
This movie page looks at 1951 Top Box Office Movies. Finding box office information for movies made in the 1940s and 1950s is extremely difficult. For somebody looking for box office information on 1951 it is very very frustrating. Over the years, we have researched and collected information on over 36,000 movies. So we figured we would show all the 1951 movies in our database.
To make this list a movie had to be made in 1951. Obviously many movies made in 1950 earned box office dollars in 1951. On the other side many movies made in 1951 made money in 1952 and later. This page will looks at 199 1951 Top Box Office Movies. The movies are listed in a massive table that lets you rank the movies from Best to Worst in six different sortable columns of information.
The following massive table only includes the movies made in 1951 that are in our database. Since we are constantly adding new movies to our database….this page will quickly become obsolete. We will try and update this page on a regular basis.
Our UMR Top 50 of 1951
Year
Movie (Year)
Rating
S
Year Movie (Year) Rating S
1951
An American in Paris (1951)
AA Best Picture Win

1951
A Streetcar Named Desire (1951)
AA Best Picture Nom

1951
A Place in the Sun (1951)
AA Best Picture Nom

1951
The African Queen (1951)

1951
Quo Vadis (1951)
AA Best Picture Nom

1951
The Thing from Another World (1951)

1951
Alice in Wonderland (1951)

1951
On Moonlight Bay (1951)

1951
Across the Wide Missouri (1951)

1951
Detective Story (1951)

1951
Captain Horatio Hornblower (1951)

1951
Show Boat (1951)

1951
The Stooge (1951)

1951
The Lemon Drop Kid (1951)

1951
Father's Little Dividend (1951)

1951
Westward the Women (1951)

1951
Royal Wedding (1951)

1951
Halls of Montezuma (1951)

1951
The Great Caruso (1951)

1951
Strangers on a Train (1951)

1951
Flying Leathernecks (1951)

1951
Go For Broke! (1951)

1951
Operation Pacific (1951)

1951
Here Comes the Groom (1951)

1951
My Favorite Spy (1951)

1951
On the Riviera (1951)

1951
The Desert Fox: The Story of Rommel (1951)

1951
Painting The Clouds With Sunshine (1951)

1951
Ma and Pa Kettle Back on the Farm (1951)

1951
The Blue Veil (1951)

1951
The Day the Earth Stood Still (1951)

1951
People Will Talk (1951)

1951
Distant Drums (1951)

1951
David and Bathsheba (1951)

1951
The Enforcer (1951)

1951
His Kind of Woman (1951)

1951
I'll See You in My Dreams (1951)

1951
Decision before Dawn (1951)
AA Best Picture Nom

1951
Francis Goes To The Races (1951)

1951
Ace in the Hole (1951)

1951
Lullaby of Broadway (1951)

1951
Jim Thorpe -- All-American (1951)

1951
Rawhide (1951)

1951
Abbott & Costello Meet the Invisible Man (1951)

1951
Call Me Mister (1951)

1951
Meet Me After The Show (1951)

1951
I'll Climb The Highest Mountain (1951)

1951
Up Front (1951)

1951
The Lavender Hill Mob (1951)

1951
When Worlds Collide (1951)

| Year | Movie (Year) | Rating | S |
|---|---|---|---|
| Year | Movie (Year) | Rating | S |
| 1951 | An American in Paris (1951) AA Best Picture Win |
||
| 1951 | A Streetcar Named Desire (1951) AA Best Picture Nom |
||
| 1951 | A Place in the Sun (1951) AA Best Picture Nom |
||
| 1951 | The African Queen (1951) | ||
| 1951 | Quo Vadis (1951) AA Best Picture Nom |
||
| 1951 | The Thing from Another World (1951) | ||
| 1951 | Alice in Wonderland (1951) | ||
| 1951 | On Moonlight Bay (1951) | ||
| 1951 | Across the Wide Missouri (1951) | ||
| 1951 | Detective Story (1951) | ||
| 1951 | Captain Horatio Hornblower (1951) | ||
| 1951 | Show Boat (1951) | ||
| 1951 | The Stooge (1951) | ||
| 1951 | The Lemon Drop Kid (1951) | ||
| 1951 | Father's Little Dividend (1951) | ||
| 1951 | Westward the Women (1951) | ||
| 1951 | Royal Wedding (1951) | ||
| 1951 | Halls of Montezuma (1951) | ||
| 1951 | The Great Caruso (1951) | ||
| 1951 | Strangers on a Train (1951) | ||
| 1951 | Flying Leathernecks (1951) | ||
| 1951 | Go For Broke! (1951) | ||
| 1951 | Operation Pacific (1951) | ||
| 1951 | Here Comes the Groom (1951) | ||
| 1951 | My Favorite Spy (1951) | ||
| 1951 | On the Riviera (1951) | ||
| 1951 | The Desert Fox: The Story of Rommel (1951) | ||
| 1951 | Painting The Clouds With Sunshine (1951) | ||
| 1951 | Ma and Pa Kettle Back on the Farm (1951) | ||
| 1951 | The Blue Veil (1951) | ||
| 1951 | The Day the Earth Stood Still (1951) | ||
| 1951 | People Will Talk (1951) | ||
| 1951 | Distant Drums (1951) | ||
| 1951 | David and Bathsheba (1951) | ||
| 1951 | The Enforcer (1951) | ||
| 1951 | His Kind of Woman (1951) | ||
| 1951 | I'll See You in My Dreams (1951) | ||
| 1951 | Decision before Dawn (1951) AA Best Picture Nom |
||
| 1951 | Francis Goes To The Races (1951) | ||
| 1951 | Ace in the Hole (1951) | ||
| 1951 | Lullaby of Broadway (1951) | ||
| 1951 | Jim Thorpe -- All-American (1951) | ||
| 1951 | Rawhide (1951) | ||
| 1951 | Abbott & Costello Meet the Invisible Man (1951) | ||
| 1951 | Call Me Mister (1951) | ||
| 1951 | Meet Me After The Show (1951) | ||
| 1951 | I'll Climb The Highest Mountain (1951) | ||
| 1951 | Up Front (1951) | ||
| 1951 | The Lavender Hill Mob (1951) | ||
| 1951 | When Worlds Collide (1951) |
1951 Top Box Office Movies Can Be Ranked 7 Ways In This Table
The really cool thing about this table is that it is “user-sortable”. Rank the movies anyway you want.
- Sort 1951 Top Box Office Movies by the stars or in some cases the director of the movie.
- Sort 1951 Top Box Office Movies by domestic actual box office grosses (in millions)
- Sort 1951 Top Box Office Movies by domestic adjusted box office grosses using current movie ticket cost (in millions).
