Want to know the best Michael Caine movies? How about the worst Michael Caine movies? Curious about Michael Caine box office grosses or which Michael Caine movie picked up the most Oscar® nominations? Need to know which Michael Caine movie got the best reviews from critics and audiences? Well you have come to the right place….because we have all of that information.
My father introduced me to Michael Caine (1933-) in the movie The Man Who Would Be King. Since that 1975 movie I have followed his career very closely. I am probably one of the few people on Earth who not only saw The Swarm at the theater but also Beyond the Poseidon Adventure at the theater. After years of struggling as an actor, in the mid 1960s he finally became a star with the British films Zulu, Alfie, and Ipcress Files. Since then he has starred in roughly 90 movies. Over the years Caine has received 6 Oscar® nominations and 2 Oscar® wins. Not only is he still popular after a 60 plus year career but he is still appearing in some the biggest movies out there (Inception, Batman trilogy). Currently he is director Christopher Nolan’s good luck charm. Caine has appeared in the last 7 Nolan films (he has an uncredited voice role in 2017’s Dunkirk).
His IMDb page shows over 170 acting credits since 1956. In the table below, Ultimate Movie Rankings ranks his movies in 6 different sortable columns. Television roles, cameos, shorts and straight to DVD movies were not included in the rankings.
Michael Caine Movies Ranked In Chronological Order With Ultimate Movie Rankings Score (1 to 5 UMR Tickets) *Best combo of box office, reviews and awards.
Michael Caine Movies Can Be Ranked 6 Ways In This Table
The really cool thing about this table is that it is “user-sortable”. Rank the movies anyway you want.
- Sort Michael Caine movies by movie titles and trailers
- Sort Michael Caine movies by co-stars of his movies
- Sort Michael Caine movies by adjusted domestic box office grosses using current movie ticket cost (in millions)
- Sort Michael Caine movies by yearly dometic box office rank
- Sort Michael Caine movies how they were received by critics and audiences. 60% rating or higher should indicate a good movie
- Sort by how many Oscar® nominations and how many Oscar® wins each Michael Caine movie received.
- Sort Michael Caine movies by Ultimate Movie Rankings (UMR) Score. UMR Score puts box office, reviews and awards into a mathematical equation and gives each movie a score.
- Blue Link in Co-Star column will take you to that star’s UMR movie page
