion (1952) | Ben Johnson | 0.7 | 16.8 | 16.80 | 218 | 57 | 00 / 00 | 33.2 | |
| 218 | Jungle Jim in the Forbidden Land (1952) | Johnny Weissmuller | 1.1 | 24.6 | 24.60 | 198 | 54 | 00 / 00 | 32.3 | |
| 219 | The Sellout (1952) | Walter Pidgeon | 1.2 | 27.4 | 40.70 | 188 | 53 | 00 / 00 | 32.1 | |
| 217 | Curtain Up (1952) | Margaret Rutherford | 0.5 | 10.4 | 10.40 | 228 | 58 | 00 / 00 | 31.3 | |
| 220 | Apache County (1952) | Gene Autry | 0.3 | 6.2 | 6.20 | 233 | 57 | 00 / 00 | 27.9 | |
| 221 | Trail Guide (1952) | Tim Holt & Linda Douglas |
0.3 | 7.6 | 7.60 | 231 | 57 | 00 / 00 | 27.7 | |
| 222 | Anita Garibaldi (1952) | Anna Magnani | 0.1 | 3.3 | 3.30 | 239 | 58 | 00 / 00 | 26.9 | |
| 223 | Miss Robin Hood (1952) Limited Release |
Margaret Rutherford | 0.2 | 5.3 | 5.30 | 235 | 57 | 00 / 00 | 26.6 | |
| 224 | Thief of Damascus (1952) | Paul Henreid | 1.4 | 30.8 | 30.80 | 183 | 49 | 00 / 00 | 26.5 | |
| 225 | Young Man with Ideas (1952) | Glenn Ford & Ruth Roman |
1.6 | 35.7 | 35.70 | 175 | 47 | 00 / 00 | 25.6 | |
| 226 | Hoodlum Empire (1952) | Claire Trevor & Richard Jaeckel |
0.2 | 3.8 | 6.00 | 236 | 55 | 00 / 00 | 22.4 | |
| 228 | Red Planet Mars (1952) | Peter Graves & Andrea King |
1.8 | 40.7 | 40.70 | 167 | 42 | 00 / 00 | 20.4 | |
| 228 | Love Is Better Than Ever (1952) | Elizabeth Taylor & Larry Parks |
1.8 | 40.0 | 61.50 | 168 | 42 | 00 / 00 | 19.2 | |
| 227 | Okinawa (1952) | Pat O'Brien | 0.8 | 18.8 | 18.80 | 212 | 48 | 00 / 00 | 18.8 | |
| 230 | Affair in Monte Carlo (1952) | Merle Oberon | 0.9 | 20.6 | 20.60 | 203 | 47 | 00 / 00 | 18.0 | |
| 231 | The Half-Breed (1952) | Robert Young | 0.9 | 20.5 | 20.50 | 205 | 47 | 00 / 00 | 18.0 | |
| 229 | Battle Zone (1952) | Charles Bronson | 0.7 | 14.9 | 14.90 | 221 | 49 | 00 / 00 | 18.0 | |
| 233 | I'll Get You/Escape Route (1952) | George Raft | 0.6 | 13.4 | 13.40 | 226 | 49 | 00 / 00 | 17.1 | |
| 235 | Babes in Bagdad (1952) | Paulette Goddard | 0.7 | 16.5 | 16.50 | 219 | 48 | 00 / 00 | 17.0 | |
| 234 | Outpost in Malaya (1952) | Claudette Colbert & Jack Hawkins |
0.3 | 7.8 | 7.80 | 230 | 50 | 00 / 00 | 16.3 | |
| 236 | The Rose Bowl Story (1952) | Natalie Wood & Vera Miles |
0.8 | 18.1 | 18.10 | 214 | 47 | 00 / 00 | 16.1 | |
| 237 | Bonzo Goes To College (1952) | Maureen O'Sullivan | 0.7 | 15.8 | 15.80 | 222 | 47 | 00 / 00 | 14.8 | |
| 239 | My Man And I (1952) | Shelley Winters | 1.3 | 29.6 | 29.60 | 184 | 41 | 00 / 00 | 13.4 | |
| 238 | The Paris Express (1952) | Claude Rains | 0.8 | 17.5 | 17.50 | 216 | 45 | 00 / 00 | 12.9 | |
| 240 | Mutiny (1952) | Angela Lansbury | 1.2 | 27.2 | 27.20 | 189 | 39 | 00 / 00 | 10.8 | |
| 241 | California Conquest (1952) | Teresa Wright | 0.9 | 20.5 | 20.50 | 204 | 41 | 00 / 00 | 10.0 | |
| 241 | Invansion USA (1952) | Dan O'Herlihy | 1.1 | 23.5 | 23.50 | 197 | 37 | 00 / 00 | 6.8 | |
| 242 | Love Island (1952) | Eva Gabor | 0.3 | 6.3 | 6.30 | 232 | 29 | 00 / 00 | 0.8 | |
| 243 | Bela Lugosi Meets a Brooklyn Gorilla (1952) | Bela Lugosi | 0.0 | 0.7 | 0.70 | 243 | 29 | 00 / 00 | 0.7 |

1952 Box Office Grosses – Adjusted World Wide
| Movie (Year) | UMR Co-Star Links | World-Wide Box Office Adjusted (mil) | S |
|---|---|---|---|
| Movie (Year) | UMR Co-Star Links | World-Wide Box Office Adjusted (mil) | S |
| Ivanhoe (1952) AA Best Picture Nom |
Elizabeth Taylor & Joan Fontaine |
716.20 | |
| Singin' in the Rain (1952) | Gene Kelly | 430.50 | |