- Sort 1951 Top Box Office Movies by yearly domestic box office rank
- Sort 1951 Top Box Office Movies how they were received by critics and audiences. 60% rating or higher should indicate a good movie.
- Sort by how many Oscar® nominations and how many Oscar® wins each 1951 Top Box Office Movies received.
- Sort 1951 Top Box Office Movies by Ultimate Movie Ranking Score (UMR). Our UMR score puts box office, reviews and awards into a mathematical equation and gives each movie a score.
| R | Movie (Year) | UMR Co-Star Links | Adj. B.O. Worldwide (mil) | UMR Score | ||||||
|---|---|---|---|---|---|---|---|---|---|---|
| R | Movie (Year) | UMR Co-Star Links | Actual B.O. Domestic (mil) | Adj. B.O. Domestic (mil) | Adj. B.O. Worldwide (mil) | B.O. Rank by Year | Review | Oscar Nom / Win | UMR Score | S |
| 1 | An American in Paris (1951) AA Best Picture Win |
Gene Kelly & Leslie Caron |
12.0 | 300.9 | 531.70 | 7 | 77 | 08 / 06 | 99.8 | |
| 2 | A Streetcar Named Desire (1951) AA Best Picture Nom |
Marlon Brando & Vivien Leigh |
13.7 | 342.9 | 342.90 | 4 | 85 | 12 / 04 | 99.6 | |
| 3 | A Place in the Sun (1951) AA Best Picture Nom |
Montgomery Clift & Elizabeth Taylor |
10.0 | 250.0 | 492.90 | 10 | 76 | 09 / 06 | 99.2 | |
| 5 | The African Queen (1951) | Humphrey Bogart & Katharine Hepburn |
11.8 | 294.9 | 294.90 | 8 | 87 | 04 / 01 | 98.9 | |
| 4 | Quo Vadis (1951) AA Best Picture Nom |
Robert Taylor & Deborah Kerr |
26.1 | 653.1 | 1,359.80 | 1 | 75 | 08 / 00 | 98.5 | |
| 7 | The Thing from Another World (1951) | James Arness & Directed by Howard Hawks |
7.6 | 189.3 | 242.90 | 19 | 86 | 00 / 00 | 97.7 | |
| 6 | Alice in Wonderland (1951) | Disney Animated Movies | 19.1 | 478.6 | 478.60 | 2 | 77 | 01 / 00 | 96.6 | |
| 11 | On Moonlight Bay (1951) | Doris Day & Gordon MacRae |
7.8 | 195.6 | 266.40 | 18 | 78 | 00 / 00 | 96.3 | |
| 13 | Across the Wide Missouri (1951) | Clark Gable & Ricardo Montalbán |
8.0 | 199.2 | 328.60 | 17 | 76 | 00 / 00 | 96.1 | |
| 14 | Detective Story (1951) | Kirk Douglas & Eleanor Parker |
8.0 | 200.0 | 200.00 | 15 | 72 | 04 / 00 | 96.0 | |
| 15 | Captain Horatio Hornblower (1951) | Gregory Peck & Virginia Mayo |
7.4 | 185.6 | 380.90 | 24 | 79 | 00 / 00 | 95.8 | |
| 7 | Show Boat (1951) | Ava Gardner & Kathryn Grayson |
15.1 | 378.1 | 544.40 | 3 | 73 | 02 / 00 | 95.8 | |
| 9 | The Stooge (1951) | Dean Martin & Jerry Lewis |
10.0 | 250.0 | 250.00 | 11 | 74 | 00 / 00 | 95.6 | |
| 11 | The Lemon Drop Kid (1951) | Bob Hope | 9.4 | 235.7 | 235.70 | 12 | 73 | 00 / 00 | 95.4 | |
| 12 | Father's Little Dividend (1951) | Spencer Tracy & Elizabeth Taylor |
9.1 | 228.6 | 335.70 | 13 | 72 | 00 / 00 | 95.2 | |
| 18 | Westward the Women (1951) | Robert Taylor | 7.5 | 188.6 | 285.40 | 21 | 76 | 00 / 00 | 95.2 | |
| 17 | Royal Wedding (1951) | Fred Astaire & Jane Powell |
7.3 | 182.0 | 278.70 | 27 | 77 | 01 / 00 | 95.1 | |
| 21 | Halls of Montezuma (1951) | Richard Widmark & Robert Wagner |
7.6 | 189.3 | 189.30 | 20 | 74 | 00 / 00 | 94.9 | |
| 16 | The Great Caruso (1951) | Mario Lanza | 12.9 | 323.6 | 677.90 | 6 | 66 | 03 / 01 | 94.6 | |
| 19 | Strangers on a Train (1951) | Robert Walker & Directed by Alfred Hitchcock |
5.1 | 127.7 | 209.70 | 57 | 90 | 00 / 00 | 93.8 | |
| 22 | Flying Leathernecks (1951) | John Wayne & Robert Ryan |
7.4 | 185.7 | 282.10 | 22 | 70 | 00 / 00 | 93.0 | |
| 23 | Go For Broke! (1951) | Van Johnson | 7.2 | 180.8 | 238.40 | 28 | 70 | 01 / 00 | 92.8 | |
| 25 | Operation Pacific (1951) | John Wayne & Patricia Neal |
7.3 | 183.1 | 275.90 | 25 | 69 | 00 / 00 | 92.5 | |
| 26 | Here Comes the Groom (1951) | Bing Crosby & Directed by Frank Capra |
7.3 | 182.1 | 182.10 | 26 | 66 | 02 / 01 | 92.4 | |
| 27 | My Favorite Spy (1951) | Bob Hope & Hedy Lamarr |
7.4 | 185.7 | 185.70 | 23 | 66 | 00 / 00 | 91.8 | |
| 27 | On the Riviera (1951) | Danny Kaye & Gene Tierney |
7.1 | 178.6 | 178.60 | 29 | 66 | 02 / 00 | 91.6 | |
| 28 | The Desert Fox: The Story of Rommel (1951) | James Mason & Jessica Tandy |
6.9 | 171.4 | 171.40 | 31 | 70 | 00 / 00 | 91.6 | |
| 32 | Painting The Clouds With Sunshine (1951) | Virginia Mayo & Dennis Morgan |
8.0 | 200.0 | 341.60 | 16 | 60 | 00 / 00 | 91.3 | |
| 30 | Ma and Pa Kettle Back on the Farm (1951) | Marjorie Main & Percy Kilbride |
6.7 | 167.9 | 167.90 | 33 | 70 | 00 / 00 | 91.2 | |
| 29 | The Blue Veil (1951) | Charles Laughton & Natalie Wood |
6.3 | 157.1 | 157.10 | 36 | 72 | 02 / 00 | 91.1 | |
| 29 | The Day the Earth Stood Still (1951) | Michael Rennie & Science Fiction Movies |
5.3 | 132.1 | 132.10 | 55 | 81 | 00 / 00 | 91.0 | |
| 33 | People Will Talk (1951) | Cary Grant & Jeanne Crain |
6.0 | 150.0 | 150.00 | 40 | 74 | 00 / 00 | 90.6 | |
| 28 | Distant Drums (1951) | Gary Cooper | 8.6 | 215.5 | 233.60 | 14 | 57 | 00 / 00 | 90.2 | |
| 34 | David and Bathsheba (1951) | Gregory Peck & Susan Hayward |
13.5 | 337.1 | 337.10 | 5 | 50 | 05 / 00 | 89.2 | |
| 37 | The Enforcer (1951) | Humphrey Bogart | 4.5 | 113.1 | 205.20 | 74 | 79 | 00 / 00 | 88.3 | |
| 37 | His Kind of Woman (1951) | Robert Mitchum & Vincent Price |
5.7 | 142.9 | 142.90 | 46 | 69 | 00 / 00 | 88.1 | |
| 40 | I'll See You in My Dreams (1951) | Doris Day & Danny Thomas |
7.0 | 174.2 | 228.30 | 30 | 59 | 00 / 00 | 87.9 | |
| 38 | Decision before Dawn (1951) AA Best Picture Nom |
Richard Basehart | 4.4 | 110.7 | 110.70 | 77 | 71 | 02 / 00 | 87.8 | |
| 41 | Francis Goes To The Races (1951) | Donald O'Connor | 6.6 | 164.3 | 164.30 | 34 | 62 | 00 / 00 | 87.8 | |
| 38 | Ace in the Hole (1951) | Kirk Douglas & Directed by Billy Wilder |