| R | Movie (Year) | UMR Co-Star Links | Adj. B.O. Worldwide (mil) | Review | Oscar Nom / Win | UMR Score | ||||
|---|---|---|---|---|---|---|---|---|---|---|
| R | Movie (Year) | UMR Co-Star Links | Actual B.O. Domestic (mil) | Adj. B.O. Domestic (mil) | Adj. B.O. Worldwide (mil) | B.O. Rank by Year | Review | Oscar Nom / Win | UMR Score | S |
| 1 | The Dark Knight (2008) | Charlize Theron & Paul Rudd |
533.30 | 928.5 | 1,746.20 | 1 | 95 | 08 / 02 | 99.7 | |
| 3 | Dunkirk (2017) AA Best Picture Nom Voice Only |
Tom Hardy | 190.10 | 264.9 | 734.80 | 14 | 89 | 08 / 03 | 99.7 | |
| 2 | Inception (2010) AA Best Picture Nom |
Leonardo DiCaprio & Tom Hardy |
292.60 | 463.5 | 1,307.90 | 6 | 86 | 08 / 04 | 99.6 | |
| 8 | The Man Who Would Be King (1975) | Sean Connery & Christopher Plummer |
33.30 | 203.3 | 203.30 | 16 | 87 | 04 / 00 | 98.8 | |
| 4 | Alfie (1966) AA Best Picture Nom AA Best Actor Nom |
Shelley Winters | 21.20 | 241.5 | 241.50 | 11 | 79 | 05 / 00 | 98.7 | |
| 4 | The Dark Knight Rises (2012) | Christian Bale & Tom Hardy |
458.10 | 719.4 | 1,718.70 | 2 | 88 | 00 / 00 | 98.6 | |
| 5 | Interstellar (2014) | Matthew McConaughey & Anne Hathaway |
188.00 | 287.7 | 1,032.90 | 16 | 81 | 05 / 01 | 98.2 | |
| 6 | Batman Begins (2005) | Christian Bale & Liam Neeson |
205.30 | 401.1 | 727.90 | 8 | 82 | 01 / 00 | 97.7 | |
| 10 | Hannah and Her Sisters (1986) AA Best Picture Nom AA Best Supp Actor Win |
Woody Allen & Maureen O'Sullivan |
35.40 | 119.2 | 119.20 | 30 | 90 | 07 / 03 | 96.9 | |
| 12 | Kingsman: The Secret Service (2014) | Samuel L. Jackson & Colin Firth |
128.30 | 196.2 | 634.00 | 23 | 73 | 00 / 00 | 95.0 | |
| 12 | The Cider House Rules (1999) AA Best Picture Nom AA Best Supp Actor Win |
Charlize Theron & Paul Rudd |
57.50 | 142.2 | 218.70 | 41 | 76 | 07 / 02 | 94.9 | |
| 9 | A Bridge Too Far (1977) | Gene Hackman & Robert Redford |
56.80 | 318.1 | 318.10 | 9 | 70 | 00 / 00 | 94.5 | |
| 13 | Sleuth (1972) AA Best Actor Nom |
Laurence Olivier | 17.40 | 128.1 | 128.10 | 23 | 89 | 04 / 00 | 94.4 | |
| 16 | Dressed to Kill (1980) | Angie Dickinson | 34.80 | 167.5 | 167.50 | 23 | 77 | 00 / 00 | 93.6 | |
| 14 | Austin Powers in Goldmember (2002) | Mike Myers | 213.30 | 459.7 | 639.30 | 7 | 62 | 00 / 00 | 91.9 | |
| 17 | California Suite (1978) | Jane Fonda & Richard Pryor |
42.90 | 229.2 | 229.20 | 13 | 55 | 03 / 01 | 90.8 | |
| 17 | Cars 2 (2011) Voice Only |
Owen Wilson | 191.50 | 301.8 | 886.10 | 8 | 56 | 00 / 00 | 89.8 | |
| 20 | Dirty Rotten Scoundrels (1988) | Steve Martin & Glenne Headly |
42.00 | 127.9 | 127.90 | 24 | 78 | 00 / 00 | 89.2 | |