| Scaramouche (1952) | Janet Leigh & Eleanor Parker |
426.60 | |
| The Quiet Man (1952) AA Best Picture Nom |
John Wayne & Maureen O'Hara |
366.20 | |
| The Prisoner of Zenda (1952) | James Mason & Deborah Kerr |
355.30 | |
| Million Dollar Mermaid (1952) | Walter Pidgeon & Esther Williams |
312.30 | |
| Because You're Mine (1952) | Mario Lanza | 288.60 | |
| Skirts Ahoy! (1952) | Esther Williams | 255.60 | |
| The Wild North (1952) | Cyd Charisse | 253.00 | |
| Above and Beyond (1952) | Robert Taylor & Eleanor Parker |
251.30 | |
| Lone Star (1952) | Clark Gable & Ava Gardner |
247.60 | |
| The Iron Mistress (1952) | Alan Ladd & Virginia Mayo |
246.00 | |
| Lovely To Look At (1952) | Kathryn Grayson & Red Skelton |
238.30 | |
| April in Paris (1952) | Doris Day | 224.70 | |
| Room For One More (1952) | Cary Grant & Betsy Drake |
218.60 | |
| The Bad and the Beautiful (1952) | Kirk Douglas | 212.90 | |
| Big Jim McLain (1952) | John Wayne | 205.50 | |
| She's Working Her Way Through College (1952) | Ronald Reagan & Virginia Mayo |
193.90 | |
| Plymouth Adventure (1952) | Spencer Tracy & Gene Tierney |
191.00 | |
| Pat and Mike (1952) | Katharine Hepburn & Spencer Tracy |
173.40 | |
| Mara Maru (1952) | Errol Flynn | 170.80 | |
| The Story of Will Rogers (1952) | Will Rogers Jr. & Jane Wyman |
169.90 | |
| The Belle of New York (1952) | Fred Astaire | 125.10 | |
| Abbott and Costello Meet Captain Kidd (1952) | Bud Abbott & Charles Laughton |
124.10 | |
| Operation Secret (1952) | Cornel Wilde & Karl Malden |
116.00 | |
| The Jazz Singer (1952) | Michael Curtiz & Danny Thomas |
107.30 | |
| About Face (1952) | Gordon MacRae & Eddie Bracken |
103.80 | |
| The Winning Team (1952) | Doris Day & Ronald Reagan |
101.30 | |
| The Devil Makes Three (1952) | Gene Kelly | 93.80 | |
| Invitation (1952) | Van Johnson | 91.90 | |
| The Lion And The Horse (1952) | Steve Cochran | 91.20 | |
| The Girl in White (1952) | Directed by John Sturges | 84.80 | |
| Stop, You're Killing Me (1952) | Broderick Crawford | 75.50 | |
| Just This Once (1952) | Janet Leigh & Peter Lawford |
66.90 | |
| Love Is Better Than Ever (1952) | Elizabeth Taylor & Larry Parks |
61.50 | |
| Fearless Fagan (1952) | Janet Leigh | 60.00 | |
| Tarzan's Savage Fury (1952) | Lex Barker | 56.80 | |
| Cattle Town (1952) | Rita Moreno & Dennis Morgan |
54.40 | |
| Desperate Search (1952) | Howard Keel | 44.60 | |
| Washington Story (1952) | Van Johnson | 43.20 | |
| When in Rome (1952) | Van Johnson | 43.10 | |
| The Sellout (1952) | Walter Pidgeon | 40.70 | |
| Glory Alley (1952) | Leslie Caron | 38.30 | |
| Three for Bedroom C (1952) | Gloria Swanson | 22.30 | |
| Shadow In The Sky (1952) | Jean Hagen | 19.00 | |
| Hoodlum Empire (1952) | Claire Trevor & Richard Jaeckel |
6.00 |
How the Box Office Numbers were Calculated
Sadly in 1952….BoxOfficeMojo was not around to keep track of box office earnings. Back then earnings seem to be a secret and a secret that needed to be safely locked up. When studios did report box office stats they used “box office rentals”. Box office rentals were the amount of money the studio got back from the theaters. It is NOT the box office gross. According to Film Daily Yearbook the film rentals as percentage of box office grosses was 36% in 1952. That means that box office gross was 2.75 times greater than box office rentals. It is not an exact calculation….but for 1952 the multiplier we used was 2.75.