3.7 | 92.9 | 92.90 | 97 | 83 | 01 / 00 | 87.6 | |
| 41 | Lullaby of Broadway (1951) | Doris Day | 6.0 | 150.1 | 220.40 | 39 | 65 | 00 / 00 | 87.3 | |
| 43 | Jim Thorpe -- All-American (1951) | Burt Lancaster | 6.4 | 160.4 | 206.30 | 35 | 62 | 00 / 00 | 87.3 | |
| 45 | Rawhide (1951) | Tyrone Power & Susan Hayward |
5.6 | 139.3 | 139.30 | 52 | 67 | 00 / 00 | 86.6 | |
| 42 | Abbott & Costello Meet the Invisible Man (1951) | Bud Abbott | 4.6 | 114.3 | 114.30 | 73 | 74 | 00 / 00 | 86.3 | |
| 47 | Call Me Mister (1951) | Betty Grable & Danny Thomas |
6.2 | 155.4 | 155.40 | 37 | 60 | 00 / 00 | 85.9 | |
| 49 | Meet Me After The Show (1951) | Betty Grable | 5.7 | 142.9 | 142.90 | 45 | 63 | 00 / 00 | 85.5 | |
| 50 | I'll Climb The Highest Mountain (1951) | Susan Hayward | 6.1 | 153.6 | 153.60 | 38 | 59 | 00 / 00 | 85.5 | |
| 48 | Up Front (1951) | David Wayne | 5.6 | 139.3 | 139.30 | 51 | 64 | 00 / 00 | 85.5 | |
| 46 | The Lavender Hill Mob (1951) | Alec Guinness & Audrey Hepburn |
2.4 | 60.7 | 60.70 | 138 | 85 | 02 / 01 | 85.1 | |
| 52 | When Worlds Collide (1951) | Science Fiction Movies | 4.6 | 114.3 | 114.30 | 72 | 67 | 02 / 01 | 84.9 | |
| 53 | The Mating Season (1951) | Gene Tierney & Thelma Ritter |
4.6 | 116.1 | 116.10 | 67 | 69 | 01 / 00 | 84.9 | |
| 54 | Mr. Belvedere Rings The Bell (1951) | Clifton Webb & Joanne Dru |
5.0 | 125.0 | 125.00 | 61 | 67 | 00 / 00 | 84.9 | |
| 58 | Tales of Robin Hood (1951) | Robert Clarke | 6.0 | 150.0 | 150.00 | 41 | 59 | 00 / 00 | 84.9 | |
| 54 | Pandora and the Flying Dutchman (1951) | James Mason & Ava Gardner |
3.6 | 89.3 | 89.30 | 103 | 77 | 00 / 00 | 84.6 | |
| 55 | Death of a Salesman (1951) | Fredric March | 3.4 | 85.7 | 85.70 | 107 | 74 | 05 / 00 | 84.6 | |
| 58 | Tomahawk (1951) | Rock Hudson & Van Heflin |
5.7 | 142.9 | 142.90 | 48 | 60 | 00 / 00 | 84.6 | |
| 56 | Anne of the Indies (1951) | Jean Peters & Louis Jourdan |
4.4 | 110.7 | 110.70 | 75 | 70 | 00 / 00 | 84.5 | |
| 49 | That's My Boy (1951) | Dean Martin & Jerry Lewis |
10.9 | 271.4 | 271.40 | 9 | 42 | 00 / 00 | 84.4 | |
| 59 | Three Guys Named Mike (1951) | Van Johnson & Howard Keel |
4.9 | 121.9 | 159.30 | 63 | 66 | 00 / 00 | 84.3 | |
| 62 | Vengeance Valley (1951) | Burt Lancaster & Robert Walker |
5.7 | 142.6 | 224.70 | 50 | 59 | 00 / 00 | 83.9 | |
| 65 | Elopement (1951) | Clifton Webb | 5.7 | 142.9 | 142.90 | 47 | 58 | 00 / 00 | 83.4 | |
| 60 | The Model and the Marriage Broker (1951) | Thelma Ritter & Directed by George Cukor |
3.3 | 82.1 | 82.10 | 109 | 76 | 01 / 00 | 83.2 | |
| 62 | Angels in the Outfield (1951) | Janet Leigh & Baseball Movies |
4.2 | 104.7 | 119.00 | 85 | 69 | 00 / 00 | 83.2 | |
| 65 | The Frogmen (1951) | Richard Widmark & Dana Andrews |
6.0 | 150.0 | 150.00 | 42 | 53 | 02 / 00 | 83.1 | |
| 66 | Red Mountain (1951) | Alan Ladd & Lizabeth Scott |
5.7 | 142.9 | 142.90 | 43 | 57 | 00 / 00 | 82.9 | |
| 72 | Texas Carnival (1951) | Esther Williams & Red Skelton |
6.8 | 169.0 | 272.90 | 32 | 48 | 00 / 00 | 82.8 | |
| 65 | Fixed Bayonets! (1951) | Richard Basehart & Directed by Sam Fuller |
4.1 | 103.6 | 103.60 | 86 | 69 | 00 / 00 | 82.7 | |
| 69 | Ten Tall Men (1951) | Burt Lancaster | 5.1 | 128.6 | 128.60 | 56 | 61 | 00 / 00 | 82.6 | |
| 70 | Bird of Paradise (1951) | Debra Paget & Jeff Chandler |
4.7 | 117.9 | 117.90 | 65 | 64 | 00 / 00 | 82.5 | |
| 69 | The Tales of Hoffmann (1951) | Moira Shearer | 3.6 | 89.3 | 89.30 | 105 | 72 | 00 / 00 | 82.2 | |
| 71 | He Ran All The Way (1951) | John Garfield | 2.9 | 71.4 | 71.40 | 132 | 77 | 00 / 00 | 81.9 | |
| 73 | You're in the Navy Now (1951) | Gary Cooper & Eddie Albert |
4.6 | 114.3 | 114.30 | 71 | 63 | 00 / 00 | 81.5 | |
| 72 | The Red Badge of Courage (1951) | Audie Murphy & Directed by John Huston |
2.3 | 56.4 | 77.10 | 143 | 81 | 00 / 00 | 81.3 | |
| 78 | Only the Vailiant (1951) | Gregory Peck & Gig Young |
5.7 | 142.9 | 142.90 | 44 | 53 | 00 / 00 | 81.2 | |
| 75 | Flame of Araby (1951) | Maureen O'Hara | 4.3 | 107.1 | 107.10 | 82 | 64 | 00 / 00 | 81.1 | |
| 74 | No Highway in the Sky (1951) | James Stewart & Marlene Dietrich |
3.3 | 82.1 | 82.10 | 112 | 72 | 00 / 00 | 81.0 | |
| 80 | Rhubarb (1951) | Ray Milland & Gene Lockhart |
4.1 | 103.6 | 103.60 | 87 | 65 | 00 / 00 | 80.7 | |
| 82 | Sugarfoot (1951) | Randolph Scott & Raymond Massey |
4.6 | 114.3 | 114.30 | 70 | 61 | 00 / 00 | 80.6 | |
| 74 | Bright Victory (1951) | Rock Hudson & Arthur Kennedy |
2.6 | 64.3 | 64.30 | 136 | 75 | 02 / 00 | 80.4 | |
| 81 | Too Young To Kiss (1951) | Van Johnson & Gig Young |
4.6 | 114.4 | 164.90 | 68 | 60 | 01 / 00 | 80.4 | |
| 77 | The Prowler (1951) | Van Heflin | 2.2 | 54.6 | 54.60 | 148 | 79 | 00 / 00 | 80.3 | |
| 91 | Two Tickets To Broadway (1951) | Janet Leigh & Tony Martin |
5.7 | 142.9 | 142.90 | 49 | 50 | 01 / 00 | 79.8 | |
| 83 | The Secret of Convict Lake (1951) | Glenn Ford & Gene Tierney |
3.9 | 96.4 | 96.40 | 91 | 65 | 00 / 00 | 79.8 | |
| 82 | Cry Danger (1951) | Dick Powell & Rhonda Fleming |
2.4 | 60.7 | 78.60 | 139 | 76 | 00 / 00 | 79.6 | |
| 85 | Along the Great Divide (1951) | Kirk Douglas & Virginia Mayo |
3.8 | 94.1 | 140.00 | 93 | 66 | 00 / 00 | 79.6 | |
| 88 | I Want You (1951) | Dana Andrews & Farley Granger |
4.6 | 114.3 | 114.30 | 69 | 58 | 01 / 00 | 79.5 | |
| 92 | Excuse My Dust (1951) | Red Skelton | 4.7 | 117.5 | 164.10 | 66 | 58 | 00 / 00 | 79.3 | |
| 92 | Fort Worth (1951) | Randolph Scott | 5.0 | 123.9 | 167.30 | 62 | 56 | 00 / 00 | 79.3 | |
| 93 | The Racket (1951) | Robert Mitchum & Robert Ryan |
5.0 | 125.0 | 125.00 | 60 | 55 | 00 / 00 | 79.2 | |
| 87 | Follow The Sun (1951) | Glenn Ford & Golf Movies |