| 18 | The Ipcress File (1965) | Nigel Green | 8.10 | 99.4 | 99.40 | 36 | 85 | 00 / 00 | 88.9 | |
| 21 | The Prestige (2006) | Scarlett Johansson & Hugh Jackman |
53.10 | 100.9 | 208.40 | 61 | 81 | 02 / 00 | 88.3 | |
| 23 | Now You See Me (2013) | Morgan Freeman & Woody Harrelson |
117.70 | 181.0 | 540.80 | 27 | 57 | 00 / 00 | 87.7 | |
| 22 | Children of Men (2006) | Clive Owen & Julianne Moore |
35.60 | 67.5 | 132.90 | 87 | 90 | 03 / 00 | 87.7 | |
| 22 | Miss Congeniality (2000) | Sandra Bullock | 106.80 | 247.7 | 493.40 | 21 | 50 | 00 / 00 | 87.0 | |
| 26 | Gnomeo & Juliet (2011) Voice Only |
Emily Blunt & Jason Statham |
100.00 | 157.6 | 305.70 | 31 | 57 | 00 / 00 | 84.8 | |
| 25 | Tenet (2020) | John David Washington & Robert Pattinson |
57.90 | 78.9 | 492.90 | 8 | 77 | 02 / 01 | 84.5 | |
| 24 | Zulu (1964) | Stanley Baker & Richard Burton |
4.00 | 53.6 | 53.60 | 71 | 86 | 00 / 00 | 83.7 | |
| 27 | Secondhand Lions (2003) | Robert Duvall & Haley Joel Osment |
42.10 | 87.2 | 99.30 | 69 | 73 | 00 / 00 | 82.3 | |
| 31 | Journey 2: The Mysterious Island (2012) | Dwayne Johnson | 103.90 | 163.1 | 526.50 | 30 | 50 | 00 / 00 | 82.1 | |
| 28 | Gambit (1966) | Shirley MacLaine | 6.20 | 71.0 | 71.00 | 44 | 74 | 03 / 00 | 81.6 | |
| 30 | Educating Rita (1983) AA Best Actor Nom |
Julia Walters | 14.60 | 58.1 | 58.10 | 49 | 77 | 03 / 00 | 81.0 | |
| 30 | The Italian Job (1969) | Noel Coward | 6.60 | 57.8 | 57.80 | 41 | 79 | 00 / 00 | 80.8 | |
| 31 | The Muppet Christmas Carol (1992) | Muppets | 27.30 | 82.2 | 82.20 | 47 | 71 | 00 / 00 | 80.1 | |
| 32 | Get Carter (1971) | Britt Ekland | 3.90 | 29.8 | 29.80 | 73 | 82 | 00 / 00 | 77.3 | |
| 36 | Deathtrap (1982) | Christopher Reeve & Dyan Cannon |
19.30 | 82.0 | 82.00 | 38 | 65 | 00 / 00 | 76.7 | |
| 34 | The Quiet American (2002) AA Best Actor Nom |
Brendan Fraser | 13.00 | 28.0 | 59.60 | 135 | 80 | 01 / 00 | 75.7 | |
| 36 | Mona Lisa (1986) | Bob Hoskins | 5.80 | 19.5 | 19.50 | 98 | 82 | 01 / 00 | 75.3 | |
| 38 | Now You See Me 2 (2016) | Mark Ruffalo & Woody Harelson |
65.10 | 94.0 | 484.00 | 49 | 60 | 00 / 00 | 75.3 | |
| 39 | The Eagle Has Landed (1976) | Robert Duvall & Donald Sutherland |
13.60 | 80.0 | 80.00 | 49 | 60 | 00 / 00 | 72.0 | |
| 39 | Battle of Britain (1969) | Laurence Olivier & Christopher Plummer |
5.70 | 50.3 | 50.30 | 47 | 69 | 00 / 00 | 71.7 | |
| 40 | Funeral in Berlin (1966) | Guy Doleman | 4.40 | 49.7 | 49.70 | 59 | 69 | 00 / 00 | 70.8 | |
| 41 | Quills (2000) | Kate Winslet & Joaquin Phoenix |
7.10 | 16.4 | 41.70 | 132 | 76 | 03 / 00 | 69.6 | |
| 42 | The Island (1980) | David Warner | 15.70 | 75.6 | 75.60 | 51 | 58 | 00 / 00 | 68.4 | |