Our Other Yearly Review Movie Pages
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- 1939 Movies Ranked Best to Worst Our movie of the year? Gone With The Wind
- 1946 Movies Ranked Best to Worst Our movie of the year? The Best Years of Our Lives
- 2011 Movies Ranked Best to Worst Our movie of the year? The Help
- 2012 Movies Ranked Best to Worst Our movie of the year? Argo
- 2013 Movies Ranked Best to Worst Our movie of the year? Gravity
- 2014 Movies Ranked Best to Worst Our movie of the year? American Sniper
- 2015 Movies Ranked Best to Worst Our movie of the year? The Martian
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If you do a comment….please ignore the email address and website section.

Hello Bruce, you made a nice job again. 1952 was a good year for westerns : High noon, Bend of the river or Rancho notorious (strongly you make Fritz Lang). I saw 25 movies on this table, and one on my favorites is the Quiet man (one of the better John Wayne/John Ford movies).
Thanks Laurent I appreciate the kind words. 1952 was indeed a good year for westerns. High Noon and Bend of the River are excellent movies…I have not seen Rancho Notorious…but I want to. A few people comment on how many movies they have seen from the above tally….you would be in 3rd place….knocking me off the medal platform…thanks….lol. Flora 51…Steve 33…you 25…and me 4th. I agree with you 100% about The Quiet Man….one great movie.
I hate box office grosses, they don’t really provide a good comparison between years even when adjusted for inflation. It’s too bad that we don’t have an estimate for individual tickets sold.
Hey Barney….I have tickets solds too….just I generally do not include them in the table….but if you are interested in seeing those numbers just let me know….and I will be glad to share them.
So where does the “148 hits” come from? That seems like a lot.
Hey Down Goes Frazier…..most of the movies come from my year end Variety issues….most notably January 7th, 1953, January 13th 1954 and February 24th 1992. I also have collected box office information from the RKO, MGM, 20th Century and Warner Brothers film ledgers and finally my movie website has taken a look at over 100 classic actors and actresses….and I must have tracked downed, read and found box office information in about 500 or 600 books. End result….is 148 movies and counting….actually I feel when my database is back up and running that the finally number will end up near 160.
Hey Bruce, can you tell me where I can find the 20th century ledger ? I have looked for it for a long time.
I believe there is something like the ledgers for the United Artist (for the years 1920-1940’s). Have you heard about it ?
Hey Laurent….I wish that was true. I have never heard that though. In Ronald Bergan’s The United Artist Story he talks about 1581 movies….and very rarely does he mention a budget, a profit or box office total. Thinking if the information was available he would have mentioned in that book that looks at all the UA movies from 1919 to 1983. Maybe one day the ledgers will be found in somebody’s attic….tugged away in storage trunk….hey everybody gets to dream….lol.
Hey Laurent….I got a ton of box office information from two 20th Century Fox books….so they are not really ledgers….but the amount of information I found in those books was about what I found in the ledgers those two books are (1) Twentieth Century-Fox: A Corporate and Financial History and (2) The Fox Film Corporation, 1915-1935 bought written by by Audrey Solomon. Highly recommend both books…..the second can be found online.
Hi, Bruce.
Looking at the Best Picture nominees, I have to say my favourite is High Noon, no question.