3.3 | 82.1 | 82.10 | 108 | 69 | 00 / 00 | 79.2 | |
| 84 | On Dangerous Ground (1951) | Robert Ryan & Ida Lupino |
1.9 | 46.8 | 46.80 | 159 | 80 | 00 / 00 | 79.1 | |
| 86 | Fourteen Hours (1951) | Grace Kelly | 2.0 | 50.0 | 50.00 | 156 | 78 | 01 / 00 | 78.9 | |
| 93 | Come Fill the Cup (1951) | James Cagney & Gig Young |
5.1 | 127.4 | 182.10 | 58 | 53 | 01 / 00 | 78.9 | |
| 94 | Valentino (1951) | Eleanor Parker | 4.4 | 110.7 | 110.70 | 76 | 59 | 00 / 00 | 78.5 | |
| 96 | The Golden Horde (1951) | Ann Blyth | 4.3 | 107.1 | 107.10 | 83 | 60 | 00 / 00 | 78.4 | |
| 97 | I'll Never Forget You (1951) | Tyrone Power | 5.0 | 125.0 | 125.00 | 59 | 54 | 00 / 00 | 78.3 | |
| 95 | The Mob (1951) | Ernest Borgnine & Charles Bronson |
3.0 | 75.0 | 75.00 | 122 | 69 | 00 / 00 | 78.1 | |
| 99 | Comin' Round The Mountain (1951) | Bud Abbott | 4.4 | 110.7 | 110.70 | 78 | 58 | 00 / 00 | 77.9 | |
| 99 | Force of Arms (1951) | William Holden | 4.0 | 100.8 | 141.10 | 89 | 61 | 00 / 00 | 77.8 | |
| 100 | I Was a Communist for the F.B.I. (1951) | Frank Lovejoy | 3.8 | 94.2 | 125.60 | 92 | 62 | 01 / 00 | 77.7 | |
| 104 | The Prince Who Was A Thief (1951) | Tony Curtis & Piper Laurie |
4.2 | 105.4 | 105.40 | 84 | 59 | 00 / 00 | 77.5 | |
| 103 | The River (1951) | Patricia Walters | 2.9 | 71.4 | 71.40 | 129 | 69 | 00 / 00 | 76.9 | |
| 101 | The Steel Helmet (1951) | Gene Evans & Directed by Sam Fulller |
2.0 | 50.3 | 50.30 | 153 | 75 | 00 / 00 | 76.8 | |
| 106 | Starlift (1951) | Doris Day & Randolph Scott |
4.8 | 121.1 | 164.40 | 64 | 53 | 00 / 00 | 76.8 | |
| 104 | Warpath (1951) | Edmond O'Brien | 3.6 | 89.3 | 89.30 | 100 | 63 | 00 / 00 | 76.7 | |
| 107 | I Can Get It For You Wholesale (1951) | Susan Hayward & George Sanders |
4.1 | 101.8 | 101.80 | 88 | 59 | 00 / 00 | 76.6 | |
| 106 | The Redhead and the Cowboy (1951) | Glenn Ford & Rhonda Fleming |
3.6 | 89.3 | 89.30 | 104 | 62 | 00 / 00 | 76.3 | |
| 110 | Golden Girl (1951) | Mitzi Gaynor | 4.3 | 107.3 | 107.30 | 80 | 56 | 01 / 00 | 76.2 | |
| 110 | Half Angel (1951) | Joseph Cotten & Loretta Young |
4.3 | 107.1 | 107.10 | 81 | 56 | 00 / 00 | 76.0 | |
| 109 | Raton Pass (1951) | Patricia Neal & Dennis Morgan |
3.7 | 92.9 | 92.90 | 94 | 61 | 00 / 00 | 76.0 | |
| 113 | Apache Drums (1951) | Stephen McNally | 4.0 | 100.0 | 100.00 | 90 | 58 | 00 / 00 | 75.4 | |
| 114 | Rich, Young and Pretty (1951) | Jane Powell & Danielle Darrieux |
5.5 | 138.2 | 214.20 | 53 | 45 | 01 / 00 | 75.3 | |
| 115 | Take Care of My Little Girl (1951) | Jeanne Crain | 5.3 | 132.1 | 132.10 | 54 | 47 | 00 / 00 | 75.2 | |
| 111 | Crosswinds (1951) | John Payne & Rhonda Fleming |
3.6 | 89.3 | 89.30 | 99 | 61 | 00 / 00 | 75.1 | |
| 115 | Let's Make It Legal (1951) | Claudette Colbert & Marilyn Monroe |
3.6 | 89.3 | 89.30 | 101 | 59 | 00 / 00 | 73.8 | |
| 114 | Close To My Heart (1951) | Ray Milland & Gene Tierney |
2.5 | 62.5 | 62.50 | 137 | 68 | 00 / 00 | 73.7 | |
| 119 | Grounds For Marriage (1951) | Van Johnson & Red Skelton |
3.2 | 79.7 | 113.40 | 113 | 61 | 00 / 00 | 72.8 | |
| 121 | Payment on Demand (1951) | Bette Davis | 4.4 | 108.9 | 166.10 | 79 | 52 | 00 / 00 | 72.6 | |
| 121 | Man in The Saddle (1951) | Randolph Scott | 3.3 | 82.1 | 82.10 | 110 | 60 | 00 / 00 | 72.5 | |
| 120 | Little Egypt (1951) | Rhonda Fleming | 3.1 | 78.6 | 78.60 | 117 | 61 | 00 / 00 | 72.4 | |
| 117 | Another Man's Poison (1951) | Bette Davis & Gary Merrill |
2.4 | 60.4 | 60.40 | 140 | 67 | 00 / 00 | 72.2 | |
| 122 | The Tanks Are Coming (1951) | Steve Cochran | 3.7 | 91.6 | 133.40 | 98 | 57 | 00 / 00 | 72.1 | |
| 125 | Saturday's Hero (1951) | Donna Reed & John Derek |
3.3 | 82.1 | 82.10 | 111 | 59 | 00 / 00 | 71.7 | |
| 128 | Week-End with Father (1951) | Van Heflin & Patricia Neal |
3.6 | 89.3 | 89.30 | 102 | 57 | 00 / 00 | 71.3 | |
| 125 | Cattle Drive (1951) | Joel McCrea & Dean Stockwell |
2.7 | 68.3 | 68.30 | 134 | 63 | 00 / 00 | 71.2 | |
| 126 | Darling, How Could You! (1951) | Joan Fontaine | 2.7 | 67.9 | 67.90 | 135 | 63 | 00 / 00 | 71.1 | |
| 124 | The 13th Letter (1951) | Linda Darnell | 2.1 | 53.6 | 53.60 | 149 | 68 | 00 / 00 | 71.1 | |
| 129 | Submarine Command (1951) | William Holden | 3.1 | 77.1 | 77.10 | 118 | 60 | 00 / 00 | 70.9 | |
| 130 | The Wild Blue Yonder (1951) | Walter Brennan & Wendell Corey |
2.9 | 71.4 | 71.40 | 131 | 62 | 00 / 00 | 70.8 | |
| 125 | A Christmas Carol (1951) | Alastair Sim | 0.9 | 23.2 | 23.20 | 211 | 77 | 00 / 00 | 70.4 | |
| 131 | As Young As You Feel (1951) | Marilyn Monroe & Thelma Ritter |
2.3 | 57.1 | 57.10 | 142 | 66 | 00 / 00 | 70.1 | |
| 137 | Goodbye, My Fancy (1951) | Joan Crawford & Robert Young |
3.7 | 92.9 | 109.10 | 95 | 54 | 00 / 00 | 70.0 | |
| 131 | Chicago Calling (1951) | Dan Duryea | 1.4 | 36.1 | 36.10 | 175 | 72 | 00 / 00 | 70.0 | |
| 134 | Smuggler's Island (1951) | Jeff Chandler | 3.0 | 75.0 | 75.00 | 124 | 60 | 00 / 00 | 69.9 | |
| 138 | Iron Man (1951) | Rock Hudson & Jeff Chandler |
2.9 | 71.4 | 71.40 | 130 | 61 | 00 / 00 | 69.8 | |
| 136 | Thunder on the Hill (1951) | Claudette Colbert | 2.1 | 51.5 | 51.50 | 152 | 67 | 00 / 00 | 69.3 | |
| 133 | The Browning Version (1951) | 0.9 | 21.6 | 21.60 | 213 | 76 | 00 / 00 | 68.7 | ||
| 137 | Night Into Morning (1951) | Ray Milland | 1.6 | 39.7 | 58.50 | 165 | 70 | 00 / 00 | 68.5 | |
| 139 | Tomorrow Is Another Day (1951) | Steve Cochran & Ruth Roman |
1.7 | 41.6 | 66.40 | 162 | 69 | 00 / 00 | 67.9 | |
| 138 | The Tall Target (1951) | Dick Powell & Adolphe Menjou |
1.4 | 33.8 | 44.30 | 180 | 71 | 00 / 00 | 67.9 | |
| 138 | Othello (1951) | Orson Welles & Doris Dowling |