| 43 | Victory (1981) | Sylvester Stallone | 10.90 | 48.8 | 48.80 | 72 | 66 | 00 / 00 | 67.0 | |
| 41 | Last Orders (2001) | Helen Mirren & Bob Hoskins |
2.30 | 5.2 | 15.20 | 175 | 79 | 00 / 00 | 66.2 | |
| 48 | On Deadly Ground (1994) | Steven Seagal | 38.60 | 118.2 | 118.20 | 37 | 42 | 00 / 00 | 65.7 | |
| 51 | Hurry Sundown (1967) | Jane Fonda & Faye Dunaway |
10.10 | 104.6 | 104.60 | 29 | 47 | 00 / 00 | 65.4 | |
| 47 | Going In Style (2017) | Morgan Freeman & Alan Arkin |
45.00 | 62.7 | 118.30 | 60 | 60 | 00 / 00 | 65.2 | |
| 43 | The Great Escaper (2023) Limited Release |
Glenda Jackson | 0.10 | 0.1 | 6.60 | 290 | 79 | 00 / 00 | 65.1 | |
| 44 | Little Voice (1998) | Brenda Blethyn & Ewan McGregor |
4.60 | 12.3 | 12.30 | 149 | 74 | 01 / 00 | 64.4 | |
| 50 | Youth (2015) | Jane Fonda | 2.70 | 4.0 | 35.60 | 156 | 75 | 01 / 00 | 62.4 | |
| 51 | The Wrong Box (1966) | Peter Sellers | 0.90 | 10.1 | 10.10 | 127 | 74 | 00 / 00 | 61.9 | |
| 52 | Too Late The Hero (1970) | Cliff Robertson & Henry Fonda |
2.60 | 20.8 | 20.80 | 94 | 70 | 00 / 00 | 61.5 | |
| 54 | Bewitched (2005) | Shirley MacLaine & Nicole Kidman |
63.30 | 123.7 | 256.70 | 41 | 37 | 00 / 00 | 61.0 | |
| 51 | The Last Valley (1971) | Omar Sharif | 2.30 | 17.7 | 17.70 | 108 | 70 | 00 / 00 | 59.4 | |
| 57 | Harry and Walter Go to New York (1976) | James Caan & Diane Keaton |
13.90 | 81.8 | 81.80 | 48 | 49 | 00 / 00 | 59.2 | |
| 56 | The Fourth Protocol (1987) | Pierce Brosnan | 12.40 | 39.7 | 39.70 | 77 | 61 | 00 / 00 | 56.6 | |
| 57 | A Shock to the System (1990) | Samuel L. Jackson | 3.40 | 10.1 | 10.10 | 132 | 70 | 00 / 00 | 55.7 | |
| 58 | The Weather Man (2005) | Nicolas Cage | 12.50 | 24.4 | 37.20 | 141 | 65 | 00 / 00 | 55.4 | |
| 57 | Mandela and de Klerk (1997) Showtime Movies |
Sidney Poitier | 0.10 | 0.1 | 0.10 | 285 | 71 | 00 / 00 | 52.5 | |
| 63 | Sweet Liberty (1986) | Lillian Gish & Alan Alda |
14.20 | 47.9 | 47.90 | 58 | 55 | 00 / 00 | 51.0 | |
| 58 | Harry Brown (2009) | Emily Mortimer | 1.80 | 3.0 | 3.00 | 183 | 69 | 00 / 00 | 50.9 | |
| 59 | Pulp (1972) | Mickey Rooney | 2.70 | 20.1 | 20.10 | 99 | 64 | 00 / 00 | 50.6 | |
| 62 | Without a Clue (1988) | Ben Kingsley | 8.50 | 26.0 | 26.00 | 99 | 62 | 00 / 00 | 50.3 | |
| 64 | Play Dirty (1969) | Nigel Green | 1.40 | 12.6 | 12.60 | 125 | 65 | 00 / 00 | 48.7 | |
| 65 | Noises Off... (1992) | John Ritter | 2.30 | 6.9 | 6.90 | 146 | 64 | 00 / 00 | 42.5 | |
| 66 | Is Anybody There? (2008) | Bill Milner | 2.00 | 3.5 | 3.50 | 190 | 64 | 00 / 00 | 41.1 | |