The Greatest Show on Earth was on my to-see list a long time before I saw it. I don’t watch it often. I actually prefer Trapeze which Lancaster-a real life acrobat-had to put off making when GSOE was released.
Ivanhoe is another movie that I don’t watch too often. If it is on TV I will watch it, but I do not seek it out.
The Quiet Man is my favourite John Wayne movie. I’m not a Wayne fan, per se, but as I have told you often times before, my love for his costars has increased my Wayne total up A lot. Plus, I keep on wanting to increase my 4 or 5 star rated movies seen at least once- even if they are not ones that I watch often.
Still recorded by PVR waiting for me is Young Man With Ideas, The Devil Makes Three and others.
Cheers,
Flora
Hey Flora…..I gotta go with The Quiet Man as my favorite of the 5 Best Picture nominees. They gave Ford the Best Director Oscar….so I guess they felt they had to give DeMille something too…so they gave him the Oscar for producing the Best Picture. I think GSOE is actually the weakest of the 5. I have not seen Trapeze yet. Hope your enjoy your PVR movies. Thanks for the return visit. It looks slightly different since you were here last….as I had some format issues that had to be fixed…..but the page should be good from here on.
So, CMR, at which level of box office take do you consider the movie to be a “hit”?
IS there a decided amount? Or is it left up to the individual? (in which case, any largely unseen piece o’ crap can be considered a “hit”)
Inquiring minds want to know……
Hey Sepiatone. The quick answer would be any movie that reaches $100 million in adjusted gross….in this table…that would mean 37 movies would be hits. The long answer would be it depends on lots of things. Budget to return being a big one. Yes The Greatest Show On Earth was a monster hit….but Cecil B. DeMille put a lot of money into the movie….I bet (sorry I do not know the answer) that Ma and Pa Kettle at the Fair had a better profit margin percentage than Greatest Show.
Ultimately it is up to the individual. In current times the Transformers movies make a boatload of money….but they are a waste of time….some of the worst movies being made today. In my world a hit is a movie that makes money, gets good reviews by critics AND audiences and at the end of the day picks up some awards….a movie does all of that….then the movie is a hit. That actually describes how I rank all the movies on my website. Hope that answers your question.
Not really, but I get the idea….
In MY world, box office draw and critical acclaim do not a “hit” make. But if I had to choose a criteria, I guess box office reciepts would be a major factor. Plus, we have another factor t o consider here….
Since this site IS foundationed on the television entity TURNER “CLASSIC” MOVIES, and believe me, the debate on what defines a “classic” movie has yet to be settled. But one thing is also clear….
Not ALL movies someone or most members of these boards consider “classic” were ever “hits” at the box office. I fear if possibly you may be tossing the word “hits” about like many overuse the words “genius” or “great”( especially in here!). Also…..
Just because a lot of people like some movie, it doesn’t make it “great”. And also, just because some movie made tons of money at the box office, and can thereby be considered a “hit” in terms of monetary gain and social adulation, also doesn’t mean it’s worth mention or historical consideration. THE GREATEST SHOW ON EARTH may have been a big “hit” back in ’52, but I personally don’t know anyone today who’ve ever cared for it And also personally, I don’t think much of it either. But that’s just personal opinion, and nothing relevant to either the thread, nor the website spam you’re promoting. So I’d understand your disregarding it.
Hey Sepiatone…..I think it depends on the era you grew up in. My dad (born 1936), my uncle (born 1947) and my grandparents (both sides) loved The Greatest Show On Earth. The train scene was something that amazed them when they saw it theaters. When I saw the scene…I was like it is a huge toy train set….and was not impressed. However Raiders of the Lost Ark blew me away as a teenager. When I show that movie to my kids….the say the special effects are weak and the movie is slow paced. For them the Harry Potter/Lord of the Rings movies are their “Greatest Show On Earth” and “Raiders”. I can see their kids (oh my gosh my grandchildren) complaining that all they do is walk around in the Lord of the Rings movies.
That being said….no matter how bad GSOE is….it is still one of the biggest box office hits of all-time…..in my movie ranking formula….I give critic reviews and audience 47% of the equation, box office grosses 31% of the equation and award recognition 22%…..so in my ranking system for a movie to do well it has to do well in ALL 3 categories….of the 26,000 movies rated so far…The Godfather, One Flew Over The Cuckoo’s Nest, Lawrence of Arabia, Schindler’s List and Casablanca make up the Top 5…..as they all did very very well in those 3 categories.
Appreciate your feedback….as you phrase your thoughts very well.