0.1 | 2.9 | 2.90 | 244 | 81 | 00 / 00 | 67.7 | |
| 144 | Lightning Strikes Twice (1951) | Ruth Roman | 2.2 | 56.1 | 81.70 | 144 | 64 | 00 / 00 | 67.6 | |
| 145 | Bedtime For Bonzo (1951) | Ronald Reagan | 3.5 | 87.5 | 87.50 | 106 | 53 | 00 / 00 | 66.8 | |
| 142 | The Well (1951) | Harry Morgan | 0.9 | 23.3 | 23.30 | 208 | 72 | 02 / 00 | 66.7 | |
| 145 | Dear Brat (1951) | Natalie Wood & Edward Arnold |
2.2 | 56.1 | 56.10 | 145 | 63 | 00 / 00 | 66.4 | |
| 146 | Inside the Walls of Folsom Prison (1951) | Steve Cochran | 2.2 | 55.1 | 83.20 | 147 | 63 | 00 / 00 | 66.0 | |
| 149 | Silver City (1951) | Barry Fitzgerald | 3.1 | 76.8 | 76.80 | 120 | 55 | 00 / 00 | 65.1 | |
| 148 | Sealed Cargo (1951) | Dana Andrews & Claude Rains |
2.4 | 58.9 | 85.70 | 141 | 61 | 00 / 00 | 65.0 | |
| 150 | A Millionaire for Christy (1951) | Fred MacMurray & Eleanor Parker |
2.9 | 71.4 | 71.40 | 127 | 57 | 00 / 00 | 64.8 | |
| 145 | The Tooth Will Out (1951) | 0.1 | 3.6 | 3.60 | 242 | 78 | 00 / 00 | 64.4 | ||
| 153 | Passage West (1951) | John Payne | 2.9 | 73.2 | 73.20 | 125 | 56 | 00 / 00 | 64.3 | |
| 154 | Inside Straight (1951) | Arlene Dahl | 1.6 | 39.4 | 54.90 | 166 | 66 | 00 / 00 | 63.5 | |
| 151 | Outcast of the Islands (1951) | Ralph Richardson & Trevor Howard |
0.6 | 15.1 | 15.10 | 225 | 73 | 00 / 00 | 63.3 | |
| 152 | The Man in the White Suit (1951) | Alec Guinness | 0.6 | 15.4 | 15.40 | 222 | 72 | 01 / 00 | 63.2 | |
| 157 | Callaway Went Thataway (1951) | Fred MacMurray & Howard Keel |
3.1 | 76.5 | 95.60 | 121 | 53 | 00 / 00 | 62.5 | |
| 156 | When I Grow Up (1951) | Robert Preston | 1.1 | 28.2 | 28.20 | 197 | 68 | 00 / 00 | 61.3 | |
| 155 | Bellissima/Beautiful (1951) | 0.3 | 7.2 | 7.20 | 239 | 74 | 00 / 00 | 61.1 | ||
| 160 | Santa Fe (1951) | Randolph Scott | 3.1 | 76.8 | 76.80 | 119 | 52 | 00 / 00 | 61.1 | |
| 157 | M (1951) | Norman Lloyd & Raymond Burr |
1.2 | 29.4 | 29.40 | 194 | 67 | 00 / 00 | 60.4 | |
| 158 | Laughter in Paradise (1951) | Audrey Hepburn | 0.8 | 19.6 | 19.60 | 215 | 69 | 00 / 00 | 59.7 | |
| 163 | The Harlem Globetrotters (1951) | Dorothy Dandridge | 1.8 | 46.0 | 46.00 | 161 | 61 | 00 / 00 | 59.4 | |
| 166 | The People Against O'Hara (1951) | Spencer Tracy | 3.2 | 79.1 | 121.10 | 114 | 50 | 00 / 00 | 58.5 | |
| 162 | The House on Telegraph Hill (1951) | Richard Basehart | 1.5 | 37.0 | 37.00 | 173 | 62 | 01 / 00 | 58.4 | |
| 160 | Kind Lady (1951) | Angela Lansbury & Directed by John Sturges |
1.0 | 25.8 | 35.70 | 204 | 66 | 01 / 00 | 58.3 | |
| 170 | Sirocco (1951) | Humphrey Bogart | 3.7 | 92.9 | 92.90 | 96 | 45 | 00 / 00 | 58.2 | |
| 168 | Peking Express (1951) | Joseph Cotten | 3.1 | 78.6 | 78.60 | 115 | 50 | 00 / 00 | 58.2 | |
| 164 | Hotel Sahara (1951) | Peter Ustinov | 1.6 | 40.3 | 40.30 | 163 | 62 | 00 / 00 | 58.1 | |
| 169 | The Brave Bulls (1951) | Anthony Quinn & Mel Ferrer |
2.9 | 71.4 | 71.40 | 133 | 52 | 00 / 00 | 57.9 | |
| 168 | Cause for Alarm! (1951) | Loretta Young | 1.5 | 37.0 | 54.90 | 172 | 62 | 00 / 00 | 57.1 | |
| 165 | Bullfighter and the Lady (1951) | Robert Stack | 1.0 | 24.7 | 24.70 | 207 | 65 | 01 / 00 | 57.1 | |
| 169 | The Guy Who Came Back (1951) | Joan Bennett & Linda Darnell |
1.2 | 30.4 | 30.40 | 188 | 64 | 00 / 00 | 56.3 | |
| 172 | F.B.I. Girl (1951) | Raymond Burr | 1.5 | 36.6 | 36.60 | 174 | 62 | 00 / 00 | 56.2 | |
| 173 | The Strip (1951) | Mickey Rooney | 1.9 | 46.9 | 70.10 | 158 | 58 | 01 / 00 | 56.2 | |
| 173 | The Company She Keeps (1951) | Lizabeth Scott | 1.4 | 35.4 | 35.40 | 176 | 62 | 00 / 00 | 55.6 | |
| 179 | My Forbidden Past (1951) | Robert Mitchum & Ava Gardner |
3.1 | 78.6 | 112.50 | 116 | 48 | 00 / 00 | 54.9 | |
| 174 | The Magic Box (1951) | Peter Ustinov & Robert Donat |
0.4 | 8.9 | 8.90 | 234 | 70 | 00 / 00 | 54.9 | |
| 180 | Behave Yourself! (1951) | Shelley Winters & Farley Granger |
2.9 | 71.4 | 71.40 | 128 | 50 | 00 / 00 | 54.6 | |
| 176 | Little Big Horn/The Fighting Seventh (1951) | Lloyd Bridges | 0.5 | 12.5 | 12.50 | 227 | 68 | 00 / 00 | 54.4 | |
| 179 | Strictly Dishonorable (1951) | Ezio Pinza | 1.9 | 47.1 | 62.90 | 157 | 57 | 00 / 00 | 54.3 | |
| 180 | Air Cadet (1951) | Rock Hudson & Gail Russell |
2.0 | 50.1 | 50.10 | 154 | 56 | 00 / 00 | 54.2 | |
| 184 | The Law And The Lady (1951) | Greer Garson | 1.6 | 40.2 | 97.10 | 164 | 59 | 00 / 00 | 52.9 | |
| 181 | The Scarf (1951) | Mercedes McCambridge | 1.1 | 26.8 | 26.80 | 200 | 63 | 00 / 00 | 52.6 | |
| 180 | The Man From Planet X (1951) | Robert Clarke | 1.2 | 30.0 | 30.00 | 190 | 62 | 00 / 00 | 52.6 | |
| 183 | The Mark of the Renegade (1951) | Cyd Charisse & Ricardo Montalban |
1.3 | 33.0 | 33.00 | 181 | 61 | 00 / 00 | 52.4 | |
| 185 | Journey Into Light (1951) | Sterling Hayden & Thomas Mitchell |
1.1 | 27.7 | 27.70 | 198 | 62 | 00 / 00 | 52.1 | |
| 187 | The Lady Pays Off (1951) | Linda Darnell | 1.9 | 46.4 | 46.40 | 160 | 56 | 00 / 00 | 52.0 | |
| 186 | Hard, Fast and Beautiful! (1951) | Directed by Ida Lupino | 1.4 | 35.0 | 35.00 | 178 | 60 | 00 / 00 | 51.7 | |
| 188 | The Lady From Texas (1951) | Ed Begley | 1.1 | 28.7 | 28.70 | 195 | 61 | 00 / 00 | 50.8 | |
| 189 | Fury of the Congo (1951) | 1.2 | 29.7 | 29.70 | 191 | 61 | 00 / 00 | 50.4 | ||
| 191 | Best of the Badmen (1951) | Robert Ryan & Walter Brennan |
3.0 | 75.0 | 117.90 | 123 | 46 | 00 / 00 | 50.2 | |
| 190 | The First Legion (1951) | Charles Boyer & William Demarest |
0.5 | 13.2 | 13.20 | 226 | 66 | 00 / 00 | 49.9 | |
| 194 | Tarzan's Peril (1951) | Lex Barker & Tarzan Movies |
2.1 | 53.6 | 119.60 | 150 | 52 | 00 / 00 | 48.6 | |