| 69 | Billion Dollar Brain (1967) | Karl Malden & Donald Sutherland |
3.80 | 38.7 | 38.70 | 63 | 52 | 00 / 00 | 38.8 | |
| 67 | Flawless (2007) | Demi Moore | 1.20 | 2.2 | 12.40 | 209 | 62 | 00 / 00 | 35.8 | |
| 72 | Mr. Destiny (1990) | James Belushi | 15.40 | 45.4 | 45.40 | 80 | 49 | 00 / 00 | 35.5 | |
| 69 | Medieval (2022) | Ben Foster | 1.40 | 1.5 | 4.90 | 118 | 62 | 00 / 00 | 34.9 | |
| 69 | The Whistle Blower (1986) | John Gielgud | 1.50 | 5.1 | 5.10 | 158 | 61 | 00 / 00 | 34.2 | |
| 70 | How to Murder a Rich Uncle (1957) | Charles Coburn and Wendy Hiller | 0.10 | 3.2 | 3.20 | 212 | 61 | 00 / 00 | 33.5 | |
| 71 | Stonehearst Asylum (2014) | Ben Kingsley & Kate Beckinsale |
0.10 | 0.1 | 4.90 | 333 | 62 | 00 / 00 | 32.7 | |
| 72 | Blood and Wine (1996) | Jack Nicholson | 1.10 | 3.1 | 3.10 | 197 | 61 | 00 / 00 | 32.5 | |
| 76 | Woman Times Seven (1967) | Shirley MacLaine & Peter Sellers |
2.20 | 23.2 | 23.20 | 91 | 54 | 00 / 00 | 32.3 | |
| 73 | Best Sellers (2021) Limited Release |
Aubrey Plaza | 0.10 | 0.1 | 0.40 | 274 | 61 | 00 / 00 | 32.1 | |
| 75 | Last Love (2013) | Jane Alexander | 0.10 | 0.1 | 3.00 | 307 | 60 | 00 / 00 | 28.7 | |
| 80 | Sherlock Gnomes (2018) Voice Only |
Johnny Depp & James McAvoy |
43.20 | 59.0 | 118.50 | 69 | 41 | 00 / 00 | 28.2 | |
| 80 | The Magus (1968) | Anthony Quinn | 2.90 | 27.3 | 27.30 | 97 | 51 | 00 / 00 | 28.2 | |
| 78 | Curtain Call (1998) Starz! |
Maggie Smith | 0.00 | 0.1 | 0.10 | 354 | 59 | 00 / 00 | 27.6 | |
| 82 | The Romantic Englishwoman (1975) | Glenda Jackson | 2.80 | 17.1 | 17.10 | 92 | 53 | 00 / 00 | 26.0 | |
| 84 | The Wilby Conspiracy (1975) | Sidney Poitier | 3.00 | 18.5 | 18.50 | 88 | 52 | 00 / 00 | 25.7 | |
| 83 | Shiner (2000) | Martin Landau | 0.10 | 0.1 | 0.30 | 268 | 57 | 00 / 00 | 24.7 | |
| 85 | Deadfall (1968) | Giovanna Ralli | 1.00 | 9.0 | 23.10 | 148 | 54 | 00 / 00 | 24.4 | |
| 84 | The Destructors/The Marseille Contract (1974) | Anthony Quinn & James Mason |
0.50 | 3.2 | 3.20 | 148 | 56 | 00 / 00 | 24.2 | |
| 86 | King of Thieves (2018) | Michael Gambon | 0.10 | 0.1 | 11.00 | 461 | 57 | 00 / 00 | 23.3 | |
| 87 | Beyond the Limit (1983) | Richard Gere | 6.00 | 23.8 | 23.80 | 81 | 49 | 00 / 00 | 23.0 | |
| 86 | Half Moon Street (1986) | Sigourney Weaver | 1.10 | 3.8 | 3.80 | 171 | 55 | 00 / 00 | 22.8 | |
| 89 | X, Y and Zee (1972) | Elizabeth Taylor | 5.00 | 36.4 | 36.40 | 64 | 45 | 00 / 00 | 22.2 | |
| 92 | Peeper (1975) | Natalie Wood | 2.40 | 14.8 | 14.80 | 107 | 50 | 00 / 00 | 19.5 | |
| 95 | The Swarm (1978) | Richard Widmark & Olivia de Havilland |
17.10 | 91.4 | 91.40 | 41 | 25 | 01 / 00 | 19.1 | |