| 194 | Al Jennings of Oklahoma (1951) | Dan Duryea | 1.1 | 26.8 | 26.80 | 201 | 60 | 00 / 00 | 47.5 | |
| 192 | Der Verlorene (1951) | Peter Lorre | 0.0 | 0.5 | 0.50 | 245 | 68 | 00 / 00 | 47.3 | |
| 193 | Fighting Coast Guard (1951) | Brian Donlevy | 0.7 | 16.8 | 16.80 | 218 | 63 | 00 / 00 | 47.1 | |
| 195 | Adventures of Captain Fabian (1951) | Errol Flynn & Vincent Price |
1.2 | 30.4 | 30.40 | 186 | 59 | 00 / 00 | 46.9 | |
| 196 | You Never Can Tell (1951) | Dick Powell | 1.2 | 30.4 | 30.40 | 185 | 59 | 00 / 00 | 46.9 | |
| 200 | Soldiers Three (1951) | David Niven & Stewart Granger |
2.9 | 72.6 | 159.80 | 126 | 45 | 00 / 00 | 46.7 | |
| 197 | Stronghold (1951) | Veronica Lake & Zachary Scott |
1.0 | 25.3 | 25.30 | 205 | 60 | 00 / 00 | 45.7 | |
| 200 | Pardon My French/The Lady From Boston (1951) | Merle Oberon & Paul Henreid |
1.5 | 38.0 | 38.00 | 169 | 56 | 00 / 00 | 45.6 | |
| 204 | Love Nest (1951) | Marilyn Monroe & June Haver |
2.0 | 50.0 | 50.00 | 155 | 52 | 00 / 00 | 45.5 | |
| 199 | The Highwayman (1951) | Charles Coburn | 0.3 | 8.1 | 8.10 | 236 | 65 | 00 / 00 | 45.4 | |
| 201 | The Unknown Man (1951) | Walter Pidegeon & Ann Harding |
1.1 | 27.2 | 50.80 | 199 | 59 | 00 / 00 | 45.0 | |
| 204 | Cry, the Beloved Country (1951) | Sidney Poitier | 1.1 | 28.6 | 28.60 | 196 | 58 | 00 / 00 | 43.9 | |
| 204 | Happy Go Lovely (1951) | David Niven & Vera-Ellen |
0.9 | 20.1 | 20.10 | 214 | 59 | 00 / 00 | 41.2 | |
| 205 | Double Crossbones (1951) | Donald O'Connor | 1.2 | 30.4 | 30.40 | 189 | 56 | 00 / 00 | 40.9 | |
| 206 | New Mexico (1951) | Raymond Burr | 1.6 | 38.9 | 38.90 | 168 | 53 | 00 / 00 | 40.6 | |
| 205 | Gunplay (1951) | Tim Holt | 0.4 | 10.4 | 10.40 | 232 | 62 | 00 / 00 | 40.6 | |
| 207 | The Man With A Cloak (1951) | Joseph Cotten & Barbara Stanwyck |
1.3 | 31.5 | 54.50 | 183 | 55 | 00 / 00 | 40.1 | |
| 208 | No Questions Asked (1951) | Arlene Dahl | 1.4 | 34.5 | 46.90 | 179 | 54 | 00 / 00 | 40.0 | |
| 210 | Target Unknown (1951) | Gig Young | 1.2 | 29.7 | 29.70 | 192 | 55 | 00 / 00 | 39.1 | |
| 210 | Mister Universe (1951) | 0.4 | 10.1 | 10.10 | 230 | 61 | 00 / 00 | 38.4 | ||
| 212 | The Long Dark Hall (1951) | Rex Harrison | 0.9 | 23.3 | 23.30 | 209 | 57 | 00 / 00 | 38.0 | |
| 214 | Flame of Stamboul (1951) | Norman Lloyd | 1.5 | 37.6 | 37.60 | 170 | 51 | 00 / 00 | 35.8 | |
| 214 | The Last Outpost (1951) | Ronald Reagan & Rhonda Fleming |
0.9 | 22.5 | 22.50 | 212 | 55 | 00 / 00 | 34.0 | |
| 219 | Teresa (1951) | Directed by Fred Zinnemann | 2.1 | 53.1 | 124.80 | 151 | 45 | 01 / 00 | 33.8 | |
| 215 | Saddle Legion (1951) | Tim Holt | 0.4 | 8.9 | 10.40 | 235 | 59 | 00 / 00 | 33.5 | |
| 218 | Belle Le Grand (1951) | Hope Emerson & Harry Morgan |
0.6 | 15.1 | 15.10 | 220 | 57 | 00 / 00 | 32.5 | |
| 217 | Belle Le Grand (1951) | 0.6 | 15.1 | 15.10 | 220 | 57 | 00 / 00 | 32.5 | ||
| 220 | The Basketball Fix (1951) | John Ireland | 1.6 | 39.3 | 39.30 | 167 | 49 | 00 / 00 | 31.5 | |
| 221 | The Light Touch (1951) | George Sanders | 1.3 | 31.3 | 91.50 | 184 | 51 | 00 / 00 | 30.3 | |
| 222 | The Great Missouri Raid (1951) | 0.4 | 10.1 | 10.10 | 231 | 57 | 00 / 00 | 29.5 | ||
| 223 | On The Loose (1951) | Melvyn Douglas | 1.2 | 29.6 | 29.60 | 193 | 51 | 00 / 00 | 29.4 | |
| 224 | Young Wives' Tale (1951) | Audrey Hepburn | 0.6 | 15.4 | 15.40 | 223 | 54 | 00 / 00 | 27.7 | |
| 225 | The Whip Hand (1951) | Raymond Burr | 0.6 | 15.2 | 15.20 | 224 | 54 | 00 / 00 | 27.7 | |
| 227 | Double Dynamite (1951) | Frank Sinatra & Jane Russell |
1.4 | 35.4 | 35.40 | 177 | 47 | 00 / 00 | 26.5 | |
| 224 | Flight To Mars (1951) | Cameron Mitchell | 0.6 | 15.1 | 15.10 | 221 | 53 | 00 / 00 | 26.1 | |
| 228 | Cave Of Outlaws (1951) | 0.2 | 3.5 | 3.50 | 240 | 57 | 00 / 00 | 25.8 | ||
| 229 | The Sea Hornet (1951) | Rod Cameron | 0.1 | 3.1 | 3.10 | 243 | 57 | 00 / 00 | 25.2 | |
| 231 | St. Benny the Dip (1951) | 0.3 | 6.8 | 6.80 | 238 | 55 | 00 / 00 | 24.9 | ||
| 230 | No Resting Place (1951) | Maureen O'Sullivan | 0.4 | 9.0 | 9.00 | 233 | 55 | 00 / 00 | 24.9 | |
| 230 | It's a Big Country (1951) | Gary Cooper & Gene Kelly |
1.5 | 37.6 | 46.80 | 171 | 46 | 00 / 00 | 24.7 | |
| 233 | The Magic Carpet (1951) | Lucille Ball & Raymond Burr |
1.2 | 30.4 | 30.40 | 187 | 48 | 00 / 00 | 24.2 | |
| 234 | Footlight Varieties (1951) | Jack Paar | 0.4 | 11.1 | 15.70 | 229 | 53 | 00 / 00 | 23.5 | |
| 235 | Mr Drake's Duck (1951) | Douglas Fairbanks Jr. | 0.9 | 23.2 | 23.20 | 210 | 49 | 00 / 00 | 23.0 | |
| 236 | Shadow And Light (1951) | 0.1 | 3.4 | 3.40 | 241 | 54 | 00 / 00 | 20.5 | ||
| 237 | Mr. Imperium (1951) | Debbie Reynolds & Lana Turner |
1.3 | 32.9 | 53.90 | 182 | 43 | 00 / 00 | 17.3 | |
| 238 | Calling Bulldog Drummond (1951) | Walter Pidgeon | 1.1 | 26.6 | 63.50 | 203 | 44 | 00 / 00 | 16.3 | |
| 239 | Bannerline (1951) | Lionel Barrymore | 1.0 | 25.0 | 32.60 | 206 | 43 | 00 / 00 | 14.3 | |
| 240 | Home Town Story (1951) | Marilyn Monroe & Donald Crisp |
0.7 | 17.4 | 23.90 | 219 | 45 | 00 / 00 | 13.5 | |
| 241 | My Outlaw Brother (1951) | Mickey Rooney & Robert Preston |
0.4 | 11.2 | 11.20 | 228 | 47 | 00 / 00 | 13.1 | |
| 243 | The Painted Hills (1951) | Lassie | 2.2 | 55.9 | 77.50 | 146 | 32 | 00 / 00 | 12.3 | |
| 242 | Slaughter Trail (1951) | Gig Young | 0.8 | 19.6 | 19.60 | 216 | 43 | 00 / 00 | 11.9 | |
| 244 | The Groom Wore Spurs (1951) | Ginger Rogers & Jack Carson |
1.1 | 26.8 | 26.80 | 202 | 40 | 00 / 00 | 10.9 | |
| 245 | The Lady Says No (1951) | David Niven | 0.7 | 16.9 | 16.90 | 217 | 40 | 00 / 00 | 8.2 | |
| 245 | Bride of the Gorilla (1951) | Raymond Burr | 0.3 | 7.3 | 7.30 | 237 | 39 | 00 / 00 | 4.9 |

1951 Box Office Grosses – Adjusted World Wide
| Movie (Year) | UMR Co-Star Links | World-Wide Box Office Adjusted (mil) | S |
|---|---|---|---|
| Movie (Year) | UMR Co-Star Links | World-Wide Box Office Adjusted (mil) | S |
| Quo Vadis (1951) AA Best Picture Nom |
Robert Taylor & Deborah Kerr |
1,359.80 | |
| The Great Caruso (1951) | Mario Lanza | 677.90 | |
| Show Boat (1951) | Ava Gardner & Kathryn Grayson |
544.40 | |
| An American in Paris (1951) AA Best Picture Win |
Gene Kelly & Leslie Caron |
531.70 | |
| A Place in the Sun (1951) AA Best Picture Nom |
Montgomery Clift & Elizabeth Taylor |
492.90 | |
| Captain Horatio Hornblower (1951) | Gregory Peck & Virginia Mayo |
380.90 | |
| Painting The Clouds With Sunshine (1951) | Virginia Mayo & Dennis Morgan |
341.60 | |
| Father's Little Dividend (1951) | Spencer Tracy & Elizabeth Taylor |
335.70 | |
| Across the Wide Missouri (1951) | Clark Gable & Ricardo Montalbán |
328.60 | |
| Westward the Women (1951) | Robert Taylor | 285.40 | |
| Flying Leathernecks (1951) | John Wayne & Robert Ryan |
282.10 | |
| Royal Wedding (1951) | Fred Astaire & Jane Powell |
278.70 | |
| Operation Pacific (1951) | John Wayne & Patricia Neal |
275.90 | |
| Texas Carnival (1951) | Esther Williams & Red Skelton |
272.90 | |
| On Moonlight Bay (1951) | Doris Day & Gordon MacRae |
266.40 | |
| The Thing from Another World (1951) | James Arness & Directed by Howard Hawks |
242.90 | |
| Go For Broke! (1951) | Van Johnson | 238.40 | |
| Distant Drums (1951) | Gary Cooper | 233.60 | |
| I'll See You in My Dreams (1951) | Doris Day & Danny Thomas |
228.30 | |
| Vengeance Valley (1951) | Burt Lancaster & Robert Walker |
224.70 | |
| Lullaby of Broadway (1951) | Doris Day | 220.40 | |
| Rich, Young and Pretty (1951) | Jane Powell & Danielle Darrieux |
214.20 | |
| Strangers on a Train (1951) | Robert Walker & Directed by Alfred Hitchcock |
209.70 | |
| Jim Thorpe -- All-American (1951) | Burt Lancaster | 206.30 | |
| The Enforcer (1951) | Humphrey Bogart | 205.20 | |
| Come Fill the Cup (1951) | James Cagney & Gig Young |
182.10 | |
| Fort Worth (1951) | Randolph Scott | 167.30 | |
| Payment on Demand (1951) | Bette Davis | 166.10 | |
| Too Young To Kiss (1951) | Van Johnson & Gig Young |
164.90 | |
| Starlift (1951) | Doris Day & Randolph Scott |
164.40 | |
| Excuse My Dust (1951) | Red Skelton | 164.10 | |
| Soldiers Three (1951) | David Niven & Stewart Granger |
159.80 | |
| Three Guys Named Mike (1951) | Van Johnson & Howard Keel |
159.30 | |
| Force of Arms (1951) | William Holden | 141.10 | |
| Along the Great Divide (1951) | Kirk Douglas & Virginia Mayo |
140.00 | |
| The Tanks Are Coming (1951) | Steve Cochran | 133.40 | |
| I Was a Communist for the F.B.I. (1951) | Frank Lovejoy | 125.60 | |
| Teresa (1951) | Directed by Fred Zinnemann | 124.80 | |
| The People Against O'Hara (1951) | Spencer Tracy | 121.10 | |
| Tarzan's Peril (1951) | Lex Barker & Tarzan Movies |
119.60 | |
| Angels in the Outfield (1951) | Janet Leigh & Baseball Movies |
119.00 | |
| Best of the Badmen (1951) | Robert Ryan & Walter Brennan |
117.90 | |
| Grounds For Marriage (1951) | Van Johnson & Red Skelton |
113.40 | |
| My Forbidden Past (1951) | Robert Mitchum & Ava Gardner |
112.50 | |
| Goodbye, My Fancy (1951) | Joan Crawford & Robert Young |
109.10 | |
| The Law And The Lady (1951) | Greer Garson | 97.10 | |
| Callaway Went Thataway (1951) | Fred MacMurray & Howard Keel |
95.60 | |
| The Light Touch (1951) | George Sanders | 91.50 | |
| Sealed Cargo (1951) | Dana Andrews & Claude Rains |
85.70 | |
| Inside the Walls of Folsom Prison (1951) | Steve Cochran | 83.20 | |
| Lightning Strikes Twice (1951) | Ruth Roman | 81.70 | |
| Cry Danger (1951) | Dick Powell & Rhonda Fleming |
78.60 | |
| The Painted Hills (1951) | Lassie | 77.50 | |
| The Red Badge of Courage (1951) | Audie Murphy & Directed by John Huston |
77.10 | |
| The Strip (1951) | Mickey Rooney | 70.10 | |
| Tomorrow Is Another Day (1951) | Steve Cochran & Ruth Roman |
66.40 | |
| Calling Bulldog Drummond (1951) | Walter Pidgeon | 63.50 | |
| Strictly Dishonorable (1951) | Ezio Pinza | 62.90 | |
| Night Into Morning (1951) | Ray Milland | 58.50 | |
| Inside Straight (1951) | Arlene Dahl | 54.90 | |
| Cause for Alarm! (1951) | Loretta Young | 54.90 | |
| The Man With A Cloak (1951) | Joseph Cotten & Barbara Stanwyck |
54.50 | |
| Mr. Imperium (1951) | Debbie Reynolds & Lana Turner |
53.90 | |
| The Unknown Man (1951) | Walter Pidegeon & Ann Harding |
50.80 | |
| No Questions Asked (1951) | Arlene Dahl | 46.90 | |
| It's a Big Country (1951) | Gary Cooper & Gene Kelly |
46.80 | |
| The Tall Target (1951) | Dick Powell & Adolphe Menjou |
44.30 | |
| Kind Lady (1951) | Angela Lansbury & Directed by John Sturges |
35.70 | |
| Bannerline (1951) | Lionel Barrymore | 32.60 | |
| Home Town Story (1951) | Marilyn Monroe & Donald Crisp |
23.90 | |
| Footlight Varieties (1951) | Jack Paar | 15.70 | |
| Saddle Legion (1951) | Tim Holt | 10.40 |
Top earners in 1951 for Adjusted USA Box Office:
| Name | Number of Movies | Total Adj World Wide (mil) | Total Adj USA (mil) |
|---|---|---|---|
| Robert Taylor | 2 | 1,645.2 | 841.7 |
| Everett Sloane | 6 | 849.9 | 757.8 |
| Howard Keel | 4 | 1,072.2 | 745.5 |
| Jim Backus | 8 | 812.2 | 735.1 |
| Susan Hayward | 4 | 731.8 | 731.8 |
| Peter Ustinov | 3 | 1,409.0 | 702.3 |
| Gregory Peck | 3 | 860.9 | 665.6 |
| Deborah Kerr | 1 | 1,359.8 | 653.1 |
| Leo Genn | 1 | 1,359.8 | 653.1 |
| Doris Day | 4 | 879.5 | 641.0 |
| Agnes Moorehead | 4 | 781.9 | 615.6 |
| Ann Blyth | 4 | 961.5 | 607.2 |
| Virginia Mayo | 4 | 1,026.9 | 600.8 |
| Jane Wyman | 4 | 662.9 | 582.2 |
| Raymond Massey | 3 | 633.5 | 578.8 |
| Raymond Burr | 8 | 793.6 | 550.7 |
| Ava Gardner | 3 | 746.2 | 546.0 |
| Van Johnson | 5 | 722.8 | 534.4 |
| Karl Malden | 2 | 532.2 | 532.2 |
| Vincente Minnelli | 2 | 867.4 | 529.5 |
| Jerry Lewis | 2 | 521.4 | 521.4 |
| Dean Martin | 2 | 521.4 | 521.4 |
| Keenan Wynn | 5 | 753.1 | 519.1 |
| Randolph Scott | 5 | 604.9 | 518.2 |
| Richard Boone | 3 | 516.1 | 516.1 |
My Main Sources
Source 1: Eddie Mannix MGM Ledgers
Source 2: C.J. Tevlin RKO Ledgers
Source 3: William Schaefer Warner Brothers Ledgers
Source 4: Year In Review Variety Editions
Source 5: Grand Design: Hollywood As A Modern Business Enterprise 1930-1942 by Tino Balio
Source 6: Twentieth Century-Fox A Corporate and Financial History by Aubrey Solomon
Source 7: Wikipedia
Source 8: IMDb.com
Source 9: “Revenue sharing and the coming of sound” by H. Mark Glancy
Source 10: Hollywood Power Stats by Christopher Reynolds
Worldwide Adjusted Box Office Grosses (in millions)
- Quo Vadis (1951) $1,039,828,818.00
- The Great Caruso (1951) $469,126,591.00
- Show Boat (1951) $376,695,148.00
- An American in Paris (1951) $367,935,224.00
- A Place in the Sun (1951) $341,057,148.00
- Captain Horatio Hornblower (1951) $263,602,574.00
- Painting The Clouds With Sunshine (1951) $236,416,852.00
- Father’s Little Dividend (1951) $232,314,278.00
- Across the Wide Missouri (1951) $227,420,852.00
- Westward the Women (1951) $197,516,574.00
- Flying Leathernecks (1951) $195,242,852.00
- Royal Wedding (1951) $192,870,278.00
- Operation Pacific (1951) $190,942,574.00
- Texas Carnival (1951) $188,817,148.00
- On Moonlight Bay (1951) $184,368,574.00
- The Thing from Another World (1951) $168,057,148.00
- Go For Broke! (1951) $164,943,148.00
- Distant Drums (1951) $161,680,852.00
- I’ll See You in My Dreams (1951) $157,973,722.00
- Vengenance Valley (1951) $155,502,278.00
- Lullaby of Broadway (1951) $152,487,148.00
- Rich Young and Pretty (1951) $148,236,278.00
- Strangers on a Train (1951) $145,122,278.00
- Jim Thorpe–All American (1951) $142,749,722.00
- The Enforcer (1951) $142,008,278.00
- Come Fill the Cup (1951) $125,993,426.00
- Fort Worth (1951) $115,761,722.00
- Payment on Demand (1951) $114,921,426.00
- Too Young To Kiss (1951) $114,081,148.00
- Starlift (1951) $113,784,574.00
- Excuse My Dust (1951) $113,586,852.00
- Soldiers Three (1951) $110,571,722.00
- Three Guys Named Mike (1951) $110,225,722.00
- Force of Arms (1951) $97,621,443.00
- Along the Great Divide (1951) $96,880,000.00
- The Tanks Are Coming (1951) $92,332,574.00
- I Was a Communist for the F.B.I. (1951) $86,944,852.00
- Teresa (1951) $86,351,722.00
- The People Against O’Hara (1951) $83,781,426.00
- Tarzan’s Peril (1951) $82,792,852.00
- Angels in the Outfield (1951) $82,348,000.00
- Best of the Badmen (1951) $81,557,148.00
- Grounds For Marriage (1951) $78,443,148.00
- My Forbidden Past (1951) $77,850,000.00
- Goodbye My Fancy (1951) $75,526,852.00
- The Law And The Lady (1951) $67,222,852.00
- Callaway Went Thataway (1951) $66,135,426.00
- The Light Touch (1951) $63,318,000.00
- Sealed Cargo (1951) $59,314,278.00
- Inside the Walls of Folsom Prison (1951) $57,584,278.00
- Lightning Strikes Twice (1951) $56,546,278.00
- Cry Danger (1951) $54,371,426.00
- The Painted Hills (1951) $53,630,000.00
- Red Badge of Courage (1951) $53,382,852.00
- The Strip (1951) $48,538,852.00
- Tomorrow Is Another Day (1951) $45,919,148.00
- Calling Bulldog Drummond (1951) $43,942,000.00
- Strictly Dishonorable (1951) $43,546,574.00
- Night Into Morning (1951) $40,482,000.00
- Inside Straight (1951) $38,010,574.00
- Cause for Alarm! (1951) $37,961,148.00
- The Man with the Cloak (1951) $37,714,000.00
- Mr. Imperium (1951) $37,318,574.00
- The Unknown Man (1951) $35,143,722.00
- No Questions Asked (1951) $32,425,148.00
- It’s a Big Country (1951) $32,375,722.00
- The Tall Target (1951) $30,645,722.00
- Kind Lady (1951) $24,714,278.00
- Bannerline (1951) $22,588,852.00
- Home Town Story (1951) $16,509,148.00
- Footlight Varieties (1951) $10,874,278.00
- Saddle Legion (1951) $7,167,148.00
My Yearly Review Pages
- 1936 Movies Ranked Best to Worst Our movie of the year? Mr. Deeds Goes To Town
- 1937 Movies Ranked Best to Worst Our movie of the year? The Good Earth
- 1938 Movies Ranked Best to Worst Our movie of the year? The Adventures of Robin Hood
- 1939 Movies Ranked Best to Worst Our movie of the year? Gone With The Wind
- 1940 Movies Ranked Best to Worst Our movie of the year? Rebecca
- 1941 Movies Ranked Best to Worst Our movie of the year? How Green Was My Valley
- 1942 Movies Ranked Best to Worst Our movie of the year? Mrs. Miniver
- 1943 Movies Ranked Best to Worst Our movie of the year? Casablanca
- 1944 Movies Ranked Best to Worst Our movie of the year? Going My Way
- 1945 Movies Ranked Best to Worst Our movie of the year? The Lost Weekend
- 1946 Movies Ranked Best to Worst Our movie of the year? The Best Years of Our Lives
- 1947 Movies Ranked Best to Worst Our movie of the year? Gentleman’s Agreement
- 1948 Movies Ranked Best to Worst Our movie of the year? The Red Shoes
- 1949 Movies Ranked Best to Worst Our movie of the year? Battleground
- 1950 Movies Ranked Best to Worst Our movie of the year? All About Eve
- 1951 Movies Ranked Best to Worst Our movie of the year? A Streetcar Named Desire
- 1952 Movies Ranked Best to Worst Our movie of the year? Greatest Show On Earth
- 1959 Movies Ranked Best to Worst Our movie of the year? Ben-Hur
- 1976 Movies Ranked Best to Worst Our movie of the year? Rocky
- 2011 Movies Ranked Best to Worst Our movie of the year? The Help
- 2012 Movies Ranked Best to Worst Our movie of the year? Argo
- 2013 Movies Ranked Best to Worst Our movie of the year? Gravity
- 2014 Movies Ranked Best to Worst Our movie of the year? American Sniper
- 2015 Movies Ranked Best to Worst Our movie of the year? The Martian
- 2016 Movies Ranked Best to Worst Our movie of the year? La La Land