| 91 | Kidnapped (1971) | Trevor Howard | 1.10 | 8.0 | 8.00 | 154 | 52 | 00 / 00 | 19.0 | |
| 89 | The Debtors (1999) | Randy Quaid | 0.00 | 0.1 | 0.10 | 343 | 54 | 00 / 00 | 18.8 | |
| 93 | Blue Ice (1992) HBO Movie |
Ian Holm | 0.10 | 0.2 | 0.20 | 226 | 54 | 00 / 00 | 18.4 | |
| 93 | The Jigsaw Man (1983) | Laurence Olivier | 0.50 | 2.0 | 2.00 | 142 | 53 | 00 / 00 | 17.7 | |
| 98 | Blame it on Rio (1984) | Demi Moore | 18.60 | 69.4 | 69.40 | 56 | 31 | 00 / 00 | 16.2 | |
| 95 | Sleuth (2007) | Jude Law | 0.30 | 0.6 | 8.90 | 259 | 52 | 00 / 00 | 15.5 | |
| 97 | Four Kids And It (2020) Voice Only |
Matthew Goode | 0.10 | 0.1 | 1.00 | 189 | 52 | 00 / 00 | 15.1 | |
| 97 | Dear Dictator (2017) | Katie Holmes & Odeya Rush |
0.10 | 0.1 | 0.10 | 314 | 51 | 00 / 00 | 14.5 | |
| 100 | The Last Witch Hunter (2015) | Vin Diesel | 27.40 | 40.6 | 217.90 | 83 | 38 | 00 / 00 | 14.2 | |
| 101 | Come Away (2020) | Angelina Jolie | 0.20 | 0.2 | 0.80 | 78 | 50 | 00 / 00 | 13.3 | |
| 102 | The Holcroft Covenant (1985) | Anthony Edwards | 0.40 | 1.4 | 1.40 | 171 | 49 | 00 / 00 | 12.7 | |
| 102 | The Black Windmill (1974) | Donald Pleasance | 1.60 | 10.6 | 10.60 | 116 | 45 | 00 / 00 | 10.8 | |
| 104 | Bullseye! (1990) | Roger Moore & John Cleese |
0.00 | 0.1 | 0.10 | 248 | 47 | 00 / 00 | 10.1 | |
| 107 | Beyond the Poseidon Adventure (1979) | Sally Field | 5.50 | 27.5 | 27.50 | 78 | 37 | 01 / 00 | 8.7 | |
| 106 | Ashanti (1979) | William Holden | 1.70 | 8.5 | 8.50 | 127 | 43 | 00 / 00 | 8.1 | |
| 105 | Around the Bend (2004) | Christopher Walken & Glenne Headly |
0.20 | 0.4 | 0.40 | 254 | 45 | 00 / 00 | 8.0 | |
| 111 | Jaws: The Revenge (1987) | Lorraine Gary | 20.80 | 66.4 | 165.90 | 53 | 24 | 00 / 00 | 7.7 | |
| 108 | Twist (2021) | Rafferty Law | 0.10 | 0.1 | 0.60 | 266 | 44 | 00 / 00 | 6.6 | |
| 109 | The Statement (2003) | Tilda Swinton | 0.80 | 1.6 | 2.20 | 195 | 43 | 00 / 00 | 6.4 | |
| 110 | Water (1985) | Valerie Perrine | 0.50 | 1.8 | 4.40 | 165 | 41 | 00 / 00 | 4.9 | |
| 112 | Get Carter (2000) | Sylvester Stallone | 15.00 | 34.7 | 45.00 | 114 | 29 | 00 / 00 | 4.3 | |
| 113 | Surrender (1987) | Lorraine Gary | 5.70 | 18.3 | 18.30 | 100 | 32 | 00 / 00 | 3.3 | |
| 114 | Silver Bears (1977) | Martin Balsam & Jay Leno |
0.90 | 5.3 | 5.30 | 136 | 33 | 00 / 00 | 1.7 | |
| 115 | The Hand (1981) | Directed by Oliver Stone | 2.40 | 11.0 | 11.00 | 109 | 30 | 00 / 00 | 1.4 |
Our Personal Top Ten Michael Caine Movies
Adjusted Michael Caine Adjusted Worldwide Box Office Grosses
If you do a comment….please ignore the email address and website section.
(Visited 7 times)
HI STEVE: Thanks for your response.
When we get involved in a run of exchanges on one subject they are usually posted over a number of stages and days with other comments by fellow viewers on different matters coming in-between.
Thus it is not until you can see at a single glance ALL the posts arranged in a continuous flow that you realise how much correspondence has accumulated on the one topic – especially with guys like WH persisting in arguing that a black crow is white. Now if John had still been joining in these debates maybe WH would have to open up a 2nd page for Sir Maurice!
Your own contribution was certainly helpful and in the absence of someone actually watching the movie and reporting back to us your information does bring us nearer the potential truth.
“I was working as a tea boy for the producer Jay Lewis, who was making Morning Departure with John Mills. I’d never been to a film studio before and one day he took me with him to Pinewood.” – Sir Maurice. Good stuff Steve. At least we now know that Sir M did have some connection with the production; and even if he didn’t actually appear on the screen I’m going to campaign for him to be credited with its gross.
Nice work moving all these posts over here Bob. I never expected it to be this many, nearly 5 pages worth on this subject!
It’s easier to find now, yesterday when I was planning to post a quote from Caine’s book I couldn’t remember where the conversation started. I assumed it was Caine’s page, than I tried John Mills who didn’t have a page, finally I thought of Attenborough and there it was. If I come across any more info in books or the net I’ll post it here. Cheers.
In the light of my 3rd para in Part One the domino effect of Sir M not being in MD is when you think of it considerable; one is reminded of “the girl who danced with the man who danced with the girl who danced with the Prince of Wales”.
Other points:
1/The Work Horse is good at pointing out that Wiki and IMDB make mistakes: how come he never “outs” any mistakes by Mr Perfect? – and I am sure that you know who HE is.
2/I think it’s time for people to stop calling the film Operation Disaster -what an awfully mundane title anyway! – as MD is a British film; and I think it is time for others to start showing some respect to Her Majesty the Queen. After all The Work Horse has given President Trump his due on this site.
3/A patriotic Mancunian being seduced into stooping to use American titles – really! – and there’s me thinking that with the passage of Brexit WE had “taken back control”.
HI STEVE:
It is nice of you to send WH that copy. Though he should “Beware of Greeks bearing gifts.” Out of kindness HE sent ME two books but one of them has been giving me nightmares ever since. You will see that I have acted on your suggestion and copied all the Sir Maurice/Morning D exchanges to HIS own page,
I quoted to WH multiple sources that credit Sir M with Morning Departure. If they are ALL wrong then it shakes the faith of a humble viewer like me who considerably depends of the wisdom of site moderators for his additional/new information about movies and their stars.
Will my faith in the Cogerson site too be destroyed as HE quotes the like of Wiki/IMDB regularly; and -horror of horrors! – does that in turn mean that I may have been giving my amateur Film Buffs group false information all this time as I use Cogerson as MY Bible when it’s my turn to give the group talks and lectures? Certainly if Sir M in not in Morning Departure for me it will be “Never glad confident morning again” [no pun intended] as far as ALL sites are converned.
PS: I see that as a result of these Micklewhite/Morning Departure exchanges the Sir Maurice comments have now cross a “Cogerson magical 200 barrier”
Cogerson
June 16, 2020 at 4:06 pm
Hey Bob….but buying DVDs is fun…and even funnier when they prove you correct…lol.