Summer Interlude
https://www.imdb.com/title/tt0044060
Highly rated Ingmar Bergman directed film
Both Francis Goes to the Races and Frances Goes to the Races are listed on this page in the first two tables. I believe those are the same film, as they have all the same data except slightly different Review scores.
Grounds for Marriage did not star Red Skelton. It did star Kathryn Grayson and Van Johnson.
200 The Man with the Cloak (1951)
Title might be “The Man with A Cloak”
Hey Sidney…fixed and thanks. Your efforts are making this website better.
April 30, 2020 at 10:20 am
Hi Mr. Cogerson,
Happy Birthday to your loved one.
I want to review a new movie to list for the year 1951.
“The Fighting Seventh/Little Big Horn”, Box Office 500,000 USD, source WIKIPEDIA
LINK- http://www.teako170.com/box50-59.html
This is a website called Stat-a-Mania
it views by year and reads as follows:
1951
001 $ 30.0 n/a $ 30.0 Quo Vadis (1951)
002 $ 4.5 n/a $ 4.5 An American in Paris (1951)
003 $ 2.7 n/a $ 2.7 Call Me Mister (1951)
004 $ 2.6 n/a $ 2.6 Meet Me After the Show (1951)
005 $ 2.5 n/a $ 2.5 On the Riviera (1951)
006 $ 1.1 $ 0.2 $ 1.4 Goodbye, My Fancy (1951)
007 $ 0.5 n/a $ 0.5 Little Big Horn (1951)
THX
Mike
Hey Mike….I am in the process of adding in Little Big Horn to the page….should be here on the next major website update. As for the rest of the numbers on this website….they are pretty close to the ones I have….though the lack of movies is bothersome when figuring out how accurate the information. Pretty sure that website has been around awhile. I am interested in some of the other low grossers….maybe some more ones to add from those years. As always…thanks for sharing this information.